The Sassongher, dramatically located in the Dolomites

The season to choose is coming: head up to the mountains or down to the ocean, or both? LUX Editor-in-Chief visits hotels in offbeat Alpine locations, perfect for discovery skiing, and drops by two lesser-visited luxury destinations in the Persian Gulf

Hotel Sassongher, Corvara, Dolomites, Italy

Italian cuisine, Austrian hospitality and tradition, the most spectacular skiing circuit in the Alps and utter tranquillity. If that sounds like the perfect skiing holiday, we can attest that it probably is.

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First things first. The Hotel Sassongher sits on a ledge above a broad plateau with the resort of Corvara to the front. Behind, forested slopes rise dramatically. This is the Dolomites, one of the most unusual and beautiful areas of Europe, with mountains of sheer pillars of rock rising from forested plateaus and valleys that look like nowhere else. Corvara is one of the higher resorts at 1,570m altitude, so its cool but sunny winters preserve its snow and provide clear blue skies.

Stylish tradition in a room with a view at the Hotel Sassongher

The hotel is festooned with souvenirs of the region’s heritage. Austrian until the end of the First World War and now Italian, it feels like both of the countries and neither, traditional yet flamboyant. The cultural benefits manifest themselves at dinner: a buffet, but of the highest quality, with a variety of meat, pasta, bean and mountain dishes that suggest Austrian heartiness with Italy’s delicacy and generosity.

Read more: Ronnie Kessel’s insider guide to St Moritz

Transport to the ski-lift hub, four minutes away, is always available and came rapidly when we finished skiing each day. The skiing is also special: it may lack the dramatic black runs of star French and Swiss resorts, but it has something else: the Sellaronda, a huge circuit that takes a good intermediate all day to ski, joining a series of resorts in quite separate valleys around a small board of peaks. On the clearly marked circuit, you have the feeling of visiting lots of mini-mountain cultures, rather than, say, the hyper-organised uniformity of Courchevel. There are also so many welcoming restaurants that you could have plenty of lunches, but keep temptation at bay because of what’s in store each evening at the Sassongher.

Wellness facilities at the Hotel Sassongher

This is traditional family luxury, not bling or new luxe. Rooms are reasonably big, particularly for the Alps, with traditional decor and those gorgeous views across the mountains. We also liked the bar, which lured us into Tyrolian cosiness for cocktails – no attempts to reproduce an urban bar landscape here. A very special and individual family-run hotel, offering a type of culinary, gentle comfort that cannot be reproduced.

sassongher.it/en

The super-stylish ski-concierge room at the Six Senses Crans-Montana

Six Senses Crans-Montana, Switzerland

Ground-breaking super-luxury resorts such as Six Senses can be placemakers in destinations around the world. But what if the place is already made? Crans in Switzerland was an elegant place before the Asian spa-resort company came along. It might not have had the cachet of Verbier or Zermatt across the valley, but it has some of the greatest resort views in the Alps, thanks to its position on a forested shelf high above the Rhone river, skiing on an interesting and sunny mountainside, and a scattering of luxury boutiques and high-end restaurants.

Read more: Is this the greatest wine collaboration ever?

Into this already elevated environment, Six Senses arrived in 2023 with quite an impact. The resort is built into the mountainside right next to the main gondola lift up the mountain and beside the end of the main run back into the resort. As a ski-in, ski-out experience, it’s pretty special.

A deluxe terrace room at the Six Senses Crans-Montana

So is the arrival, where you are ushered into a world of Zen, encouraged to listen to the chime of a gong and quickly disappear into a world of relaxation and luxury.

It doesn’t stop there: the spa is a vast haven of some of the most holistically designed creative treatments of any spot in the world – the brand started as a pretty revolutionary spa concept. The Zen-meets-Alpine luxury ambience extends into the Swiss restaurant, Wild Cabin, which is all natural feels and plays on local ingredients: rösti with Swiss trout and spicy mayonnaise was magnificent, as was serac gnocchi with parmesan sauce. Our capacious room had plenty of blonde woods and a Scandi-Swiss-Asian chic about it, plus a freestanding bathtub lined with scented candles in a grey marble bathroom lined with weathered pine. The balcony looked out over forests and valleys. The service is at a level above anything this resort has previously experienced.

A deluxe terrace bathroom at Six Senses Crans-Montana

And if you do feel like venturing out of the hotel, clip on your skis or board to descend a few metres to the entrance of the lift station and the slopes are yours, with some of the best high mountain views in Switzerland. Skiing here is varied, unusual and characterful, although the domain does not have the reach of some of the mega resorts. That’s part of its charm. As is doing that final sharp left of the day on the run down from the top and skiing straight into the boot room, where a ski concierge will relieve you of your equipment and usher you to a lounge offering hot chocolate, mulled wine and various more exotic offerings.

Six Senses, an Asian beach luxury brand, may have not made this destination in the Alps, but it has just taken it to another level.

sixsenses.com

The Four Seasons Doha, complete with a private beach

Four Seasons Doha, Qatar

If you expected a classic Four Seasons hotel in a capital city to be more corporate than enjoyable, think again. On the Corniche in Doha (which, unlike its Lebanese and French namesakes, is just a broad boulevard, minus the mountains), the Four Seasons sits on its own private beach, next to which is a winding, shaded pool, all curves.

Our room was all relaxed Mediterranean chic – you could be forgiven for thinking you had arrived at the Four Seasons in Cap-Ferrat on the French Riviera. The detail was beautiful: blue and white carpets, dark engraved wooden doors, floor-to-ceiling windows and mirrored cabinets with inlaid mosaic – chic and luxurious without being over the top.

The sitting room of a premium one-bedroom suite at the Four Seasons Doha

Across from the beach is a bijou little yacht harbour and we strolled out there one evening to dine at the highlight of the resort – and quite possibly the highlight of Doha – sitting on the terrace of Nobu looking back at the lights of the city. Black cod yuzu miso, rock shrimp tempura and Wagyu beef spicy ponzu tacos were all delicious.

Read more: Boca Raton Hotel and Resort review

Cuisine is a fundamental element of the Four Seasons and we enjoyed equally – almost equally – a fantastic local-style lunch in what is effectively the pool restaurant, the glass-walled Laya Café, which has a laid-back atmosphere and serves an array of meze, grills and salads. We noticed a chicken shawarma rotating on the grill as we walked in and couldn’t resist trying it – it was a revelation: full flavoured, rich, vibrant, with not a hint of oiliness and positively bursting with flavour. It was quite a way to enjoy a poolside lunch and a disincentive to eat anywhere else.

The Makani Beach Club, one of 11 dining options at the Four Seasons Doha

Another Four Seasons resort restaurant of spectacular quality is Curiosa by Jean- Georges, which occupies pride of place in the gardens by the pool. Salmon ceviche with tamarind leche de tigre, escarole and fig salad, and maitake mushrooms with goat’s cheese and Fresno pepper vinaigrette were all vibrant and perfect in the hot climate, accompanied by tangy icy margaritas from the restaurant bar.

In the evenings there was the view from our suite as the desert night closed in over the Gulf. As an urban resort, this Four Seasons, with its combination of gastronomy, beach, bars and vacation-style luxury, is among the very best in the world.

fourseasons.com/doha

The elegant courtyard of the Rixos Premium Saadiyat Island, Abu Dhabi

Rixos Premium Saadiyat Island, Abu Dhabi, UAE

Saadiyat Island is not what you expect to find in the Gulf. Rather than rows of high rises with nightclubs and celebrity-chef restaurants, it’s a nature reserve with a huge, beautiful beach, all within sight of the skyscrapers of downtown Abu Dhabi. At the heart of the beach is the Rixos resort with its completely unexpected quiet glamour.

Read more: At the ICE St Moritz, the world’s most glamorous car show

We stayed in a villa suite looking out from its terrace over a long, tree-covered private swimming pool. Sit on the terrace in the morning and you are surrounded by birdsong; birds and trees are everywhere here, and there are no urban sounds. A few steps away is a huge outdoor pool with integrated pool bar – again gently chic rather than over-designed Instagramability.

A Rixos breakfast at a superior villa with balcony

Next to the pool area is a dune reserve; you walk above it on a wooden boardwalk to the beach, which is so broad that from stepping onto it to stepping into the sea can be a five-minute walk. The sea itself is clear and shallow above the yellow sand, with the temptation of a Club 55-style beach bar after your swim. Dimensions are huge: as well as being deep from dune to sea, the beach is several hundred metres wide, so you can walk for kilometres past the clubs of other hotels on the strip.

Abu Dhabi takes its reputation as the food basket of the region seriously, and nowhere is this better seen than lunch, not at a flashy brand name but in the main restaurant, where mountains of sushi and sashimi, East Asian specialties, West Asian delicacies, berries, nuts, gourds and vegetables vie for your attention, constantly replenished and tasting as good as they look.

A Rixos two-bedroom suite terrace

Speaking of low-key luxury, we particularly liked the jazz band that played at night in the courtyard that leads down to the pool and the sea, a perfect place for an excellent Old Fashioned.

For something more spicy, head to the Rixos sister hotel on the main Corniche drag in Abu Dhabi. A tower with dramatic views across sea and city, it has a welter of pools, a funky bar by its own beach and a Vegas-style glamour; a totally different vibe, just 15 minutes away.

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The new BMW M760e

BMW has a long and storied history of making fast, entertaining and slightly louche sports saloon cars. But how does it fare in the new era of hybrids and electronics? Darius Sanai, who has a rich history of BMW ownership, gets in the saddle of the latest top-of-the-range model, the M760e, in a series of reports

One of my favourite books, growing up as a book-and-car-mad chap in London, was a Roald Dahl compilation called The Wonderful story of Henry Sugar. Aimed more at young adults than children, it is a series of unrelated typically surreal tales that mix brilliant storytelling, myth, and a certain topical character.

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They have, incidentally, just been made into a series of short films by Wes Anderson – essential viewing if you haven’t seen them already.

The BMW M760e’s interior uses high-quality touchpoint

But back to the book. One of the stories is called The Hitchhiker, and it features a successful and wealthy gentleman – it is written in the first person, so I wasn’t ever that sure as a child, and still I’m not now, how much the narrator had the author woven into his persona – who gives a lift to a hitchhiker who turns out to be a dizzyingly brilliant pickpocket, or “fingersmith”, as he calls himself.

I won’t give any more of the story away, but what really mesmerised me was not the dark arts of the fingersmith, but the car the narrator was driving: a BMW 3.3 Li.

Read more: Omega CEO Raynald Aeschlimann on the watch industry

Already a modern classic, or an old car, by the time I read the story, this was a masterpiece of 20th century modern design, inside and out. At that stage I wouldn’t have been able to identify an Eames chair from my school sofa, but I knew a beautiful post-Bauhaus car when I saw one.

‘I liked cars that were beautiful, growlingly powerful without being too flashy, and had the ability to transport you long distances effortlessly’

My school friends worshipped Ferrari and Lamborghinis; but for me that came later. I liked cars that were beautiful, growlingly powerful without being too flashy, and had the ability to transport you long distances effortlessly at high-speed, cigar in one hand, to the most glamorous end of Europe. The 3.3 Li as described in Roald Dahl story ticked all the boxes.

And so few years later, when I had enough money to buy my first car, I bought what was effectively the sexier sister car to the car in the story.  The 3.0 CSi was similarly powerful, but slightly cooler and flashier as a two-door version and unspeakably beautiful.

Read more: Maryam Eisler interviews Manhattan art doyenne Pamela Willoughby

After that, working as a foreign correspondent in South Africa, I had a chance drink in a bar with the esteemed chief correspondent of France’s Le Monde newspaper who was selling his car, BMW’s successor to the 3.3 Li, a 733i, a big, fast, imposing and swift saloon. It was not as beautiful as its predecessor, but it was a better car, and I bought it. Fast forward quite a few years and one wonders whether the great-great-great-grandchild of that original car, now dubbed the M760e, has anything at all in common with it apart from the BMW badge on the front and back.

‘The new M760e certainly has distinctiveness and character, but it also has a level of quality that is above anything’

Mine arrives on a drizzly day in December and it looks just the part, an imposing slickly drawn tank of a car in solid grey. If they ever made a nimble version of a battle tank, for commanders to zoom around in, assessing the field, this is probably what it would look like, I ponder.

But while imposing, the slickness of its design means it is not flashy – just like the original car in fact. Driving it around London, it doesn’t incite the aggression and envious looks that some cars of this price and opulence do. BMW has a justified base of admiration among car lovers, and I found I was more likely to get thumbs up and photographs.

Read more: Hugo Boss CEO, Daniel Grieder, redefining the brand for a new generation

The new M760e certainly has distinctiveness and character, but it also has a level of quality that is above anything until you get into the price category 100% above this one, where Bentleys and Rolls Royces roam.

‘You want to feel quality, and that’s where the M760e really excels’

Particularly delightful to the touch were the glass switches for performing functions like closing and opening the doors, which are heavy and long.

Touch is so important for luxury: it’s what distinguishes the feel of changing the time on a Rolex or helming a Riva yacht. And if you’re going to be spending much of your time complying with restrictive speed limits and traffic, you don’t just want to feel comfortable: you want to feel quality, and that’s where the M6 really excels.

Meanwhile, like any powerful and driver focused car, this is a machine that needs plenty of road to show off what it can do and its first few weeks have been confined to within London’s orbital motorway, the M25. So, soon, I will take out out into the wilds of Britain’s Home Counties, traditional territory of Jaguars, Land Rovers, and men in red trousers who enjoy speaking about their second and third homes, to their second and third wives. How will it fare? Watch this space.

Find out more about the BMW’s open road capabilities in the next instalment, coming soon

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Reading time: 4 min

ICE man Ronnie Kessel

Glamour, priceless cars, super-luxe watches and collectors of all types mix it at The ICE, now the most desirable event in the St Moritz calendar. Co-founder Ronnie Kessel gives Fabienne Amez-Droz his insider tips

LUX: How is The ICE St Moritz different?

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Ronnie Kessel: The magic of The ICE springs from its venue; a place that for more than eight months of the year doesn’t even exist. When the St Moritz lake freezes over, a miracle of nature occurs, turning the lake into a perfect white canvas to show those beautiful cars like true works of art.

Enjoying the glamour on the frozen lake

LUX: Courchevel or St Moritz, and why?

RK: It might sound predictable, since part of my roots are there, but there’s no other place like St Moritz, where sports meet art, culture and leisure in such an incredible way.

Ronnie Kessel and LUX’s Fabienne Amez-Droz

LUX: What’s the most underrated spot in St Moritz that even locals love to keep secret?

Read more: Omega CEO Raynald Aeschlimann on the watch industry

RK: Rather than just a spot, I’d say that St Moritz has a hidden season, summer, when you have infinite choices on how to spend your time: walks, hikes, tennis, downhill, paragliding, sailing… Mention one, and you’ll find the ideal place for it.

Cruising on the ice at The ICE

LUX: Après-ski at Paradiso or where else?

RK: Après-ski in town at Pavarotti & Friends or the Belmont. The Paradiso is perfect for lunch, when the sun shines right over, brightening the entire valley up to the Maloja Pass and the lakes.

Participants line up at the Richard Mille-sponsored event, at 1,800m altitude

LUX: Where would you spend your New Year’s Eve?

RK: Christmas at Kulm, New Year’s Eve at Badrutt’s Palace, brunch on New Year’s Day at Suvretta House.

LUX: If you could time-travel to any winter in St Moritz’s glamorous past, which era would you visit and why?

The view from Badrutt’s Palace Hotel

RK: Gunter Sachs’ era, when elegance reigned and there was a true devotion to beauty. This was the most chic, glamorous and charming time in St Moritz, also for the artistic scene.

Read more: Hugo Boss CEO, Daniel Grieder, redefining the brand for a new generation

LUX: Perfect classic car to drive up the Julier Pass?

RK: The Ferrari 512BB, preferably in dark blue, paying homage to the classiest BB of them all, Brigitte Bardot.

theicestmoritz.ch

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The team at Michelin star restaurant Blue Hill

In the second of a two-part LUX series, Isabella Fergusson talks to four of the world’s most celebrated chefs, who are driving the agenda in the increasingly important overlap between sustainability and haute cuisine

Yannick Alléno:

Pavyllon, London; Pavillon Ledoyen, Paris; Le 1947 à Cheval Blanc, Courchevel

With 16 Michelin stars across 17 global restaurants, the superstar chef’s signature style is modern French cuisine with a personal, audacious spin

LUX: How have you seen sustainability awareness change and what is your approach to it?

Yannick Alléno: When I started cooking, we didn’t pay as much attention as we do today to food waste, seasonal produce and so on. It’s an awareness that gradually emerged and took hold. When I founded my group in 2008, I called it “quaternaire”. The quaternary restaurant is one that is in tune with its time and place, and takes its environment into account: the company, the employees, the customers and the ecology. These are the four fundamental pillars.

Chef Yannick Alléno in his Michelin star kitchen

LUX: Is it more sustainable, ultimately, to encourage home cooking more than eating out?

YA: Whether at home or at the restaurant, what counts is taking the environment into account: buying local and seasonal produce and using raw materials.

Read more: An interview with Marian Goodman Gallery

LUX: How do your customers respond differently to this awareness in London compared to Paris?

YA: It seems to me that ecological awareness is widespread. Both in London and Paris, customers are aware of it – especially the younger generation, who feel deeply concerned by environmental issues and our ecological impact.

LUX: Your London menu provides “a British expression of [your] signature modern French dishes”. Are there disparities between British and French culinary expression?

A refined surf-and-turf dish at Pavyllon, London

YA: These are different cultures with their own similarities and differences. Of course, they have many things in common – cooking techniques, for example, and at the same time specificities in food and cultural habits, such as British teatime.

LUX: Is there a young chef who has caught your eye who is doing great things for sustainability?

YA: Mallory Gabsi is a highly talented Belgian chef in Paris who pays close attention to environmental issues. He works closely with French and Belgian produce. His fish is sourced from a Breton fish auction and is delivered directly by a small-scale fisherman – he even uses bicycle suppliers where possible. In the kitchen, there’s no waste: all offcuts are used, for example, to make broth, and he reduces plastic to a minimum in all packaging.

yannick-alleno.com

Rasmus Kofoed, chef and co-owner of three Michelin star restaurant Geranium

Rasmus Kofoed:

Geranium, Copenhagen

Chef and co-owner of Danish meat-free restaurant Geranium, which has three Michelin stars, Kofoed also presented the plant-based restaurant Angelika

LUX: How do you strike a balance between Nordic tradition and pushing culinary boundaries?

Follow LUX on Instagram: @luxthemagazine

Rasmus Kofoed: In Denmark we don’t have as long a culinary DNA as Spain, Italy or France, so that makes it a little easier. Traditions – such as smoking, salting and curing ingredients – should be respected but can also be modified.

LUX: Through Angelika, you donated £9,400 to the Danish Nature Fund. What inspires you in nature?

RK: Nature is an inspiration because of childhood memories, the seasons and micro-seasons and all the colours, textures and patterns you see – so many wow moments. I want to transform them all into something edible in my kitchen.

Green asparagus, aged cheese and wild plants at Geranium

LUX: Do you experiment with new techniques?

RK: We made the kitchen here at Geranium a technical kitchen but its not something we talk about. First, it’s about the serving, the dish, the balanced transformation of the ingredients.

Read more: Anantara Ubud Resort, Review

LUX: How do you remain focused on remaining authentic and resisting pressure to please others?

RK: I realised that in the pandemic, when we closed Geranium and reopened again with a completely new menu. We said goodbye to meat – we still serve shellfish and fish, but no meat, no gelatine, no chicken stock. I felt this was more representative of “Rasmus on a plate”. That’s how I like to eat and so that’s how we should serve.

LUX: What major challenges have you faced to maintain a three-Michelin-star restaurant?

The interior of Geranium, Copenhagen

RK: Covid forced us to close the restaurant, but we kept the team, a huge but vital investment. That period gave me time to reflect, which I needed without knowing it. I was with my wife and children on a small island in the wild Danish landscape where I gathered lots of ideas. Then I opened the plant-based restaurant Angelika.

LUX: What does sustainability mean to you?

RK: Sustainability comes from a close relationship with human beings and nature. Buying vegetables from small biodynamic farmers respects the planet and the pursuit of bringing vitality back to the soil. It is about a balance of taking and giving back.

LUX: Is there an upcoming chef who inspires you through a new way of thinking or approach?

RK: Daniel Humm is very inspiring. He is brave to have turned to serving completely plant-based food at Eleven Madison Park in New York. I was there recently and it was mind-blowing. There are also a lot of inspiring people here in Denmark – biologists, biodynamic farmers, not just chefs.

geranium.dk

Michelin star chef Ángel León, known for his ‘extraterrestrial’ cuisine

Ángel León:

Aponiente, Cadiz

León’s Aponiente has three Michelin stars and a Michelin Green star for its “extraterrestrial” cuisine

LUX: AI is creating many new sustainable food-related algorithms. Do or would you use these?

Ángel León: My efforts are aimed at discovering new ingredients from the sea. I am in favour of scientific developments as long as they are of benefit to humanity.

Aponiente’s milky wafer, sea urchin and sea honey with Irish moss reduction

LUX: How might the food industry link up with others to tackle climate change?

ÁL: Industries can create alliances and synergies aimed at improving their processes so that they are not detrimental to nature.

LUX: Does your interest in ocean conservation affect your culinary plans?

ÁL: It remains an obsession and the epicentre of the R&D projects we develop at Aponiente. The conservation and enhancement of marine species has been our objective since we opened.

The innovation of León’s cuisine is mirrored in Aponiente’s exterior

LUX: How much of your work is instinct, and how much is hard work and study?

ÁL: My work has a lot to do with inspiration from my surroundings and from fantasy, and having a wonderful crew that then executes my dreams.

LUX: Is there an upcoming chef who inspires you, particularly for sustainability reasons?

ÁL: There are many – all those who break from convention and fashion. They respect local produce and that makes them avant-garde.

aponiente.com

Chef Dan Barber at a Stone Barns team meeting

Dan Barber:

Blue Hill, Manhattan; Stone Barns, New York

With an organic farm in the Pocantico Hills and two Michelin-starred restaurants, the TED-talking “philosopher chef ” Barber’s mission is to change how we produce food from seed to plate

LUX: When were you first aware of unsustainable food practice?

Read more: Tasting Bryant’s iconic Napa wines

Dan Barber: Embarrassingly late. I opened Blue Hill at Stone Barns as a farm-to-table restaurant, but it was only after I visited Klaas Martens’ farm in Penn Yan that I realised that by dictating the cuisine from above I wasn’t supporting farmers and good agriculture. Quite the opposite: farmers were being forced to service our tastes, which often meant working against the farm.

The system had us exalting butter lettuce on a plate but not paying for the soil-supporting cover crops and rotation grains that underpin the system. I was shocked by my ignorance. Now we’ve shifted our mandate from the standalone principle of farm- to-table cooking to create an ecosystem cuisine that services the whole farm.

Blue Hill’s produce displayed in the restaurant’s interior

LUX: Kitchens are famously brutal. Is it important that a sustainable work culture comes alongside sustainable food practice?

DB: Absolutely. One way we do that at Blue Hill is by embedding education into our ecosystem. We’re shooting for a 60 per cent restaurant, 40 per cent R&D balance, so it’s important to keep all staff in the loop about the projects going on. Staff take part in weekly training and guest-speaker events and attend external education and dining opportunities. The reason is inclusion – we want FOH, management and interns to be just as entrenched with the food as the cooks. It’s not always heads-down, it’s about rounding out the work culture to get engagement and buy-in.

LUX: What food are you most nostalgic for?

DB: When I was 12 I came down with an awful bout of strep throat, the type that feels like knives in your throat. It killed any desire I had to put anything in my stomach. My mom had died when I was four and my dad wasn’t much of a cook. Thankfully, he enlisted my Aunt Tobé to nurse me back to health. I’ll never forget what she cooked for me: scrambled eggs, soft, buttery and herby, which slid down my throat when I couldn’t even swallow. I don’t mean to sensationalise, but I credit my recovery to those scrambled eggs.

The beautiful and understated exterior of Blue Hill

LUX: It was alleged in 2022 that Blue Hill served animal products to vegetarian and vegan diners. What was your response?

DB: These allegations were false, demonstrably so. We made considerable efforts to tell the truth; unfortunately, Eater website chose to ignore them.

LUX: You gained a Michelin Green star. How would you rate the green Michelin incentive?

Read more: Simon de Pury interviews Olafur Eliasson

DB: We don’t need proof that today’s diners pick destinations based not just on a five-star review but on a growing environmental consciousness. But if we did, the Michelin Green star would be it.

LUX: Can you recommend a young chef who is doing great things for sustainability?

DB: I think Ángel León in Cadiz is doing the most wonderful ocean-advocacy cooking in the world. He is touched by genius.

Portrait of chef Mauro Colagreco

Mauro Colagreco:

Mirazur, France; Raffles, London

His Mirazur restaurant has three Michelin stars and a Michelin Green star, but for Mauro Colagreco, the “gardener with a chef ’s jacket”, it’s all about simplicity, diversity and “vegetable-forward” food

LUX: What does sustainability mean for you?

Mauro Colagreco: To be aware of the impact of our actions; to act with respect for our planet; to celebrate living things; to be inspired by the way nature works to create virtuous circles around us.

LUX: What do you choose: taste or sustainability?

A lobster vanilla dish, from the Flowers menu at Mirazur

MC: They can no longer exist without each other. Learning to eat fresh, local produce that respects the cycles of life is a perfect way to connect with nature and to celebrate the life within us.

LUX: Is cooking more about chemistry or art?

Read more: Omega CEO Raynald Aeschlimann on the watch industry

MC: Food is a multidisciplinary subject. We must draw on all our knowledge if we are to respond creatively to today’s challenges, from taste to health to loss of biodiversity and climate change.

LUX: Is ambition in a chef always a good thing?

The interior of restaurant Mirazur

MC: It depends where the ambition leads, who it does and doesn’t benefit and what it achieves.

LUX: You have pizzerias alongside your biodiverse culinary movement of circular gastronomy. Why?

MC: La Pecora Negra democratises eating well with nutritionally exceptional but accessible food. Excellence is not only about haute cuisine.

LUX: What young chef impresses you today?

MC: Virgilio Martínez Véliz and Pia León in Peru. Their work in the biodiversity of ecosystems and with local communities is wonderful!

mirazur.fr

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Reading time: 10 min

The Anantara Ubud Resort family pool overlooks the green jungle which surrounds the whole resort

Nestled amidst the greenery of Ubud, in Bali, a wellness retreat awaits – Fabienne Amez-Droz reflects on the newly built Anantara Ubud Resort, where the surrounding jungle and the healing rituals provide a sanctuary for those looking to escape the winter cold

In recent years, Bali has undergone significant changes. Those who visited in the past will remember a very different island – one that has since, in parts, transformed into an Instagram hotspot, often overwhelmed by tourism. However, there are still places that have retained Bali’s natural beauty – spots that remain more untouched by social media hypes and globalization.

The newly bulit Anantara Ubud Resort, lies in the heart of Bali’s cultural and spiritual hub, Ubud. The resort offers a wellness sanctuary to visitors all of the worlds and blends luxury, tranquility, and authentic Balinese traditions.

Surrounded by green rice paddies and jungles, this hotel embraces the concept of a holistic getaway, providing an experience for body, mind, and soul.

Next to the family pool, the hotel also has an adult only pool

Refreshing welcome

After a approximately 50 mins car journey from Denpasar airport to Ubud, you will find the gate of the resort. From the moment you step into the Anantara Ubud Resort, you will receive a warm welcome from the Anantara staff, a tropical flower to put behind one of your ears and a refreshing herbal drink. Good to cool you off after a perhaps sweaty journey from a long overseas-flight. The open-air lobby is equipped with Balinese art and natural stone elements.

Follow LUX on Instagram: @luxthemagazine

The One-Bedroom Forest View Pool Villa offers a private space to take in the views of the jungle

Queen of the jungle

The resort offers different kind of accomendations. From Forest view suites in the main resort building to private villas overlooking the jungle. My forest view pool villa was a blend of modern elegance and Balinese charm, featuring floor-to-ceiling windows that framed the views of the jungle. The private infinity pool was a personal highlight, providing a very instagrammable spot.

The One-Bedroom Forest View Pool Villa costs 852.50£ per night

Cleansing rituals and manifesting

Anantara Ubud’s wellness programs are perhaps not for everyone but certainly interesting for a niche wellness and energy-sourcing clientel. The signature rituals that they offer, draw on centuries-old Balinese healing traditions. I started with the Water Purification at the Mengening Temple, a guided experience that takes guests to a sacred water temple nearby, where you can cleanse your soul in the holy considered water and wash away negative energies through holding your head under little waterfalls.

Back at the hotel, I had a look at the multiple spa treatments that they offer and decided to treat myself, when in Bali, to a relaxing massage – the Anantara Signature Massage.

Make sure to wear some swimming clothes under the sarong as you will definitely get soaked

To stay in shape while trying lots of different Balinese dishes like Nasi Goreng and Betutu, the hotels has gym facilities and hosts daily yoga session. For someone like me, trying Yoga for the first time, I must say, it is a pretty perfect setting – It wont get any better after that, many told me..

For a deeper sense of connection, I visited stepped into a temple and joined a fire ritual session with a real balinese priest. During this ceremony which happens multiple times a week, we were sitting in a group circle, singing songs and throwing rice into a big fire to burn away the negative energy – Let’s see if it worked..

The lobby deck shows views on the Mount Agung and you can enjoy a sunset cocktail

Choice of restaurants

The culinary offerings at Anantara Ubud compliments its wellness aesthetic. The Botanic Restaurant serves organic, farm-to-table cuisine that’s as delightful to the palate as it is nourishing for the body. Highlights included a vibrant jackfruit rendang and a refreshing herbal jamu drink. For a more immersive experience, guests can ask for a private dining setup overlooking the pool and rice fields.

The Kirana Restaurant Terrace is the right spot to enjoy a peaceful breakfast and also for a western or balinese lumch menu – whatever you are in the mood for

Adventures through the jungle

Alternative to the wellness programmes, for action-lovers, the hotel offers a VW 181 Safari tour, where you and a personal driver explore the roads and ricefields of ubud with a restored vintage Volkswagen Type 181 convertible. In case you prefer walking yourself, there is a guided trek through the Campuhan Ridge Walk, showcasing Bali’s natural beauty.

The resort has 85 suites and pool villas

Find out more: www.anantara.com/en/ubud-bali

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Reading time: 4 min

A collectable Penfolds St Henri bottle

It’s a given: when you gain enough wealth, you start to collect what interests you. But what really drives the collector of wine, art, watches or cars? Immediately below, LUX Editor-in-Chief Darius Sanai, himself a collector, gives his views; and then we speak to some prominent figures in each of those worlds, including the chief winemaker of luxury wine house Penfolds, who is also a collector, for their own, unique, analysis

Is collecting – wine, art, watches, cars, anything – about passion, investment, obsession, love, show? It can be about any or all of these, sometimes with a serious splash of philanthropy thrown in (and more than occasionally, a dash of kleptomania).

One definition of collecting might be having more of any single category of object than you can ever make use of. No serious wine collector, however bibulous or generous, will ever be able to consume their entire collection. A car collector will have desirable and much loved cars that they don’t drive for months, sometimes years, due to lack of time. Art collectors, who have the luxury of being able to display all their works simultaneously, frequently don’t have the space to do so.

A rare, manual transmission 2004 Ferrari 575M with Fiorano race handling package, from the collection of Darius Sanai. Photographed at Cliveden House, one of England’s most sophisticated luxury hotels

What I love about collecting – and I indulge to different scales in all the categories above – is that it is essentially human, in that it is quite irrational. Why have more of something than you will ever make use of, and still spend your time and energy acquiring even more of it?

It’s usually not about investment. Sure, most smart collectors have a hope that there will be a financial upside to their acquisitions. And it can be very lucrative: fine-wine prices have increased by between 300 and 400 per cent since 2000, more for some special wines. The great classic cars have rocketed in value. And everyone knows how superstars emerge onto the art market. But very few collectors of anything have investment as their primary motivation.

What you need more than anything else to start a collection is passion. And perhaps a hint of obsession. I bought my first bottle of wine as a student, driving a little French sports car through Burgundy. It’s still there, as a kind of founding stone, which is pointless, really. My first significant artwork was acquired from a group show I attended in Italy in the late 1990s; the then barely known artist has since become very famous, but I bought it because I liked the artist.

A vineyard at Wrattonbury, Australia, whose Cabernet Sauvignon grapes are used in Penfolds’ now-legendary Bin 707

Passion leads to exploration, education and expertise. The greatest collectors make the market. But, ultimately, collecting is about enjoyment: the art on the wall of the private museum, a different watch on your wrist every day, a great wine shared with friends.

In this, wine is in a category of its own, because when you enjoy it you consume and destroy it. My Penfolds collection (I bought my first Penfolds Bin 707, a case of the 1992 vintage, in the late 1990s) is depleted because it is so delicious. It makes opening a bottle more special than gazing at an artwork or climbing into your favourite classic Ferrari, as it’s all about taking a moment in time to enjoy a bottle made at a moment in time and that will never exist again. Good health.

Darius Sanai

Peter Gago, Chief Winemaker of Penfolds, is also an art collector

THE WINE CREATOR: Peter Gago

Chief Winemaker at Penfolds, Peter Gago is the maker of hyper-collectable wines such as Grange. He is also a passionate observer of the wine market

LUX: What would you say makes a wine collectable, rather than just good?

Peter Gago: Just as beauty is in the eye of the beholder, wine quality and appeal is palpably subjective. However, global third-party endorsement – scores from highly regarded critics – do anchor a wine collectability index. Coupled with a great story, track record, rarity, historical secondary- market appreciation, the collectables follow. This humble collector also collects many elusive “good” wines that still improve in the cellar and reliably deliver alluring secondary and tertiary maturation characters over time.

A Penfolds Grange 1953 at the brand’s Recorking Clinic: in its early days, it was known as Grange Hermitage. This bottle is almost priceless

LUX: A number of Penfolds wines have become collectable over the past years. Did you expect this to happen when you made them?

PG: At Penfolds we aspire to craft wines with a propensity to cellar, that mature gracefully over time. We also retain a culture of releasing Special Bins that by their very nature are rare, smaller-volume, high-quality intermittent releases, which can only be created in stellar vintages, allowing our other wines not to be short-changed or compromised. Our flagship wines – Grange, Bin 707, Yattarna – are rewardingly and intrinsically collectable. “Baby Grange”, Bin 389 Cabernet Shiraz, remains an affordable collectable – regularly and officially listed by media as the most cellared red wine in Australia.

Read more: Prince de Galles, Paris Review

LUX: Can a buzz about a wine among collectors happen unexpectedly, for example, after a particular auction sale or article, or a celebrity collecting it?

PG: Most definitely. The catalysts of the next big thing and early entry are what speculators across all collectables (and the stock market) try to ID and second-guess. Consolingly, the classics still deliver, but you pay for what you get. Courage, gut feel and risk-taking should be part of the collector’s cerebral toolkit. Celebrity equals awareness, not necessarily reward.

Highly collectable Penfolds Grange in the cellars at Magill Estate

LUX: Can a wine become too collectable, meaning it is only traded and stored, never consumed?

PG: I don’t think so. Ultimately, almost all wines are poured, albeit some unfortunately after their use-by. The more expensive, oftentimes the greater the deliberation. Having said that, many great wines are cellared for decades awaiting an optimal moment in time within the expected drinking window. And, only very occasionally, some wines from lesser vintages are retained for pure collection purposes only – to chronologically complete collection sets.

Follow LUX on Instagram: luxthemagazine

At Penfolds Recorking Clinics, which we have hosted globally now for over 33 years, we witness first-hand the good, the bad and the ugly of collectability pursuits. Collectability and cellarability go hand in hand. So many collectors collect but don’t protect their investment by cellaring properly. And, not to forget, older, more fragile vintages don’t appreciate travel or movement, whether traded or not.

LUX: Which four Penfolds wines would you call out especially as collectors’ items and why?

PG: First, what is the current and available must-buy, smart-money, insider-buy Penfolds collectable – and a cult wine in the making? Without hesitation, the 2018 Penfolds Superblend 802-B Cabernet Shiraz. Why? All the “Y”s align.

Penfolds St Henri barrel hall, Magill Estate

Quality: very high. As an indicator, all its global scores are in the high 90s. A1-grade fruit, stylistically different to that of Grange or Bin 707, yet at a similar quality level. Rarity: of a significantly lower volume than our flagship, Grange. Not released every year, so no 2019, 2020 or 2021. French oak maturation only. Synergy: blending Cabernet Sauvignon and Shiraz is a time-proven magical Australian wine blend, one with a proven track record of high quality and cellarability. Symbolically: this 2018 vintage is the first release (always over-delivered). There will probably be only two to three releases per decade, if the weather gods oblige. Affordability: it’s not cheap, yet not too “silly” a price, AUD$900 (£461) per bottle.

Significant appreciation to be expected once collectors find out. Supply and demand will then drive secondary-market pricing. Don’t tell too many friends. The other three I would choose? Easy, deliberately across style and pricing: Grange, usually the older the vintage the better; St Henri, pick the right vintage; Bin 389, in most vintages buy cases, not bottles, and your children and friends will thank you.

A Penfolds vineyard. Almost uniquely among the world’s greats, Penfolds top wines are made from a blend of different terroirs, which can vary year on year; some are even made from a combination of vineyards on different continents

THE WINE COLLECTOR: Adam Smith

Based in Western Australia, Adam Smith has been collecting Penfolds wines for more than ten years

LUX: Did I hear right that you had your first wine aged 13 because, being Italian, your nonno and nonna would give you small glasses of red?

Adam Smith: Exactly, from the age of 13. From that age, every time we would go to see them I remember having a little red wine, and if we went for dinner somewhere or at a restaurant, they would pour me a half glass of red.

Read more: How art is remediating environmental and societal damage from overdevelopment

LUX: Always with food, right?

AS: That’s exactly right.

LUX: Let’s fast forward, how did you embark on your Penfolds collecting journey?

AS: I went down to the local bottle shop, grabbed a bottle of Penfolds, tried it and absolutely loved it. I think my wife and I were playing a game of chess that night. I ended up buying more. As the wine had just been released, the girl behind the counter said, “Look, we need to keep some back for the tasting night!”

Rare and desirable bottles at the Penfolds recorking clinic

LUX: Do you have in mind what the occasion would be for drinking a wine when you buy it for your collection?

AS: It’s not really about special occasions for me. Right now, whatever I am buying, I just try to drink one now and keep some to see how it evolves over time.

LUX: What do you enjoy about collecting wine?

AS: What I like about wine is that you can drink something that was made at a certain memorable point in the past. In 1998, for example, I was in my first year of high school and I am now drinking wine from that era. It’s the closest thing to time travel. I like to associate wine that I collect now with certain dates in my life. So 2011 was a pretty bad year for wine, but my wife and I got married that year, so I have a lot of wine from 2011.

LUX: I hear you have bought an enomatic, the wine dispenser that enables you to have just a glass, or even less, of a bottle, without it spoiling the bottle. It’s a fantastic idea.

A Penfolds vineyard in Adelaide Hills in Autumn

AS: Yes, I have eight spaces in mine. So I’ve had a Cabernet from the Napa Valley, and then another Cabernet from Western Australia, the Margaret River region – and from all over Australia. It’s fantastic, I must say. It’s the best thing I have ever bought.

LUX: Do you collect to drink or to sell?

AS: I am not necessarily trying to sell any. I am trying to build a cellar, and I do want to drink them. What I have been buying over the past few years – and I have stepped it up since I started building a cellar – I am planning on drinking those over the next five years plus. I like doing comparisons of vintages. I also want to do more tastings of the same wine in different vintages – vertical tastings.

LUX: What are the Penfolds bottles you are most looking forward to drinking?

AS: I have a special one coming up and that is the Grange ’85 in January, for my 40th. My wife’s is a couple of years later so that will be an ’88. Right now, I haven’t really drunk anything super precious. The ’98 is in there at the moment and the 2021, but nothing that I have collected for long enough that I’ve wanted to open yet.

‘You can tell it’s Penfolds’ – Adam Smith

LUX: Who do you share your wine with – does your wife have a glass?

AS: Yes, she does. She made the comment, “You can tell it’s Penfolds.” Regardless of what you are drinking, it has that thing about it [the “red stamp”, as it is called by the Penfolds winemakers].

LUX: What are the most precious bottles of Penfolds in your cellar? The Granges ’85 and ’88?

Read more: Ultima Collection Crans-Montana Review

AS: Yes, that’s right. I also have a couple of very old bottles. I have a couple of ’69s, ’70s and ’71s in there, which look like they’ve probably passed, and I’m not sure whether I should be drinking them or not.

LUX: You might need to check in Andrew Caillard’s book ‘Penfolds: The Rewards of Patience‘ for guidance on that.

AS: I certainly will!

The Rolex Day Date Eisenkiesel

THE WATCH COLLECTOR: Josh Srolovitz

Director of Trading for 1916 Company in Hong Kong, Josh Srolovitz started collecting watches in 2011

I see watches as a reflection of my personality, and in some cases they serve as reminders of significant milestones. One piece is my Rolex Day Date Ruby Dial, which I acquired to commemorate the birth of my daughter in the month of July, which is associated with a ruby birthstone.

I view my collection strictly as a passion project, not as an investment. Many of the watches I own may not go up in value, but if I truly love the watch itself this does not bother me. I base most of my purchases around aesthetics. However, there are some vintage and discontinued pieces whose rarity I find very attractive. Brand heritage is also an important factor to me.

De Bethune DB25 Starry Sky 1 watch, from the collection of Josh Srolovitz

I love the “hunt” for a watch. Finding a piece that I’ve been waiting a long time for is very rewarding. It helps me to appreciate the watch even more.

For collectors in general, the motivation to collect can come from a variety of factors. For example, it could be a watch they saw earlier in their lives that perhaps they were unable to acquire at that time, or chasing a long-time holy grail that they have dreamt of, or even a piece they saw in another collection that stuck with them. There are also collectors who are driven by hype, and what seems to be fashionable in the moment. However, in my experience with the most significant collectors, rarity, exclusivity and condition are the three motivating factors behind most of their collections.

Watch-collector social events are very important to me for building a sense of community and for meeting like- minded individuals. In fact, I have met some of my closest friends through my passion for watches.

Art collector Alia Al-Senussi

THE ART COLLECTOR: Alia Al-Senussi

Alia Al-Senussi is a leading global art collector and patron, and senior adviser to Art Basel and the Ministry of Culture of the Kingdom of Saudi Arabia

There are so many reasons why people collect. The most famous and fun stories revolve around those who have an insatiable desire to bring something home to their universe.

There are legendary collectors who come from families involved in the arts; others are exposed to the art world as they grow older. For people like me, collecting means you are supporting artists and the ecosystem of a cultural community.

At the beginning of my collecting life, I would often get asked what kind of collector I was. I would say, “Oh, I’m not really an art collector.” My best friend Abdullah Al-Turki, who is one of the best art collectors of our generation, corrected me and said, “That’s not true, you are a collector of art experiences.”

‘Kama Mama, Kama Binti (Like Mother Like Daughter)’, 1971-2008, by Hank Willis Thomas, from the collection of Alia Al-Senussi

My motivation is having pieces around me that remind me of people I’ve had wonderful interactions with. Those pieces could be objects, prints, editions or paintings; things that are meaningful to me. I am also interested in art as a catalyst for social change, and pieces that bring the world closer together.

Increasingly, I see collectors revolving their collections around a theme: for example, collections based on women, a geographical location, politics etc. This idea of collections that are centred in a moment is something you see more and more. You also have these legendary collectors who collect everything from old masters to contemporary and everything in between.

‘Suspended Together – Standing Doves’, 2012, by Manal Al Dowayan, from the collection of Alia Al-Senussi

The discovery of artists is definitely a factor for me. It’s about my enthusiasm for that person or institution. Nour Jaouda is a talented young artist from Libya who was featured in the Venice Biennale as the youngest artist there. Then she had a solo booth presentation at Art Basel just two months later and now has a foothold in the international art world. I had the honour of hosting a dinner and talk with her, bringing her together with the Tate curator and a room of major museum directors, curators and collectors. Now they have started collecting her. I was just part of a larger story, but of course all those things fit together in a really wonderful puzzle.

If someone was starting a collection, I would advise them to read, attend, meet. Read as much as you can in the art media and in LUX! Attend shows, openings and art fairs to see what you fancy. Meet people, because you will find someone who will be your art-world buddy, an artist who really speaks to you, or a gallery that understands you.

penfolds.com

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Reading time: 15 min

View of Santa Maria della Salute from a Terrace Grand Canal Suite

At the centre of Venice, looking over the canal and Santa Maria della Salute, there could not be a better place to stay on the final leg of your Grand Tour. A LUX editor recounts the ancient art, gondolas, and Bellinis of his recent stay at the Venetian-style palace of St Regis Hotel

As we settled down in the boat with a glass of Prosecco each, the outlying islands and churches of Venice started to waft past us. Then the landmarks start coming into view. For the last few minutes of the airport transfer, the boat slid through the little canals in the centre of the city and then emerged to drift past St Mark’s Square and the Doges’ Palace. Soon afterwards, we moored in front of a grand building and disembarked next to a terrace on the Grand Canal dotted with glamorous couples sipping Bellinis.

Follow LUX on Instagram: @luxthemagazine

Welcome to the St Regis Venice. Perhaps less known than some of its neighbours, it has the most spectacular arrival imaginable. And it goes on from there. Down the marble corridor we walked, through art-filled rooms that make the hotel a contemporary-art museum in itself – we particularly liked the whimsical works by Austrian sculptor Erwin Wurm. This is a place you could linger in without feeling the need to see any of the other artistic treasures around the city (although that would be a shame).

The Monet Suite, with its Grand Canal view

Our suite looked out over the Grand Canal and across to the Basilica of Santa Maria della Salute opposite, at the point at which the neighbouring island falls away into the lagoon. We could watch gondolas float along as well as the boats carrying out the daily business of Venice – tourism and sightseeing and deliveries. To the right, the Grand Canal curved away.

Read more: The intimate grandeur of the Grand-Hôtel du Cap-Ferrat

Even more immersive than our suite (which also featured a cocktail bar full of ingredients prepared in-house for us to pair with the supplied organic Prosecco) was the hotel’s breakfast terrace. Here you sit outside, centimetres from the water, having selected from a buffet adorned with fruits and very precisely cooked local specialities, and try to resist a first Bellini of the day, as the Venice world passes by on the water.

A seat at the luxury St Regis Bar

St Regis may be known for its palatial luxury hotels elsewhere in the world, but this is a Venetian-style palace, a bijou incorporation of ancient buildings fused with stunning contemporary art and design in the best location in Venice. We would not stay anywhere else.

marriott.com/en-us/hotels/vcexr-the-st-regis-venice

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Reading time: 2 min

The view of the Villa Clair Soleil makes you feel like a guest at a private villa, rather than a Four Seasons Grand Hotel

Is it a private villa or Grand Hotel? An editor at LUX tells us why the Four Seasons Grand Hôtel du Cap-Ferrat should be the first stop on your Grand Tour itinerary

The Grand-Hôtel du Cap-Ferrat, one of the world’s most celebrated hotels, is not really grand at all. Not in the sense of being huge and generic. Although it’s deceptive. Viewed from your yacht, this white cruise ship-shaped edifice at the tip of the headland containing the most exclusive real estate in Europe, if not the world, seems to have “grand” written all over it.

Follow LUX on Instagram: @luxthemagazine

But when you arrive, you are let through a guarded gate and up a drive more akin to that of a private villa. The feeling continues if, as we did, you decide on a game of tennis after checking in. Here you might expect an array of tennis courts of various surfaces, and a tennis school, perhaps. Instead, you get one exquisite tennis court in the gardens, surrounded by flowerbeds and trees, with a backdrop of the hotel and that Mediterranean sky. Very private house. And we saw almost nobody else using it; once there was a solitary local teenage girl finishing a lesson with the hotel’s resident tennis coach, who looked like he had been there for decades.

The breathtaking sea view from the Pool Suite

The hotel’s legendary swimming coach, Pierre Gruneberg, meanwhile, really was at the hotel for decades before passing away last year aged 92. Among the guests he counted as his pupils were Charlie Chaplin, Somerset Maugham, Aristotle Onassis, Tina Turner, Brigitte Bardot, David Niven, Elizabeth Taylor, Bono – and LUX’s Editor-in-Chief. The pool is at the tip of the peninsula, beyond the main gardens, where the rocks drop to the sea. It is accompanied by the Club Dauphin restaurant, where we sipped on some sparkling Provence rosé (delicious in a dry, low-dosage way), while watching putative celebrities and honeymooners dunk themselves in the celebrated pool.

Read more: The best of the old and new: Hôtel Hermitage Monte-Carlo

The palace nature of the hotel is evident in the lobby, with its Art Deco marble floors and walls. So perhaps it is a palace, but it always feels like a private one, for just you and your friends. That extends to the bedrooms: our suite looked over the lawns and flowerbeds to the sea. It felt as if a butler would knock on the door and tell us the house party was beginning at any moment. Although there were no house parties while we were there, this is a hotel with one of the most famous terraces in the world, overlooking the lawns and overhung by jasmine and bougainvillea.

The Terrasse Palace Sea View Suite at the Four Seasons Grand-Hôtel du Cap-Ferrat

With a jazz band playing in the gardens, dinner at the Michelin-starred Le Cap was magical, the cuisine as vibrant and elegant as the place: razor clams and cockles au naturel with fresh seaweed, citrus fruits and fennel bavaroise was a dish for the ages. A delicious hotel and an experience unrepeatable anywhere else in the world.

fourseasons.com/capferrat

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Reading time: 2 min
Man standing in front of building with colourful pillars
Man standing in front of building with colourful pillars

Daniel Buren at Mount Nelson, 2023

When luxury titan LVMH bought the chic hotel and travel group Belmond, it catalysed an artistic photographic collaboration that encapsulates the shift towards the experiential. Belmond’s Arnaud Champenois speaks to LUX about the vision

Luxury hotels are not usually synonymous with daring photographic art: play it safe and show what the property looks like is the regular mantra. Not so with Belmond, the British brand that owns 46 gems such as Villa San Michele in Florence and the Copacabana Palace in Rio.

Open window with landscape view

View from La Residencia, Mallorca (Photographed by François Halard)

Since its acquisition by LVMH in 2019, the group has been creating whimsical and sophisticated art images in collaboration with Galleria Continua in a project titled Mitico. The latest edition, its third, takes place this year with French master Daniel Buren. It’s all part of a shift from physical goods to experiences.

Follow LUX on Instagram: luxthemagazine

“The term ‘experiential travel’ has evolved. Modern luxury travellers now want something different,” says Belmond’s Senior VP of Marketing and Communications, Arnaud Champenois.

Table with white table cloth with fruit and teapot overlooking the sea

Splendido hotel, Portofino (Marco Valmarana, courtesy of Belmond and Galleria Continua)

“Tick-box, fast and thoughtless travel is in the past. Travellers want to go much deeper into a destination, rather than purely seeing it and ticking it off their list.

Read more: Arnaud Champenois on preserving heritage and transforming experiences

Pool with woman doing handstand with pink building behind

Mount Nelson, Cape Town (Photographed by Rosie Marks)

They want to stay longer, try local delicacies, enjoy traditional music and crafts, understand the people, discover the real local treasures. They want to live the stories, not just hear them.”

Samantha Welsh

belmond.com/mitico

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Reading time: 1 min
bodrum
bodrum

The MedBodrum festivities took place at the Maçakızı Hotel and Villa Maçakızı in Bodrum

Experiences are the future of luxury. Darius Sanai visits MedBodrum, a visionary new type of festival, combining fabulous cuisine, vibey music, art and culture, in one of the hottest Mediterranean destinations

An assemblage of famed and Michelin-starred chefs cooking in the open air by the Mediterreanean; a mellowness of Bossa Nova from Bebel Gilberto, singing just with an acoustic guitarist as an accompanist, just centimetres from the water’s edge;

guests moving seamlessly from Chandon wine to Caipirinhas; a semi-outdoor display of art dotted around two properties, a boat ride from each other, featuring works by Marina Abramovic, Antony Gormley and LUX’s own chief contributing editor, the collector and artist Maryam Eisler, among others.

food

The festival features top international cuisine

Welcome to MedBodrum, a new type of festival, whose inaugural edition took place last week over four days in the spring sunshine and moonlight in a bay surrounded by deep forest just outside the chi-chi Turkish Riviera resort of Bodrum.

Follow LUX on instagram @luxthemagazine

chef

Carlo Bernardini’s recipes are inspired by his late grandmother’s cooking

The aural and sensory entertainment, in what promises to be an annual festival, was stunning. The music came from Skip Marley on the first night through Mestiza and to Gilberto as the grand finale.

There were different presentations of cuisine – from formal dinners to the memorable beachside BBQ cookout – from chefs including Aret Sahakyan, Carlo Bernardini, Alejandro Serrano and Deepanker Khosla.

food

Michelin-starred cuisine for all palates

Never have art collectors been quite so spoiled for choice for sampling everything from exquisite langoustines to a dairy-free vat of pasta with fresh tomato, in a Med-side luxury location – except possibly in their own homes.

And that’s what made MedBodrum special: given the organic villa-style architecture and intimacy of Macakizi, a resort that is a go-to stop off from many superyacht summers, it felt like a big house party, your house party, but organised by someone else who knows all the right chefs and musicians and artists.

Festival guests enjoyed DJs and a variety of top international acts

(Fru Tholstrup and Jane Cowan‘s curation of artworks was seen both at Macakizi, the eco-hotel at the heart of the festival, and the Villa Macakizi private palace a boat ride across the bay.)

But the most compelling memory is that of a wholly new concept created by Sahir Erozan, Macakizi’s owner and the creative mind behind this celebration.

Erozan is a restaurateur and hotelier, and he is wrapping together three areas – gastronomy, art and music, with a good dash of fine wine thrown in – in a way that nobody else does.

medbodrum

Sahir Erozan, the owner of the Maçakızı Hotel in Bodrum, with friends art the MedBodrum evening events

ski marley

Skip Marley, grandson of Bob Marley and Rita Marley, performing at the event in Bodrum.

Luxury consumers love eating well, collect art, and enjoy bringing performers in for private concerts. And yet these activities are too often separated: there is no art at the Miami Food & Wine, no music at the Venice Biennale, and anybody who has been to an Art Basel or Frieze knows the issue with the cuisine and hospitality (there is none).

Erozan is bringing them together all under the banner of the Mediterranean.

Read more: Leading MACAN, Indonesia’s first contemporary art museum

It’s a new kind of luxury experience, one that can travel. Everyone knows that experiences are the new obsession for luxury consumers. There remain challenges: how to integrate the art (and what kind of art?); who to invite and who not to invite – the hotel remained open to regular paying guests; which brands to involve, or not; how to create a “tribe” like the most successful clubs, from Studio 54 in 1980 to Soho House in 1999 and Oswalds in 2024.

art

Artworks by Matous Hasa. Art is one of the pillars of the festival, along with cuisine, music and sustainability

And there is a sustainability element which was a little uncertain: we would say be bold and have conversations with regenerative ocean innovators in the mornings and afternoons, before the music and cuisine (and caipirinhas) really kick in.

For MedBodrum felt like a visiting a club (LUX is too young to have been to Studio 54 but we understand it was an invigorating experience), albeit a virtual one.

People were in their own tribe, curated, like all the best clubs, by one all-seeing owner, in the shape of the permanently cigarred Sahir.

darius sanai

Medbodrum guests on the beachside deck at the Macakizi

With the tones of Bebel Gilberto purring “happy birthday to me” still in our ears (she performed on her birthday, and Erozan presented her with a gift, a cake and some Dom Perignon at the end of her set) we look forward to seeing how MedBodrum develops onwards and upwards for a new and even more international generation.

www.medbodrum.com

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Reading time: 4 min
Clouds and a big yellow landscape

Clouds and a big yellow landscape

Two cameras, one journey, two childhood friends — and eighteen days to shoot their surroundings across the American West. Maryam Eisler and Alexei Riboud had followed separate paths for 38 years. Would the two photographers’ love of the still image converge their paths? LUX finds out

After graduating from high school together in Paris, in 1985, Maryam (then Homayoun) Eisler and Alexei Riboud parted ways; Eisler to the world of business, first at L’Oréal and then at Estée Lauder in London and in New York; Riboud to the world of graphic design and photography, in Paris, New York and Johannesburg, following in the footsteps of his celebrated parents, photographer Marc Riboud and sculptor, author and poet Barbara Chase-Riboud.

Sky, a big old billboard

Lights glowing faintly, flickering occasionally on an old, lonesome sign for a motel on the border of Marfa, Texas, that is long gone; photographed by Maryam Eisler, 2024

Nearly four decades later, in early 2024, the art world brought them back together, for a three-week American road trip through parts of Texas, New Mexico, Arizona and Utah, photographing space, place and people along the way in a form of visual dialogue. In, and in-between locals travelling by car, well over 2000 miles, from Houston to El Paso… Marfa, Presidio and White Sands to Santa Fe and Canyon Point… they’d hop out of the vehicle at any given moment, and say ‘See you in an hour!’, and go their respective ways, out in the wilderness, reacting to circumstances as they came across them, vowing not to give any advice to each other on what or how to shoot. Not even sharing their images until they returned home.

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Laughing, the two recall the fifteen U-turns they took on one straight 22 mile road from Espagnola to Ghost Ranch, because they kept seeing elements they wanted to capture, not to mention the 24 hours they spent obsessing over a missed opportunity, a derelict 1950s motel, now far behind them.

An abstracted image of the white sands

White sands National Park, New Mexico, photographed by Alexei Riboud, 2024

The images that Eisler and Riboud produced provide an intriguing study of contrasting perspectives and techniques. They both certainly shared a road trip, but in artistic terms (and fortunately for the viewer of the works), they were on parallel journeys, each producing compelling results. As Carrie Scott, the art historian and curator, notes: ‘I am buoyed by the conversation here between these two artists. Maryam and Alexei are shaping our perceptions of the American West through their dual lenses, which in turns gives us a moment to reflect on our fixed perspectives.’ It’s a far cry, as Scott adds, from the ‘longstanding tradition in American photography, dating back to the 19th century, of a singular male voice and viewpoint.’

A policeman leaning into a car with a man behind, and a big sky

A friendly security guard at the Concordia cemetery  in El Paso, TX giving Eisler and Riboud directions to the tomb of John Wesley Hardin, the man who earned himself a reputation as one of the Wild West’s most pernicious gunslinging outlaws; photographed by Maryam Eisler, 2024

Riboud is attracted to the outskirts and grey areas, the transitional spaces and borders where he finds the elements to compose his photographs. His approach has been refined over many years of shooting in diverse locations, including Havana, Tokyo, Johannesburg, Mumbai, Shanghai, Chicago and of course Paris — usually with a focus on the peripheral spaces within or next to large cities.

A night sky and a train track

A railway track cutting through the town of Marfa, Texas, photographed by Alexei Riboud, 2024

‘I like wandering into places I have never been to, especially on the margins of well-known locations, exploring the counter-space of an established geography. My photography is about experimentation. I gather fragments from urban landscapes, in an effort to capture innate structures’, says Riboud. ‘On this trip, I was drawn to the outskirts of towns, and to the frontiers between human settlements and the unpopulated natural environments.’

A Native American dancing

A Navajo Nation dancer performing an indigenous ritual dance impersonating animal spirits, Page, Arizona; photographed by Maryam Eisler, 2024

‘This trip was a huge challenge for me’, says Eisler: ‘My focus has always been on the figurative and more specifically on what I like to call the ‘Sublime Feminine’ in its physicality and in its essence. I had to push myself to work in a new way, this time around, moving away from body landscape to natural landscape.’ But would she find parallels between nature and figure?

Read more: Maryam Eisler: Intimate Landscapes

‘In my work, I always talk about female ‘body architecture’ in dialogue with spatial architecture… its curvilinear slopes, its nooks and its crannies, its valleys. I have often explored this theme in big, barren, hostile nature, from Iceland to Mexico and beyond, except this time the female figure was not there to be photographed. I also surprised myself in adopting a new way to work… primarily using a wide angle lens (which I never do) in order to capture as much of the big sky and vast land as my lens could take in. I wanted to visually overdose on the nature that surrounded me!’

Buildings looking through a wall with pinkish and blue colours

In between walls of a teared down house in the border town of Presidio, Texas, photographed by Alexei Riboud, 2024

It’s no wonder that these two photographers operated quite differently during the road trip. They are two very different characters. Eisler’s made a quicksilver shift from business and writing to art, and has the smiling, knowing grace of a meditative guru while retaining the poise of a terrifying boss.

A man with a camera in hand taking a picture of the road ahead

Alexei Riboud, photographed by Maryam Eisler on US Highway 90 near Van Horn, Texas, 2024

Riboud, on the other hand, projects a laid-back-almost-to-horizontal suave creativity. Nonetheless, both have clearly forged a deep connection that transcends their decades apart and their contrasting artistic and technical sensibilities.

Man with black shirt sitting on a bench

Homeless young man in downtown Houston with a t-shirt depicting Martin Luther King and Malcolm X’s encounter; Houston, Texas; photographed by Alexei Riboud, 2024

To the extent that the origins of their photography have links, they are serendipitous, through a mutual interest in graphics. Riboud, who did graphic design for an advertising agency in South Africa in the 1990s, began to photograph on weekends, and enjoyed it enough to make it his main focus.

Sky with an old crumbling sign

Derelict remains of the former Art Deco movie theatre in Marfa, Texas; The Palace, closed since the 1970s, is now an illustrator’s studio; photographed by Maryam Eisler, 2024

At L’Oréal, Eisler’s involvement in the development of ad campaigns — what she calls ‘surface beauty’ — revved up her dormant love of visual story-telling. Today, one can experience both the outer and inner dimension in her exploration of the ‘Sublime Feminine’. Laughing, she recalls her father’s niggling voice in her head, asking her what she was doing with that ‘love of photography’ she had so enthusiastically written about in her college applications? But life after the (Iranian) Revolution would dictate otherwise, until years later.

A tree, and sea, and a sign, as seen through a fence

Looking through the US-Mexico border wall in El Paso near Amara House at La Hacienda, an organisation working to inspire connection beyond borders through mutual understanding and meaningful action in pursuit of narrative systems, and personal change; El Paso, Texas; photographed by Alexei Riboud, 2024

Both Alexei and Maryam have indelible memories from their trip. Alexei reflects back on the town of El Paso, near the US-Mexico border: ‘‘There was the feeling of being at a crossroad of narratives with stratified areas, unsettled spaces in transition.’ Maryam recalls a moment on the border of Utah and Arizona: ‘A hypnotising Native American ritual dance made me think deep about indigenous cultural history and the suffering that the native people have and continue to endure… I was completely mesmerised by the strength of the dancers storytelling through moves anchored deep in tradition.’ Riboud points to the gentrification of Marfa, Texas: ‘Beyoncé and Jay-Z just bought a house there! You get a sense that it’s rapidly changing from the isolated artistic outpost that Donald Judd built all those years ago; the city is now attracting newcomers, as real estate prices are booming!’

A man with a camera with big sky behind

Alexei Riboud, photographed by Maryam Eisler, 2024

The two photographers’ contrasting visual perspectives provide fertile ground for dialogue, and – as Scott says, ‘a new, layered perspective on the complex reality of the 21st-century American West. Where Maryam’s portraits provide narrative depth – each portrait becomes a story, a window into the lives, cultures, and experiences of individuals within that vast expanse – Alexei’s focus on the landscape reflects on America’s historical relationship with western expansion.’

A woman with a camera in the canyons

Maryam Eisler, photographed by Alexei Riboud, in Upper Antelope Canyon, Arizona 2024

Riboud praises Eisler’s link between the female body and the architecture of space and place, as well as her graphic eye mingled with sensuality. For Eisler, it’s Riboud’s conceptual visual rendering—‘almost like a painting’ — that stands out above all. ‘The lens Alexei uses enables him to capture space and light in a very unique manner. The end result is subtle, painterly and beautiful, with incredible hues of light pinks and accents of deep purples in some instances. I think Alexei uses light to paint.’

Pinkish trees

Along the banks of Rio Grande river near Los Alamos, New Mexico. This is the view from the House at Otomi Bridge that frequently hosted Manhattan Project scientists. A team room and restaurant at the time – once post office and train station – where Oppenheimer kept a standing reservation for whenever he wanted to dine; New Mexico; photographed by Alexei Riboud, 2024

Kamiar Maleki, Director of Photo London, expresses their effect on one another – their oscillations, recalling Maryam’s ‘evolution from exploring the female figure to this more recent body of work’ and its ‘profound shift towards celebrating the Sublime in a new and different way – as displayed in Mother Nature‘, as well as ‘in the vast potent (waste) lands of the American West landscape.’

Prada shop with photographer photographing

Maryam Eisler, as photographed by herself at Prada, Marfa, by Elmgreen & Dragset in Valentine, Texas, 2024

For Alexei, it’s his ‘minimalist elegance, presenting viewers with unexpected compositions that speak volumes through their simplicity.’

An old man by the window, with a picture next to him

Portrait of an outsider Texan artist, James Magee, a dear friend of the painter Annabel Livermore, whose painting he sits in front of, and who various writers have described as his alter ago, a relationship referred to by The New York Times as ‘a tough act to follow’, photographed in El Paso, Texas, by Maryam Eisler, 2024

Reflecting on the journey, Eisler says, ‘I still recall the vastness of land and the ever-changing skies and clouds. We could’ve produced an entire body of work on the clouds of New Mexico; the evolving light and its plethora of shades… It was sky theatrics every day! As we drove on Interstate highways, I could not help but feel a deep sense of inner peace.

A photographer on a landscape

Alexei Riboud in White Sands National Park, New Mexico, photographed by Maryam Eisler, 2024

In fact, I had a memorable moment in White Sands National Park, as the sun was setting down amidst scarlet and purple skies. I recall seeing Alexei, camera in hand, standing on the opposite hill, akin to a dot in the greater universe… And for just a second or two, which felt like eternity, I took off mentally into a parallel state of mind, engulfed by Mother Nature. It was so powerful’.

A blue billboard

Weary billboard with missing parts north of El Paso in the vast plains of Texas; photographed by Alexei Riboud, 2024

‘I think the camera changes what you see, particularly when it’s your first experience of a place, of a unique location’, says Riboud. ‘Something happens that you can’t control; it’s your subconscious working, through the frame of the camera, on the construction of the image.’

a landscape with a sign saying 'Keep the Lonely Places Lonely'

Roughly halfway between Van horn and Valentine on U.S 90 reside crumbling buildings seen through a chain link fence: a one time significant railway dewatering station, now turned ghost town of Lobo, Texas; photographed by Maryam Eisler, 2024

And when it’s not the camera, there are parallel – or, rather, oscillatory – expressions, from a writer they met along the way. Glimpse below the poem ‘Eileen’, written by poet Amanda Bloom in West Texas. Her series of linguistic short takes provide a further mode of expression, imbricating the tapestry of their journey:

a woman lying by the pool

Poet Amanda Bloom lying by the pool of the iconic ‘Hotel Paisano’ in Marfa Texas where the cast of the 1956 Hollywood movie ‘The Giant’, starring James Dean & Elizabeth Taylor, stayed during the filming of the movie; photographed by Maryam Eisler, 2024

Windmill sentinels
over the oil field.
The air is quick here.
You can’t keep your
thoughts with you.
The star dome
holds you down
while you move.

The yucca heads higher
than a street sign,
flowers brown and dry,
still hanging on, stalk bent
from day after day of the
troposphere in motion.
Learn surrender from
the yucca. It rattles
before its release.

The land is home
to ore, ice volcanos,
ocean floor turned
high desert, Eileen
the horse that did
not die on the way
to El Paso, you.

Pumpjacks pull.
Windmills spin.
The yucca shudders and
two brown blossoms
light on the wind.
Eileen stretches
her bum leg.

The journey – from photography to poetry – provides, in Carrie Scott’s words ‘a dialogue about the deep humanity embedded in the landscape’s history’. And, indeed, it is ‘a tapestry’ as well as a dialogue, as the Director of Photo London concludes – ‘of beauty, emotion, and storytelling, inviting viewers to contemplate the profound depths of the American big nature experience alongside the quiet poetry of simple existence.’

a man reaching with a sign

Here, in Riboud’s street scene in El Paso is what Eisler calls his ‘geometric approach to depicting space in its subtle linearity, very unique to his eye’; photographed by Alexei Riboud, 2024

From dialogue, to tapestry, the works will soon be woven into a book, as well as an exhibition to be launched around Photo London 2025 – and in a way, as Scott aptly notes, ‘that we haven’t seen before’.

See More:

maryameisler.com

alexeiriboud.com

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Reading time: 12 min

LUX checks into the Bellevue Palace, Bern, Switzerland.

Le Lobby is a true classic reborn, a convivial meeting place to exchange views and discuss weighty matters over drinks as well as sushi and sashimi.

The wow factor:

The walk from the train station in the Swiss capital of Bern, to the Bellevue Palace, takes in some traditional cobbled streets and a stretch along a hilltop, alongside some Swiss government buildings. Walking into the grand atrium of the Palace, you pass through a gin bar and onto a terrace, at the end of the same hilltop, from where the ground drops away into a pastoral Alpine view of meadows and forests. There are even cows grazing on the hillsides: all of this from the most city centre luxury hotel of a capital city. All very Swiss.

Breathtaking views from the comfort of your own room

People watching:

Smartly dressed Swiss gentility were all around us; conversing quietly behind their Chopard necklaces and Audemars Piguet watches. The hotel, which was built in 1865 and rebuilt in 1913, is a place where such people have come for generations.

overlooking the River Aare or the Bernese Alps, each room has unique features

Show me to my room:

Our suite had a view out to the Alps: from our balcony we could see the white slopes of the peaks of the Bernese Oberland, the triangular Jungfrau and frightening Eiger, in the far distance. Inside the suite, this was truly a palace of a hotel in the traditional sense: antique furniture, thickly carpeted rooms, huge marble bathrooms and acres of space.

The open kitchen at Noumi Restaurant celebrates world food ideal for combining and sharing. Taste experiences in bowls and from the grill, including vegetarian variations, which are inspired by simplicity

Come dine with me (and other things):

The lobby, with its ornate Belle époque atrium, is the place for a drink when the weather doesn’t suit the terrace with a view outside: the speciality is gin, and it’s a power broker type of place for Switzerland, with important besuited men sipping at Martinis, all in surroundings more dramatic than, say, Claridge’s. But the real surprise restaurant action is downstairs at Noumi Bar & Grill; here you walk into a different universe from the traditional elegance of the best of the hotel, with a DJ spinning tunes in a booth, open plan kitchen, speakeasy lighting and a funky atmosphere. Food is best described as modern wealthy Asian: poke, tataki, simple grilled steaks. Ingredients are of superb quality and the kitchen’s touch is light but delicate. Very vibey, if rather out of keeping with the rest of the hotel. We could eat there every night.

Find out more: bellevue-palace.ch

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A sunny, snowy mountain top on the Alps with a Hotel view.
A sunny, snowy mountain top on the Alps with a Hotel view.

The hotel has dramatic views all around of one of the world’s most spectacular winter sports areas, the Dolomites in northeastern Italy

Our recommendation this ski season is for a place that blends the best of the Alps: Italian and Austrian culture and gastronomy, matchless views, astonishing skiing, and an ambience all of its own

How do you like your wintersports holiday? There’s the social whirl of St Moritz, Gstaad and Courchevel, the competitivity of Verbier and Val d’Isere…and then there are the Dolomites in Italy. Here, the vibe is so different you could be on another continent. It starts with the mountains themselves, sheer caramel coloured walls and stacks of rock, rising vertically above the curiously open and gentle slopes below.

A grey and white bedroom in a wooden chalet style room

The elegantly designed Superior Room

Then there is the culture, a blend of Austrian and Italian, but not really either – suffusing into the villages, food and people. The Dolomites are also home to the Superski area, a circuit of 1200 km of some of the most spectacular runs in the world, formed so you never have to ski the same slope twice as you tour the whole region.

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Our recommended base for exploring the area this winter is the effortlessly chic Gardena Grödnerhof, in Ortisei, at the heart of the area. (The German-Italian place names all point to the region’s mixed heritage.)

A chalet style hotel in the mountains covered in trees

The hotel is also an ideal summer destination for golfers, hikers and mountain bike enthusiasts

The family-run Grödnerhof may not be a palace like some of the most celebrated hotels in the Alps, but it’s every bit as stylish, and rather more understated, as any of its peers. Its design owes as much to Milan as it does to traditional Alpine themes; you are whisked into an effortless world of contemporary Italianate hospitality, but with a view to die for. There are two restaurants, the Gardena, in light Alpine style with Mediterranean dishes, and the Michelin-starred Anna Stuben, with a wine list to match the world’s best – and most eclectic.

Rooms are spacious and elegant and have sweeping views over the matchless Dolomites with light wood panels and cool grey tones; a blend of Austrian cosiness and Italian Bella Figura.

A wooden restaurant with white tablecloths

Anna Stuben’s Gourmet Restaurant, known as one of the best in South Tyrol, lies within the hotel

And then dash to the cable car around the corner as you are in the middle of one of the world’s most spectacular and distinctive ski areas. If you have not skied the Dolomites before, we recommend deliberately not looking out of the window of the lift as you go up and then taking a proper look at the top as the sheer scale and breadth of the view is like nowhere else. You may feel as if you are on a different planet. It’s one of the sunniest ski areas in Europe and also has among the best snowmaking facilities, so you can embark on your circuit which links to the ski areas of numerous nearby villages amid the likelihood both of fine Italian weather and crisp Alpine snow.

Read more: Hotel Crans Ambassador, Crans-Montana, Switzerland Review

A couple of perks the hotel offers are private ski tours at sunrise, with a guide, before all those other people get to the slopes, or just before sundown, when others have left (we recommend the latter, particularly after experiencing the hotel’s wine cellar the night before). And then you may have time to swim, luxuriate in the outdoor thermal baths, and admire the starlight, before dinner awaits.

Find out more: www.gardena.it

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Reading time: 3 min
Birdseye view on blue ocean beside green land with a cyclist riding through the greenery
Birdseye view on blue ocean beside green land with a cyclist riding through the greenery

Butterfield & Robinson’s Dalmation Coast Active trip in Croatia

Mike Scarola is the CEO of Butterfield & Robinson, a luxury travel company with the goal of making a positive impact. He speaks to LUX about connecting with local communities and travelling on two wheels instead of four

LUX: What was the inspiration behind your Slow Find initiative?
Mike Scarola: The Slow Fund is driven by our passion for sustainability, focusing on education, culture, conservation, and preservation. We needed a formal vehicle to give back, which is essentially the genesis of the Slow Fund. Sustainable travel has been in our DNA since the beginning, just by the nature of what we do.

Seeing the world or seeing a region on bikes or on foot, we believe is a better, more sustainable way to travel. Currently we support nine initiatives globally, which range from conserving species and iconic landscapes across Africa, to supporting gender equality in the safari industry, to our art residency in France. The ideas behind the initiatives we choose to support typically come from our guides or our planners, because they know the region and its needs the best. We always aim to support sustainability efforts or cultural initiatives in the regions where we take travellers, and often try to bring our travellers into some of those initiatives while they’re on trip. This allows them to give back to the communities they visit and understand the essence of Slow Travel.

Two chefs cooking pizzas in brightly lit restaurant

Pizza making lessons from a local chef in Italy on the Amalfi Coast Walking tour

LUX: When you first brought in this idea of sustainable travel and travelling on bicycle rather than taking cars, was there a high client demand for it, or was it something that you had to intensively market?
MS: The long story is that our founder, George Butterfield, is an unbelievable trailblazer. He had a huge passion for travel and bringing people to new experiences. He was always trying new trips,  and in the early 70s he decided to try biking and as a part of a travel experience. But first time round, it just didn’t catch on.

Then he had someone in his office who, in the early 80s, started to make a case that we should try this again. He thought that people that are looking for luxury will also want to bike through Europe. George was actually pretty hesitant at the time, but they tried it and it absolutely took off in the early 80s.

LUX: How do you go about tracking your carbon footprint and why do you think it’s important that companies, especially travel companies, need to be doing this?
MS: We’re in our second year of very detailed tracking of our carbon footprint, and the reason we do this is because we want create a positive impact in the world. There’s a real crisis and we’re part of it, but we’re now trying to be part of the solution. The first step that we thought was important was to try to measure our impact. It’s tough, but once you measure that, you can communicate the biggest impacts of what your company has day-to-day on the environment, and then you can start to take solid steps to reduce it. We’ve always thought about the environment and taken steps to improve our trips and reduce our carbon footprint, but this formalisation allows us to track it on an annual basis.

Follow LUX on Instagram: luxthemagazine

LUX: What’s the philosophy behind your travel experiences?
MS: We think there is a large number of travellers who want to be active when they go on vacation, and who will get a better experience seeing a region on two wheels than they will on four. There’s so many regions now that are wonderful to hike through, to bike through, to canoe through, that also have luxury accommodations, which is often really important for us. We always try to bring our travellers to luxury accommodations, to high end food.

Man standing next to his bike by a sunny slanted road

Mike Scarola on the Tuscany Wine Country Biking tour in Italy

LUX: You do a lot of community-based work trying to enhance their lives whilst travellers come and visit. How do you ensure a community focused approach while also balancing client demand?
MS: What we find is that travellers are looking for very authentic experiences. They’re not only looking to stay in the nicest hotel and eat the best meals. They’re looking to feel like they’ve come away with a connection and a deeper understanding of the region, which lines up really well with what we try to do. We try to source from locally-owned businesses and local people to help deliver experiences on the trip. So whether it’s a specialised tour, or  stopping in the middle of your cycle for lunch in a restaurant owner’s backyard, where they’re going to teach you how to make pasta, these are the types of authentic experiences that our travellers are looking for. We work really hard on a day-to-day basis to try to find them and it’s only possible because of the network we have built up . We have about 125 guides that are located around the world, who know their regions intimately and are often the source of new experiences with locals.

LUX: Can you tell us more about your art residency initiative in France?
MS: Certainly. This a partnership with a former guide, who has an art residency program in France. They came to us to say that they often identify fantastic artists who are very much in need of financial aid, who could use our help. That’s all we really needed to know. A passion of ours is being about to support our guides, and to support art and culture. We’ve sponsored a number of artists. The latest one is a Belarussian artist, who had to leave their home country because of what’s happening over in Ukraine. This was a phenomenal artist who really didn’t have anything, and was going to have to give up their passion and give up their talent in order just to survive. So we helped to support.

LUX: What sets Butterfield and Robinson apart from other travel companies in the industry?
MS: The heart and soul of this business are our guides and our experienced designers. I would argue at the end of the day that we have the best guides and the best experienced designers on the planet.

Read more: Travelling Botswana on Eco-Safari, Review

Guides showing a map of Tuscany to people on a cycling tour

Mike Scarola guiding on the Tuscany Wine Country Biking tour in Italy

We always have a get together, a guide kick off at the beginning of the European season in April, and a guide gathering at the end of the European season. They are the most creative, well-travelled individuals who speak multiple languages with stories from the whole year on how they took travellers to amazing spots. We ask our travellers at the end of the trip to rate us on a whole bunch of different metrics, and the guide score is always the highest and most consistent, because they’re so knowledgeable about the region.

LUX: How do you aspire to continue redefining luxury travel in the years to come?
MS: The biggest thing for me is listening to our travellers. Our travellers have been the best source of direction over the last 57 years, and I think they’re going to continue to be. I think the demand for authentic experiences will continue to grow. The other thing is that travellers are looking to have a bit of an impact on their trips as well. I can see us doing it a lot more where they’re not just visiting and learning, but they’re participating, potentially in a project that they do on a trip that you know makes them feel a little more connected, a little more empathy for the region and the culture.

Find out more: www.butterfield.com

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Reading time: 6 min
orange suitcases and rucksack in front of a black sportscar
orange suitcases and rucksack in front of a black sportscar
Ava Doherty reports on Tumi and McLaren’s collaboration on a limited-edition luggage collection titled ‘Unpack Tomorrow’, appreciating the history of the British motorsport brand through motorcar themed designs

The quintessentially English motorsport brand, McLaren, has paired with the travel and business manufacturer Tumi to produce unique limited edition travel pieces to commemorate McLaren’s 60th anniversary.

The collection was unveiled at the final event of the brand’s Spring 2023 campaign, ‘ Unpack Tomorrow’ which championed the Tumi crew member and McLaren Formula 1 driver Lando Norris.

Lando Norris holding an orange rucksack and standing next to an orange suitacase

Tumi and McLaren’s commemorative partnership aims to combine fashion, technology and lifestyle. The brands aimed to highlight their shared ethos of functionality, modern design dialogue and a forward-facing outlook.

Goran Ozbolt, Chief Designer art McLaren Automotive commented, “This edition of luxury travel pieces also celebrates our founder Bruce McLaren’s passion for looking to the future, pushing the boundaries, and matching effortless functionality with a modern design language that reflects the ethos of both companies.”

A black suicase next to an orange car

New technology incorporated into their design process includes ultra-durable Tegris composite material, flexible CFX carbon fibre accents, and the integrated USB charger of the Velocity Backpack.

Tumi aims to further globalise its partnership with McLaren with an international content series at key Grand Prix races featuring influencers, community engagement and exclusive prizes.

Black suitcase and luggage next to a car

Tumi’s Creative Director, Victor Sanz said, “We are thrilled to have collaborated on this collection with McLaren, utilising their famous papaya colour and combining modern, lightweight materials to create luggage, bags and accessories that celebrate their 60th anniversary.”

Find out more: tumi.com/McLarenCollection

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Reading time: 1 min
A white house white house with daffodils around it
A white house white house with daffodils around it

The exterior of Coworth Park, originally built in 1776

The Dorchester Collection’s country hideaway near London combines serenity with spa and some brilliant cuisine

Country factor:
15 minutes from Heathrow Airport, less than an hour from central London, this country house is set in a sprawling estate of parkland, lakes and polo fields. You feel like you are in the deepest rural idyll.

What to do?
A more pertinent question is, what not to do. There is, just across the way from the main house, an extensive spa with a swimming pool and hydrotherapy. There is an equestrian centre linked to the polo fields – come at the right time of year, and you can see the British royals play their favourite sport. Otherwise, you can ride. There is an all-weather tennis court, archery, and extensive grounds to get lost in doing long walks. In short, all the benefits of an English country house hotel without having to take a helicopter or drive several hours to get there from civilisation.

A blue glass building on the grass surrounded by trees and a statue in front of it

The Spa which works in collaboration with Germaine de Capuccini

What to eat?
Not so long ago, the cuisine was the question mark hanging over almost any British hotel outside London. Michelin-starred chef Adam Smith shows at Coworth Park how things have turned full circle.

Follow LUX on Instagram: luxthemagazine

Particularly admirable is what we would call his concept and execution platform. Across the menus in the different venues, it seems the dish is conceived, and can then be executed in different ways: traditional, vegetarian, vegan, or gluten-free.

A terrace with green blankets on chairs and outdoor gas heaters

The Drawing Room terrace which overlooks the grounds

There is no primacy of any style. Ingredients are piercing and local. It’s thoughtful and contemporary. Cooking thought leadership at its best. The main restaurant, Woven, has a delightful, classic modern feeling in its decor: no tablecloths, but as formal as you want it to be, with clever and expensive lighting.

Read more: Waldhaus Sils, Switzerland Review

The other restaurant, The Barn, is a more informal, but still highly polished and sophisticated offering. We would go to the former for dinner, and the latter for lunch. Or perhaps the other way round. Who knows.

A bedroom with a cream bed and sofa

Mansion House Junior Suite bedroom

Lying in
The decor in the rooms is perfectly judged, for where we are: not trying to be deepest wooden beam country style, but not city imposed on a rural dwelling either. Bathrooms are huge, beds almost as huge, and there is all the glitz you would expect of a luxury hotel.

Rates: From £570 per night (approx. €654/$700)

Book your stay: dorchestercollection.com/ascot/coworth-park

Darius Sanai

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Reading time: 2 min
a hotel amongst trees and a lake and mountains in the background
a hotel amongst trees and a lake and mountains in the background

An aerial view of Waldhaus Sils with Lake Sils behind

It has long been a source of inspiration to poets, artists and philosophers – and Sils, in the high-altitude valley of Engadine in the Swiss Alps, still proves a haven of luxury and creativity

Arrival
Waldhaus – house in the woods. To an English speaker, it sounds pretty; to a German speaker, there are centuries of myth behind the forest legend. Sitting on a bench, in the larch forest in the grounds of Waldhaus Sils, we pondered this. To one side, the hotel’s terrace restaurant – a terrace dissolved in forest – was finishing up lunch service. Immediately below us, two clay tennis courts lay empty after a family session had finished – a daughter narrowly beating a father, awash with glee; a family that looked as if they had been playing tennis in the woods for generations.

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Beyond, the mountainside dropped down and you could glimpse the valley floor through the trees: a flat glacial meadow and a blue-black lake containing a couple of islands, thick with pines. Beyond, a steep, largely treeless mountainside, grass, rocks, scree, peaks.

Waldhaus Sils is at the highest point of the Engadine, the wide, high-altitude valley that carves through the east of Switzerland like a scratch in the Alps. St Moritz is 10 minutes down the road, but the village of Sils has its own character and history. Nietzsche and Hermann Hesse lived and visited here; generations of artists came here for inspiration, and some, such as Gerhard Richter, 90 years old and widely considered the greatest living artist, still do come to stay at the Waldhaus.

red and beige chairs in a room with windows

The Waldhaus interior is a triumph of 20th-century modern design

The Experience
The hotel is on a rock just above the village, and what seems at first to be another in the mould of excellent palace buildings in the mountains, turns out to be rather more special.

To walk through the Waldhaus is like walking through a living museum of 20th-century design – when we say living, we mean it’s like a home, rather than curated for the benefit of others. There is a window in one of the drawing rooms that looks directly out at a rock face a couple of metres behind: the rock looks like an artwork in the frame of the window. Everything, from the wood panelling to the chess tables to the signage and the way the keys are arranged behind the reception desk, speaks of indulgent artistry.

Take a room with a balcony and it is as if you are in a tree house, only the balcony also as dramatic views across and along the Engadine and Lake Sils. The rooms themselves continue the theme of being in a home: no nouveau-riche over design here. If you crave three tons of marble in your bathroom, a Toto automatic toilet and Jacuzzi, you would be better to look elsewhere- but as a coherent and relaxing take on classical luxury, it feels wonderful to be in.

A river in a valley between green covered mountatins

Val Fex, high above the Waldhaus, photographed by Isabella Sheherazade Sanai

Eating and Drinking
Most of the residents of the Waldhaus (and it feels like a community of residents, rather than hotel guests) dine at the hotel in the evenings. The dining rooms, high-ceilinged and table-clothed, have huge windows directly into the forest, as if you are in a nest. Each evening brought us a different variation on consommé, a broth made with the stock-variously-of forest mushrooms, local vegetables, corn-fed chicken or Swiss beef; one was made with hay stock, and was sublime.

Otherwise, expect Swiss mountain cuisine, precisely prepared, and a treasury of a wine list that virtually compels you to try the wines of the Büdner Herrschaft – the warm, sunny, bijou wine-growing region in the Rhine valley of eastern Switzerland, over the mountains. There is also the terrace restaurant, overlooking the tennis courts, serving salads and grills for lunch.

A red chair on a red carpet with a painting above it and a table with flowers next to it

Activities
Woodland-walks, lakeside-walks around Lake Sils – inspiration to poets and philosophers – rock climbing, mountain hikes to the hidden Val Fex above the hotel…And that’s just the hiking and climbing, most of which begins on a path directly from the hotel’s back door.

Read more: Bittescombe Lodge and Deer Park, Somerset, Review

You can kite-surf and paraglide nearby, or stroll down to the village of Sils and see Nietzche’s house; or stay in the hotel grounds and swim (indoors), play tennis (indoors or outside in the woods), sunbathe amid the trees – or get a cavas and paint.

waldhaus-sils.ch

This article first appeared in the Autumn/Winter 2022/23 issue of LUX
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A hotel building with a red awning at the entrance and turrets around the roof and a palm tree

The exterior of the Castillo Hotel Son Vida, compete with turret

In the third part of our luxury travel views column from the Autumn/Winter 2022 issue, LUX’s Editor-in-Chief Darius Sanai checks in at the Castillo Hotel Son Vida, Mallorca

On any luxury visit to Mallorca to date, you might have expected to spend your time in a villa or hotel deep in the countryside or on a secluded coastline, or amid some of the most delightful and unique experiences in the world.

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As I arrived at Castillo Hotel Son Vida, it became clear that here was a different luxury experience. The hotel, originally a 13th-century castle, is on a hilltop overlooking the bay and city of Palma. Day or night, the views from its huge terraces are mesmerising and, while the hotel is located at the forest edge, with a large outdoor pool, it is only 10 minutes to Palma itself – more of which, later. The arrival is as grand as you might expect in a development of an original estate once owned by one of the great Mallorcan families. The hall leads to a dining room where paintings depict classical scenes.

A dining room with wooden walls and large glass chandeliers over the table

A grand dining space at the hotel

My room was everything you might expect in a grand Mediterranean hotel, only bigger. There are excellent hotels on Mediterranean islands where guests can feel constrained by the size of the building and rooms, dictated by a lack of space in the location. This had more of a French Riviera feel. Open the windows and there is a balcony with a view across the terrace to the city below and the bay and mountains beyond. Dinner on the terrace was sea bass baked in salt crust with local vegetables, with some floral sparkling wine from Catalonia – and that view. Almost as impressive was the breakfast, which focused on Mallorcan flatbreads and local jams.

A large terrace outside a yellow stone building

The huge main terrace, which overlooks the bay

You could spend your visit lazing by the pool, playing golf next door (this is one of the best courses in Spain) and enjoying the tranquillity (the hotel is 16+). But it would be a shame not to take advantage of the unique location and visit Palma itself. I combined a walk around the quite magnificent and recently refurbished cathedral with tapas in the old town and an after-dinner drink in the Santa Catalina area, just as it was getting lively. In revitalising Palma, the authorities are driving a far more upmarket type of tourism than is associated with some of the island’s beach resorts. Palma’s old town is all about gastronomy and sitting on terraces enjoying an Aperol spritz or a glass of Mallorcan
white wine. It felt like discovering Barcelona’s little sister.

Read more: Luxury Travel Views: Four Seasons Napa Valley, California

At evening’s end it’s just 10 minutes by taxi back to Son Vida, where you can decide whether to chill amid medieval surroundings next day, take another excursion into town or visit a beach. That, and the pleasantly high standards offered by this Luxury Collection hotel, make it very much a destination as Mallorca becomes a haven for upscale travellers.

Find out more: marriott.com/pmilc-castillo-hotel-son-vida

This article first appeared in the Autumn/Winter 2022/23 issue of LUX

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yacht in turquoise water and green island behind it

yacht in turquoise water and green island behind itAino Grapin is CEO of Winch Design, an international design studio for luxury planes, homes and most famously, yachts. Here, Grapin speaks to Samantha Welsh about the increased focus on sustainability in yacht design and the special requests of next generation yacht owners

1. What was the founding vision for Winch Design 36 years ago?

Drawing inspiration from Andrew’s own passion for sailing and the sea, Winch Design first began in 1986 by focusing its creativity on sailing and motor yachts. With a 36-year heritage in superyacht design, our studio is now creating projects across land, air and sea.

The challenge we set ourselves for each day is to realise the dreams of our clients. Their aspirations are, in themselves extraordinary in their sophistication and scale, inviting a creative response that has to be both unique and full of imagination.

A house which has been lit up inside

2. Deeply embedded at the outset in environmental and social responsibility, how is the company working to meet UN sustainable development goals at studio level?

Andrew had a genuine interest in sustainability very early before it became such a hot topic and has driven that passion into the business. We have created our own ‘Life Worth Living’ plan to care for people and the planet through four key pillars: protecting our air, land and sea, caring for our communities, leading our industries and transforming our business. We have also partnered with the Water Revolution Foundation and signed their Code of Conduct, committing to prioritising sustainability throughout our entire supply chain.

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At studio level, we have a dedicated sustainability specialist whose responsibility it is to research, source and test, not only materials, but suppliers too. They manage a resource matrix of sustainable suppliers that analyses and tracks their methods of sourcing, manufacturing and application of each material to check it meets the correct criteria.

3. Data shows the average age of a boat buyer has decreased by over ten years since the pandemic, what does this new generation want from a luxury fit-out?

We are seeing an increase of younger owners, who are typically more in-tune with the effects of climate change and ocean pollution and are more likely to request or be open to innovative and sustainable yacht design.

In terms of interiors, younger clients do not like the high-gloss and dark wood finishes which are typically associated with traditional yacht interiors. Natural textures and experimental finishes are more popular with younger clients.

a white yacht int he sea

Younger clients are also asking for more informal social spaces, a step away from formal dining and entertainment styles traditionally found. This is showing that guests really want to switch off when they’re at sea. Clients are staying on board longer and require more multi-functional spaces.

Explorer yachts are also gaining popularity with the younger crowd. Clients want to be able to navigate around the globe for extended periods of time in a 7* environment. Their yacht must be able to thrive in any environment, no matter how harsh.

4. At project inception, how do you persuade clients to make sustainable choices?

We make sure to introduce all of our clients to sustainable options right at the start of the process. The choice of sustainable materials becomes a part of the narrative of the project and we educate our clients to understand that sustainable options don’t mean you have to compromise on luxury.

Wooden samples with patterns on them

5. Where are you focusing your design energies?

Alongside sustainability factors and the increased popularity in explorer yachts, we are seeing an increased focus on the use of glass on yachts. Huge expanses of glass are being used, to bring the outside in and allow clients to feel immersed in their surroundings. This yearning for a connection with nature has also led to the increase in more refined, natural interiors, with open grain woods, soft, light furnishings and even living walls of greenery.

Read more: Markus Müller on Nature Economy

We have no set house design style and as a result each project we complete is totally unique. Currently we are working on a variety of projects across our yacht, aviation and architecture studio. These include VIP submarines, the world’s largest twinjet plane and the OWO (Old War Office) penthouse.

a yacht in the sea with an iceberg behind it

6. What do clients most want from their time at sea?

Our clients want time to switch off, enjoy time with their family and friends and explore new destinations in complete privacy.

Find out more: winchdesign.com

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purple and red background with a model with his finger to his lips in a leather outfit wearing glasses and a man wearing a suit in the background also wearing glasses
deck chairs and a pool on a roof terrace looking over the city of Hong Kong

Image courtesy of Rosewood Hong Kong

Adrian Cheng is a leading tastemaker, founder of cultural-retail destination K11 MUSEA, art collector and investor in innovative companies. Here he outlines brands catching his eye for 2023

Jewellery

A wooden jewellery store with products on display

Image courtesy of K11 MUSEA

Brands that bring creativity and self-expression to the mainstream always attract my attention. That is why I find L’ÉCOLE School of Jewelry Arts interesting. Starting in Paris and now expanding into Hong Kong (at K11 MUSEA, above) and Shanghai, their studios provide amazing courses for people wanting to learn and create jewellery in all forms.
lecolevancleefarpels.com

Fashion

A black and white photo of a model on a catwalk wearing a black vest and large angled trousers

Image courtesy of Keystone Press/Alamy

Like many others, I’m watching Schiaparelli (above, in 1978), to see what happens next. Having met creative director Daniel Roseberry and hearing about his love of savoir-faire and mixing old and new, I’m really excited to see how he continues to evolve the brand. I have a feeling there are many exciting things to come.
schiaparelli.com

A man wearing purple shorts, hat, vest and shirt on a dark runway

Image courtesy of Reuters/Alamy/Benoit Tessier

AMI Paris is a brand to keep an eye on as it rapidly expands. I love its mix of casual and chic – it’s so great for everyday wear. The brand has a mission to make luxury fashion accessible and that really resonates with me, too. I’ve also been very impressed with its collaborations with Moncler and Eastpak.
amiparis.com

Retail

Whiskey on a shelf by a window overlooking the sea

Image courtesy of Stephen Grant/Alamy Stock Photo

I’m a huge fan of Arbikie’s whisky (above), which is grown, distilled and bottled on a Scottish family farm with a 400-year history. The distillery is fairly new, and it is making waves because of its ‘field-to-bottle’ approach. Sustainability is very important to me. Plus, the flavour is second to none.
arbikie.com

purple and red background with a model with his finger to his lips in a leather outfit wearing glasses and a man wearing a suit in the background also wearing glasses

Image courtesy of Keystone Press/Alamy

I’m always on the lookout for what’s hot in the tech industry. I’ve been really impressed with the London start-up VITURE. The brand’s VITURE One are XR smart glasses with a virtual screen so you can discreetly stream and game while wearing. They are super lightweight (and look just like classic sunglasses, which I like). I am a sucker for anything that combines fashion with technology.
viture.com

An entrance with white stone and trees

Image courtesy of AJL Photography Ltd/Rosewood Phuket

Asaya Wellness is a concept by Rosewood Hotels that the group is expanding across its properties, including Hong Kong. It combines therapies, meals and experiences to support physical and mental wellbeing. I may be biased, as Rosewood is family-run, but its Chi Nei Tsang treatment in Phuket, Thailand is mind-blowing.
rosewoodhotels.com

This article first appeared in the Autumn/Winter 2022/23 issue of LUX

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people in a shopping centre in Milan
people in a shopping centre in Milan

Galleria Vittorio Emanuele II mall in Milan: The city has long been a magnet for the world’s wealthy

LUX speaks with Alan Hooks, Managing Director, Head of Private Clients UK at Julius Baer, about the Swiss private bank’s 2022 report on the changing consumption and spending habits of the wealthy around the world
A man in a navy suit, red tie and white shirt

Alan Hooks

LUX: Are we seeing a generational change in the way high net worths (HNIs) and ultra high net worths (UHNIs) spend and invest, taking into account sustainability considerations?
Alan Hooks: Certainly we have seen that shift in approach from a next generation perspective, and that’s where the acceleration of these conversations are coming from. So when you talk about investment habits, the majority of those conversations are held with the future custodians of the wealth of the family, so we are seeing that manifesting itself quite considerably in those conversations.

When it comes to consumption habits, the report also shows that high net worths, and ultra high net worths are typically early adopters of new technology, new product design, that will have a positive impact on the environment. With that advocacy comes some responsibility because typically that early adoption will mean others will start to follow. I think that’s an important trend to observe, and we’ve seen that come out of our Global Wealth and Lifestyle Report over the last few years.

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If you look at the shifting patterns of consumer spending, you’ll see a move from possessions to experience. In particular, that can be seen from the report in terms spending on health, and travel and leisure have been quite significant in the in previous years. During the pandemic were not able to freely travel as much as they would have done, but now it’s over, that is strong. We are certainly seeing from a London perspective the leisure and tourism sector is an area where discretionary spend is high.

A restaurant with brown leather chairs

Heston Blumenthal’s restauarnt The Fat Duck, outside London. High net worth individuals are spending more on experiences according to the report

LUX: You rank various cities in the world in terms of their cost and desirability. Any place stand out of particular interest?
AH: What’s great about the report is that we highlight cities around the world where there is still great opportunity, Sao Paulo for example, has a significant population, high degree of a younger (wealthy) demographic signifying great opportunity.

LUX: What other elements are important for HNIs and UHNIs?
AH: What recent months have shown us is the focus on security and safety and countries and cities that can offer that level of security and stability, are important. In this demographic that becomes important as a factor in terms of where people are basing themselves or may be relocating. Other considerations such as lifestyle, education and so on are also important. The cosmopolitan nature of cities around the world, certainly for international families, is important.

An iceberg in the sea with people looking at it from a speed boat

Expensive but exclusive adventure experiences like Sven Lindblad Expeditions gives guests the opportunity to see sites like this iceberg in Ilulissat, Greenland

LUX: Crystal ball gazing, what do you expect to see in next year’s report?
AH: I think I would expect to see trends continuing in terms of continued focus around health and well-being. I would be interested to see whether the challenges that we’ve observed in the 2022 report will remain in the future, or whether that starts to settle. For example, if we look at some of the findings on London in leisure, we see a significant demand for leisure, tourism, hotels and restaurants. We are also hearing from hoteliers and restauranteurs about the challenge around finding staff.

Read more: Chef Heston Blumenthal: The Culinary Resurrector

It will be interesting to see and hear from respondents over the next 12 months whether this trend is continuing and how things are faring as a result of things settling down after the pandemic. It will also be interesting to observe the levels of creativity we find from businesses in product design and in servicing high net worth and ultra-high net worths. What we have learned in the pandemic is that typically there has been innovation and creativity in these areas.

Find out more: juliusbaer.com

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a swimming pool by the sea surrounded by grass and trees
a swimming pool by the sea surrounded by grass and trees

The InterContinental’s pool area

Cascais, on the Atlantic coast of Portugal, has a fabulous summer climate, culture, history, cuisine, convenience – and a bijou hotel to enjoy it all from, as LUX discovers

“You have to go to Cascais – it’s the light, and the atmosphere but really the light” says Tony, the legendary manager of the staff cafe at Vogue House, Condé Nast‘s London headquarters, and as Portuguese as salt cod.

Tony and I have had this conversation numerous times over the years. When I got my own office and PA, meaning I didn’t visit his Hatch canteen any more, we would talk on the stairs or before I hosted a client in the Vogue House boardroom, as he organised snacks.

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I was intrigued not only because Tony was a local, but because he was particularly passionate about a place that is not really on the international radar. People speak of the coast south of Lisbon, or up towards Porto, but Cascais (pronounced Cash-kise), on a map, looked intriguing. It’s only 20km or so from the Portuguese capital, but past the mouth of the Tagus river and on a stretch of coast that angles sharply around into the Atlantic. It is a historic resort town and only a few kilometres from Sintra, the hilltop town that is a destination for tourists from all over the world.

A bedroom with a grey throw and cushions

A deluxe room

Cascais being a weekend resort for the well-to-do of Lisbon, is not teeming with luxury hotels, with the exception of one: the InterContinental. This is a chain that may be more familiar to business travellers, but, as I walked into its lobby, it was plain to see that this property is aimed at a whole different world.

“The light,” I said to nobody in particular, inadvertently echoing Tony’s words. The floor- to-ceiling windows on the other side of the lobby opened out into a world of light: the green of the grass around the pool, a couple of floors below, a deep blue sea, a light blue sky that, it would transpire, turned into a kaleidoscope as the sun made its way from above the coast of southern Portugal, in the distance ahead, to set over the Atlantic, to the right. There must be some psychology involved here, on the western edge of Europe, but the light was different from the Mediterranean – less hard, more watery, somehow. Maybe it was the waves: rolling, louder, more insistent than those on the quasi-landlocked Med.

A restaurant by the sea with parasols

Furnas do Guincho

Maybe it was all auto-suggestion but there was nothing illusory about the pool. It sits on an island of grass and trees, above the main pedestrian promenade linking Cascais with the old resort town of Estoril. To the right was a cute little bar area – a bar, a few tables, a lawn, some flowers and trees – where we retreated on arrival, and found ourselves greeted by vast gin and tonics in stemmed bowl glasses, flavoured with a local herb that tasted halfway between basil and mint. It felt like drinking the view.

The rooms were the next surprise, and in the best possible way. There is no generic corporate style here: instead, large, high- ceilinged, contemporary-touch bedrooms with floor-to-ceiling windows onto big balconies. The blue fabric wall behind the bed matched the sea; elsewhere the room was light greys, taupes, bronzes and swathes of blue. The effect was utterly relaxing: we enjoyed the balance of comfort (top quality beds, excellent functionality) with design flair, individuality and the sense of being in a particular place. And with the balconies looking out over the pool, promenade and sea, it was very peaceful. There was, we noticed on the second day, a little local train line beneath the pool area and by the promenade: it gave a sense of character, rather than detracting from the experience.

prawns in a blue bowl

The hotel’s fried Mozambique. prawns à ǵuilho

You could lie by the pool all day, loungers on grass, and sip basil-mint gin and tonics. One observation we made, when visiting in mid-summer, while the sky was clear and blue with uninterrupted sun every day: it was notably less scorching than on any Mediterranean coast. Daytime temperatures were about 28C (82F), maybe 10ºC cooler than the average temperature in August in Turkey, Greece or Sardinia.

This means you have more energy, and no need to retreat inside for air-conditioning (itself
part of the vicious circle of global warming), which meant we descended the private staircase to the promenade and walked to Cascais’s old town, a kilometre or so along the seafront, every day. It’s a bijou place, with small café and restaurant terraces, a little beach, and a warren of backstreets housing craft shops and speciality dining, from sushi to local seafood.

A town with white buildings by the sea and a pier

Cascais old town

Beyond the town centre, a taxi ride away, is the most spectacular restaurant in Portugal, Furnas do Guincho. Its huge terrace seems to hover over the rocks at the point where the coast turns northwards and the Atlantic hurls its full force at Europe – not a place to swim in the sea, but a memorable place to sample a mixed-grilled shellfish platter or specialities (all caught the same day), such as red snapper or grouper.

The restaurant at the InterContinental was less dramatic, but even more pleasing to sit in, for the sense of serenity. On a higher floor than our room, the small private terrace looked out to a sweeping view from the outskirts of Lisbon, along the coast, to the left, to the ocean beyond Cascais’s colourful roofs, to the right. The décor consisted of light-yet-opulent blues, greens and bronzes – everything open to the light. Equally refreshing was the food: grilled, locally caught sea bream with a hint of lemon and thyme.

Read more: Luxury Travel Views: Mandarin Oriental Ritz, Madrid

Step outside the lobby, at the front of the hotel, and you’re on a busy main road, which you wouldn’t think existed from the other side (that’s clever architecture for you). It was convenient, though, for trips to the hilltop palace-collection at Sintra, and to the Lisbon Oceanarium, Europe’s largest indoor aquarium. And for getting to the hotel in the first place: the InterContinental is a 30-minute taxi ride from Lisbon’s international airport. It’s rare to find a luxury resort-hotel in Southern Europe so close to a major transport hub, meaning it beckons as a weekend break as well as a summer holiday destination. I had better let Tony know: he was right.

Written by Darius Sanai

Find out more: estorilintercontinental.com

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A double staircase looking over at a terrace
A double staircase looking over at a terrace

The leafy terrace at Mandarin Oriental Ritz in Madrid

In the first part of our luxury travel views column from the Spring 2022 issue, LUX’s Editor-in-Chief Darius Sanai checks in at the Mandarin Oriental Ritz in Madrid

“A little bit more, Sir?” A bartender is holding up a bottle of artisanal gin, having already emptied what seemed like a half-gallon of it into a bowl-shaped glass, filled with ice, slices of limon (a kind of lemon-lime cross) and juniper berries. I look up at the trees, the expanse of the square behind them, the outline of the grand Thyssen-Bornemisza Museum beyond, and the moon above, and think: yes, why not. I have arrived.

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If the arrival is a key part of any hotel experience, the post-arrival at the Mandarin Oriental Ritz, Madrid, was pretty important, too. I had left my bags to be taken to my room as I wanted to catch the last embers of daylight from the bar’s terrace, which sits above the garden restaurant, itself almost contiguous with the trees of Retiro Park. You are in the centre of one of Europe’s most vibrant and dusty metropolises, but surrounded by nature (and, in my case, soon immersed in a very good small-producer gin).

round bedroom with a sky painted on the ceiling

The hotel’s royal suite

Neither of Europe’s other two grand Ritz hotels, in London or Paris (the three were born siblings, created by César Ritz to redefine the grandeur of hotels at the start of the 20th century, but are now owned and operated separately), offer such an outdoor experience, or indeed such a refreshing one. I am not speaking of the gin here, but of the decor: Mandarin Oriental’s magic wand over the previously grandiose but fusty Ritz Madrid has created lavishness with a certain elegance and contemporary class.

It’s a perennial question: what to do with a grande dame hotel – in this case, one of the grande dame hotels – to bring it into line with what a new generation of traveller expects, while not destroying its soul. I have seen hotels with decorative ceilings ripped out, with hip bar designers imposing darkness where there was once light, and with questionable contemporary art replacing dusty but meticulous classics.

A white corner of a building with trees and a garden in front of it

The hotel’s Belle Époque façade

Fortunately the Ritz does not fall into these traps. Our Mandarin suite combined fresh but classic colours – pale walls, pale gold furnishings – with hints of MO style, such as black lacquer detailing. The service was up to date, effortless and effective without being stiff: just the right balance to cater for a wide variety of traveller.

Read more: Chef Ángel León: Ocean Sustainability Supremo

And the food in the Jardin (Garden) restaurant was also spot on: kimchi chicken skewer, Thai sea bass ceviche, grilled sole with artichokes. You can delve into the paella menu, as many others were doing. The hotel may claim it has updated its Belle Époque origins to work in the luxury travel world 110 years after it opened (I don’t know, I didn’t check, but it’s the kind of thing a hotel would say) and in this case, they would be absolutely right.

Find out more: mandarinoriental.com

This article appears in the Summer 2022 issue of LUX

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art exhibition installation
riverview at night

Walking back after dinner. Image by Darius Sanai

Paris, the eternal city, never changes. Or perhaps it does. After a two-year hiatus, Darius Sanai notices some interesting happenings during a week of meetings with luxury CEOs, art dealers and creatives

Meeting an old friend for the first time in two years, I wonder if she will have aged and find her instead fizzing with renewed life.

The friend is Paris. I am here for the first time since just before the pandemic hit Europe. “Since Brexit, people are coming here instead of London because it’s easier to get a job,” says Kai, a graphic designer I bump into at a gallery opening. Estonian, she moved to the vibey/slightly scary 19th arrondissement from Dalston, in London, in September.

That doesn’t mean that Paris hasn’t suffered from city flight, like London, New York and most other metropolises. Prices of apartments in the centre of Paris are down 2.5% year on year. The sellers are not like Kai. They are wealthy and middle aged. Maybe an exchange of the wealthy bourgeoisie for edgy graphic designers in their 20s is the reason for the vivacity. Property prices in the dodgy/cool 19th are up 3.8%, from a much lower base.

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To dinner on the Left Bank with Francois Pinault’s CEO of Artemis Domaines wine estate group. Frédéric Engerer has Château Latour, the celebrated Eisele and Clos du Tart estates in Napa and Burgundy respectively, and several others, under his thumb. I get the feeling from Frédéric that these may not be the last: luxury goods titan Pinault is buying great wine estates like he once snapped up Gucci, Bottega Veneta and Saint Laurent.

At Les Climats, the Parisian restaurant with “the best wine list in the world”, according to numerous magazines, the sommelier at first doesn’t recognise Frédéric, who is arguably the most powerful man in French wine. This could have been embarrassing but Frédéric is understated, leafing through the list as anyone would. The penny drops. “Ah…sorry, I didn’t realise who…” stammers the sommelier. It’s fine.

We do a side-by-side blind tasting of his own Clos d’Eugenie against another excellent Burgundy. Frédéric and I both manage to identify both wines correctly, simple for him, and a 50/50 for me. Having had a bottle of champagne and two bottles of Burgundy on a Tuesday night, with meetings all day Wednesday, we decline the suggestion of a dessert wine.

luxury bedroom

Our suite at the Hotel Costes Castiglione. Image by Darius Sanai

Back at Hotel Costes, I am walking slightly unsteadily towards the lift in the arresting, Christian Liaigre-designed lobby of the new Castiglione wing, when I am greeted by someone walking out of the bar. After establishing I am who he thinks I am (two years absence and a compulsory face mask have that effect), Jean-Louis Costes invites me for a drink in his bar.

Over a late-night glass of Badoit, the man who first created a new vibe for Paris with the Hotel Costes in 1995 tells me his plans to expand the Costes even more. A boutique is becoming a palace. It’s also turning into my kind of place: I found the Jacques Garcia-designed original Costes a bit self-conscious, or perhaps it’s the people I met there over the years. The Castiglione, with its high ceilings, visual drama and flair, is Paris showing Dubai, London, New York and anywhere with pretensions of grandeur, how contemporary luxury style is done. If Marie Antoinette were alive and holding court in 2022, she would do it here. I reflect on how the most talked-about hotel in France among the social and media (and social media) sets is owned and run by a man who doesn’t do interviews (the profiles I did with him for LUX and Condé Nast Traveller in 2021 were the first he has ever done for the international press) and isn’t on social media.

Read more: Why you should get your new car ceramic coated

The next morning, I walk downstairs as Jean-Louis walks into the lobby. He offers me on a hard hat tour of the new spa and swimming pool, under construction beneath the hotel, and the next wing, to be a loft-style chill out zone, opening later this year. I promise to say nothing about them until the time. Only, the pool is very big and will be special. “I don’t want to build something for three people doing lengths,” he says. Jean-Louis reminds me of Nick Jones, founder of Soho House. He looks at the same space everyone else looks at, and sees an idea for something nobody else can see.

photoshoot in paris

Bird’s eye view of Angie Kremer’s photoshoot for the next issue of LUX. Image by Darius Sanai

I walk to Montparnasse, to the Photo House studio where Angie Kremer, a happening young photographer and videographer, is doing a shoot for the next issue of LUX on young creatives in Paris. Gen Z Parisians entering the workforce seem far more open to culture and ideas from the rest of the world – and outside the Peripherique – than the previous generation of twenty somethings. A positive impact of social media.

Vanessa Guo & Jean-Mathieu Martini. Courtesy Galerie Marguo

Vanessa Guo and Jean-Mathieu Martini are not Gen Z. They are globally connected millennials on a mission. Vanessa, former director of Hauser & Wirth in Hong Kong, moved to Paris and opened Galerie Marguo in October 2020. The gallery is in in a former government building in the Marais and looks out onto a newly rebuilt courtyard – the Square Arnaud Beltrame – where public art and outdoor private views take place next to a kids’ playground. (No Takashi Murakami works here.)

Vanessa says a new generation of collectors is interested in collecting a new generation of artists. Back to Brexit: with taxes and paperwork on art in and out of the UK, Paris is vying to take over London’s preeminent role in the European art world. The collectors are coming here too, she says. So long a museum of culture and brands managed carefully by a closed elite, Paris is opening out. The imminent arrival of Art Basel, displacing the more local FIAC from its seat at the Grand Palais, will change things even more.

art exhibition installation

Installation view of “Ziping Wang: Obsession Indifference and Onionskin” at Galerie Marguo, Paris

Amin Jaffer, collector and curator of the sublime, is out of town this week so I can’t take him up on his invitation for tea at his beautiful home, where his art collection is so beguilingly put together that I never want to leave. Instead, he organises for me to have a tour of the new Al Thani collection, which he curated, at the (also) new Hôtel de la Marine. The building is on Place de la Concorde, directly in the centre of the north side. The collection is a sliver of the art from Persia, Mesopotamia, Egypt, India and surrounding regions, collected by Qatar’s ruling family over the last decades. It is presented delicately, clearly, warmly, with excellent descriptions that are both clear and authoritative. And have no “side”. Curators of far lesser intellectual worth writing dreadful, biased descriptions in some of the leading institutions of the Anglo-Saxon world should take note and learn from the Qataris, and Amin. I make a note to ask him to give me a personal tour next time.

Read more: Richard Curtis on the Power of Pensions

At meetings at Kering‘s HQ, at a former military hospital on Rue de Sèvres, I reflect that Francois-Henri Pinault’s sustainability strategy and introduction of environmental P&Ls for his brands felt revolutionary and a bit weird when I first spoke about them ten years ago. Now, it feels normal, the least you can do. Meanwhile the metaverse feels revolutionary and a bit weird now.

contemporary art sculpture

A sculpture at the Al Thani Collection. Photo by Darius Sanai

A final lunch with the LUX team and Angie Kremer at Château Voltaire. This new mini five-star hotel with 1970s themes is where Kanye West stayed for the last fashion week. I have tuna tataki with ponzu and frisée salad. Angie points out that frisée can misbehave when covered with dressing and goes for haricots verts. We plan a little party and exhibition for her shoot after the next issue is out.

Time to catch the Eurostar, where the security still doesn’t provide trays, so your Balenciaga coat sits on the conveyor and your Fragonard perfume bottle gets chewed up between the ramps.

At the Eurostar arrivals area of London St Pancras, the huge Dent clock above the Tracey Emin neon has stopped. It’s an easy omen for a writer. London hasn’t stopped, but in Paris, something has restarted.

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Reading time: 7 min
luxury hotel
luxury hotel

The Royal Champagne is built into south-facing vineyards on the Montagne de Reims

In the final part of our luxury travel views series from the Autumn/Winter 2021 issue, LUX’s Editor-in-Chief Darius Sanai checks into Champagne’s newest and most luxurious hotel: the Royal Champagne Hotel & Spa in Épernay

If the devil is in the detail, the Royal Champagne is a devil of a place. In the best possible way. What detail to pick on? The barista-style Italian espresso machine in the room? The pale-leather welcome box containing a bottle of boutique Leclerc Briant champagne in an ice bucket, two champagne glasses and some fruit slices? The delicate mesh on the light wood occasional table? So many.

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In truth, Champagne has been in need of this hotel forever. I have been visiting the region on business and pleasure for years, and the choice has been between a couple of old-school country luxe hotels with little in the way of contemporary pleasures, and an array of functional places wholly out of keeping with champagne (the drink) and its image of indulgence.

From the very start, it’s plain that the Royal Champagne is something else: an indulgent hotel created with extreme love and style (and budget) by deep-pocketed owners wanting the best and hang the cost. (That is my impression, and I challenge them to prove me wrong.)

spa swimming pool

The pool overlooks the champagne vineyards of Épernay

You approach from Reims by driving up the Montagne de Reims, the forest-topped big hill with vineyards on both sides that demarcates the territory between Reims and Épernay, the two capitals of Champagne. Through the forest at the top of the hill, onto a lane through the vineyards, and the hotel entrance appears out of nowhere.

The Royal is built into the hillside, a contemporary building and a feat of engineering beside the historic building that gives it its name.

Read more: LUX Editor-in-Chief Darius Sanai on Effective Climate Action

Inside, everything is light, open. The welcome is professional and swift, and our room, like all of them, faced out over the vineyards, with a big balcony and vista down to Épernay and to the hills of the Côte des Blancs beyond. The balcony table shaped as a hollow-sided mini-barrel was particularly cute. Inside, everything was generous, light grey, cream, gold: the big bathroom has a sliding wooden screen to the bedroom so you can bathe with a view.

The temptation to hang out in the beautiful bedrooms is extreme but should be resisted. A couple of levels below, an indoor pool stretches the length of the main building of the hotel, all with picture windows out to the vista; there are beds on pedestals at either end to relax on, as well as more conventional loungers all around, and on an expansive terrace outside there are more chill-out spaces and an outdoor pool, warmed to cope with the north European weather, on the edge of the vines.

luxury hotel bedroom

Then there’s the aptly named Le Bellevue restaurant, with a vast terrace with a view, where you can choose from an array of specialist champagnes and – amazing for the region – choose from a light, modern, organic-based menu. Bulgur and coriander tabbouleh, baked monkfish with chard risotto, that sort of thing. And do yourself a favour and allow the sommelier to choose for you from one of the small-grower champagnes: you may never have heard of them, because they only sell locally and make in tiny amounts.

The Royal Champagne is so good that it could be a destination hotel and resort for someone not interested in drinking champagne. It manages the trick of being desirable for couples, friends or families without overwhelming with one. The service is brilliant without being corporate (it’s not part of a group) and like another LUX favourite, the Alpina Gstaad, it redefines contemporary hôtellerie. It really is that good.

Book your stay: royalchampagne.com

This article was originally published in the Autumn 2021 issue.

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hotel on a harbour
hotel on a harbour

The Idle Rocks boutique hotel sits on the edge of St Mawes harbour in Cornwall

Located on the harbour’s edge of Cornish fishing village St Mawes, The Idle Rocks is a coastal-meets-contemporary hotel and locavore hotspot. Ella Johnson checks-in for a weekend of fine dining and relaxation

At 19 rooms, The Idle Rocks is an intimate hotel. Mementos of the owning family, which bought the hotel in 2013, are dotted about the place: photographs and well-read books populate the shelves; a pair of child’s red ballet pumps, un-pristine, sit poised beneath a bell jar. Soft furnishings are in exuberant and mismatched fabrics. The wall art – all by the same local artist – offers colourful, child-like iterations of the surrounding landscape. Signature scented candles and a log fire burn all day and night; shell-shaped light fixtures bathe the communal spaces in glow. Yet there is no music or forced ambience here: only the sound of the sea just outside the window.

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The Idle Rocks is located on the harbour’s edge of St Mawes, a small fishing village on the Roseland Peninsula. Described by The Times in the 1940s as ‘a kind of British edition of St. Tropez’, a mild climate means that St Mawes is attractive year-round, and some prefer coming here away from the hectic summer months when crowds of ‘staycationers’ from across the UK fill the county’s narrow lanes and surfing beaches.

luxury hotel bedroom

One of the hotel’s grand seaview rooms

You can hear the waves wherever you happen to find yourself in the hotel: bath, breakfast, bed, or otherwise. We took the corner room with the two Juliet balconies overlooking the harbour and slept with the doors open for maximum effect (the complimentary night-time hot water bottle meant there was no risk of getting cold). In the daytime, the room is light-filled; Breton-striped curtains, raffia rugs and a travel trunk nod to the nautical while letting the view do the talking.

Head to the fireside when it is time for aperitifs and plan a culinary trip around the peninsula. Of chef Dorian Janmaat’s seven-course seasonal tasting menu, our favourite course was the venison loin with celeriac, cavolo nero, and blackberries, washed down with a glass of Black Ram Cornish red from the local Trevibban Mill Vineyard.

Read more: Designer Ali Behnam-Bakhtiar on the future of luxury events

Seafood lovers will also enjoy the lemon sole with braised salsify, cep, Cornish caviar and verjus, or the Cornish monkfish with roasted chicory. (We tried both: with the water’s edge just metres away, it would have been rude not to).

hotel lounge

The lounge area with colourful artworks by local artists

If you book out the whole hotel for exclusive use, you get the keys to the Idle Rocks-branded Land Rover thrown in. Take it out for a day of shooting or beach walking with friends, stopping off at noon at the Hidden Hut in Portscatho to warm your bones with a bowl of fish chowder on the beach.

When we returned to the hotel, we booked in for a massage in the hotel’s treatment room. While the Aromatherapy elixirs were a tonic after a day braving the Cornish elements, none was so therapeutic as lazing about in our own private cinema afterwards. The Secret Cinema is located at The Idle Rocks’ sister establishment, the St Mawes Hotel, just across the road, and is a good alternative for those looking for something a little more laid-back.

Rates: From £230 incl. breakfast (approx. €250/ $300)

Book your stay: idlerocks.com

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boat in antarctica
boat in antarctica

Lindblad Expeditions travellers explore Booth Island, Antarctica

Sven-Olof Lindblad is an influential Ocean Elder whose work combines marine conservation, education and eco-tourism. He speaks to Sophie Marie Atkinson

In late January 1966, 57 travellers arrived at Smith and Melchior Islands on the Antarctic Peninsula aboard a chartered Argentine navy ship. Pioneer Lars-Eric Lindblad was the man behind this voyage, one which had previously only ever been undertaken by professional explorers and scientists. This event marked the beginning of commercial travel to parts of the world that, until then, most could have only dreamt of visiting, as well as the birth of a whole new industry.

Exploration, discovery and an innate desire to immerse oneself in nature clearly run in the Lindblad blood. Lars-Eric’s son, Sven-Olof, spent part of his life in east Africa, where he photographed elephants and wildlife and assisted filmmakers on a documentary about the destruction of rainforests. This experience, coupled with the many trips he joined his father on, ignited a passion that lives with him today.

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By 1979, Sven-Olof had founded Special Expeditions (now Lindblad Expeditions), an innovative travel company that today offers oceanic expeditions aboard small ships. Like his late father (who died in 1994), Sven-Olof’s mission is to enable people to explore hidden corners of the world. Destinations include the coast of Alaska, Baja California, Patagonia, Russia, and even the islands around Scotland. But visiting these regions is only a fraction of the company’s story.

Lindblad Expeditions seeks to take what we currently call ‘sustainable travel’ a step further. “Sustainable travel basically means that you can just continue what you’re doing without causing a negative impact, so essentially ‘do no harm’,” Sven-Olof explains. “I think what we need to do is figure out how to use our energy and our imagination to think more in restorative rather than just sustainable terms. We’ve done so much damage to our environment that we need to shift gears fast.”

man standing on the sea shore

Sven-Olof Lindblad on Ellesmere Island in the Canadian Arctic, 2014

This is why planetary stewardship and meaningful change are at the heart of the Lindblad Expeditions offerings. They are facilitated in a number of ways. Firstly, the company is carbon-neutral, offsetting all its operations and making it easy for travellers to do the same with their flights. The ships are entirely free of single-use plastic, and all food provided on board is responsibly sourced.

The company has formed a partnership establishing the Lindblad Expeditions-National Geographic Fund, with donations often coming from inspired passengers, with each of the 15 ships raising finance for different programmes. “We have a hugely successful project called Pristine Seas,” explains Sven-Olof, “the objective of which is to create large marine protected areas. We raise a minimum of $500,000 a year for that programme, often up to $800,000.

Read more: How Science is Harnessing the Power of the Sea

“In the Galápagos, we put hundreds of thousands of dollars into a local school that we believe will educate the future leaders of the islands.” They also help local fisheries implement better technology for their work.

Motivating people to care is another piece of the Lindblad puzzle. “One of the things I love about having this fund is its action, which we often see in the most surprising ways,” he says. “One individual had travelled with us at first to Alaska then to Baja California and then to the Galápagos. He called me one day and said, ‘I’m a trustee of The Helmsley Trust and I’m fascinated with what you do.’ Over a number of years, he became the trust’s most significant conservation investor. He was pumping $9 million a year into the Galápagos and about $6 million into Baja. He had never thought about this field before and these trips just opened his eyes.”

Sven-Olof doesn’t see any of his efforts as philanthropic. “I’ve made a point, in relation to our industry, never to use the word ‘philanthropy’,” he says. “If we gave $100,000 to the children’s hospital in New York, I would view that as philanthropy, but when it comes to anything related to travel, I view it as investment. At the end of the day, natural resources, cultural resources, historic resources – these are what the travel industry depends upon. So why wouldn’t we naturally want to invest in the maintenance of these, our core assets?”

On top of these myriad achievements and endeavours, Sven-Olof is one of 23 global leaders – including Jean-Michel Cousteau (son of Jacques) and James Cameron – who use their power and influence to protect our marine worlds. These are Ocean Elders. Sven-Olof explains that their primary purpose is to try to sway political decisions, or lobby governments or certain businesses. “There are a lot of scientific resources behind Ocean Elders owing to the fact that members include the likes of Richard Branson, which means we can produce weapons that we can put on desks of prime ministers, weapons signed by all of these people.”

It would appear that Sven-Olof Lindblad, with a fleet of 15 ships and the backing of some heavyweight peers, is more than armed and ready for the war against the destruction of our precious oceans. His role at the helm of eco-travel looks set to continue.

Find out more: world.expeditions.com

This article was originally published in the Autumn/Winter Issue.

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Reading time: 4 min
beachfront hotel
beachfront hotel

© Monte-Carlo Société des Bains de Mer

In the second part of our luxury travel views column from the Autumn 2021 issue, LUX’s Editor-in-Chief Darius Sanai discovers a new side to Monaco at the Monte-Carlo Beach Hotel

Just getting to the Monte-Carlo Beach Hotel puts you in the mood. Unlike some of the grand hotels of the principality, the Beach is what it says it is. We drove past the entrance to a huge outdoor swimming pool and waterfront water-sports complex, and then down a narrow driveway to the entrance of this pink stone mini-Palace.

The vibe is deliberately casual, boutique glamour rather than formality. A low-key reception area, then up to the room with a balcony overlooking the terrace, swimming pool and sea, looking back out at Monaco in the mountains above. It was only from here (or from the yacht) that you recognise the vertiginous nature of the place: Monaco is built basically at the bottom of the cliff face, the land rising relentlessly upwards to become the Alps.

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It’s a few steps from the front entrance to the swimming pool and beach area. The pool is huge, and you have the choice of sunning yourself there, in a cabana or on the pier – when we were there, this seemed a little too adventurous as it was being washed by some rather lively waves.

beach restaurant

The Monte-Carlo Beach’s La Vigie Lounge and Restaurant. © Monte-Carlo Société des Bains de Mer

We had a pleasant aperitif on the seafront terrace and were then whisked off to Yannick Alléno at the Hôtel Hermitage in town for dinner. A new addition to the Monaco dining scene, this restaurant is overseen by superchef Alléno and occupies a crescent-shaped, sea-facing terrace amid the grandeur of the Hôtel Hermitage. It is a quite spectacular gastronomic experience: Alléno was inspired by the years he spent in Japan, and the precision, focus, perfection and lightness of the cuisine – without being in any way ‘nouvelle’ and shrunken – is mind-blowing. The best new restaurant of 2021?

Breakfast and lunch the next day were both taken at the hotel, by the sea at the beach – it is the one place in Monaco where you feel you are away from the admittedly glamorous hustle of the town. The lunch terrace restaurant, Elsa, is noted for being the first 100 per cent organic restaurant to receive a Michelin star; wild-caught fish play a starring role here and my local white fish, in a vegetable broth, was just what was required ahead of an afternoon’s swimming in the pool, accompanied by a reviving glass or two of Deutz.

Book your stay: montecarlosbm.com

This article was originally published in the Autumn 2021 issue.

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luxurious outdoor swimming pool
luxurious outdoor swimming pool

The Club Dauphin pool at the Grand-Hotel

In the first of our four part luxury travel views column from our Autumn 2021 issue, LUX Editor-in-Chief Darius Sanai experiences a taste of old world glamour at Four Seasons Grand-Hôtel du Cap-Ferrat

Cicadas trilling down a long avenue lined with high walls, behind which some of the world’s most expensive real estate lurks. Glimpses of the Mediterranean through the hedges. A security-guarded gateway, a short driveway and doormen opening doors on either side at the entrance to a Belle Époque mansion.

Arrival at the Four Seasons Grand-Hôtel du Cap-Ferrat could barely be more grand. You are in an unchanged south of France of 1920s flapper legend. Not here the camper vans, beach-going day-trippers and crowds of normal people that besmirch even the swankiest Monaco boulevard. Cap Ferrat is a place where the rich can be rich, and the Grand is the sea-facing jewel at its tip. High ceilings, light marble, big windows: first impressions are of a Parisian palace hotel transplanted and reworked to suit the setting, rather than anything like a resort. But wait, that comes later.

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Our room was light, a bedroom connecting through sliding doors to a living area with a taupe sofa, white and light grey colourways everywhere. Open the window (there was no balcony) and lavender and thyme and the sound of the cicadas pour in in one sensual flow.

luxurious hotel facade

The gardens and Le Cap. Image by Darius Sanai

Down through the palatial lobby, out of the door at the top of the staircase at the back of the building (or is at the front?), and down towards the gardens, it’s as if you are descending through layers of formality into total chillout.

Read more: Art Basel Miami Beach is Back and it’s Buzzing

The terrace of Le Cap restaurant is on the first layer of terrace, shaded by mature trees. Next layer down is a casual dining terrace and the bar where a rather good jazz band played under the canopy of the trees every evening. Carry on walking across the big lawn of the hotel and you can take various paths into a labyrinth of flower beds and trees – quite an indulgence in the place with the highest residential real estate price in the world. The gardens are on a gentle slope down towards the sea, and at night the combination of starlight, the bouquet from the plants and the sound of the jazz is intoxicating, even without a champagne cocktail.

luxurious entrance hall

The entrance hall

Directly across a little road from outside the back gate at the bottom of the garden is the entrance to Club Dauphin, the hotel’s beach club (local people can also join as members). You can take a funicular down the steep hillside that descends towards the sea, or walk down along the flower-lined path. You’re then presented with the club restaurant and swimming pool, at the very tip of the Cap. It seems that there is sea for 270 degrees around you, and what isn’t sea is either swimming pool, or a terrace where very expensive people are nibbling tiny amounts of vibrant food and being served out of magnums of Provençal rosé wine.

Here, the palace hotel you are staying in feels a long way away, and you have reached the pinnacle of informal chic as epitomised by somewhere like St Bart’s – or indeed, the Grand-Hôtel du Cap-Ferrat.

Lunch at Club Dauphin and dinner at Le Cap seems to be standard practice at the Grand – preceded in our case by an aperitif next to the jazz band, our bench seat offering a gorgeous view across the lawns and trees to the sea. The food is a kind of ultra-superior Provençal: razor clams and cockles with seaweed and fennel bavaroise; grilled asparagus in thyme jelly; and a particular favourite, grilled red mullet with olive tapenade, tomato hearts and basil, fish and tomato reduction. The only thing that was missing was David Niven chatting to Audrey Hepburn at the next table.

Book your stay: fourseasons.com/capferrat

This article was originally published in the Autumn 2021 issue. 

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A building
A building

The OWO by Raffles, Whitehall, London

man wearing a suit

Jeff Tisdall

The Old War Office was the centre of operations for the UK war effort. Three quarters of a century later, The OWO has once again become a focal point, but this time as one of the leading hotels and branded residences in Central London. Ahead of the hotel’s opening next year, Samantha Welsh speaks to Jeff Tisdall, Senior Vice President of Development, Residential & Extended Stays at Accor, about Raffles’ first London-based project

1. How significant is Raffles’ arrival in the UK and London?

It is difficult to underestimate the importance of Raffles’ arrival in London. Really, there is an argument that this is the most important milestone in the evolution of the brand since the opening of Raffles Singapore back in 1887. Raffles Singapore takes its name from the British statesperson Sir Stamford Raffles, founder of the modern city-state. It has been setting the standard for luxury hospitality for more than 130 years, introducing the world to the concept of private butlers. There is something very fitting and meaningful about bringing the brand back to the UK as part of this extraordinary development.

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2. Why does The OWO standout in the London super prime market?

The OWO has really set itself apart in London’s resilient, super prime residential market. Over the last decade, branded residences have really come into their own and often dominate the very highest end of leading property markets around the globe. In this market context, The OWO Residences stands out as a one-of-kind opportunity. The dedicated Raffles team will deliver an unmatched service offering. We spent a lot of time during an extensive planning phase, curating the offering and designing an unrivalled set of private facilities that are exclusive to residents.Without question, this will be an extraordinary address to call home.

dining room

The dining room at The OWO. Image courtesy of Grain London

3. Have you seen as much branded residential development in London as has been observed in other super prime markets?

I think it is fair to say opportunities to develop luxury branded residences have been more constrained in markets like London, where we see greater reliance on historical conversions. The integration of the hotel and residences at The OWO ensures an array of services will be available to residents, with an internal courtyard that provides the residences with some physical separation from the hotel. It is this perfect balance between service on one hand, and privacy, exclusivity and security on the other, that is often so elusive, and perfectly achieved at The OWO.

Read more: Pioneering Artist Michael Craig Martin on Colour & Style

4. How does The OWO compare in scale to other Raffles residences?

Each Raffles Residence project forms part of a global portfolio of extraordinary private homes – all meticulously designed, luxuriously appointed, and of course infused by Raffles legendary passion for service. Yet, each project is entirely unique.

In terms of scale at The OWO, our partner, the Hinduja Group, has taken the private amenities available to a new level of luxury. Residence owners will have access to an extremely generous 30,000 square feet of exclusive residential facilities. Of course, The OWO will also be a culinary destination, featuring nine restaurants and bars.

a bedroom with white sofas

Principal bedroom at The OWO. Image courtesy of Grain London

5. Why have branded residences become so appealing post pandemics?

For many, the pandemic has served to help bring what is important in life back into clearer focus. The fact that for purchasers at The OWO, their homes will be serviced by Raffles, a brand with experience and trust accumulated over more than 130 years, brings tremendous peace of mind. Today’s UHNW buyer is also looking for authentic, meaningful luxury. From a service perspective, we focus on what we describe as emotional luxury. How we make a resident feel is every bit as important as the services we deliver. From a dedicated concierge team to fitness and wellness attendants, dog walking and sommelier services, private chefs and legendary Raffles Butler services, there really is no detail overlooked.

6. What benefits do residents of The OWO receive?

The Residence Director leads a dedicated residential team of 25-30 people. This team is focussed solely on The OWO residents. In-residence dining, catering for private events, spa treatments and housekeeping are just a few of the optional a la carte services that can be arranged. Homeowners will also be embraced as VVIPs at Raffles London, enjoying priority reservation privileges at dining venues and preferred pricing. The effect is to create a sense of belonging, recognition, and privilege. Additionally, through the Raffles Owner’s Club, this preferred status is extended beyond The OWO to 5000+ participating hotels and resorts worldwide, and more than 40 brand portfolios.

Find out more: theowo.london

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Glacier landscape
Glacier landscape

Melting glaciers will contribute to dramatic sea-level rises. Pictured: the Gornergletcher and Monte Rosa, Switzerland.

man in front of book case

Professor Peter Newell

Academic Peter Newell made waves in the global media recently with a report describing how the wealthy have a disproportionate effect on climate change, and a duty to change their travel, business and leisure habits. As COP26 kicks off in Glasgow, he speaks to LUX about how moral duties increase with net worth

LUX: How do you define ‘unnecessary travel’?
Peter Newell: It is not for us as individuals to work out what counts as unnecessary travel: governments, cities and businesses can send clear signals about which travel is critical and which is largely unnecessary. Wealthy employers can set sustainable travel policies for their companies. But all of us can also exercise responsible self-restraint. Addressing poverty and social inequality means that carbon will inevitably and justifiably increase for some people, especially, but not exclusively, in the Global South.

To still live within tightening carbon budgets means cutting back on luxury emissions, including where travel to conferences and meetings is no longer necessary when virtual platforms can replace that need, as well as reducing frequent flying for holidays. It is worth remembering that just one per cent of people cause half of global aviation emissions.

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LUX: What are the ethics of travelling for sporting events and art fairs?
Peter Newell: With finite carbon budgets that have to be shared equally, some activities become harder to justify than others. We should focus less on whether a particular event is ‘essential’, because we all feel what we do is essential, and ensure that we have sustainable and low-carbon forms of travel accessible to all. But until that’s in place, there is a need to reduce unsustainable travel through policy including taxes (to subsidise affordable, low-carbon transport), restrictions on air expansion or carbon rationing. There is an issue of collective responsibility here that trumps individual whims.

LUX: Is there any validity in the idea of personal carbon offsets?
Peter Newell: Personal carbon quotas may have some value but need to be implemented carefully. Offsets are notoriously problematic, subject to double-counting and fraudulent savings, and are really just passing the costs and the responsibility for reducing emissions onto others. Displacing responsibility is not the answer.

LUX: If wealthy individuals only do what is ‘necessary’, what’s the point of being wealthy?
Peter Newell: The issue is both how much wealth people have, because emissions are very closely related to purchasing power (to buy larger homes, cars, flights etc) and how that wealth was generated in the first place. If people make their money from activities driving the climate crisis, that is part of the problem and needs to be addressed. No amount of sustainable living will compensate for that. For wealthier people, it is also about where you invest your money and how you use your influence politically.

LUX: If everybody acts ‘correctly’, jobs will be lost in the oil, aviation and other sectors.
Peter Newell: Most discussions now are about transitions – helping workers to retrain in renewable energy industries or to work in other sectors of a sustainable economy. Research suggests most of them want a secure and reasonably paid job and have no loyalty to fossil fuel companies. There is also a need for compensation and regional development plans, the like of which have been used in helping coal-dependent regions transition to new development pathways. It is about protecting poorer workers as we make the necessary changes and redirecting the vast sums of state support in subsidies and aid that fossil fuel companies receive towards support for jobs in sustainable industries.

Read more: How Durjoy Rahman’s art foundation is promoting cultural collaboration

LUX: What of the tourism industry in the Global South?
Peter Newell: Many in the Global South are amongst the most exposed to the worst effects of climate change, a problem most who live there played little part in accelerating. For this reason, they are rightly demanding tougher action from the Global North, including reducing emissions from aviation. Small, low-lying and Caribbean island states have rightly been the champions of bolder climate action because their lives depend on it, even where some are heavily dependent on tourism. What you also might see, as we have here in the UK, is a huge boost to local economies as people holiday nearer to home. Aviation may become more sustainable through fuel and engine technology, but that will take time and clearly, for all our sakes, wealthier citizens need to reduce the amount they fly.

LUX: Is it realistic to try to recalibrate the desires and aspirations of the wealthy?
Peter Newell: Climate chaos is not a realistic or attractive prospect, but that is where we are headed. So, carrying on with business as usual is not an option. The investment and political power of the wealthy is vast and can be used to positive effect – to divest from fossil fuels, to support low carbon innovations, to use their profile and influence to back key campaigns and to pay taxes that generate the funds to address these challenges. This clearly isn’t happening on anything like the scale required. The wealthy share the same planet as the rest of us. They are part of the same society. With that comes duties and responsibilities to behave in ways that serve common interests. Planetary survival is one of those. This is a key moment for those with power, wealth and influence to use them in a bold and responsible way to safeguard all of our futures, including their own.

Peter Newell is Professor of International Relations at the University of Sussex

This article was originally published in the Autumn/Winter 2021 issue.

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fields in Scotland
golf course

Torrance golf course at the Fairmont St Andrews

Located on the east coast of Fife in Scotland, the Fairmont St Andrews is a grand resort hotel with a championship golf course, spa and multiple restaurants. LUX checks in for the weekend

Arrival

A challenge with some of Scotland’s great hotels is that they are quite an ‘interesting’ drive away from an airport. No such problem with the Fairmont St Andrews, to which you whiz from Edinburgh or Glasgow airport along smooth roads. An hour later, the countryside reveals a view of the North Sea, and the resort grandly perched in front of you, surrounded by farmland and, given the location, a golf course.

Fairmont is a North American brand, and you could be forgiven for thinking you had arrived at a resort in northern California, with a grand driveway, ornate signs and a swanky entrance. The grandeur continues inside. Having checked in, you walk into a huge atrium lobby from where a lift takes guests to their appointed floors.

The Room

The views were tonics, and quite different to those in the Scottish Highlands. We looked out over the grassland dropping down to the steely endlessness of the North Sea, which sounds bleak but to the right were rolling hills dotted with picturesque farmhouses, and the East Neuk art colony down the coast.

Follow LUX on Instagram: luxthemagazine

Continuing with the North American vibe, the room was huge and lavishly appointed, with marble bathrooms, excellent lighting and air-conditioning, which you often don’t get in hotels in this part of the world, where quaintness is too often an excuse for neglect. Perhaps there could have been more Scottish character in the rooms, but there was plenty of that outside the windows, and in St Andrews next door.

Hotel suite

One of the hotel’s deluxe suites 

The Experience

Unlike some places which install a treatment room and call themselves a resort, the Fairmont St Andrews really is a resort. There is a big spa, indoor pool and one of the most renowned championship golf courses in the world. A couple of miles down the road, there is also the course of the Royal and Ancient.

All this means you could entertain yourself without ever leaving the resort. There are several restaurants in the main building, but we chose to dine at the St Andrews Bar & Grill, a few minutes’ walk away on the golf course with a fabulous sea view, which served lobster, charcoal-oven steaks and oysters, along with a superb selection of champagnes. We will have to save La Cucina, the Italian restaurant, for next time.

Read more: Culture and Cuisine at La Fiermontina, Puglia, Italy

Exploring

St Andrews is famous for its golf, but is also one of the country’s most attractive old towns. We spent the day exploring the streets, the university quad, the castle and cathedral, and enjoying the astonishing variety of restaurants of different cultures packed into the tiny town with its very cosmopolitan student base.

restaurant booth

Squire Restaurant is just one of the hotel’s dining options

The Verdict

Super-swanky American resort service and standards meet one of the most desirable locations in the Old World. Our only regret is having to cut our stay short.

Find out more: fairmont.com/st-andrews-scotland 

This article was originally published in the Summer 2021 issue.

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hilltop hotel in vineyards
hilltop hotel in vineyards

The Castello Banfi wine resort. Photograph by I. Franchini.

Staying at two wine estates at opposite ends of the region, LUX experiences fine wines, history, cuisine and the spiritual tranquillity that only Tuscany can offer. First up is Castello Banfi Il Borgo, a wine estate and historic hilltop hamlet transformed into a luxury hotel

Where

On a hilltop in the far south of Tuscany, above a broad sweep of valley and plains, with the massive, looming forested ancient Etruscan volcano of Monte Amiata in the far distance.

The arrival

You know you’re in wine country when you drive to Castello Banfi. The land for miles in every direction is covered with vineyards; a smooth, quiet road leads to the estate from the main road connecting Montalcino, on its hilltop to the north, with Sant’Angelo Scalo in the flat valley below. Banfi is not just a wine estate, it is a hamlet, all converted into a luxury hotel (il Borgo), wine estate and celebrated restaurant. There is even a museum of glass bottles. The feeling is that you have arrived at a very exclusive destination, but a working one, with the vines all around making some of the most famous wines of Tuscany. The ‘hotel’ is the cluster of buildings down the single cobbled road of the hamlet, which have been artfully and expensively restored.

historic fortress

rose garden

The restored hilltop fortress (above) with its rose garden

The views

The place to be here is the pool, which looks out to the south, over vineyards, agricultural land, and plains, over to forested hills in the far distance, many miles away, beyond which are the beaches of the Maremma. At night, you can sit on the grass by the pool and try and guess how far away each point of light in the blackness of the land is: 10km? 20km? In contrast to northern Tuscany, the views here are vast, unending, almost unsettling in their scale. Or is the best view from the bedrooms, which look out over a terrace and to the Monte Amiata volcano in the distance to the east? You are spoiled for choice with different vistas here.

swimming pool and vineyards

The swimming pool with views over the vineyards. Photograph by Darius Sanai

The rooms

The old hamlet’s rooms have been cleverly repurposed into a luxury setting, with beautifully treated woods, marble and fabrics. They are less about light and more about texture, although throwing a window open always reveals a dramatic sight of vineyard and horizon.

Read more: Why Maslina Resort, Hvar makes the perfect summer destination

luxurious hotel suite

One of the suites at the Hotel Il Borgo

Wining and dining

Banfi is known to connoisseurs around the world as one of the most significant producers of Tuscan wines. We were given the rare pleasure of a tasting personally overseen by the estate’s director Enrico Viglierchio. The Poggio alle Mura, one of the prestige cuvées of Banfi, is made from a blend of some of the best vineyard sites in the area, many of which you drive through as you approach the estate. Deep, powerful and rich, it’s a Brunello di Montalcino for those who love their wines to resonate. Meanwhile the range-topping Poggio all’Oro is elegant, almost delicate, its older vintages having a complexity of earthy layers, a connoisseur’s wine. You can choose from those and many more at the Sala dei Grappoli fine dining restaurant, in a medieval courtyard, which serves elaborate, intricate, complex cuisine like total black crisp egg, pallone di gravina cheese foam, avocado and Cinta Senese pork dust (and that’s just a starter). There’s also La Taverna for more relaxed, hearty Tuscan dining indoors.

taverna style restaurant

The Taverna restaurant

The highlight

Apart from the wines, it’s the architecture of this intimate private village, and the way you and the other guests (never many of them) feel that you have a whole, perfectly tended, luxury hilltop community and all its astonishing sightlines to yourselves.

LUX rating: 9/10

Book your stay: castellobanfiwineresort.it

This article originally appeared in the Summer 2021 issue.

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house hidden in trees
house hidden in trees

Maslina Resort sits within a former olive grove on the edge of Maslinica bay. Photograph by James Houston

Why should I go now?

For endless blue skies, crystal clear water, and the slow, seductive pace of island living. Croatia remains one of the most popular and reliable summer destinations in Europe, and thanks to the sheer number of islands (there are over a thousand), there are still a handful of unspoiled spots to be found.

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While Hvar town might be bring to mind superyachts and glitzy parties, the island itself is rugged and wild with dense pine forests, remote fishing villages, and a rich, layered history. Maslina Resort opened quietly in 2020, mid-pandemic, and offers a wholesome, earthy kind of luxury.

First Impressions

The colours are the first thing you notice: the vivid blue and white spray of the Adriatic sea as the speed boat curves around the base of Hvar island and into Maslinica Bay. From a distance, the wooden-clad buildings of Maslina Resort are barely distinguishable amidst the earthy green of the olive and Aleppo pine trees, but inside is everything is bright, open, and bare with smooth, cream walls, terracotta-tiled floors, and white floaty curtains, which divide the reception, library and a sunken lounge. Each space is filled with beautiful objects and eclectic furnishings, including a spectacular 12-ton rock from the island of Brač which serves as the reception desk.

It has the feel of a fashionable, much-loved pied-à-terre, which in a way, it is: the owners are French financiers who fell in love with the raw beauty of the island and purchased the land to build their own little hideaway.

sunken living room

The public spaces are open-plan, creating a sense of light and space. Photograph by James Houston

The Experience

Guests spend their days padding around barefoot in their swimsuits, wandering between the restaurant, poolside, spa and the sea. Bedrooms are divided between six-interconnected pavilions; some have their own private plunge pools or gardens, but for the best sea views, check into a panoramic suite. There are also three spacious seafront villas for groups of friends or families.

swimming pool amidst trees

The view over the bay from the balcony of a top floor bedroom. Photograph by James Houston

There’s a strong focus on holistic living that connects with the local culture and landscape. Spa treatments involve botanical oils, scrubs and baths, and for those checking in for longer stays, there are wellness programmes designed for stress-relief and detoxification. One of our favourite experiences was guided meditation under the shade of a tree in the organic garden, which sits just behind the beach, providing a soothing soundtrack of rolling waves.

Read more: Professor Peter Newell on why the wealthy need to act on climate change

The main restaurant makes the most of the home-grown seasonal produce, pairing Mediterranean flavours with Japanese cooking techniques (think herby salads, fresh fish, flat breads, and olive oil), while the beach bar (open from 5pm onwards) offers a more causal menu of tapas and seafood dishes.

fine dining restaurant

The indoor dining room at the main restaurant. Photograph by James Houston

As the staff come mainly from the surrounding communities, they have an expansive knowledge of island’s sites, histories and customs. We spent a wonderful afternoon with one of resort’s expert guides,  who took us on a tour of the ancient town of Stari Grad followed by wine-tasting in a beautiful, candlelit cellar, and dinner at a konoba-style restaurant, perched high up on the hillside. 

Takeaway

Unlike a lot of luxury island resorts, Maslina feels genuinely rooted in its surroundings, which has less to do with its architecture, and more to do with the people and natural landscape. The atmosphere is laid-back and unpretentious; you feel at home, almost instantly.

Rates: From €300 per night, including breakfast (approx. £250 / $350)

Book your stay: maslinaresort.com

 

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tropical villa doorway
house with green door by the sea

Inspired by the vibrant colours and laid-back lifestyle of the island of Capri, fashion designer Catherine Prevost’s latest collection was celebrated with an in-store exhibition of artworks by Maryam Eisler, Karolina Woolf and Pandemonia. While the show has now ended and most of us remain confined within the borders of our countries, we can still escape to sunnier shores through powerful imagery. Below, we share a curated selection from Maryam Eisler’s latest photographic series

All images copyright and courtesy of Maryam Eisler.  maryameisler.com @maryameisler

For more information on Catherine Prevost’s Capri-inspired collection, visit: catherineprevost.com

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Reading time: 2 min
terrace views
terrace views

The view from the terrace of the Royal Penthouse suite at the Mandarin Oriental Geneva

In the first of our four part luxury travel views column from our Summer 2021 issue, LUX editor-in-chief Darius Sanai enjoys fine dining and Alpine views at Mandarin Oriental, Geneva

Geneva is a city that will be known to LUX readers as a place to park the jet ahead of a skiing holiday, and a city to visit a few times a year on banking business.

It is also a centre of tourism, although its hotels tend to be focused more on the business traveller: plenty of exclusive restaurants and conference rooms, less in the way of relaxation and views.

During the lull in the pandemic last summer, I decided to combine visits to clients in Geneva, Andermatt, Zurich, Germany and Champagne into one single drive, rather than the more fraught process of taking planes, trains and taxis.

Follow LUX on Instagram: luxthemagazine

Arriving in Geneva by car rather than the usual plane/taxi combination opens your eyes to the city’s location. To arrive from northwest Europe, you make your way down a winding motorway through a valley in the Jura Mountains, with the Alps opening out in front of you beyond the lake.

It was a summer’s day with deep-blue Alpine skies, and I would rather have camped out in a deckchair then be cooped up behind the sealed windows of a business hotel, however luxurious.

Fortunately, the Mandarin Oriental is a place to combine both business and leisure. After a Covid-secure check-in, I was ushered into a lift by myself, and checked into my junior terrace suite. In many hotels, even expensive ones, a junior suite is really an excuse to charge a higher rate by sticking a sofa into a king-size bedroom. But not here.

To the right, a big glass-walled bathroom, with an electric blind you could lower for privacy. To the left, an extensive dressing area, and in the room itself a big glass desk, cabinets and bookshelves, plenty of oriental chic furniture, a triple-bed corner sofa and coffee table, with a lot of space in between. Not a suite of rooms, but a very large, well-designed and light bedroom, which could easily have been divided in two – which would have ruined the effect.

Outside was the pièce de résistance, certainly on a sunny summer’s day (less useful in Swiss winters): an extensive private terrace with sun loungers, chairs, a table, outdoor candles and a Buddha. The terrace looked out over the Rhine river at the point it tapers from the lake, across the old town and the rest of the city to the Alps beyond.

hotel bedroom with views over a river

A guest bedroom in the Royal Penthouse suite at the Mandarin Oriental Geneva

Furnishing was in a pleasing contemporary classic green and gold, and the glass bathroom answered a question Nick Jones, founder of the Soho House group, posed in my head some 20 years ago. At that stage, Nick was just planning to launch his first hotel, Babington House in the British countryside. He told me over lunch that the rooms would be completely different to anything anyone had seen before in a hotel, starting with the bathrooms. “Why should there be a bathroom on the right or left as you go in?” he said, somewhat gnomically.

Read more: Superblue’s experiential art centres & innovative business model

Now, as anyone who has been to any of the Soho House properties and their imitators will know, you can find a bath almost anywhere within the perimeter of the room. But the problem is that people want privacy and cosiness in bathrooms, sometimes; and at other times they may wish to see the world or the world to see them. The glass-walled bathroom in my terrace suite was the perfect answer: with the blind raised, this was a large, wet, marble part of the bedroom and terrace. And with it down, total privacy.

On my last night I had that welcome rarity on business trips, an evening alone, due mainly to pandemic caution deterring any formal dinners with clients. It was a warm evening, and I ordered room service on my terrace from Yakumanka, the hotel’s acclaimed Peruvian restaurant.

Three staff members arrived and swiftly moved to the terrace to set the table; the courses arrived separately, so they would not get cold.

This is pure, focused cuisine. White fish with calamari, tamarind sauce and tartar; grilled calamari with white chaufa and Szechuan leche de tigre. Particularly memorable was the sautéed rice with calamari, lettuce, bok choy, Chinese cabbage and tortilla.

All accompanied by a creamy but fresh bottle of Deutz champagne and that view across the city to the Alps. A business hotel and a relaxation zone all in one in the heart of town and with the flawless professional service, swift yet relaxed, the group has made its name for.

Book your stay: mandarinoriental.com/geneva

This article was originally published in the Summer 2021 issue. 

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summer in the alps
summer in the alps

Andermatt in summer

As well as making it a world-class ski resort, the development of the Swiss village of Andermatt has from the very start aimed to attract people who want to live there full-time. Karen Chung meets three residents who, in their different ways, call it home

Andermatt was born from the conviction that if you build it, they will come. With the ultra-ambitious yet sustainable mega-development of what was previously a sleepy, tucked away Alpine village, the town now offers an unparalleled lifestyle mix in a traditional setting.

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The development has since grown into so much more than simply a luxury holiday destination, with a high-low mix from its flagship hotel The Chedi Andermatt and world-beating concert hall, Michelin-starred restaurants and serviced apartments, through to cosy pizzerias, its relaxed attitude and a wish list of outdoor activities and cultural events accessible all year round.

But what is it actually like to live there? Seven years after The Chedi Andermatt hotel put it firmly on the map, three residents reveal why Andermatt has it all.

 

JOHAN GRANVIK
The serial entrepreneur

Johan Granvik grew up near Andermatt and travelled the world before ending up back in his hometown. The businessman behind Andermatt’s boutique Schwarzer Bären hotel and its delightfully cosy-modern Italian restaurant admits his career trajectory has taken him by surprise. “Usually, people tend to go to the big city and never come back,” he says. “I left for the US at the age of 16 and never imagined I would come back. But I said to myself, if a project like this is happening in my own hometown, I want to be part of it.”

hotel courtyard

The Chedi Andermatt courtyard

He joined the launch team for The Chedi Andermatt hotel in 2013, stayed a year and a half, then with a friend he set up his own bar and nightclub. “There’s a lot of opportunity here. We added a restaurant on the slopes and another nightclub, then two summer businesses a few years later.” He notes that the development has brought in more people, but also left enough space for start-ups to do their own thing. “Although Andermatt is growing at an exponential pace, for me the character of the town is pretty much the same. Some thought it would become like St Moritz, but I don’t think it will. I talk to a lot of people in our restaurants who love it here because it’s so down-to-earth, and that’s quite unique. For us the focus is on improving the business,” he says. “We’re in this for the long haul.”

Read more: Umberta Beretta on fund-raising for the arts

Swiss village

Looking down on the Piazza Gottardo. Image by Valentin Luthiger

KAREN O’MAHONY
The working-from-home holidaymaker

“In normal times, I travel a lot in the US, UK and Europe reviewing potential investment opportunities, followed by months of intensive due diligence and analysis. When I need peace and quiet to think, I find the fresh air and light of Andermatt, and the lack of distraction, makes me really productive,” says Karen O’Mahony, a private equity investor who realised the full potential of her holiday home after London’s first lockdown. Sure enough, she swiftly joined the ranks of professionals who, forced to hit reset on their professional lives during the pandemic, swiftly saw potential upsides in the new normal. With the seismic shifts in working pattern and ties to major cities loosened, she can fit in two hours of cross-country skiing first thing in the morning, and be back at her desk before the London business day begins.

alpine golf course

The Andermatt Swiss Alps Golf Course. Image by Valentin Luthiger

“At any time of the year, Andermatt is steeped in nature with views of the mountains on all sides. From skiing, walking, golf and eating out, there’s something to do all year around, and this makes it much more of a home than a holiday property,” she says.

Man in a ski jacket

FRÄNGGI GEHRIG
The local

Folk musician and accordion player Fränggi Gehrig juggles a schedule of rehearsals and concerts during peak season with working on his own music and enjoying the mountains during quieter spells. As he appears on the screen from his home studio in Andermatt, the windows behind him reveal a tantalising view of snowcapped mountains in a stroke of unintentional Zoom one-upmanship. “I was lucky to be born here and to live in the mountains, the beautiful weather, the sun,” he says. “And we’re right in central Switzerland, so most places where I work are at most just a two-hour drive away.”

With a laugh, he recalls how he did his military service in the area where the resort now stands. “It’s hard to say how the town would have developed without this investment,” he says. “Now I might play between 80 and 120 concerts a year. In summer I might play four or five concerts a week. I also play a lot more now in Andermatt than I did a few years ago.

interiors of a concert hall

The auditorium of the Andermatt Concert Hall. Image by Anthony Brown

And, of course, for me as a musician, the most beautiful thing is the new concert hall” – which opened with an epic inaugural concert by the Berlin Philharmonic in summer 2019 that put Andermatt firmly on the cultural map. “The fact that a venue like this, with such an incredible acoustic, is right here in my hometown is amazing – and the other half of the concert-hall complex is a conference centre, so I also play private gigs for companies at dinners. It’s a good place to network, and as it grows, I think there will be even more opportunities for me as a musician. I could never imagine living anywhere else.”

Find out more: andermatt-swissalps.ch

This article was originally published in the Summer 2021 issue.

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grand swiss hotel
grand swiss hotel

The Badrutt’s Palace hotel’s grand frontage and its iconic tower.

High in St Moritz, the grandest hotel in the Alps has just been revitalised. There’s nowhere better to take the summer air with your entourage than Badrutt’s

What could be better than the Helen Badrutt Suite at Badrutt’s Palace? Yes, we know there are some pretty swanky hotel suites out there. The Abu Dhabi suite at the St Regis in the namesake emirate has its own spiral staircase and cinema. The Presidential Suite at the Mandarin Oriental in Pudong, Shanghai, has floor-to-ceiling windows over the city and its own wine cellar and roof garden. Stay at Seven South at the Ritz Carlton in Grand Cayman and as well as 11 bedrooms, you get a free painting to take home.

Follow LUX on Instagram: luxthemagazine

But still. Enter the Helen Badrutt and you don’t feel like you have arrived, or paid what it takes, so much as having been granted entry to a very exclusive club, in one of the world’s most desirable pinpoint locations. Badrutt’s Palace is the acme of palace hotels in St Moritz, the world’s most exclusive mountain resort. It’s the fact that it has been so for more than a century, despite its location 1,800m up in the Swiss Alps, that provides a clue to the exclusivity: this is where blue bloods, royals, pretenders and their circle have played for more than 100 years.

luxurious hotel drawing room

The drawing room of the Helen Badrutt Suite

When the Shah of Iran decided to celebrate the 2,500th anniversary of the Persian Empire with the grandest dinner in the history of the world in Persepolis in 1971 (an act of indulgence that ultimately contributed to his downfall in the Islamic Revolution), he flew in the staff from Badrutt’s Palace. And staying in the Helen Badrutt, you are the crème de la crème of the hotel’s guests (or perhaps the Shahanshah).

Read more: Speaking with America’s new art icon Rashid Johnson

It might be the living room, with its grand décor, bottomless drinks cabinet refilled with spirits in decanters (no tacky miniatures here), Persian carpets and chandelier; or the balcony terrace looking out over Lake St Moritz and the mountain beyond, big enough to host a party for 20 people (we did); or the silent-quiet bedroom or marble bathroom; or that it can interconnect privately to form an entire wing of ten bedrooms.

outdoor swimming pool

The Badrutt’s Palace pool overlooking Lake St Moritz

Maybe it’s the butler service, which, unlike some more thrusting hotels, is almost entirely seen and not heard, Jeeves-style (we don’t know about you, but we don’t need butlers knocking on our door and asking what to do; they should know already, as they do at Badrutt’s).

In any case, staying in the Helen Badrutt bestows upon the visitor a sense of history, transforming the humble paying guest into a multi-suffixed European aristocrat with seats in each major city of the Holy Roman Empire and a foundation in a castled town in Westphalia from where a tweed-suited team of faithful retainers disburse philanthropic goodness to worthy institutions around the world. Or so it feels, anyway.

Read more: Sophie Neuendorf on Georgia O’Keeffe’s enduring influence

And even if that nuance escapes you, there is the rest of this glorious destination to enjoy. The Palace driver (there is a Rolls-Royce, of course) will whisk you to the foot of the Languard chairlift in nearby Pontresina, for example, from where you waft upwards through a magical larch forest where unknown creatures seemingly create tiny gardens in tree stumps; and from the top of which there is a view to the end of the Roseg valley where mountains live in permanent winter.

hotel suite drawing room

A newly refreshed St Moritz Suite

Or if you prefer to stay in St Moritz, Cartier, Louis Vuitton, Hermès, Chopard, et al, are metres, or in some cases centimetres, from the Palace. And if you prefer to stay in the
hotel itself, there’s the swimming pool with its celebrated rock garden to dive from (a kind of mini Alpine Acapulco) and spa, tennis courts, adventure playground and kids’ club.

And the best thing? Well, even old money needs refreshing sometime, and during lockdown the Palace has had more than 40 of its rooms and suites redecorated – the official word is “refreshed” – by New York design studio Champalimaud, which has brought fresh blues and whites and a kind of Alpine light to the rooms. Which means that even if you’re not old-guard enough, there’s a place for you.

Book your stay: badruttspalace.com

This article was originally published in the Summer 2021 Issue.

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Aston Martin DBS Superleggera Volante
Aston Martin DBS Superleggera Volante

Aston Martin DBS Superleggera Volante

In the final part of our supercar review series, LUX takes the Aston Martin DBS Superleggera Volante for a test drive

What is a sports car? In an era of AI and soon-to-be self-driving cars, the idea of driving as a sport is an anachronism. Everything from power steering to radar-controlled cruise control mean the elements of activity and chance in driving are being eroded. If ‘sports’ is a measure of speed, the fact that even the most anodyne of fully electric cars can accelerate as fast as many traditional sports cars only adds to the question.

Follow LUX on Instagram: luxthemagazine

One answer comes in the form of the Aston Martin DBS Superleggera Volante. Volante in Aston terms means convertible, and while this car has many modern accoutrements as a price tag of several hundred thousand pounds/dollars/euros would suggest, it is very much old school in that it is aimed at the pleasure of the driver and passenger, and not as an implement.

The Superleggera is powered by a 715hp V12 twin-turbo engine, which means that it has to be a monster. It is a striking-looking car and the carbon-fibre finishing on the exterior adds to the air of menace and poise. Roof down around town, it attracts a lot of looks, of admiration rather than hostility. This is a cultured car, and it makes a cultured noise. Unlike almost any other car with this power, it is also pleasurable to drive around town. Give a car more than 700hp and the ability to accelerate from 0 to 60 in the blink of an eye, and you often have something that is a bit of a pain to drive unless you are pressing on through an empty, fast road.

The Superleggera has a traditional automatic gearbox, rather than a F1-style manual gear shift (you shift gears with your hands on the paddles), meaning you can just stick it in D like a family school-run car and pootle around town quite happily. It rides firmly but doesn’t shake your brain out through your ears like some cars with extreme power specifications, and its medium-weighted steering makes it easy to manoeuvre. Roof down, you can see all parts of the car for parking – it’s a different story with the roof shut.

It’s the same with the accommodation. On a series of sunny summer days, we managed to cram four full-sized adults into the car for a two to three-hour journey each day. This is not what the car is made for: what you really want is to put the front seats back and drop your Bottega Veneta shopping bags in the rear. Still, when pressed, this supercar really can carry four adults, and some bags squashed in the boot.

Read more: LUX Loves: Richard Mille’s collaboration with Benjamin Millepied & Thomas Roussel

Conversely, the driver and front-seat passenger enjoy a wonderful experience. This is a car that can cruise at extremely illegal speeds, enjoyably and safely without too much breeze in the front. Some cars in this category excel at the racetrack, others are more aimed at high-speed comfort. The Aston is squarely in the middle, and actually succeeds in this difficult task rather well. Mashing the accelerator produces laugh-out-loud thrust all the way into those illegal speeds and beyond. Meanwhile it is a delight to steer through a series of fast, smooth bends.

Convertible car

Interior of the Aston Martin DBS Superleggera Volante

It also means that it is not as exciting or capable on tight roads as a full-on supercar; the Aston is heavy and will lose composure if pushed through the gears on a bumpy, sharp corner. Nor is it a calm, quiet cruiser, and the cabin does not have the luxury finish of its competitors. More nicely finished air vents and a detail in front of the passenger (perhaps a Superleggera logo, as appears on the bonnet), along with some more exclusive-looking leather on the dashboard, would make all the difference in what is after all a low production-volume car.

Other elements, though, are unique: the bellowing thrust from the V12, the steering that is calm and talkative; and the feel-good factor of piloting a car that requires effort. It is great fun to drive, and has a feeling of cultured Britishness. It’s very much at one with the company’s history as a supplier of cars to James Bond.

In fact, we can’t think of a better car for James or Jane Bond to be driving down the Grande Corniche while chasing a master criminal in a Tesla that runs out of electricity. Before turning up for an evening of fun and frolic at the Grand-Hotel du Cap-Ferrat with his or her gender-neutral companion for the night. Expensive, but a perfect sports car for the times.

LUX Rating: 18.5/20

Find out more: astonmartin.com

This article originally appeared in the Autumn/Winter 2020/2021 Issue.

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Orange convertible car

Bentley Continental GT V8 Convertible

In the third part of our supercar review series, LUX gets behind the wheel of the Bentley Continental GT V8 Convertible

Certain cars have visual drama. Other cars loom. Others still are artistic. The new Bentley Continental GT V8 has presence.

It’s a hard thing to do well in a car, presence. Any large car is literally more present than any small car, and the Bentley is on the large side for a car that doesn’t accommodate more than one large suitcase in its boot, But, recently re-designed, the Continental has a svelte way of going down the road, with a rather beautiful front, and balance in its looks. It is not imposing like a Rolls, its presence implies elegance.

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This is a powerful, fast convertible that actually has proper room in the back for a pair of adults. It’s true that four adults, seated in the car and travelling in refinement at high speed accompanied by the mellifluous howl from the V8 engine would need to send all but their hand luggage ahead of them, as the boot could only accommodate some squishy Vuitton bags.

Inside Bentley Convertible

But that’s fine, because the Bentley is a car for being there and enjoying it, rather than getting there, as the name implies. Unless getting there involved a hypothetical world of traffic-free open roads with no speed limits and sinuous curves up mountain passes devoid of caravans and coaches. In which case, the Continental would be enormous fun. The engine has huge reserves of power from low down and makes a great noise as it punches forward. Perhaps it doesn’t have the bite of its 12-cylinder, bigger engined sibling, but you would only really notice if you were having a race. In the past, Bentleys tended to be bruisers of cars – capable and powerful, but not delicate, and sometimes rather awkward when pushed.

Read more: Anne-Pierre d’Albis-Ganem on championing artists

This car will canter at high speed through tight corners which would have left its predecessors losing grip. It’s also enjoyable to drive at low speeds, roof down, enjoying the scenery outside and the absolutely stunning detail of the interior. As cars have become luxury brands more than simply driving implements, the beauty of the finish in this car’s interior is what sets it apart from cheaper competitors that can match it on performance (think Tesla).

That, and its presence. Essential owning, if you have a home in St-Tropez or the Hamptons.

LUX Rating: 19/20

Find out more: bentleymotors.com

This article originally appeared in the Autumn/Winter 2020/2021 Issue. 

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hotel bedroom

The Heritage Suite Bedroom at Castello Del Nero, Como Group’s latest opening in Tuscany

Olivier Jolivet has sat at the helm of COMO Group since 2017. He oversees the COMO Hotels and Resorts portfolio across 15 locations, and masterminded the launch of Castello Del Nero, the group’s first property in continental Europe. Here, Jolivet tells Chloe Frost-Smith why the luxury travel industry will see an increasing demand for small hotels, private residences and wellbeing experiences this year

Olivier Jolivet

LUX: What sets COMO apart from other luxury brands?
Olivier Jolivet: COMO and its businesses are unique in the luxury landscape. Since its inception, the shareholders stayed the same, which provides stability to the organisation and the opportunity to think long term. It’s a massive competitive advantage, especially when recruiting the right talents. COMO is not only a brand, it’s a ‘lifestyle‘ and this why we have invested in fashion, wellness, sport and will continue to do so in the future.

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LUX: COMO is currently reopening properties in select destinations after temporary closure due to the pandemic. How’s that going?
Olivier Jolivet: One of our founding purposes at COMO has been our 25-year commitment to holistic wellbeing among customers, staff and the communities where we operate. As our properties re-open, we continue to adjust measures to remain in line with different government guidelines, and when we are in doubt of guidelines, we will always go further to ensure the safety of staff and guests.

In the long term, health isn’t ever a quick fix ,but a life-long commitment. This is the driving force behind COMO Shambhala – the wellness heart of COMO, which has always prescribed an integrative approach to wellbeing.

LUX: Can you tell us a bit about the launch of COMO Shambhala By My Side?
Olivier Jolivet: COMO Shambhala By My Side is an innovative digital wellbeing companion, launched by COMO Group’s holistic wellness brand, COMO Shambhala, to bring wellness programmes and personal consultations into homes around the world. The online platform brings together the holistic expertise honed at both COMO Shambhala Urban Escape in Singapore, and COMO Hotels and Resorts wellness locations around the world. Through the digital platform users can access COMO’s rich network of international experts. COMO Shambhala By My Side provides a sanctuary for those who seek tranquillity and the inspiration to stay active during these uncertain times and beyond.

spa treatment room

luxurious bedroom

The Bayugita Master bedroom at COMO Shambhala Estate, and above, the treatment room in the retreat villa

LUX: What’s your approach to sustainability for now and in the future?
Olivier Jolivet: No matter the location, we operate with the belief that we can deliver unique experiences for our guests while operating sustainably. We reduce our consumption and source locally, managing our water and energy to minimise our impact on the environment. We celebrate local culture and support the domestic economy, offering immersive and authentic experiences. This is true for all the business we operate.

We have a long-term philosophy and sustainability has always been a key part of our make-up – we just don’t feel the need to shout about it.

Read more: Why Sofia Mitsola is one of our artists to watch in 2021

LUX: You recently oversaw the brand’s first venture into continental Europe, Castello del Nero. Why Tuscany?
Olivier Jolivet: When you want to be an international lifestyle brand, it is difficult to avoid Italy. Tuscany is one of the most amazing regions of Italy with its history, its landscape, its tradition and food. You will always have a strong local market and a great international appeal.

tuscany hotel

The exterior of the chapel at Castello del Nero

LUX: You have managed two luxury travel brands with Asia-Pacific origins – your current role with COMO and your previous position at Aman Resorts. Is this coincidence, or is there something in particular that drew you to these destinations?
Olivier Jolivet: Even if these two brands have the same geographical origin, they are very different in their conception and in their history, and yes, I was very curious about it. What drew my attention is probably the myth around them and their huge potential for growth.

Read more: Artnet’s Sophie Neuendorf on the rise of a new Renaissance

LUX: Bhutan is a relatively unusual country to have in the portfolio. What is your thought process when it comes to scouting out new destinations?
Olivier Jolivet:  We look for destinations with soul. Our hotels inspire people to live fuller lives and make a meaningful difference by creating experiences worth re-living, whether it’s meditating at an ancient Bhutanese temple or diving with manta rays in the Maldives. Our guests want to satisfy their quest to explore our destinations with COMO.

water villa

A water villa at COMO Cocoa Island resort

LUX: How do you think the coronavirus crisis will affect the luxury travel in general and your group in particular?
Olivier Jolivet: Travellers will opt for smaller groups, more intimate locations and specialised offerings instead of 300-bedroom hotels. Our hotel business model has always catered to this, focusing on the soul of each destination, offering limited rooms and suites, and catering to those who seek to improve their wellbeing. For COMO, it’s not about long-term change; our core philosophy toward proactive wellness isn’t changing, it’s just never been more front of mind. We are successful not by chance, but because we continue with our vision.

LUX: What travel trends do you anticipate emerging in 2021?
Olivier Jolivet: I have always said that luxury has something to do with space and intimacy. It is now more relevant than ever, and small destinations will prevail. Travellers are on a pursuit for privacy and intimacy, and we’ve noticed an increased demand for our private villas and residences, as well as private, exclusive experiences. I also predict there will be a strong emphasis on people wanting a wellbeing offering.

LUX: Do you have any new developments in the pipeline?
Olivier Jolivet: We are focusing on developing our lifestyle component by investing into new trends, new businesses and new destinations. We’re also in the process of launching our COMO Club, with access to the world of COMO from hospitality to wellness, sport and fashion.

Find out more: comohotels.com

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man sitting with bags

Jonathan Riss has designed a collection of bags exclusively for One&Only

Belgium-born designer Jonathan Riss is the founder of JAH AHR, a luxury brand which transforms authenticated vintage designer bags through embroidery techniques. His latest collaboration with One&Only Resorts – a collection of limited edition custom-designed vintage Louis Vuitton Keepalls – is inspired by the local heritage and culture of each of the brand’s destinations. Here, Abigail Hodges speaks to the designer about his creative process, sustainable fashion and the future of travel

1. What led you to start re-crafting iconic vintage fashion pieces?

We live in a society of significant over-production and if you analyse consumer behaviour, you quickly see that people prefer iconic pieces, not because of their value, but because of the work and effort to perfect these pieces over time so they too reflect the values and desires of society.

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Today, there is an increasing demand for sustainability as well as individualisation. The idea that we not only take vintage objects and give them a new lease of life, but also to continue to work on them. To be part of this pursuit of perfection, but at the same time to continue to reflect the wants of society by offering singularly unique pieces is very interesting.

gorilla bag2. Can you tell us your favourite story about one of the bags you’ve sourced?

There are so many stories across the different mediums that we are transforming. One that springs to mind for the Keepall collection is a bag we sourced in Moscow that was originally made in 1991, on which we placed the USSR flag as this was the year of the dissolution of the Soviet Union.

Another bag we found was in Hong Kong that was made in 1997 which was the year of the historic handover so we imprinted this bag with the Hong Kong flag. We also sourced some bags in Tehran which have our Persian rug design reflecting the philosophy of our collections, which is to highlight the imprint of the local culture where the object was used or sourced.

 

designer in the studio

Riss at work in his studio

3. What does your design process typically involve?

The most important aspect of what we do is not the design itself, but the narrative that sits behind and around each piece. So the provenance often leads the design as the actual story of each object is much more interesting, and the design is an extension of the story, but of course, exploring different techniques of texture is a vital part of the design process enabling the execution of the narrative.

Read more: Win two life coaching sessions with Simon Hodges

4. How did your collaboration with One&Only come about?

This is a beautiful topic. One&Only owns a stunning portfolio of unique properties all over the world that really reflects the philosophy of our collection. The opportunity to create a bespoke heritage collection that allows us to showcase the cultural, social and natural aspects of each destination was an incredibly exciting opportunity as this is exactly what we do with all of our collections.

bag and kangaroo

5. When deciding how to celebrate each destination, which elements were particularly important for you to highlight?

There are almost too many elements to consider, so again, we were often led by the bag itself. For example, for Cape Town we had a bag that was originally made in 1994 which was the first year of Nelson Mandela’s Presidency so we created a design celebrating the great man himself.

Similarly, we had a bag for Rwanda that was from 2002 which is when the new Rwanda national anthem was officially inaugurated so we placed the lyrics from the anthem on an interpretation of the national flag. For Dubai, we wanted to showcase the incredible architecture as well as the importance of Islam so we overlaid a blessing on the Dubai skyline. In Mexico, we are fascinated by the contrast of the colour and vibrancy of the Dia de los Muertos with meaning behind the celebrations. In Malaysia, we loved the romance of discovering ancient statues and carvings in the jungle. The breadth of inspiration is also important to us.

6. What’s inspiring you currently?

Given what has happened in the past year, I am getting excited by the future of travel, and how the quality and experience of travel will evolve. As we have seen, anything can happen that impacts society in a dramatic way so what is interesting is to see how we elevate ourselves and I am working on a new project thinking about this, so watch this space.

Follow Jonathan Riss on Instagram: @_jay_ahr_

To purchase one of Jonathan Riss’s bags for One&Only email: [email protected]

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The lobby of Sofitel Paris Le Faubourg

In the final edition of our luxury travel views series, LUX Editor-in-Chief Darius Sanai enjoys the Parisian elegance and ease of Sofitel Paris Le Faubourg

Location, location, location. What is the nearest luxury hotel to the epicentre of Paris shopping, the original Hermès flagship store on the corner of rue Faubourg Saint-Honoré and rue Boissy-d’Anglas? I would understand if you were thinking Crillon, Ritz or Bristol, but you would be incorrect. The Faubourg is so close that you could fish a Birkin out of the Hermès window display with a fishing pole and a hook.

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The frontage, in a road now closed to traffic for security reasons as it is so close to the Élysée Palace, belies the grandeur of the entrance hall when you walk inside. The welcome is swift, efficient and friendly, as you would expect from this significant European luxury hotel group.

luxury hotel bedroom

The Faubourg Suite

My room was well-appointed in a very Parisian style: vintage mirrors, Vogue photography, plenty of plush. With the rue Boissy-d’Anglas closed to traffic, it was also wonderfully quiet for a city-centre room.

Read more: Life coach Simon Hodges discusses the complexities of familial relationships

I had declined the offer of dinner with a business contact, as I had some research to do ahead of a meeting the next day, so I slipped downstairs with my iPad and found a place in the bar, a cosy, jazzy little room at street level.

luxury hotel interiors

The Blossom restaurant

Sometimes, on travels, after a number of meals offered where different levels of cuisine are showcased, there is nothing you feel like more than a Caesar salad, which the bar provided with no qualms and in very Gallic style, with corn-fed chicken and proper fries on the side. Paris is near enough to Burgundy to justify choosing a medically necessary Macon-Uchizy from the excellent 2016 vintage as an accompaniment.

My meeting the next day was not at Hermès but at a brand located next door. A 90-second commute. Now, that’s luxury.

Find out more: sofitel-paris-lefaubourg.com

This article originally appeared in the Autumn/Winter 2020/2021 Issue. 

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hotel suite drawing room

The Jackie O. Suite at the Villa Kennedy

In the third edition of our luxury travel views series, LUX Editor-in-Chief returns to Villa Kennedy, a Rocco Forte hotel in the centre of Frankfurt, to discover how it stands the test of time

Frankfurt is not a city known for either its romance or its luxury experiences. So, if someone suggested flying there for a romantic weekend, you might start doubting their sanity.

But bear with me here. Having landed at Frankfurt airport, a 15-minute taxi ride through a forest into Sachsenhausen, an area of grand villas, took me to the Villa Kennedy. A villa hotel with a spa a long way metaphorically from the skyscrapers of the city centre – although Sachsenhausen is just across the river from the financial district.

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I had been to the Villa before, when Rocco Forte first opened it in 2006, and was curious to see how Europe’s most endearing (and indeed enduring) hotelier has adapted it to the times.

exterior of castle hotel

luxurious courtyard

A view of the hotel’s façade (above), and the gardens

This is a very exclusive hotel and the Zen-like atmosphere virtually wafted me up to the Jackie O. Suite, whose library room was bigger than that in many a decent home, and looked out over a tranquil central courtyard, via an extensive private terrace. The decor was sixties inspired, with swathes of gold, and the coffee table was laden with books on art and design. The bedroom was separated from the extensive bathroom area by corridor so long that you could take your exercise at the Villa Kennedy just by walking the length of your suite.

As well as being a financial capital of Germany, Frankfurt is close to the Rhine winelands, and it was pleasing to see a good selection of those wines by the glass at the Italian restaurant, Gusto, that evening. Gusto is on the ground-floor level by the internal courtyard, and while the weather was not good when I visited, I imagine sitting at a table in the courtyard would be a delightful Italianate experience on a sunny summer’s day.

Read more: How to shop for art online by Artnet’s Sophie Neuendorf

I needed to finish off a presentation ahead of my meetings the next day, and the calm atmosphere and efficient service were just what was required to accompany a laptop, a glass of Trocken Rheingau Riesling and some tuna tartare with ricotta and cucumber. Perhaps, though, the restaurant has missed a trick in being too efficient, feeling like a better place for a corporate dinner or an editor working on a laptop, than a more lingering and languid romantic dinner.

swimming pool

The spa swimming pool

That’s probably due to the nature of Frankfurt, although it’s a bit of a shame. The hotel also has a celebrated spa, which I didn’t have time to visit on my overnight, but which caters to the Frankfurt elite. Combined with the efficient journey, the architecture, location, and magnificence of the suite, a visit to the spa would’ve been a perfect ending to a romantic break, as long as there was a cuisine experience to match. Turn Frankfurt into a lovers’ location: Sir Rocco, you have overcome many challenges in your colourful life, and here’s the next one. It just needs a softening of the dining area to add the right mix of atmosphere, and ecco. Done.

roccofortehotels.com

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The Alpina Gstaad’s main building and gardens, which opened in 2012. © The Alpina Gstaad

Artistic, playful and utterly spoiling, The Alpina Gstaad may just be the best hotel anywhere in Europe. So why don’t you know about it?

A contemporary jazz duo is singing and playing its heart out. Your champagne bottle is emptying steadily as you look out from your sofa at the array of contemporary art around you, and the rolling mountains in the distance. It’s time for Japanese, and you and your companions wander over, just a few metres, into a different world into Megu. This is Switzerland’s highest-rated Asian restaurant, a Michelin-starred area decorated by blonde Alpine wood, antique kimonos and slatted wooden partitions.

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The vibe is lively but not raucous, stylish but not gaudy, expensive but not stuffy. Everywhere at the Alpina has a contemporary mountain chic laced with a global sensibility, a generosity of spirit and space, and a sense of future.

contemporary sculpture

Dritte Tier by Thomas Schütte, part of the hotel’s extensive collection of contemporary art. © The Alpina Gstaad

The Alpina in, or to be precise, above Gstaad, is the one example of a European resort hotel that surpasses its surroundings. Some of the great legacy hotels of Europe have been defined by the locations they sit in and need to live with the legacy. Others feel as if they might have been transported from any exotic location in the world.

asian restaurant interiors

The hotel’s Japanese restaurant Megu. © The Alpina Gstaad

The Alpina does something else: it redefines the location it is in. Given that Gstaad is the hub for some of the world’s wealthiest and most discerning people, that is quite an ask. Yet breeze in amid the local granite and reclaimed wood, walk up the sweeping staircase to the bar, lounge and outside terrace, enjoy the light and the art collection, and you know you’re in a place which is writing its own story.

Read more: Chopard’s Caroline Scheufele on versatile jewellery design

There is nothing particularly Swiss about a salt room, a cavernous underground lounge and juice bar, or a huge indoor pool and hydrotherapy area in a grotto. Or about a Japanese restaurant with 16 Gault Millau points and a ‘gastronomic’ yet contemporary informal restaurant, or Sommet, also with a Michelin star and 18 Gault Millau points. Like Schrödinger’s cat, the Alpina is, and it isn’t. Maybe it’s the owners: one is a local Swiss, one is decidedly international, together they give the Alpina its confidence.

views from a jacuzzi

luxurious hotel interiors

The duplex Panorama Suite with its outdoor jacuzzi. © The Alpina Gstaad

But this is not a place where comfort is sacrificed on the altar of credibility. The rooms have a gorgeous mix of local wood (much reclaimed from barns), stone, contemporary art and giant glass-cowbell light fittings – with perfect sheets and massive bathrooms. And huge balconies; whatever side of the building you are on you have peace, a sense of place and a magnificent view.

Gstaad is moving to its own tune, there is something of a real-estate boom in the area right now. Among the most fortunate are those who bought one of the residences within the hotel building: these are effectively buildings within the building, to match the most opulent chalets anywhere in Switzerland. Unfortunately, they have all sold, but if you know the right people, you may be able to persuade them to rent them to you or, who knows, even sell them to you, one day. Meanwhile, just check in.

Darius Sanai

Book your stay: thealpinagstaad.ch

This article originally appeared in the Autumn/Winter 2020/2021 Issue. 

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portrait of a man

Abdullah Ibrahim by Lex van Rossen

Abdullah Ibrahim was discovered by Duke Ellington, fought against apartheid, and played at Nelson Mandela’s inauguration. The South African jazz legend speaks to LUX from his Cape Town home about his hopes and dreams

My favourite view…

The stars in the night sky over the green Kalahari.

The best place to listen to jazz…

Where your chosen jazz musicians are playing.

Where you’ll find the coolest new bands…

In the place you least expect.

The only thing I’ll queue up for is…

A masterclass with a master.

Most overrated tourist spot…

The beach.

Most undiscovered tourist spot…

The unlisted one you discover.

man outside in shirt and tie

What I love about Cape Town…

The flowers and animals.

My favourite smell…

Musk.

I feel most at one with nature in…

The desert, hills and rivers.

The best local dish…

The traditional dish prepared at home.

My favourite memory is…

The next one.

What I think of the youngest generation…

I was once like them.

If I live to be 200 I would like to see…

If that bird at daybreak still sings the same song.

My proudest achievement is…

Realising and accepting that the process of learning is boundless.

My greatest fear is…

Becoming complacent and lapsing into a comfort zone.

My biggest regret is…

Not doing enough to seek for knowledge.

Find out more: abdullahibrahim.co.za

This article originally appeared in the Autumn/Winter 2020/2021 Issue. 

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hotel lounge area

The reception area at The Fullerton Bay Hotel Singapore

In the first of our four part luxury travel views column, our editor-in-chief Darius Sanai recalls the breathtaking views and chic ambience of The Fullerton Bay hotel in Singapore

A first-time visitor to Singapore before would be forgiven for being rather surprised arriving at the rooftop swimming pool at The Fullerton Bay hotel. The city state has a reputation for being efficient but unexciting – a business city for the wealthy, not a tourist destination.

Walk out of the lift on the top floor of the hotel, and you realise that reputation is outdated. In front of you is a huge outdoor pool with sunloungers both beside it and along both sides, inside it – meaning you can have both a wet bar and a wet sunbathe. Or moonbathe, in my case, as I had just arrived on a long-haul flight in the evening. Beyond the pool was a bright and throbbing outdoor bar area, the front row of which looks directly across the water of Marina Bay at the celebrated skyline of the Sands landmark on the other side, beyond which is the ocean and, in the distance, the islands of Indonesia.

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It may seem ‘normal’ if you are a resident of Singapore but coming from the western hemisphere this tropical city skyline-bar-swimming pool combination is literally breathtaking. A quick swim, then down to my room to get changed ahead of a couple of drinks in the bar, refreshing the palate before a long day of meetings the next day.

hotel roof bar

The rooftop Lantern bar at The Fullerton Bay Hotel, Singapore

While I was swimming, my room had been transformed. Normally, the ground floor is no place for a suite in a luxury hotel, but at The Fullerton Bay, the ground floor is located directly on the water. No road, no path, nothing in the way – the screens in my room had been folded back by the turndown service so I had a 180-degree view of the harbour, and when I stepped out onto the balcony and into my own personal swimming pool, I could also have taken a couple of steps more and jumped into the sea.

Read more: Activist José Soares dos Santos on environmental responsibility

If I’d been on my own, I would’ve stayed right there on the balcony, ordered some champagne, and chilled in the equatorial moonlight.

Up on the roof, by 10pm, the bar was turning more into a nightclub, with people dancing in an area cleared of tables. I sat at a table on the corner of the bar terrace, a 360-degree view of Singapore city centre all around. A pretty exhilarating introduction into the city.

living room

The living room of its Robinson Suite

In a time when eating outside is advisable as well as enjoyable, The Fullerton Bay has no shortage of options, as I discovered at my outdoor breakfast the next day. It is served à la carte, with tables well spaced, and a choice of Malaysian/Indonesian (nasi goreng), Chinese, and western, it would have been perfect on a luxurious break. On a business trip, though, I recommend you don’t make the same mistake as I did and go down in a crisp white Margiela business shirt to wear at your meetings – 8am, Singapore weather is hot enough to turn you into a sweat ball, meaning a rapid return to the room to change.

rooftop jacuzzi

The hotel’s rooftop jacuzzi

Fullerton is a legendary name in the Asian luxury industry, owned by the redoubtable and charming Ng family (who are also active in Hong Kong) and the more famous hotel and original of the same name is located 100m along the waterfront. The Fullerton, a local institution, is the colonial-era palace but is not priced at the same high-level as its more exclusive sister hotel. It is where you have to go for spa treatments, and I arranged one for just before my flight home. It was a mixture of Chinese pressure-point massage, ginger, rosemary and lavender oil, and stretching and soothing that was the perfect end to the Singapore stay-over. Over the years, I have changed my pre-long-haul flight routine flying back from Asia from champagne and sushi to a swim and a spa treatment, which is definitely more effective if you want to feel fresh on landing the next day.

Find out more: fullertonhotels.com

This article originally appeared in the Autumn/Winter 2020/2021 Issue. 

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house in the water

The Lisbon Oceanarium, Europe’s largest informational and educational space on the oceans, is operated by a foundation launched by Portugal’s Dos Santos family. Image by Paulo Maxim

Claudio de Sanctis, the new Global Head of Wealth Management at Deutsche Bank, has been passionate about the oceans since he was young. He now sees the blue economy – the sustainable use of ocean resources for economic growth – as a major and necessary target for investments. LUX speaks with him to discover why

DEUTSCHE BANK WEALTH MANAGEMENT x LUX

man in suit

Claudio de Sanctis

LUX: How did your interest in ocean conservation arise?
Claudio de Sanctis: It’s something that goes back to my childhood. I was brought up in Italy and school summers there are very long. I spent a good portion of that time in the water snorkelling and skin diving in the Mediterranean and I developed an incredibly strong connection to the sea and the life in it. You carry forward that passion for animals and life in the sea; and then, if you are 47 as I am now and you are still spending your holidays diving in the sea with your family, you witness first-hand the changes that have gone on. You have this passion, you have witnessed this crisis, and there is a part of you that says something needs to be done.

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LUX: You have personally noticed the environmental changes in the sea?
Claudio de Sanctis: One hundred per cent. If you don’t dive or spend time underwater, the ocean may seem like a beautiful, big, blue expanse and it’s difficult to perceive how it’s changing; it looks as beautiful now as it did 50 years ago. But if you do actually spend time underwater, you then notice that the Mediterranean, for example, has changed dramatically. In the past 40 years, plastic has replaced fish. There were previously a lot of fish, and now there are far fewer and plastic is popping up more and more so it’s now almost impossible to get underwater without seeing a large amount. Also, tropical fish are being seen in Greece, for example, which is a concern as it suggests a very significant change in temperature. If you go to the tropics, the situation is very similar. I have less than 20 years’ experience diving in the tropics, but even in that time, the situation has deteriorated and reefs have disappeared.

LUX: And this is what inspired your focus on the blue economy, which includes ocean conservation and much more besides.
Claudio de Sanctis: That’s correct. There are two fundamental beliefs informing this. One is that institutions such as Deutsche Bank have a fantastic history, if you realise that, for example, we have invested in young artists for the past 40 years for no other reason than social responsibility. While we are a business for profit, doing things because they are relevant and important for the societies we operate in, and because it’s right to be doing them, is important. In that context, we try to do things that are relevant to our clients. I meet clients on a daily basis and more often than not, the discussion will turn to conservation and particularly ocean conservation, and the strongest message I get is one of interest and one of alarm. “How can I help?”, they ask. And that’s how the blue economy comes into play because I believe that the best way to protect the sea is actually to explain to everybody the extraordinary sustainable, long-term economic value it has. There is a lot we need to explain to the world, such as the fact that we breathe because of the ocean; if we damage the ocean beyond a certain point, we won’t be able to breathe air any more. This is very much where education comes into play. And if you understand how the ocean can produce long-term economic development for low-income, underdeveloped countries, that is very relevant. If it’s properly harnessed, the blue-economy potential for a country such as Indonesia is extraordinary. It can lift hundreds of millions of people out of poverty and give them long-term prospects.

LUX: Are there increasing investment opportunities for the blue economy?
Claudio de Sanctis: There are, but there is so much more to be done, which is why the conference we are holding is so interesting. At the moment it is a very thin market but you essentially have three main drivers. The first one is very wealthy families who set up dedicated foundations, which in turn invest long term in ocean conservation and the blue economy. In that space, education plays a massive role. Secondly, if you don’t want to have a dedicated foundation then you can invest in financial instruments. There are more and more liquid financial instruments starting with blue bonds that allow you to contribute capital with a certain degree of return in order to help these underlying themes. The last element that we need to develop is investing directly in companies as more start up with a blue economy angle.

LUX: Will the blue economy become more important within environmental, social and governance (ESG) investing in general?
Claudio de Sanctis: That’s a very good question. My view is that when it comes to ESG, there is no need to put different sub-themes within ESG into competition. There is so much need for more across the board. I can say that interest in ocean conservation and the blue economy is growing exponentially and the awareness of it is growing extraordinarily fast because it’s tied to very important problems. I mean, science has now led us to understand that the oxygen for two breaths in every three comes from the sea, which is something that, five to ten years ago, very few people knew. So if you pollute the sea to a point that that sort of oxygen production slows down, you have a huge problem, because we’re not going to be replanting a lot of forest in the next 50 years. And planting forest takes a long time. Most of the ESG themes are fundamentally interlinked. For example, ocean conservation, blue economy and climate change all interlock.

Read more: Fashion designer Kevin Germanier’s sustainable glamour

LUX: Do companies who may believe they are not responsible for, say, ocean degradation because they are based far from the sea, need to be made aware of this interlocking, that the ocean is relevant to them?
Claudio de Sanctis: That is a very fundamental point. Awareness is everything and in my view, the awareness we need to create is not so much in the companies as in the end consumer. Everybody needs to understand the relevance of this resource, that the ocean is deteriorating and what the consequences of this are. And then on the positive side, what are the opportunities we can extract from the sea if we actually manage it properly? When we talk of the problem of plastic in the oceans, everyone thinks of the poor albatross found with plastic in its stomach, which is a significant problem. It’s an easier problem to grasp than microplastics, which are less visible. But while plastic bottle and bag waste affects marine mammals and sea birds, it is microplastics that affect fish. And the biggest polluting factor in the plastic problem is our clothing. Every time we wash our clothes in a washing machine, particularly anything that has plastic fibres, we release microplastics into the ocean. This is just an example, and this is why we need education, because there is so much more that we need to know and that we need consumers to know because it is they who ultimately drive politicians and purchasing.

LUX: What would you like to achieve through your blue economy programme?
Claudio de Sanctis: In our business we talk to a number of very significant families about what it means to actually have positive impact. So even if we help a few of these families be more aware of the problems and solutions, that is already gratifying for me personally in terms of helping the cause. From a Deutsche Bank point of view, my aspiration is that in the next two to three years when Wealth Management clients think about oceans, they think about ocean conservation and economic development tied to that. And then they think of Deutsche Bank and pick up the phone and speak to their banker here.

Find out more: deutschewealth.com

This article originally appeared in the LUX x Deutsche Bank Wealth Management Blue Economy Special in the Summer 2020 Issue.

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Reading time: 7 min
historic building facade
historic building facade

The Gainsborough Bath Spa occupies two Grade II Listed buildings in the heart of Bath

The Gainsborough Bath Spa is located in the heart of the historic city of Bath, but with access to natural thermal waters, extensive spa facilities and a calming atmosphere, it’s no ordinary city hotel. LUX checks in for a midweek stay

Staycations have soared in popularity this summer and it’s likely to be a lasting trend not only for pandemic reasons, but also for travellers seeking a more sustainable alternative to travel. For London residents especially, Bath is a no-brainer. One of the UK’s most beautiful and historic cities, it’s just over an hour by train from Paddington Station or an easy two and half hour drive, and if you’re staying at The Gainsborough Bath Spa you don’t even have to worry about parking. The valet is there to meet you at the bottom of the hotel’s steps and on check-out, the car’s ready and waiting, stocked with water bottles and a little tin of mints for the journey. It might not sound like much, but these are the kinds of thoughtful extras that contribute to a completely stress-free experience.

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The YTL group (to which The Gainsborough belongs) is known for its acute attention to detail. Added to the top-notch valet service, all the rooms, regardless of category, have complimentary mini-bars stocked with artisanal snacks and juices, and the bathrooms are filled with an abundance of good-sized Aromatherapy Associates toiletries and fitted with underfloor heating.

Luxury hotel bedroom

One of The Gainsborough’s courtyard rooms

The rooms are smart, modern and spacious, decorated in a soothing colour palette of duck-egg blue and gold with varying layouts. We stayed in a two bedroom suite, which takes the form of a maisonette with a double room and bathroom upstairs, and an additional double (or twin) room downstairs with a small sitting room. Both beds were exceptionally soft with piles of pillows, but the downstairs room was somewhat lacking in natural light whilst the rest of the suite benefited from towering ceilings and huge windows.

Read more: Diango Hernández’s disruptive Instagram art project

spa interiors

bathing pool

Aromatherapy bar (above) and one of the thermal pools in the hotel’s spa village

The Gainsborough features the only hotel spa with access to the city’s natural thermal waters. Currently, visitors are required to pre-book one-hour bathing sessions to prevent overcrowding, but that still leaves plenty of time to dip into the different pools, sauna and steam rooms with breaks in-between for shots of thick, spiced hot chocolate (a favourite of the Romans). In terms of treatments, there’s usually a wide selection including various acqua therapies, but due to current Covid restrictions, the signature massage is the only offering, beginning with a foot bath in neroli water infused with rosemary and pine essences followed by a full body massage using calming lavender oils. Spa experiences begin with a mini workshop making scented salts using a selection of Aromatherapy oils, and end with a cup of pink Hibiscus tea on the terrace overlooking the baths.

Read more: Holly Chandler of boutique travel company Fish&Pips on travelling post lockdown

restaurant interiors

Dan Moon’s restaurant is currently only open for breakfast

Dan Moon’s restaurant, which usually serves elegant dishes made from seasonal and locally sourced ingredients, is only open for breakfast at the moment. In the afternoon, tea is served a chic mirrored lounge known as The Canvas Room and the bar is open in the evenings for cocktails.

It’s a hotel that prioritises its guests’ relaxation and privacy. Staff are warm and attentive, but generally leave you to wander freely, creating a pleasing sense of homeliness. It’s the kind of place you can imagine returning to year after year.

Rates start from £325 per night for a Deluxe Room including breakfast (approx. $400/ €350). Book your mid-week getaway: thegainsboroughbathspa.co.uk

Please note: This review was carried out before the global lockdown. Valet parking is currently not available to guests. 

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Reading time: 3 min
beetroot gnocchi

Beet gnocchi from Le Clarence cookbook of recipes by head chef Christophe Pelé. Image © Richard Haughton

Earlier this year, Domaine Clarence Dillon, the luxury French company who owns the iconic Château Haut-Brion estate, published a cookbook of recipes by Christophe Pelé from its two-Michelin-starred restaurant Le Clarence in Paris. Here, we pick three of our favourites to cook at home

Beet gnocchi with amaranth leaves

20 red and green amaranth leaves

For the beet gnocchi
(10 gnocchi per person)
2kg raw beets
3 big Charlotte potatoes
100g flour
2 eggs
40g butter
75g milk
Parmesan cheese
fine sea salt
nutmeg

For the beurre blanc
300g shallots, finely chopped
200g white wine
100g alcohol vinegar
1 bay leaf
5 black peppercorns, crushed
a sprig of thyme
a sprig of rosemary
100g unsalted butter
1 tablespoon Banyulus vinegar

To finish
40g tofu

For the beet gnocchi
Push the beets through a juicer to obtain 500g of juice. Reduce to obtain 100g of juice.

Make a pâte à choux: combine the milk, 50g of reduced beet juice and the butter in a pot and bring it to boil. Remove from the heat and sift the flour into the pot, stirring vigorously to combine.

Dry the dough over a low heat, continuously stirring until it clears the sides of the pot. Transfer the dough into a round-bottomed mixing bowl, and add the eggs one by one. Add the parmesan, salt and nutmeg to taste.

Cook the potatoes in a pot of boiling water. Then, remove from the water, peel and smash into a puree. Add the hot puree to the pâte à choux and knead well until the dough is smooth.

Transfer dough into a piping bag and refrigerate.

Bring a pot of salted water to a simmer. Remove pastry bag from refrigerator, and squeeze and cut 1cm gnocchis directly into the water. Poach for 2 minutes, then remove and return to the cooled beet juice.

For the beurre blanc
Combine all ingredients, except the butter, in a pot. Cook over a low heat for 30 minutes, reducing it almost completely. Transfer 150g of the reduced mixture to another pot over a low heat. Little by little, incorporate the butter, whisking to emulsify.

Strain and add 50g of reduced beet juice and Banyuls vinegar. Allow to cool.

To finish
Drain the tofu and cut it into cubes. Arrange the gnocchi, dried amaranth leaves and tofu cubes on the plate. Finish with the beurre blanc.

Barbajuans. Image © Richard Haughton

Barbajuans with ricotta & spinach

Makes 50

For the filling
200g spinach
400g ricotta
black pepper
the zest of 1 lemon
a drizzle of extra virgin olive oil

For the dough
500g flour
5g salt
265g water
25g extra virgin olive oil
fine semolina
olive oil for frying

To finish
Kuro shichimi (a speciality of Kyoto, generally composed of white and black sesame sees, red chili pepper, sansho peppercorns, poppy seeds, linseeds and green seaweed).
fleur de sel

For the filling
Blanch the spinach for 1 minute in boiling water. Drain and finely chop.

Mix the chopped spinach with ricotta. Season with lemon zest, salt, pepper and olive oil.

For the dough
Combine the flour and salt in a mixer fitted with a chopping blade. Mix, adding water and olive oil little by little. Once a dough begins to form, remove and knead by hand until smooth.

Cover with a kitchen towel and let sit for 20 minutes. Then, roll it finely (2mm thick) and place a small spoonful of filling onto the dough, cover with another strip of dough and then cut into squares.

Line a baking sheet with a dish towel, and dust fine semolina over the towel. Transfer barabjuans onto baking sheet and refrigerate.

Before serving, fry the barbajuans in oil heated to 180 degrees centigrade, until they are golden. Drain on paper.

To finish
Dust with a pinch of fleur del sel and kuro shichimi.

Baba au rhum. Image © Richard Haughton

Baba au rhum

For 45 mini-babas
300g flour
10g sugar
5g salt
15g fresh yeast
150g eggs
120g milk
80g butter, room temperature

For the soaking syrup:
500g sugar
1 litre water
1 orange
1 lemon
2 vanilla beans, split and scraped

For the grapefruit caramel
150g sugar
300g grapefruit juice
50g butter

For the goat’s cheese cream
150g heavy whipping cream
50g fresh goat’s cheese

For the mini-babas
Combine all ingredients except the butter in the bowl of a stand mixer fitted with a dough hook. Knead until a dough begins to form, then add the butter in pieces. Knead on medium speed until the butter is completely absorbed, then on high speed for 2 minutes.

Transfer the dough into a stainless steel bowl, form a ball, cover it and allow to rise for 15 minutes.

Punch the dough back down and allow to rise for 10 more minutes.

Transfer dough to pastry bag and squeeze to fill three-quarters of each mould. Allow to rise 5 to 10 minutes, until the dough is nicely puffed.

Cover the mould with parchment paper and place a second baking sheet on the top. Bake at 180 degrees for 20 minutes then remove from the oven and allow the babas to cool completely.

For the soaking syrup
Slice the orange and the lemon into rounds. Combine all ingredients in a pot and boil until the sugar is completely dissolved.

Remove from heat, allow to infuse for 30 more minutes then strain. Soak the babas in the cooled syrup. Remove them when they have doubled in volume and use a pipette to inject 3ml of rum into each baba.

For the grapefruit caramel
Make a dry caramel with the sugar. Meanwhile, warm the grapefruit juice. When the caramel is golden, remove from heat and dilute, adding 1/3 of the grapefruit juice at a time. Return the pot to low heat and reduce to obtain 250g of caramel. Remove from heat and allow to cool to 40 degrees. Use an immersion blender to incorporate butter.

For the goat’s cheese cream
Whisk the cheese into the cream until smooth and firm

The above recipes are taken from Le Clarence cookbook, written by Chihiro Masui and edited by Glenat Production. Purchase the book via: lcdc.wine

Find out more about Domaine Clarence Dillon: domaineclarencedillon.com

Visit Le Clarence: le-clarence.paris

 

 

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Reading time: 7 min
fine dining restaurant
hotel facade

Located in heart of Knightsbridge, Mandarin Oriental London backs onto Hyde Park

Why should I go now?

The last few years haven’t been easy for Mandarin Oriental Hyde Park. Following the hotel’s biggest ever refurbishment, a major roof fire broke out in 2018 causing significant damage and almost two years of closure. It reopened at the end of 2019 with a bright new contemporary look, only to face closure again due to Covid-19.

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Thankfully, the hotel reopened its doors to guests on 23 July, and for those looking for a luxurious and relaxing summer staycation, there’s no better place; London is at its best in the summer and the hotel boasts one of the best locations from which to enjoy it. The back entrance of the hotel (reserved for the Queen) opens directly onto Hyde Park where you can jog, picnic, meditate, horse ride, row on the Serpentine and wander through Kensington gardens whilst the other side (the public entrance) sits opposite Harvey Nichols. Down the road is Harrods and South Kensington, Mayfair and the West End are all a 15-minute stroll away.

What’s the lowdown?

The hotel was originally built in 1889 as a gentleman’s club and the  grand red-brick Edwardian exterior remains beautifully preserved as a relic of the city’s past. The interiors, however, have been given a hefty make-over by designer Joyce Wang. A light, floral colour palette reigns throughout with flashes of gold and copper detailing; flower-shaped lighting features hang from the ceilings and huge vases of fragrant seasonal blooms designed by McQueens stand on almost every surface alongside misty terrariums filled with giant succulents. The atmosphere is joyful, calming and a tiny bit eccentric. Entering through the double doors (held ajar by men in top hats and red blazers) and up the grand staircase, feels delightfully cinematic and otherworldly.

grand hotel entrance

The entrance into the hotel from the street; the Hyde Park entrance is reserved for the Queen

The underground spa is moody and sexy. Redesigned by Adam D Tihany, it features a slim 17-metre heated pool with a good-sized gym, but the real highlight is the wellness experience. The experience begins in the changing rooms where there are a variety of (gender separate) pools, steam and sauna rooms followed by a relaxation room, featuring exceptionally comfortable loungers, snacks and mindful activities such as colouring, breathing exercises and meditation. If you’re having a massage, facial or scrub, this is where the therapist collects you from (it’s worth remembering to arrive in plenty of time), but even without a treatment, it’s a deeply calming space to spend time in. We went twice during our stay and on both occasions, we had the facilities to ourselves.

Read more: CEO of Azumi restaurants Sven Koch on the future of hospitality

underground swimming pool

Redesigned by Adam D Tihany, the spa features a 17-metre underground swimming pool

In terms of dining, Bar Boulud is the hotel’s all-day French bistro. Situated on the lower ground floor and accessible by a separate entrance from the street, it offers a relaxed, easy atmosphere and a menu of refined comfort food; our favourite dishes were the rich onion soup and creamy, white wine moules served with thin, crispy pommes frites. Despite its name, Heston Blumenthal’s Dinner serves lunch or dinner in a more high end setting with a range of a la carte and tasting menus and an exclusive chef’s table experience.

The prettiest of the restaurants, however, has to be The Rosebery. Open throughout the day, The Rosebery serves one of the most impressive hotel breakfast menus we’ve ever experienced. Alongside the usual array of  pastries and cereals, there are detox juices, bircher museli, exotic fruit platters and beautifully cooked dishes with lots of healthy options. The afternoon tea is also something of an occasion with a bespoke menu designed to match the chosen tea blends.

fine dining restaurant

The Rosebery is open throughout the day for breakfast, lunch, afternoon tea and dinner

The service throughout the hotel is impeccable. Every member of staff, even the ones we hadn’t met, seemed to know our names, but we also liked that it never felt intrusive. Many of the hotel’s guests are public figures (we spotted a few familiar faces who we won’t name), so privacy is respected and prioritised.

Getting horiztonal

Our Deluxe room overlooked the streets of Knightsbridge and straight into the windows of Harvey Nichols, which was a somewhat surreal but amazing experience. We especially loved watching the transition from day to night as the sun dipped and the lights began to glow through the windows.

Read more: SKIN co-founder Lauren Lozano Ziol on creating inspiring homes

The room itself felt spacious and airy with pale grey walls, soft-coloured contemporary furnishings and a huge double bed with mountains of pillows. There was a stylish drinks cabinet by the door complete with crystal champagne flutes and a coffee machine, and the  marble bathroom featured a powerful walk in shower.

luxurious bedroom

The Knightsbridge Suite

Flipside

While there’s a lot to love about Bar Boulud, the interiors could do with a refresh to match the new, brighter, youthful elegance of the hotel.

Rates: From £740 (approx. €800/ $950)

Book your stay: mandarinoriental.com/london/hyde-park

Millie Walton

Please note: This review was carried out before the breakout of coronavirus and the subsequent closure of the hotel. Dinner by Heston Blumenthal and Bar Boulud are due to reopen soon, whilst the spa currently remains closed due to government guidelines. The Rosebery is open for all-day dining and afternoon tea, as well as 24-hour in-room dining. Please check the hotel’s website for further updates.

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Reading time: 4 min
Country hotel
luxury historic hotel

The Lygon Arms in the Cotswolds dates back to 14th century

A couple of unspoilt Cotswolds rural idylls from the 14th and 17th centuries, a rare luxury hotel in Champagne with a touch of the contemporary, and the best place to stay in medieval Heidelberg, LUX recommends four historic country hotels to visit post-lockdown

The Lygon Arms, Cotswolds

THE LOCATION

Broadway is a Cotswold village straight out of central casting. This includes the tourists wandering down the exquisite High Street lined with low buildings of local stone, with the Cotswold Hills rising beyond. The colour palette of nature and history is a perfect sand yellow/deep English green.

Follow LUX on Instagram: luxthemagazine

THE ARRIVAL

The Lygon Arms looks like a combination of coaching inn and hotel. You expect a ruddy-faced local, fresh out of the local country estate, to appear and help you with your bags, and that is exactly what we got. Parts of the structure of the hotel date back to the 14th century, and the feeling of a cosy history, lovingly recreated by its current owners, is all around you.

Luxury bar and restaurant

The Lygon Bar and Grill

THE STAY

Our room, the Charles I suite with a four-poster bed, was swathed in Tudor dark wood. We ate dinner in the courtyard at the Lygon Bar and Grill: the grilled chicken with chestnut mushrooms and tarragon was highly satisfying. The achievement of The Lygon Arms? To offer true history, nicely updated with casual contemporary service and simple high-quality food.

ANYTHING ELSE?

A 20-minute walk from the end of the High Street and up a hillside takes you to the Broadway Tower, from where you can view the invading Welsh armies swarming across the Severn River Valley. Behind the tower stretch the sweeping green uplands of the Cotswolds proper, with exquisite nature walks.

Book your stay: lygonarmshotel.co.uk

luxurious hotel bedroom

Le25bis is the first of its kind in Épernay

Le 25bis by Leclerc Briant, Champagne

THE LOCATION

It’s long been a matter of bemusement that you can spend your day being serenaded by a major champagne house in Épernay and then find yourself in a disappointing, generic hotel. Le 25bis, owned by a champagne house and refurbished in a luxurious modern style, promises to change that.

Read more: Driving from Alsace-Lorraine to Lake Constance

THE ARRIVAL

There is nothing quite like driving along the avenue de Champagne which radiates from the town centre. Le 25bis is fronted by a delightful courtyard with a few tables and as you walk to the reception desk, you walk past a couple enjoying a champagne tasting, a perfect scene setter.

bathroom

THE STAY

Le 25bis belongs to a well regarded boutique champagne house, Leclerc-Briant, which has a shop at the front of the house. After a long day of visiting champagne houses, there’s nothing quite like tasting the champagne made by your hotel. There are only five rooms, which are huge and have clearly been refurbished with little regard for budget, with pale contemporary furnishings with antique twists, aesthetic floral arrangements, intricate wallpapers and beautiful vintage-style (but very modern) bathrooms.

ANYTHING ELSE?

Make time to visit the Leclerc Briant house itself, and when buying from the shop at the hotel (our preferred cuvée was the eponymous entry-level cuvée, and the rosé was also delicious) make sure you buy in magnum. It is always better.

Book your stay: le25bis.com

Country hotel

Lords of the Manor is located in Upper Slaughter, a pretty hamlet in the Cotswolds

Lords of the Manor, Cotswolds

THE LOCATION

If The Lygon Arms is in the low Cotswolds, Lords of the Manor is in the high Cotswolds. To get there, you wind slowly through Lower Slaughter (probably Britain’s prettiest village, and that’s saying something), past an estate and into the hamlet of Upper Slaughter. Down a drive, there is a manor house with gardens dropping to a lake, and meadows and woods beyond. This view hasn’t changed much since Shakespeare’s time.

Read more: Fashion superstar Giorgio Armani on his global empire

THE ARRIVAL

Walking into the wood-lined great hall feels like arriving at a friend’s country house. You are taken to your room up a suitably creaking staircase. Ours looked out over the drive, lawn and lake, and was decorated in lavish country house style. All around was silence.

contemporary interiors

The bar at Lords of the Manor

THE STAY

Crunching through the grounds you feel like there is nothing more you would need from your English country estate. A walk across a little wooden bridge leads to a path alongside a stream taking you to Lower Slaughter, where you can slake the thirst in an inn. The dining experience at Lords of the Manor is very proper and British: venison and foie gras pithivier with creamed butternut squash and brandy sauce.

ANYTHING ELSE?

You could explore the many sites of this glorious region, but we wager you’ll stroll from the hotel on the secluded walks, and chill out on the hotel’s terrace with a glass of champagne, looking at the grounds, and do nothing else.

Book your stay: lordsofthemanor.com

luxury hotel bedroom

Grand Hotel Europäischer Hof is Heidelberg’s only five-star hotel

Grand Hotel Europäischer Hof, Heidelberg

THE LOCATION

Heidelberg, one of the world’s oldest university towns, lies at the edge of the Rhine river plain at the point at which it rises up sharply into the mountains of the northern Black Forest. It’s one of Europe’s prettiest towns, and also infused with a feeling of intellectual history – and current intellectual power.

Read more: How Hublot’s collaborations are changing the face of luxury

THE ARRIVAL

The hotel, the city’s only five-star property, is located on the edge of the old town, making it easy to get to when arriving by car or train. The family-owned luxury property is big and relatively modern. You turn into a grand driveway and are greeted by a uniformed doorman, and taken up some steps into the reception hall that leads to a jazz bar on the left and around the corner into a U-shape into a formal restaurant, the Kurfürstenstube.

hotel entrance

THE STAY

The hotel is grand and generously proportioned, as was our Executive Suite, which was light and airy with high ceilings, baroque-style furnishing in creams and beiges and rustic golds. While parts of the hotel are old, much of it has been built recently, including the large spa area. You will inevitably use the hotel as a base for visiting Heidelberg and beyond.

ANYTHING ELSE?

The hotel’s delightful concierge’s recommendations are now ours: the Kulturbrauerei, a centuries-old dining hallcum-beer hall with hearty, meaty cuisine and its own beer; and a walk down from the Königstuhl mountain, reached by a funicular.

Book your stay: europaeischerhof.com

Note: All reviews were carried out prior to the global lockdown

This article was originally published in the Summer 2020 Issue.

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Reading time: 6 min
Landscape photography
Landscape photography

The view across the Rhine valley from Alsace’s Chateau de Haut-Koenigsbourg to Germany’s Black Forest.

LUX takes a journey from Alsace-Lorraine to Lake Constance, through a historic, beautiful, tranquil and gastronomic part of France and Germany that is curiously overlooked on the international tourist map

Location photography by Isabella Sheherazade Sanai

There was a point at which, quite abruptly, the Autoroute A4, the east-west artery arrowing out of Paris towards Germany, became interesting. For hours before this point, we had been driving on a wide motorway flanked by flattish fields. Wind turbines and the occasional tractor were for the most part the only distractions from the monotony, with the exception of a brief section, near the city limits of Reims, where the vineyards of Champagne crept up an unexpected hill to our right. But the Montagne de Reims is better experienced in a glass than through the glass.

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An hour or so east of Reims, as if the gods of scenery had decided on a set change there and then, the highway swept to the left and up through a sudden forest on a long incline. The forest felt ancient, revealing glades and streams between its fronds, even when travelling at a cruise. There had been no warning of this scenery’s arrival, making it all the more compelling. In a few miles, a sign told us we were in the Forest of Argonne, known as the site of some of the worst battles of the first world war, and among oenophiles as the source of wooden barrels for some of the world’s great wines.

As if now trying to free itself from its straight-laced former self, the motorway writhed through a series of hills, along viaducts and across shallow valleys. We were now in Lorraine, technically part of the same, recently created region of Grand Est that we had been driving through for hours, but in reality a different part of Europe, historically, linguistically and, evidently, topographically. Lorraine, by itself or bound to neighbouring Alsace, is arguably as Germanic as it is French. Without crossing a border, we had changed nations.

historic building

Riquewihr, one of the historic villages on the Alsace wine route

We turned off near Verdun and followed a country lane that tracked a little river, turning left at a little junction and heading into the forest. Through a tiny one-horse village aligned along the road, and some wrought-iron gates, and we arrived at our overnight stopover, the Lodge Hôtel du Domaine de Sommedieue.

Read more: Why we’re dreaming of summers at Badrutt’s Palace, St Moritz

The reception area doubled as a restaurant, in an old building with a few tables outside, scattered across a lawn shaded by tall trees and bordered by a series of ponds. Our room, tidy, clean, well prepared and functional, was in a newly refurbished building a few metres away. The Sommedieue advertises itself as a fishing lodge, but we don’t fish, so we ordered a bottle of very good Côtes du Rhône from the receptionist/ waitress, who happily chilled out by the bar with her beau, with no pressure on us late arrivals to drink up and allow her to lock up. We drank the bottle, then another, at an outside table, alone with our thoughts and the plopping of fish, until a deep night-time absorbed us all.

lake with boats

Uberlingersee, the northwestern stretch of Bodensee (Lake Constance), in southern Germany, is an idyllic destination for summertime leisure visitors

The next morning the waitress had been replaced by the busy, jolly owner, who asked me which newspapers we would like. He placed a selection on a long wooden table inside the restaurant which he had festooned with a breakfast spread worthy of a still life: fresh, fat loaves, thickly sliced; home-made raspberry and apricot jam; slabs of butter; a bowl of apples.

We headed on, eastwards, through Lorraine, through forests and past rivers and lakes, still in France but with road signs reading as if they were in German: Harskirchen, Hirschland. Lorraine and neighbouring Alsace were at the heart of Europe’s history and wars for centuries, sometimes French, sometimes German, sometimes independent: they have seen peace only since the establishment of the forebear of the European Union after the second world war.

The town of Phalsbourg is bounded on one side by high wooded hills and on the other by meadows dropping down into the lowlands of Alsace. It sits on the border of Alsace and Lorraine, and we were there for its annual festival, the Festival de Théâtre. We arrived in the late afternoon, and walked into the central square, which with its gabled, almost Hanseatic architecture, feels like it belongs more to the Baltic than a country with a Mediterranean coast. We had a pizza on the terrace of one of the square’s handful of restaurants, while the festivities geared up; children and adults wearing the traditional red wandered by, eating candy floss and sipping on local wines respectively. A jazz band launched into a fabulous set as the day turned from gold to light blue to darker blue.

As the band finished, we climbed into the car and headed into the hills enveloped in deep forest and arrived, around midnight, at the Auberge d’Imsthal, a little inn set on a lake in the forest, ringed by hills. I sat on the balcony, listening to fish splashing and animals crashing through the forest, looking for shooting stars.

Church at night

Notre-Dame de l’Assomption church in Phalsbourg, a town in the hills on the border of France’s Alsace and Lorraine regions

The Alsace Wine Route carves its way across slopes lined with vineyards and scattered with Hansel and Gretel villages. The road is slightly elevated from the Rhine floodplain, and as you snake through the vineyards you see views of the deep blue mass of the Black Forest mountains. Halfway along the wine route, we stopped off at the village of Eguisheim, which sits amid its vineyards near the leading edge of a steep hillside leading up to the Vosges mountains.

Read more: Artist Marc Ferrero on his collaboration with Hublot

Eguisheim is tiny – the size of a city square in Paris or Madrid – but seems both eternal and infinite. Its narrow streets, lined by 500-year-old gabled houses, many of them in pastel shades, are arranged in an oval shape, with a breathtakingly bijou square with a fountain at its heart. We sat in a courtyard belonging to a wine producer and drank light, pure local crémant rosé sparkling wine, as the sky and the buildings changed colour and a cool breeze wafted down from the mountains as night fell.

convertible silver car

Mercedes S 560 Cabriolet

For our epic drive across Europe, we had a Mercedes S 560 Cabriolet, a big, handsome, luxurious convertible with seemingly limitless performance and the ability to whizz down any road in a ‘swoosh’ of power and smoothness. The armchairs cradled us like a jealous lover, and, with the roof down, their air-conditioning kept us chill when the sun shone, and warm at night.

The most memorable, and attractive, thing about the Swoosh-mobile was its effortlessness; the way you could fire it up and almost instantly be going at the speed limit, while it made bumps and bits of broken road disappear as if they were not there. So many fast cars these days are tuned as if they are going to be driven on a racetrack, riding down the road so firmly that you fear the movements on your expensive wristwatch will disassemble themselves every time you hit a bump, and making you fear for the integrity of the wheel every time you crash into a pothole. The S 560 is different: it is made to give its driver and passengers the most soothing drive possible, at a level of luxury that would have been inconceivable in a car only 15 years ago.

Read more: Entrepreneur Dr. Li Li on the importance of global relationships

If that makes it sound like the car is boring to drive, it’s not. There is a certain rakish, louche joy in whipping the roof down, cranking the concert-standard Burmester hi-fi up to high, and aiming down the road, elbow on window sill, the car emitting a deep, sonorous but quite muted gurgle. It responds well to changes of direction, not driving nearly as softly as its super-smooth ride would have you fear. Perhaps on a racetrack it would suffer against sportier rivals, but who takes this kind of car on a racetrack anyway?

It certainly didn’t suffer on the autobahn. Parts of German motorways remain free of speed limits, meaning that, once you spot the roadside sign telling you all speed checks are off you can go as fast as you wish without fear of being stopped or photographed by the police. As the autobahn descended from the Black Forest towards Bodensee (Lake Constance) on the final part of our journey, the no-limits sign appeared. The road arrowed straight down a gentle incline bordered on either side by meadows, with no junctions, and no traffic ahead of us. With the accelerator buried, and a rumble of chest-beating from somewhere inside the exhaust system, we surged, roof down, unstoppably, past an indicated 150mph in a matter of seconds. I finally eased off at 155mph when the wind above the open roof was at a severe hurricane level. The S 560 may be easy going, but it can also go.

car dashboard

Convertible sportscar

Such speed hastened our arrival on the shores of Bodensee, which is shared between three countries: Germany on its northern shores; Switzerland on the south shore opposite; and Austria at its eastern edge. Überlingen, on the German shore, is a small and historic resort town. That evening we strolled along the lakefront along a pathway festooned with gardens and small hotels, past the Strandbad (lake beach), where families were sunbathing, playing games and jumping into the lake, and to the centre of Überlingen. A row of cafes, restaurants and ice-cream booths faced the lake, alongside the pedestrian path; a passenger ferry docked, sending a mother duck and her ducklings into a tizzy and causing a passer-by to rescue a duckling which had jumped into a hole for safety. A ten-year-old brother and sister played trumpet and violin, quite competently, attracting a pile of donations for their bicycle fund. A mini beach-volleyball tournament attracted a small crowd, sipping local beer sold from a pop-up stand, on the waterfront. Überlingen is a special find, a tidy, beautifully preserved hark back to another era that feels all the more relaxing now because of it.

For our final overnight, we drove five minutes to the Park Hotel St Leonhard, on a gentle hillside, covered with meadows, orchards and vineyards, above the town. From the wide balcony of our room, the hill sloped down into the town towards the lake; across the two fingers of Bodensee, the lights of the settlements on the Swiss side lit up, the Alps forming a jagged graphic backdrop. The air was wet, herbaceous and grassy. This had been Europe, both new and old, at its very best; and sometimes true luxury cannot be measured by hotel stars.

Four Alsace wines to try

Alsace’s wines remain curiously undiscovered. Whites and sparkling dominate, all are fresh and sophisticated, some are sweet but others are dry, complex and fabulous value; and there are many good producers, keeping prices reasonable.

Domaine Trimbach Cuvée Frédéric Emile
Rich, rounded, but bone-dry riesling with layers of candy and lime. Fabulous wine and value.

Domaine Zind-Humbrecht Pinot Gris
Sweet but not cloying, packed with a thousand fruit salads and much more. One of the greats.

Bruno Hertz Crémant d’Alsace Rosé
Heart-stoppingly pure sparking pink, simple and delicious, tasting of summer forest.

Domaine Hugel Riesling
Somehow unctuous and dry at the same time, stony with kiwis; older vintages can age beautifully.

For more information visit: mercedes-benz.co.uk

Note: This trip was undertaken pre-lockdown. LUX paid in full for all the hotels in this feature. 

This article was originally published in the Summer 2020 Issue.

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Ocean safari
Luxury beach suite

One of the beach suites with a private pool at Alphonse Island

Keith Rose-Innes is an environmentalist and globally renowned fly-fisherman. Having first travelled to the Seychelles as a fly-fishing guide, he is now the Managing Director of Alphonse Island, where he continues to promote sustainable travel. Here, he speaks to Chloe Frost-Smith about falling in love with the Seychelles, building an eco camp and his predictions for the travel industry after lockdown

Portrait of a man

Keith Rose-Innes. Credit Nick Kelly

1. Your passion for fly-fishing has taken you all over the world. What has been your most memorable moment from your travels?

My first trip to the outer atolls of the Seychelles is still my most memorable travelling experience. Google Maps didn’t exist in the early days and we would arrive with old nautical charts. It was incredible knowing that you could be the first person to guide a fly-fisherman on that particular flat, and that you might discover an incredible spot at any time and then personally, name it for guests to experience in the future.

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Sustainable tourism provides the opportunity to form partnerships that can protect places such as these. Unlike many other fly-fishing driven conservation efforts, we have never been focussed on solely protecting the marine environment; we have also contributed equally to the protection and preservation of the terrestrial ecosystems of the outer atolls. The Alphonse Fishing Company, Blue Safari Seychelles, Islands Development Company and Island Conservation Society have joined together to form a partnership to manage and execute strategies and projects to protect the species and environments through means of public funding, which is collected via donations and fundraising initiatives. These funds are then donated to the foundations of Alphonse, Farquhar, Cosmoledo and Astove. These are specific to the individual atolls to oversee the funding of the projects operated by the Island Conservation Society. Each destination has a weekly presentation that provides a detailed update of the progress the various programs are making and also provides the opportunity for guests to discuss the environmental topics with qualified environmentalists and marine biologists.

Remote exotic island

An aerial view of Poivre Island, one of the Seychelles’ outer islands

2. Other than the obvious, what made you decide to settle in the remote atolls of the Seychelles?

I cut my teeth as a fly-fishing guide in the Seychelles 22 years ago and guided full time for 17 years before co-founding Alphonse Fishing Company and now our latest initiative, Blue Safari Seychelles. The years I’ve spent promoting and establishing the remote atolls of the Seychelles as one of the world’s best saltwater fly-fishing and ecotourism destinations have been the best years of my life. Although I travel extensively and have a second home in South Africa, my real home is on the remote atolls of the Seychelles. If I had to hang my hat anywhere in the world, it would be in the Seychelles. Living how I do comes with obvious perks, not least of which is access to the various incredible ecosystems on my doorstep. I have been lucky enough to be the first to fly fish and guide trips to numerous of the now well-known outer atolls of the Seychelles. Many would call it pioneering, but I see it as school fees. I know the outer atolls of the Seychelles so well and I love every day that I get back out on the water.

3. What was the inspiration behind Cosmoledo Eco Camp, and do you have any plans to create similar concepts anywhere else in the future?

The purpose of the Cosmoledo Eco Lodge is to establish sustainable ecotourism in line with the Blue Economy, as well as to conserve and monitor the area. One of the most important reasons for the camp is to have a year round presence monitoring the environment to deter foreign, commercial fishing activities which have been taking place. During the months from May to November when the Eco Camp closes to guests, a team of Island Conservation Society rangers and scientists stay on location with our skeleton crew to monitor the area.

The temporary and minimalistic camp was constructed with recycled containers that were retrofitted in South Africa, shipped to Seychelles and then placed on plinths and opened up to form a front deck and back bathroom. The entire container is covered with a sail to create shade and cover from the rain. It’s a concept that I hadn’t seen done anywhere else and echoes a sense of responsibility as almost everything used in the building was recycled.

The feeling you get when staying in a very comfortable, air-conditioned and full glass front container is unique. It’s almost like the cabin of a ship placed in a nature wonderland. The bird sounds, untouched vegetation and view over the lagoon are incredible. The main central area is a tent that is placed on the sand and placement of the camp was selected where there were foundations from buildings erected in the past. The entire camp can be removed completely without leaving any trace of humans behind.

Beach front villa

A beach villa at Alphonse Island

4. What were the main challenges of turning shipping containers into entirely eco-friendly pods?

Initially, it was difficult to imagine how we’d fit all the necessities in such a small space, but once completed, we realised how little you actually need. The next hardest aspect was fitting everything onto three barges [for transportation] and building the camp in only 21 days. We couldn’t fit all of the necessary furniture onto the barges, so we decided to build some it on site from the recycled pallets and timber, which were used to brace everything inside the containers when shipped.

Read more: How Andermatt Swiss Alps is tackling climate change

5. How do you think travel has been impacted by the current lockdown, and what will travel look like once this period ends?

I think it’s still too soon to comprehend the outcome as we are only starting to feel the far-reaching ramifications of a total lockdown of the worldwide tourism sector. It has affected our business immensely as we have hibernated all islands. We are, however, in a strong position and we will open up when things are safe to do so.

My outcome is somewhat positive as smaller to medium-sized private hotels should excel and especially, in destinations that have not experienced any cases of Covid-19. Hotels that have an emphasis on safety, social distancing and health protocol will be focused on.

I do feel that long-haul travel will be somewhat impacted from a health concern point of view and vacation travel may become less frequent, but as the focus shifts towards wellness it is quite possible that travellers may choose longer periods at a destination that caters to all needs, whilst avoiding busy airports and numerous flights. Without a question, there will be a renewed focus on family time, wellness, authenticity, environmentally-friendly travel, well-being and nature. After lockdown, family time will be key, which is why I believe small eco-lodges with family-based activities will excel.

Ocean safari

A guided walk on Alphonse island. Image by Anthony Grote

6. Have you seen any positive effects on the environment during lockdown, and if so, are there any sustainable steps which can be taken to ensure these continue?

We haven’t seen any direct environmental positives that directly relate to Covid-19 other than less air pollution. There are some negatives as a weak economy prevents our ability to fundraise for the foundations that protect our atolls.

There has, however, been a huge silver-lining. My life’s work has been to try to assist in protecting these amazing places and on the 26 March 2020, the President of the Seychelles, Danny Faure, officially signed the bill demarcating 30% of the territorial waters of the Seychelles, legally binding Marine Protected Areas as part of the large-scale Seychelles Marine Spatial Plan. This is a first-of-its-kind initiative, exchanging national debt relief in exchange for ocean conservation policy co-designed by the Nature Conservancy, Seychelles Government and the World Bank. The Alphonse Group, Desroches, Farquhar, Poivre, Cosmoledo and Astove are all included in the gazette, culminating in a five-year project led by the UNDP-GEF with Island Conservation Society, Blue Safari and Alphonse Fishing Company as some of the key partners amongst others who are specifically focused on protecting the unique and pristine tropical marine ecosystems of these remote atolls. The policy designates the offshore waters up to 1km from the outer coral reefs as protected ‘Areas of Outstanding Natural Beauty’. These designations seek to conserve the exceptional biodiversity and natural value of these marine areas whilst ensuring the enjoyment of sustainable ecosystem services into the future. We are blessed to have the Seychelles Outer Islands in a prestige state that has changed very little since the early days and now, it’s up to us humans to protect it.

Find out more: bluesafari.com, alphonse-island.com

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Man wearing glasses
Man wearing glasses

Erdem Moralioglu by Tom Mannion

Erdem Moralıoğlu’s flagship store is in Mayfair, but the heart of this designer to the stars is in hip east London, where he lives and has his studio. He gives LUX a pre-lockdown tour of his home patch

My favourite view…

The view from the restaurant at the top of the National Portrait Gallery

The most romantic spot for dinner…

St John on Commercial Street

The best spot to read a book…

The London Library

The best place to take a selfie…

No selfies!

Where you’ll hear the coolest music…

The Glory in Dalston

The only coffee I’ll queue for…

Violet on Wilton Way (they also do the best cinnamon bun in the world)

The perfect spot not in a travel guide…

The stacks at The London Library – I could spend hours getting lost in all the books

A tourist destination that’s worth the hype…

The Turbine Hall at Tate Modern

The best spot for some people-watching…

Broadway Market on a Saturday

The taste that reminds me of my childhood…

Mangal 2 on Stoke Newington Road, which is my favourite Turkish restaurant in London

My favourite museum/gallery…

The Enlightenment Gallery at the British Museum or anything at Maureen Paley

The shop I never want to leave…

My shop in Mayfair. I spend a lot of time there and many of my clients say it feels like home

The best place to soak up some nature…

In the pool at London Fields Lido in winter

The perfect weekend brunch…

Allpress Espresso on Dalston Lane

I’m prepared to make a detour for…

The National Portrait Gallery

I’m at home in….

Hackney

View the designer’s collections: erdem.com

This story was originally published in the Summer 2020 Issue, out now.

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Reading time: 1 min
woman standing in front of pink flowers
woman standing in front of pink flowers

Portia Antonia Alexis is a leading consumer business analyst, neuroeconomist and mathematician

Portia Antonia Alexis is a neuroeconomist and consumer goods analyst specialising in the luxury and beauty sector. Following the publication of a recent research paper entitled ‘The Global Elite,’ the McKinsey alumnus speaks to LUX about how populism is just another form of protection for ingrained elites, why more women will become entrepreneurs, and how self-made billionaires are not always what they seem

LUX: Recent elections in the US, UK and elsewhere have returned a populist message. Yet US President Donald Trump and UK PM Boris Johnson are part of the elite themselves, and their elections are benefitting the elite more than anyone else. How can this be?
Portia Antonia Alexis: Right-wing populism emerges when the political and economic status quo fails the majority of people. Populist politicians build their base by constructing an in-group – in this case, hardworking white Britons – and pitching themselves as the champions of this “oppressed” group. They then blame the out-group – Muslims, migrants and scroungers – for the hardships everyone else is suffering.

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In doing so, they channel widespread anger away from the powerful – the economic and political elites – and towards the powerless.  They may claim to be tearing up the status quo, but their fundamental objective is to protect capitalist institutions when they are at their most fragile.

This strategy extends into the realm of policy. Johnson’s electoral agenda – from clamping down on crime to ending freedom of movement within the EU – will polarise politics around an opposition between white, working-class Britons versus migrants and welfare scroungers. He will declare himself tough on crime and migration while casting his opponents as out-of-touch elites who don’t understand the concerns of ordinary people.

Right-wing populism must be seen for what I think it is: a symptom of a crumbling capitalist order that no longer promises a better future for most people.

LUX: An increasing number of super-wealthy are self-made. Is this good?
Portia Antonia Alexis: This question reminds me of the controversial Forbes cover story naming Kylie Jenner a “self-made” billionaire.

Critics cited that it was irresponsible for that magazine not to address how Jenner’s family fame helped her amass her fortune. And it’s true, in a way. Calling Jenner self-made connotes a sense of empowerment and a narrative that she lifted herself by her bootstraps. In contrast, her successful company is not so much the result of being self-made but rather an extension of the already successful empire that’s driven by her sisters.

Most bottomless pockets, not just Jenner, consider themselves entirely “self-made.” Rich people are very conflicted about their entitlement. To cope with this conflict, many simply pretend to be self-made. President Trump is a glaring example. Even though he grew up wealthy, he introduces himself as an entrepreneur.

The best evidence of this bias to claim “self-made” status? The annual September release of the Forbes magazine list of America’s 400 richest.

The necessary conclusion from these findings: Forbes is spinning “a misleading tale of what it takes to become wealthy in America.” Most of the Forbes 400 have benefited from a level of privilege unknown to the vast majority of Americans.

Read more: Inside artist Sassan Behnam-Bakhtiar’s Saint-Jean-Cap-Ferrat studio

LUX: When will women start to have a significant presence in the ranks of the super-wealthy?
Portia Antonia Alexis: While women still represent a relatively small part of the billionaire community, they are a continuously growing segment. Perhaps more interesting is that the percentage increase in self-made women was more significant than the rise in the number of billionaires overall, which could signal a change in who will create and control wealth moving forward.

Much of the increase in super-rich women is due to entrepreneurship. These women, like all self-made successes, exhibit several core characteristics. For example, they typically have high levels of self-efficacy, are adept at strategic networking, and are accomplished negotiators.

Women that have created their wealth are different from those that marry or inherit their wealth in several essential ways. They are more willing to take calculated business risks, and they are often motivated to take steps to enlarge and enhance their fortunes through new business ventures, sophisticated tax and investment strategies, and the creation of family offices.

There is unconscious bias in the system, though. I believe many men would like to see more women at the top. I don’t think they’re all actively trying to keep women out, but some discrimination still exists.

I am confident that we will achieve gender parity in top income generation over the next generation. The girl who can dominate a field of robots is a woman who can dominate a field of men.

lady in white dress

LUX: As millennials mature, will the nature of consumption change?
Portia Antonia Alexis: Millennials are less wealthy than people were in the past, which makes them very price-sensitive for brands and products that are not differentiated from competitors. But while they have less money, they are very value-focused and are willing – thanks to their parents’ finances – to pay for quality or status.

And they are very tech-savvy, having grown up on the internet and with smartphones. They are well-informed and quick to adopt new technologies. Finally, they are into health and wellness, taking a more active role in physical fitness than keeping to an ideal weight or getting enough sleep.

LUX: Are millennials and Gen Z investing more into the ESG and impact investing sectors, or is it lip service?

Portia Antonia Alexis: When investing, millennials are committed to environmental, social and governance (ESG) practices. They want to be responsible investors.

In the early days, this mainly amounted to the exclusion of investments exposed to industries such as tobacco, alcohol or armaments. Still, it is now turning to broader ESG and sustainability policies. For example, we are increasingly asked about board diversity: millennials want to know how many women are on boards or in senior management.

Millennials are not the end of the generational transformation of consumption patterns. Some 77 million members of Generation Z, also known as centennials, have been born since 1997 – making them as large a cohort as the millennials. They are the most diverse generation, with almost half of them belonging to a minority group.

The potential for higher returns from companies that position themselves to benefit from the changing consumption patterns of millennials and centennials should make them especially attractive for investors.

Read more: How Saudi Arabia’s Jeddah is establishing itself as a cultural hub

LUX: Can you invest ethically and get the same return as investing without regard for ethics?
Portia Antonia Alexis: A common assumption is that sustainable investment is about conscience rather than profit. Almost three out of 10 people avoid ethical funds because they believe the returns will not be as high as more conventional alternatives.

Very often, people assume you have to give up decent returns to do good with your money. But this isn’t philanthropy, and it’s about people, planet and profit. The research bears that out, showing that sustainable funds are often generating better returns than more traditional funds. Some still regard ethical investing as a fringe activity for do-gooders, but evidence shows how wrong this assumption is.

This year, the National Trust announced it was divesting its investment portfolio from fossil fuels. Meanwhile, equity research house Redburn recently removed buy ratings from the biggest oil companies, saying that demand for oil is set to decline as the focus moves to renewables.  Not only is it savvy to maintain a varied portfolio, but sustainable investing is also becoming increasingly mainstream, opening up more impact investing opportunities to all levels of the investment community.

Research shows this type of investment can provide equal, if not better, returns than more conventional funds. And also, the variety of companies financed by impact investment funds – those that score highly on ESG factors – perform better. These businesses typically have lower costs of capital and higher returns.

woman seated in white dress

LUX: Is ethical investing being led by the West, and does the rest of the world need to catch up?
Portia Antonia Alexis: In most Western countries, between 40 to 80 per cent of investors want to invest “ethically”. They desire to make money and create a better society. However, the funds screening investments for ethical conduct usually make up less than 3 per cent of total mutual fund, unit trust, or ETF assets in those countries. These ‘ethically screened′ funds frequently focus on investments related to the environment and sustainability, social responsibility, or are faith-based, and so on.

Investing ethically, for some investors, is essential as they believe it also impacts their personal or spiritual development. They think they ultimately share in the responsibility for the activities of the company, companies or funds that they invest in.

In many Muslim countries, ethical investors invest in Islamic financial products such as Sukuk—Islamic bonds. These assets sometimes represent a significant proportion of total financial system assets in these countries, in contrast to the socially responsible investment (SRI) priorities of many Western investors such as mitigating climate change or regulating genetically modified foods. SRI in developing countries may need to address health care provision, poverty alleviation or food security. The SRI schedule tends to be shaped by a market dogma that can elevate or marginalise issues according to their perceived “financial materiality” to investors preoccupied with finding a business case for acting ethically.

Read more: Boundary-breaking artist Barbara Kasten on light & perception

LUX: How are the children of the super-elite dealing with the wealth created by their parents?
Portia Antonia Alexis: I often describe elite kids as having “well-fed child syndrome.” The idea is simple enough: they’re not made aware of their limits, only of their capacities. They get a sense of the world not as rules and regulations, but instead as an open terrain to be negotiated. Whereas the experience for a lot of disadvantaged kids is that of “you can’t” — of the limits placed upon you, the rules you have to follow, and the punishments likely to be laid down on you, the experience at St. Paul’s is that “you can.” This is an empowering way to treat children. This ethic — this sense of potential and an open world before you — helps with success.

A lot of very wealthy people are not accountable to their community, they’re not responsible to the people they love, they show their power and control through the transaction, and they are unhappy, from what I can tell. The people I know who are very wealthy and are happy are all contributing something to society.

LUX: Are experiences replacing luxury goods as the purchasing focus of the wealthy?
Portia Antonia Alexis: At the end of November of last year, the Savigny Luxury Index, compiled on the stock values of 18 leading luxury companies, reported a drop in average stock prices to reach a lower level than at the beginning of the year.

In the past, luxury was associated with champagne, caviar and designer clothes. Nowadays, with increased affluence, luxury is no longer the preserve of the elite. More and more consumers have traded up as old values of tradition and nobility have become less critical. People are enjoying much more material comfort in comparison with previous generations, and this has resulted in a trend of a cultural shift for cultural fulfilment and aspiration through experience. Therefore, it could be argued that luxury is increasingly about experience and authenticity rather than monetary value.

The focus on aspiration and experience means there is an increasing emphasis on personal transformation through, for example, well-being and travel. Therefore, luxury is becoming more challenging to define because the language has changed. Luxury today is not necessarily expensive. It can be accessible to a mass market, not traditional; it can also be personal, authentic and experiential. However, the old-world luxury of consumption and elitism still prevails.

LUX: Does elite mean wealthy, or does it mean privileged in other ways? Can you be one of the elites without being wealthy?
Portia Antonia Alexis: Elite suggests by definition that it goes for both wealthy and privileged. An elite is a relatively small group of people with the highest status in a society, or in some domain of activity, who have more privileges or power than other people due to their condition. Elitism is believing in or promoting this sort of arrangement, whether that be in the academic world, politics, art, sports, or anywhere else. Almost all the national income gains over the last 40 years have gone to the wealthiest 5 per cent of Americans.

If you think that only the top 5 per cent of American earners have become more productive or been the sole producers of value, you don’t understand how an economy works. Elites have used their power to extract a greater and greater share of the national wealth. And that must be addressed.

I don’t know if you can be one of the elites and not wealthy. But I do know ones who can be against the elite and still be wealthy and privileged.

Read more: Examining the work of visual artist & philosopher Wolfgang Tillmans

LUX: So far, populism in the West has returned right-wing, free-market, nationalist political leaders in the UK, US, Poland, and elsewhere (see Q1). Will high tax/socialist politicians succeed?
Portia Antonia Alexis: The resurgence of populism has abruptly reshaped global politics over the past few years, but what it means for economic growth and financial assets has yet to become apparent.

Although markets are quick to respond to individual events—such as a populist party’s rise to power or the introduction of a tax cut or spending increase—they have not yet grasped how populism could affect the global economy over the long term.

This poses a challenge for investors, as they need to understand the economics of populism to position their portfolios over the years ahead effectively.

The early stages of the policy profile outlined above can be glimpsed in President Trump’s deficit financed tax cuts and the ruling Italian populist coalition’s battles with the European Union (EU) to push through an expansionary budget.

The fiscal accounts of Hungary and Poland have structurally deteriorated after the election of rightwing populist governments, and the market’s price in an economic deterioration in Mexico under the newly elected left-wing president Andrés Manuel López Obrador.

It is worrying that most of the populist governments that undertake these fiscal expansions lack the fiscal space to do so.

LUX: What is the most exciting trend you have observed among the elites?
Portia Antonia Alexis: The rise of populism has become a global obsession in the last year. Whether it’s Donald Trump or the Brexit movement, the rise of populism has helped crystallise the fact that there are two kinds of elites: those who like to bash populists for being foolish, and those who wish to bash other elites for failing to give populists enough of what they want.

What’s interesting is that the anti-elite elites don’t seem to have policy preferences that differ that considerably from other elites. Everybody thinks the status quo needs changing in one way or another. And I don’t think points based on skilled immigration systems and relocation vouchers aren’t what most anti-immigration protesters have in mind.

Nor do I think a vigorous points-based immigration system, relocation vouchers, or any policy ideas of anti-elites would have done much to stop the current global wave of populism that we’re seeing. Had anti-elite elites been handed the wheel 15 years ago, I think we’d pretty much be right where we are right now.

LUX: You initially trained to become an equestrian show jumper, today you are an economist, mathematician and business analyst. What changed?
Portia Antonia Alexis: I spent an extensive amount of time training to become an international equestrian. Ultimately, I found I loved mathematics more. When I was volunteering as a youth counsellor with the London Metropolitan Police, offering counselling and therapeutic care to youths who had been victims of crime, I witnessed a range of diverse socioeconomic issues. These issues concerned me, and I found it interesting to analyse the problems from an academic, investigative and human lens. I wanted to find a way to research the determinants relating to wealth, income, poverty using a range of the method. And to predict the probability of wealth distribution income inequality and social mobility in detail. The rise of the global elite and the rise of income inequality and the decline of the social movement.

The most important thing I learned as a mathematician is that I can’t explain it all on my models, I must get out and meet the world. I enjoyed the process, and it motivated me: the people and their stories. Economics studies the behaviour of people. There are a lot of variables that can’t be explained in the models. Even if they could, those models would be useless. When I started working as a researcher, I didn’t spend my time thinking about what Keynes or Hayek said, nor did I try to show how the mathematical models work. I just went to the data, applied some statistical analysis and applied them on the real world.

This is the kind of work that counts, the type of knowledge that is useful, because it’s not doomed to stay on a shelf for centuries, and it has a connection with the people out there.

I still love horses and ride and show jump for leisure these days. I take part in equine therapy once a week, which involves activities with horses and other equines to promote human physical and mental health. I also occasionally write research papers on trends within the horse racing industry and the global equine industry.

Follow Portia on Instagram: @portiaeconomics

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Reading time: 14 min
interiors of lounge
Luxury country estate house

The grand exterior and park of the Brenners Park-Hotel & Spa in Baden-Baden

Our editor-in-chief reflects on travels to some of the world’s great hotels, old and new, across Europe and Asia

Brenners Park, Baden-Baden

Swing open the balcony door at the Brenners, and you are in a fairytale land of luscious trees and deep lawns, with a stream running along the end of the garden in front of you. Locals and tourists stroll along the path beyond, kids run in the flower-bedecked meadow.

Not that long ago, Baden-Baden in Germany was pretty much the place in the world to come to get away from it all. In the days before jets, the view from the Brenners Park, overlooking the gardens, with the tops of the hills of the Black Forest immediately beyond, and the opera house just down at the end of the park, was as good as it could possibly get.

Follow LUX on Instagram: luxthemagazine

It feels pretty good right now. I ease myself into one of the balcony chairs, listening to the birdsong, reflecting that we are in the heart of Europe, a tiny distance from my home, somewhere unencumbered by the over-commercialisation of modern tourist destinations, and without hurricanes, typhoons or sweltering heat.

The hotel is in a little valley which itself is the centre of the spa town of Baden-Baden. Walk out through the grounds, over a little bridge, turn right and you are in a Baroque town centre within around four minutes’ walk. The park itself feels like the hotel’s back garden. Arriving at the grand entrance, you are aware of drawing up at an institution that has attracted the world’s great and good since 1872. Emperors from Germany to Persia stayed here. The reception area has the feel of the ground country house, rather than a city hotel, and a short climb up an oak-panelled staircase (or in a cute vintage lift) took us to a grand corridor with our suite at one end, and the connection to the adjoining villa containing the hotel’s famous wellness and spa area.

True to its history, the Villa Stéphanie is a health, medicine and recuperation centre in its own right. Sure, you can swim lengths in the conservatory pool and chillax on wooden sun loungers inside facing the park, or outside in the park in summer. You can also have a treatment and a tour of the wet facilities in the 5,000sq m spa, with its pool areas overlooking the gardens. You can also get proper medical consultations and physiotherapy along with everything else – the medical centre is housed in yet another building, adjacent to Villa Stéphanie.

Interiors of restaurant

The subtly modernised Fritz & Felix restaurant

I settled for an excellent analysis and treatment session of physiotherapy regarding my tennis elbow (conclusion: too much phone use, and too little actual tennis) after which a refreshing 50-length swim gave me an appetite. We wandered down for dinner at Fritz & Felix, an art-deco styled but distinctly contemporary culinary concept, a restaurant/ bar/kitchen. It was a refreshing contrast to our expectations of a historic German hotel. The menu, all in lower case, featured a delicious looking selection of high-quality but simple dishes: sole with capers, parsley, lemon and olive oil; local pike perch with lentils, balsamic, thyme and olives; fillet of beef with chimichurri and broccoli. The rack of lamb with chick peas, raisins and cumin went down particularly well.

The Brenners Park is part of the same group as the Hôtel du Cap-Eden-Roc in the south of France and the Bristol in Paris, and you can tell with every flutter of perfect service. Pure class.

Book your stay: oetkercollection.com

Rooftop Swimming pool

Mandarin Oriental Singapore’s swimming pools with views across Marina Bay

Mandarin Oriental Singapore

It was late when I arrived at the Mandarin Oriental Singapore. The transfer from the airport was quick, only 15 minutes. But the flight had been delayed, we had circled during a storm, and I had missed my dinner arrangement, so was feeling rather irritable.

I explained this all to the pleasant young lady who met me at reception and took me to my room (in-room check-in is such a slam dunk for a luxury hotel that they should all be required to do it to retain their five-star status) and she sympathised and, in that luxury Asian hotel way, immediately came up with a solution. Why didn’t I go to the poolside lounge bar, Bay@5, still open, for a glass of wine and a bite to eat?

Read more: Back to school with Van Cleef & Arpels

There aren’t many city hotels in the world where the swimming pool bar will be open, let alone tempting, at 11 o’clock at night, but this Mandarin, it turns out, was very much one of them. On exiting onto the pool terrace, I was greeted with a night-time-hued blue pool and surrounding tropical foliage and, across the waters of Marina Bay, an archipelago of black liquid and skyscrapers that is one of the most intimate yet dramatic night-time cityscapes in the world. Being on the fifth floor, we were just raised above the streetscape of the bay area.

The storm had passed over, the sky was starry with a warm breeze. The terrace of the bar area had a few couples and a small group sipping wine, and 80s music playing. I sipped on a beer so cold the condensation poured and reformed and poured again onto my lap, and instantly I felt much improved.

Contemporary interiors of a bar

The bar at Mandarin Oriental Singapore

The food was exactly what you might want after a long and jet-lagged journey: I had a vegetarian pizza with San Marzano tomatoes and grilled vegetables, and a hamachi ceviche with coriander. There was a selection of cocktails from Mandarin Oriental bars across the world, some fine Australian wines, and Ruinart Blanc de Blancs champagne, but the draft beer suited me fine that evening – I was the last to leave, and back in my room I was half tempted to leave the curtains open so the harbour lights lulled me to sleep, although in the morning I would have been woken by the tropical sun.

I had a morning in my room before meetings in the afternoon, which was nothing if not invigorating. The decor was contemporary Asian luxury: lots of greys and taupes, some piano blacks, and floor-to-ceiling windows. Fortunately, Mandarin Oriental has not yet fallen for the trend of assuming everyone works lying down propped up on pillows in their beds, and there was a proper office chair and desk, which I shunted around to face the view. On my final morning I had an hour spare, and went back to the pool deck, this time to do some lengths of the huge pool and spend 10 minutes lying under the overhead sun. With a view directly across the harbour and out of the sea, it felt like we were on a tropical island, and in a sense we were. Pretty impressive for a city-centre hotel, and I can’t think of anywhere that beats it for a resort in a city of glamour.

Book your stay: mandarinoriental.com

Grand country house

The Four Seasons Hampshire brings a modern style to its 18th-century English manor house and park

Four Seasons Hampshire

The clouds were dramatic as we headed up the drive towards the brick manor house that is the Four Seasons hotel in Hampshire. The hotel is on a slight hill above open fields of English countryside, and on a sunny day, puffs of white and slabs of grey fought each other for places in the Atlantic-washed sky. Arrival was made even more atmospheric at the sight of three fawn-coloured horses, their riders gently leading them across a lawn to the stable block.

The feeling here is of space and light; you (or your kids) are free to roam down the slope leading around the hotel to the restaurant, café and eventually the shooting field at the back. Inside the building, a covered passageway in the conservatory leads to a spa block with a big indoor pool with a glass roof, and outdoor Jacuzzi and sunbathing area, completely private on an Italianate terrace.

interiors of lounge

The lounge are of the Wild Carrot restaurant at Four Seasons Hampshire

Our room was a blend of traditional English coloured cushions – pinks, dark pastels, and burnt orange – a combination of leatherwork, ornate wallpapers, with windows looking over the open fields. Less than 40 minutes from Heathrow, you are plunged into a serious English country house experience.

Read more: High altitude luxury at Riffelalp Resort 2222m, Zermatt

We were expecting a slightly formalised English dining experience, but fortunately the management had more sense than that. Wild Carrot, the main restaurant, has been reborn as a kind of grand Parisian bistro. There were leather banquettes, bare wooden floors and no tablecloths, and a menu featuring lots of raw and local ingredients. Typical was the very welcome lightly torched house-cured mackerel with pickled radish and hollandaise, and a main of Somerset salt-marsh lamb rack with roasted cucumber, Greek yoghurt, tomato chutney and mint. All the vegetables are locally grown.

Luxurious indoor swimming pool

The hotel’s pool is attached to the converted stables

Unlike some traditional English country house hotels, signs proclaim children and dogs are welcome, and there are plenty of activities for both. The riding stables offered us a trek across the fields and around the lakes and hacking around the woodland on horses which had been perfectly matched to our height, weight and experience. There is also a high-wire adventure park, which involves zip wires, ladders and perilous bridges to clamber across, all with highly professional instructors.

There is also tennis, clay pigeon shooting, cycling, croquet and an immensely satisfying spa. The grounds are vast – a walk down to and around the lake and back is enough to work up a full day’s appetite. Altogether, it’s impossible to think of another English country house hotel which offers such a complete range of experiences in such luxury, let alone one so near Heathrow Airport and the capital.

Book your stay: fourseasons.com

Grand palace in snowy setting

The Gstaad Palace was once called, for good reason, the ‘Winter- Palace’

Gstaad Palace

A memory of a place is first recalled by rapid-fire still or moving image (or maybe now a GIF?) in your brain. A few weeks after my visit, my instant memory of the Gstaad Palace was our table at Le Grill restaurant. Wood-panelled walls and ceilings and a thick Alpine carpet, and veneered wooden chairs and occasional tables gave it a mountain chic. Formally dressed waiters bustled around, chatting with guests they have known evidently for years or decades.

They were no less courteous to us, to their credit, although of course we had no common anecdotes to share with them. With Alpine flowers on the thick tablecloths, and cuisine rich and local ingredients, including flambéed dishes prepared at the table by the waiters like a glorious piece of 1970s revival, it was an evening experience unlike almost any other.

Read more: The Thinking Traveller’s Founders Huw & Rossella Beaugié on nurturing quality

There was a fantastic Hungarian traditional string band playing in adjacent bar, alternating with a soulful jazz band. The house Burgundy, poured from magnums, accompanied everything extremely well. You could choose Le Grill to propose to your other half, for a family get-together, or a casual dinner for one – it’s that versatile.

When we drew back the thick red curtains of our suite in the morning, we were greeted by the Alps as drawn by Laurent de Brunhoff, creator of Babar the Elephant. Big, forested round hills dropped into a broad bowl, above which jagged rocky peaks loomed. The Palace is the cornerstone of Gstaad, the reason the village has become one of the epicentres of wealth in Europe. In winter, after dinner at Le Grill or one of the other restaurants, you would roll down to the GreenGo nightclub, with James Bond and Pussy Galore sitting on corner sofas sipping two olive martinis as Julio Iglesias rocks the dance floor.

cosy lounge area with open fire

Today, the hotel’s modern spa adds a warmer kind of seclusion from the outside world

In summer, when we went, the nightclub is a swimming pool, connected to the spa (open year round) and looking out onto a garden with a cute kids’ playground, and lined by the hotel’s famous clay tennis courts. Here, you can play as if you were born with a pro living in your garden house (as many guests likely were) with a 270-degree view of the mountain bowl of the Bernese Oberland. If you need something bigger than the hotel’s internal pool, wander up to the Olympic-sized pool the hotel shares with the village (it has its own sun-lounger area, and this is a very posh village). We loved our simple, abundant mountain-food lunch at the pool bar.

The Palace is the kind of place which makes you feel very welcome, but at which it is always evident that there are layers of society into which money simply won’t buy. In its lavish lounge and bar area, just behind reception, old families from Germany, Switzerland and Italy, whose forebears have been coming here for generations, chat easily about art, girls and boys, and schools. The windows in the corridor leading down to the restaurant contain watches and jewellery, from famous brands, that simply might not be available to you unless you know them personally.

The service, however, is sublime for everyone – there was not a flicker of an eyebrow when we booked a tennis court, arrived on the court, and realised we didn’t have any rackets or balls. They were served up in an instant. I just enjoyed sitting on the terrace at breakfast, picking out a gluten-free croissant, looking out over the view, and catching snippets of cultured conversation in several European languages. Perhaps we will be coming back here for generations also.

Book your stay: palace.ch

This article was originally published in the Spring 2020 Issue.

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Reading time: 12 min
Spider on lake in countryside
Small art gallery inside an art hotel

Ellerman House’s art collection features nearly 1,000 works

Hotels have long housed art collections, and now many are opening their own gallery spaces alongside art-focused programmes to offer guests unique cultural experiences. In his latest column for LUX, Abercrombie & Kent’s Founder Geoffrey Kent handpicks his favourite art hotels across the globe

Ellerman House, Cape Town, South Africa

Art lovers will delight in staying at this landmark hotel on Cape Town’s coast. Within the elegant Edwardian mansion of Ellerman House, close to 1,000 works of art reflect the changes in South Africa’s social and geographical landscape since the 1930s. Artists in the collection include John Meyer, Erik Laubscher, Jan Volschenk, Cathcart William Methven, and Pieter Wenning to name but a few. Guests can take a self-guided art tour with an electronic tablet providing insight into each piece. If you prefer, the in-house guide is on hand to take you around the extensive collection and beyond – guests can request guided excursions to the city’s local galleries, enjoying behind-the-scenes access and unmatched insight.

ellerman.co.za

Follow LUX on Instagram: luxthemagazine

Luxurious hotel bathroom with artworks

The bathroom of the Royal Suite at The Silo, Cape Town

The Silo, Cape Town, South Africa

A disused grain silo may seem an unlikely candidate for a museum and an art hotel. Yet, this imposing building on Cape Town’s V&A Waterfront has been transformed in recent years into a bastion for the African arts. The lower portion of the building is now my friend Jochen Zeitz’s eponymous Museum of Contemporary Art Africa. It’s home to the continent’s most extensive collection of contemporary African art. I’m proud to be one of its founding members and to support its primary aim of encouraging intercultural understanding. It’s a fantastic collection in an extraordinary building. Above, the museum is the beautiful Silo hotel in which I stayed for a few days before departing for the South Pole on one of my Inspiring Expeditions. The six storeys of luxury accommodation are brimming with curated artwork. The Silo’s owner, Liz Biden of The Royal Portfolio, has used the space to display her collection of African pieces. There are works by upcoming artists as well as more established names, such as Nandipha Mntambo, Cyrus Kabiru, and Mohau Modisakeng. The hotel even features its boutique gallery The Vault.

theroyalportfolio.com/the-silo

Artworks hanging on walls of lobby area

Hotel B is Lima’s first and only art hotel

Hotel B, Lima, Peru

For those of us who travel often, firsts are increasingly hard to come by, yet Hotel B is that rarest of things. Lima’s first – and only – art hotel is aptly situated in the city’s most bohemian district amid galleries and fashion boutiques. The building itself is brimming with character, converted as it is from a 1920s colonial mansion. Stay in this restored ‘grand dame’ to admire its private collection of more than 200 artworks, proudly displayed across the landings. Hotel B’s close relationship with nearby Lucia de la Puente Gallery allows guests to request private viewings easily; the gallery offers a fantastic insight into the world of contemporary Peruvian art.

hotelb.pe

Read more: In conversation with Iranian artist and filmmaker Shirin Neshat

Spider on lake in countryside

‘Crouching Spider’ sculpture by Louise Bourgeois at Villa La Coste in Provence

Villa la Coste, Provence, France

The pastoral landscape of Provence is impossible to upstage, so the owners of Villa La Coste have sought instead to adorn it with dazzling flourishes of creativity. Throughout the biodynamic vineyard of Château La Coste and art hotel, sculptures are tucked amid verdant woodland, hills, and lawns – including works by acclaimed artists Ai Weiwei and Tracey Emin. You can enjoy a two-hour private art and architecture walk with the curator, learning all about the eclectic collection while taking in the beautiful Provençal countryside. Also, the hotel is home to its very own arts centre and hosts temporary exhibitions throughout the year. Stay here, and you’ll never be short of art to admire (nor home-grown wine to sip as you do).

villalacoste.com

Art hotel bedroom

MONA Tasmania offers visitors the chance to stay on the museum grounds in a contemporary pavilion

MONA, Tasmania, Australia

Set on the banks of the River Derwent, the Museum of Old and New Art (MONA) is Australia’s largest privately owned gallery and museum. It was masterminded by gambler and mathematician David Walsh and exhibits his diverse taste in art – from Ancient Egyptian relics to quirky dioramas. Whilst the museum isn’t strictly a hotel, visitors have the opportunity to stay in one of eight contemporary pavilions, each with its own unique character. As well as access to an enclosed lap pool, sauna, and gym, you’ll have a museum chock-full of eclectic and eccentric artwork right on your doorstep. Enjoy unfettered access to MONA’s permanent collection, and utilise its ‘O’ device during self-guided wanders to learn more about the art.

mona.net.au

Find out more: abercrombiekent.co.uk

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Reading time: 4 min
Mountainside city at night
Mountainside city at night

Georiga’s capital Tbilisi sits amidst the Caucasus mountains, on the border of Europe and Asia. Image by Denis Arslanbekov

Why should I book now?

Thinking of booking a spring break? There are few places more lovely than the Caucasus mountains, on the border of Europe and Asia. And in the region, Tbilisi, the capital of Georgia, is unmistakably the most beautiful city. In a broad valley surrounded by mountains, at its heart is a medieval old town with a fortress towering above. The country has two millennia of history and feels like it was once the centre of a culture and empire – which it was. Winters are cold, summers are hot, and spring, with the trees and blossoms in full bloom, are perfect.

Follow LUX on Instagram: luxthemagazine

What’s the lowdown?

The Radisson Blu is the best-located hotel in the city, at the top end of the broad Rustaveli Avenue, the magnificent boulevard, lined with palatial buildings, that bisects the town centre like a more elegant Champs-Elysees. Rooms have views across the city to the mountains beyond. It’s a modern, light and airy place with a lot of glass everywhere. Climbing out of our car and being greeted by the doorman was our first taste of hearty, genuine Georgian hospitality – we had two recommendations of things to do before even entering the reception area. The receptionists were equally friendly, and, you felt, from their hearts: this was genuine national pride, not just training.

Interiors of a chic restaurant

Filini is the hotel’s chic Italian restaurant (above), and in the warmer months, guests can dine on the rooftop terrace (below)

Chic rooftop restaurant

Getting horizontal

Our “superior” category room was spacious and very light, with full glass walls on two sides, and gorgeous views across to the churches of the old town. Decor is contemporary and minimal: whites, creams and light greens. The minibar was filled with local snacks – creamy Argo beer, and packets of local pistachios. There are two restaurants in the hotel, both of them contemporary-chic, and an excellent selection of neighbourhood restaurants just across the square. Wander down Rustaveli Avenue, where a highly fashionable passeggiata takes places every evening in the warmer months, and you get to the Old Town’s wonders, but as a place to stay, we preferred being slightly out of the tourist main drag at the other end of Rustaveli.

Read more: Galleria Continua’s Lorenzo Fiaschi on opening a space in Rome

Luxurious hotel bedroom with floor to ceiling glass windows

The rooms on the higher floors offer the best views over the Old Town

Flipside

The Radisson Blu Tbilisi really didn’t have any drawbacks. Although we would advise anyone visiting to pay more for a room on a higher floor, to maximise those views.

Rates: From GEL 424.80 (approx. £100/€150/ $150)

Book your stay: radissonhotels.com/en-us/hotels/radisson-blu-tbilisi

Darius Sanai

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Reading time: 2 min
large leopard standing on rock
Lush rainforest with waterfalls

Argentina is one of Geoffrey Kent’s must-visit destinations for 2020. Image by Jonatan Lewczuk

LUX columnist and Abercrombie & Kent founder Geoffrey Kent reveals his hottest destinations for the new year plus top tips of what to see and do

Egypt

Egypt has an enduring appeal with its mesmeric relics, atmospheric souks, and natural wonders. After the tumult of recent years, the Land of the Pharaohs is making a deserved comeback. In 2018, more than 11 million tourists visited Egypt, and the World Tourism Organisation has since named the country the world’s fastest-growing travel destination. In the latter half of 2020, the Grand Egyptian Museum is finally set to open. Encompassing 500,000 square metres, this vast exhibition space will showcase an omnium-gatherum of Ancient Egyptian finds – 30,000 of which have never been exhibited in public before.

My top tip: Egypt is a place where it’s imperative to have an experienced local guide so that you can truly appreciate this ancient civilisation’s history and culture.

Follow LUX on Instagram: luxthemagazine

Egyptian pyramids with camel trail

‘Egypt has an enduring appeal with its mesmeric relics, atmospheric souks, and natural wonders’

Sri Lanka

The ‘teardrop of India’ brims with lush landscapes, ancient treasures, and rich cultural heritage. Successive waves of Indian, Arab and European traders flocked to Sri Lanka’s palm-fringed shores, attracted by rare spices, precious stones, and magnificent elephants. Today ancient cities, tea plantations, and hill stations vie travellers’ attentions, alongside eight UNESCO World Heritage sites, great beaches and national parks with an abundance of wildlife. On a Sri Lanka holiday, a large dose of tropical warmth awaits, in both the weather and the welcome.

My top tip: Sri Lanka is home to the biggest leopards that I have seen anywhere – be sure to spend time in Yala National Park, where dozens of these magnificent cats live.

large leopard standing on rock

Geoffrey Kent recommends visiting Sri Lanka’s Yala National Park to see leopards

Argentina

There are few places in the world where you can feel the same sense of vastness and isolation that you can find in Argentina’s breathtakingly rugged landscapes. Voyage to Argentina in 2020 to experience one of nature’s most magnificent events: a total solar eclipse. Set to take place on 14 December, this aligning of celestial bodies will be visible from just a few South American countries. In Argentina, the event will briefly plunge northern Patagonia into darkness in the middle of the afternoon. Be among the few to witness this rare, magical moment in a region already famed for its spectacular scenery.

My top tip: If you go this year, you can become one of the first guests to stay at the explora Patagonia Argentina, the latest in the hotel group’s roster of exemplary eco-lodges.

Read more: An evening of contemporary art and fine dining with Gaggenau

Large glacial lake surrounded by mountains

Nahuel Huapi, a large glacial lake surrounded by the Andes Mountains in Argentina

Laos

Until recently, Laos was in the shadow of its more famous Indochinese neighbours. It has often been overlooked by travellers considering a visit to South-East Asia. This country’s charm and authenticity are drawing a growing number of visitors to its lesser-travelled trails, however, and we expect the trend to continue in 2020. Step back in time as you explore this nation of jungles, temples, hill-top villages, and ancient relics for yourself, free of the frantic pace of so many other Asian cities.

My top tip: Go in the forthcoming year to discover the Plain of Jars for yourself. Stretching across the Xiangkhoang Plateau, this vast archaeological site features thousands of enormous stone vessels, scattered by a past civilisation whose culture remains a mystery. While folklore suggests the jars belonged to giants, further excavations in 2019 point instead towards a more anthropological answer: that this was once a burial ground. Visit this hard-to-reach UNESCO World Heritage Site by flying in via helicopter, accompanied by an expert guide.

Exotic waterfalls with blue waters

Geoffrey Kent predicts Laos will grow in popularity as a travel destination in 2020

Ethiopia

Ethiopia is one of Africa’s most enthralling – and often overlooked – destinations. Following on from an incredible trip there in late 2019 – one of my Inspiring Expeditions – it easily earns its spot on my list for this year. I can recommend thoroughly. Situated in the Horn of Africa, it’s a land of dramatic contrasts – stunning lakes and mountain ranges as well as the Blue Nile. It is home to strikingly diverse and beautiful people such as the Kara, the Hamar, Mursi, and Nyangatom to name but a few – proudly independent, who have never been subjugated in modern times. The rock-hewn churches of Lalibela offer historical intrigue, while the other-worldly Danakil Depression and wildlife of the Simien and Bale Mountains are a major draw for nature lovers. Whether in the bustling cities or remote highlights, you’ll find an abundance of history, tradition, and goodwill.

My top tip: Visit during the annual Irreecha thanksgiving festival of the Oromo people in Addis Ababa. Witness freshly cut grass and flowers being placed in water – a traditional offering that thanks God for the end of the rainy season and the start of spring. It’s a fantastic opportunity for immersion in this aspect of the country’s culture.

Winding Mountain road

Ethiopia is one of Africa’s most enthralling – and often overlooked – destinations, says Geoffrey Kent

The Arctic

Celebrate the audacity of exploration on an extraordinary cruise through the rarely traversed Northwest Passage. In 2020, A&K’s Ultimate Iceland & Greenland luxury expedition cruise will be led by a modern explorer, famed mountaineer Alex Pancoe, who just completed the Explorers Grand Slam, an adventurers’ challenge consisting of climbing the seven summits—the highest mountains on each continent—as well as cross-country skiing the final degree to the North and South Poles. Accompanied by Pancoe, voyage from western Greenland to Nome Alaska. Following in the footsteps of Leif Erikson (Erik the Red), who founded the Viking colony in Greenland and ventured to Newfoundland a full 500 years before Columbus, and coming in the wake of more recent great explorers such as Roald Amundsen and Robert McClure.

My top tip: an exceptional expedition crew and luxurious ship make all the difference when travelling to the poles.

Travel expert Geoffrey Kent pictured on a cruise ship in the arctic ocean surrounded by glaciers

Geoffrey Kent cruising the Arctic Ocean

Find out more: abercrombiekent.co.uk

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Reading time: 5 min
Cosy hotel bar lounge area with fireplace
Cosy hotel bar lounge area with fireplace

Boutique hotel Les Manoir de Portes de Deauville offers a homely kind of luxury in the heart of Normandy

Located just two hours from Paris, Deauville has long been a chic weekend destination for Parisians and now with the newly opened boutique hotel Les Manoirs des Portes de Deauville, it’s perfect for families too. LUX Managing Editor Serena Hamilton discovers

Europeans tend to lean towards the same destinations in France. They go every summer, stay in the same house or hotel, get croissants from the same boulangerie and eat dinner in the same bistro. There’s something undoubtedly comforting about that kind of routine, knowing that your expectations will be met year after year, and yet, comfort as everyone knows doesn’t necessarily equal excitement or adventure. So this year, we decided to try somewhere new.

Deauville and its neighbouring town Trouville are often referred to as the “Parisian riviera” not just because of their proximity to the French capital, but also for their chic ambience. Deauville, for example, boasts a year round calendar of film festivals, yachting regattas and vintage car rallies as well as great shopping and a beautiful, albeit busy white sandy beach complete with Instagrammable candy-coloured parasols. The streets are immaculate and everyone is stylishly dressed, which is wonderful if you don’t have children hanging off your arms. For us, holidays are generally more about relaxation, and we tend to look for places which can offer adult-orientated calm whilst simultaneously catering to the children’s endless energy. Not a lot to ask for is it? Thankfully, Les Manoirs des Portes de Deauville fitted the bill perfectly.

Follow LUX on Instagram: luxthemagazine

Located a few minutes outside of Deauville town, the boutique hotel only opened its doors this summer and straddles the line between country manor hotel and Parisian chic. It’s set within acres of lush parkland, with a 16th century manor house at the centre and nine surrounding private cottages.The furnishings throughout are a mix of contemporary and antique, whilst the colour palette of pale pinks and creams pairs perfectly with the dark exposed beams and more rustic touches. Some of the rooms and shared spaces also have beautiful old brick fireplaces. More importantly, though, it feels like a space to be lived in rather than just admired, which means you can properly relax rather than stressing every time a child clambers over an armchair.

Historic manor house and lawn

The hotel is set within stunning parkland and gardens (see below) with bedrooms in the main manor house as well as private cottages

Garden of a manor house

We were staying in a very pretty little cottages (adjacent to the one booked by our family friends), which provided more space and the added luxury of total privacy, whilst still in easy access of the outdoor pool, sauna and jacuzzi. As parents it was pure bliss to sit drinking our morning coffee on the lawn whilst our children ran around the park and tipped each other out of the hammocks.

Read more: Half Moon Bay Antigua reveals Rosewood Residences

Sadly, the restaurant wasn’t yet open during our stay, but there were plenty of excellent nearby options including the historic town of Honfleur, where we enjoyed several lunches of delicious moules-frites on the harbour’s edge. In the evenings, after tucking the children into their beds, we strolled across the lawn to the main house for a cheese and charcuterie board with local wines in the cosy lounge bar. No need for hushed in-room dining, or babysitters.

Rustic elegant interiors of a hotel bedroom

Luxurious hotel suite with contemporary furnishings

The interiors blend rustic chic with contemporary furnishings and a calming colour palette

The staff, especially, made us feel immediately welcome and were wonderfully patient with the children’s endless requests for hot chocolates and snacks, which isn’t always the norm with luxury hotels. They were also very knowledgable about the local area and suggested child-friendly activities such as a cute petit train ride through the heart of Deauville, and strolls through the stunning countryside.

It might not be quite the place for the usual Deauville crowd, but for anyone wanting to relax in an elegant, unpretentious setting that’s within easy distance of a beach as well as upmarket restaurants and shops, it couldn’t be more perfect.

Rates start from €120 per night including breakfast (approx. £100/$150). Book your stay: portesdedeauville.com

 

 

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Reading time: 3 min
Luxurious beach swimming pool
Luxurious tropical beach resort

The Tongsai Bay is an eco-friendly luxury resort on the tropical island of Koh Samui

The Tongsai Bay is a family-owned luxury resort on the island of Koh Samui in Thailand. Set amidst acres of wild tropical landscape, the resort is dedicated to wildlife conservation and sustainable practices. Here, we speak to the resort’s owner Gob Thanakorn about continuing his father’s vision, the challenges of promoting sustainability and why Thailand needs to combat over-development

Portrait of man and woman standing in natural setting

Gob Thanakorn with his wife Goya

1. How was the concept for The Tongsai Bay born?

Tongsai was a brain-child of my late father Akorn Hoontrakul. He was CEO of the Imperial group of hotels, which our family owned 100%. When he decided that it was time to grow and venture out of Bangkok, he surveyed Koh Samui because he thought that Phuket was already developed and Samui had a great potential even though there wasn’t an airport back then. A survey team was sent and I was lucky enough to be on that trip as a 12-year-old. We took the night train from Bkk to Poonpin district in Suratthani (you can still do this part today) and somehow got on a naval ship from Suratthani to Koh Samui. I remember Tongsai as a little piece of backpacker’s paradise. There were only 8 bungalows and a snack hut with green snake on the ceiling. There was a lady without anything on the bottom going for a swim in the sea. Out of all the beaches I saw on that trip, I liked Tongsai the least because of the deep water and course sand. As a 12-year-old, I didn’t think much about the fact that it was a private beach and how beautiful it was being a cove all to itself. This was back in 1986.

Follow LUX on Instagram: luxthemagazine

My father then went on a separate trip and he bought the land of Tongsai (the bay and beach was called Tongsai Bay before we even bought the land) within 7 days of laying eyes on it from the sea. He later said to friends that “it was love at first sight”. My father spent 3 months planning how he wanted to develop his resort with an eye on making it his retirement home. He literally slept on the beach during this time. There’s a picture to prove it.

When Tongsai was opened in 1987, it was the first five star hotel on Koh Samui. My father used the tagline “….where mother nature was the architect”. So the concept always was that Tongsai would be a hotel nestled within existing natural beauty of Koh Samui where space is in abundant and privacy is key. Supporting evidence can be found in many of the guest rooms where cottages were built over rock formations instead of blowing it. We have two rooms that have rocks inside the room next to the bed. They used to be called Rock suites. Cottage 235 was taken out of inventory during the renovation years of 1995 because a large Banyan Tree would have to be taken down. Dad chose the tree over a room. According to him, he tried to save as many large trees as possible during the construction of the hotel. Going around them, leaving space for coconut trees to rise through terraces was how he avoided cutting trees. Tongsai Pool Villa 511 used to be called the Mango Villa because a twin wild mango trees are in the middle of the terrace. They still stand today – guests can have complimentary wild mangoes when it’s the season to bear fruit.

Luxury villa terrace with swimming pool

The terraces provide guests with large outdoor living spaces and stunning sea views

As we developed the Tongsai Grand Villas in 1998, the “great outdoor living” concept was used to promote the new villas because of the size of the terrace on each villa. We emphasised the outdoor area more than the indoor air-conditioned area because guests liked to be outside more than inside. So a gazebo was a main feature along with the “bathtub on the terrace” which later made Tongsai famous for being the hotel with a bathtub with sea views.

When dad died in 2002, my wife and I took over the responsibility We had lived and work at Tongsai for a few years and learnt that we used to appreciate nature, but we never thought about protecting it. We encountered a Slow Loris, a nocturnal mammal one night coming back from a late night out and we realised that Tongsai is a home for wild animals living freely and safely. So we put in place measures to protect all kind of animals in the hotel ground including firing staff who are caught killing or hurting animals. Any dead animal will have to be reported and sent for autopsy by a local vet to determine if it died of natural causes or by humans. If it was by human actions, further investigation will pursue. So far we have never fire anyone because of this reason yet. But the message was loud and clear for our staff who now act as eyes and ears for animal protection.

Luxurious hotel bedroom decorated in yellow

The bedroom of a Grand Villa

We have had bird watchers do a survey found 60 plus kinds of birds in a year. Monitor lizards could be seen swimming in the sea (and occasionally the main swimming pool!), climbing coconut trees or lazily walking the lawn. There are squirrels and tree shrews abound. The occasional fireflies can also be spotted at night around Sept  to Oct. In order to achieve this, we completely ban all chemical usage in natural space in the hotel so no pesticides, insecticides or chemical fertilisers are used at all.

It is also worth noting that we are resentful of animals in captivity and forced labour so therefore we do not help guests to book elephant rides, visit zoos/aquariums or circuses. We support the elephant sanctuary where “retired” elephants are fed and left to live a peaceful life in a larger confinement, but unchained. It’s a long answer but you could see how in 32 years the concept had grown but the core remains. That’s why we claim to be “natural to the Core”.

Read more: British model Anna Proffitt on the need for slow fashion

2. What are some of the challenges you face in providing a sustainable luxury service?

I’d put it down to the added work and steps that are required for staff to go to the length of being sustainable. It’s almost the opposite of being convenient for many people in Thailand. You talk about waste and people think cleaning the beach and putting rubbish in the bins. We say we have to know the rubbish first and then we can know how to treat it. Food waste, for example, can be mixed with organic garden waste to make fertilisers so it’s not too bad but the gardeners will say that it’s added work for them. Non-biodegradable waste can be sorted, but that’s not solving the problem at the root cause. It’s better to find substitutes and use recyclable or purely biodegradable. So we opt to buy drinks in glass bottles only – we won’t buy from brands that use plastic containers – but this adds extra work for our beverages staff who feel that glass bottles are heavier whereas a single use plastic bottle is much more convenient and less work. We use lemongrass straws instead of plastic straws too – it’s simple things like this that can reduce non-biodegradable waste. Auditing is also hard and can come across as unfriendly and potentially cause rift with some departments. Sometimes it costs more to source more environmentally friendly products in terms of money, but also time. Educating suppliers can also be draining. Thailand is a society where convenience is king. It’s very difficult to challenge this culture.

Luxurious beach swimming pool

The main pool sits on the edge of the beach

3. What’s your proudest sustainability initiative at the resort?

I’d say the fact that we continue to find Slow Loris in the hotel ground speaks volume about how natural this place is and that can only be a result of the measures we have put in place to protect animals and the natural surrounding in the hotel. We didn’t expand in terms of number of rooms so we didn’t have to cut down trees to open ways for more buildings. I suppose we are proud to say that if you look up Google Earth you will see a patch of 25 acres that is greener than the surrounding pieces of land. We are an oasis for animals surrounded by developments dominated by concrete.

Read more: Inside Mandarin Oriental Geneva’s Royal Penthouse Suite

4. How would you like to see the hospitality industry change over the next few years?

I hope there are less developments since there’s already an over-supply of hotels and villas for sale on Koh Samui and in many other parts of Thailand. The ones that try to keep nature intact are more commendable than others whilst most who would clear all trees first then replant later, which destroys natural habitat for local animals and thus reduces the biodiversity tremendously. I guess it’s wishful thinking, but I think Thailand needs to exercise and enforce its regulations in order to combat overdevelopment fairly and equally. If the law says you need to have functioning waste water plants, then all hotels and restaurants must abide. Sadly, it’s not the case and the authorities don’t even check on a regular basis or follow up with action plan. If the law says you need to have 50% green area then they should be audited regularly and equally too. Ultimately, if mankind can realise that it’s of utmost importance to even just recognise the value of biodiversity (especially in the tropical zones where biodiversity is higher) and act to protect it, we may have a chance to live in a balanced world. If we do all we can to preserve or even increase the biodiversity of the natural world, we will be able to enjoy a quality of life equally. Nature conservation, in the end, is an effort to preserve that biodiversity since it’s the most important indicator of how healthy the natural world is. We have gone too far to destroy the earth and still many are refusing to accept the fact that humans are the cause of the imbalance. It’s time to be responsible humans, which applies to everything you do in the hospitality industry.

Luxury pool villa on an island

One of the resort’s luxurious pool villas

5. What are your 3 top tips for travelling sustainably?

Respect the nature and the culture wherever you go. Be responsible when it comes to littering or choose to consume wisely, considering what is biodegradable and what is not. Basically, try your best not to use single use products especially water. Also be aware of activities that involve animal forced labour and just don’t support them.

6. And finally – what’s your best kept secret on the island of Koh Samui?

It’s a secret!

Find out more: tongsaibay.co.th

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Reading time: 9 min
First class aeroplane seat
First class aeroplane seat

The comfort of the club suites has been improved by the recent introduction of bed linen by the White Company. Image by Nick Morrish/British Airways

British Airways has had a hard time from business travellers, some of it justified. But LUX Editor-in-Chief Darius Sanai rediscovered his fondness for the airline on a recent long-haul trip

In the world of the affluent intercontinental business traveller, there are various unwritten rules. One regards jet lag affecting your schedule: it doesn’t. (We recently found an HR manual from the early 2000s which specified a full rest and recovery day for employees on landing after any long-haul flight, which seems as antiquated as exchanging telegrams now.) 14 hour flight, straight into meetings whatever time zone your head is on, followed by dinner and an all nighter as you catch up with everyone in your original timezone. The next morning, kick off at 7 and work through until, and on, whatever flight comes next.

Follow LUX on Instagram: luxthemagazine

Another rule regards local customs and language. For a while, pre-globalisation and social media, it was considered polite to learn a little about the country you are doing business in, and perhaps a few key phrases of language. Now, when any four year old can have instagram friends in Bolivia and Vietnam, local customs are for kids. As for language, speak English and just ask Siri. (An important exception to this appears to be China, which is gearing up for the reverse, its own global cultural expansion).

Inside club class on a british airways plane

BA’s Club World has previously received criticism for its seat layout, but the new flatbed units are more private than in other airlines, says Darius Sanai

Both of these rules seems to have seeped into general business culture from the all-work-no-play USA, and specifically from companies like McKinsey and Bain, where a staff member who sleeps at all is an unproductive staff member with spare capacity.

And finally, if you come from or have anything to do with the UK, there’s the British Airways bashing. It seems to be de rigueur to use one fo the following stock phrases: “I had to fly BA, everything else was full,” “I actually prefer the service in (fill in airline) economy class to BA Club” or “(Fill in airline) business class is way better than even BA First”.

Well, after a period of flying long-haul business class on a number of other, acclaimed, airlines, LUX returned to the BA fold for a recent flight from London to Hong Kong and back from Singapore, and whisper it, but we beg to differ. (We should also state here that we paid full fare for all our flights, including the BA ones, and that LUX has, despite our top-tier Gold frequent flyer status, not taken any flights comped or subsidised by BA, or any favours at all from the airline, over the past five years).

Read more: Parisian tailoring house Cifonelli sets up shop in Mayfair

For starters, there is the pre-flight routine. Take any other airline out of London, and you have to either go through the normal security scrum or, in a handful of cases, get chauffeured to a dedicated check in. Given the traffic in London and around Heathrow and concomitant stress about arrival time, we would take our BA option any day: a 20 minute, tranquil Heathrow Express (always upgrade to Business First class), followed by dedicated security at the BA Wing of Terminal Five, which sees you walk from train station to lounge in three minutes (record) and six minutes (average), without having to deal with the main security melee or the crowds of shoppers on the other side. The First lounge itself is spacious and comfortable with open views and the wines and food are good (though not exceptional) – although the cleanliness (simple table wiping, hello??) still needs attention.

Interiors of a smart airport lounge

British Airways’ Concorde Room at Terminal 5, London Heathrow. Image by Nick Morrish/British Airways

Then, on the plane. BA’s Club World has received some flak over the years for its seat layout, where passengers in their seat-bed pods sit awkwardly facing each other in opposite directions at takeoff and landing, and where passengers in one row need to step over the feet of sleeping passengers in the next to access the aisle. I think this is partly justified, and have been known to deliver a hefty kick to one fellow passenger who kept waking me up by repeatedly whacking into my feet as he stepped over me to access the aisle (seriously, if you’re under 70 and can’t step over an obstacle 50cm high, you need to do something about your fitness).

The flip side is that the flatbed units are actually less exposed to the aisles than in other airlines, and that your head and upper body lie very cosily in the unit when you are asleep.

A big improvement was the recent introduction of bed linen by The White Company; I had thought this would be a superficial gesture, but the soft bottom mattress protector, smooth duvet and puffy pillow are superior to the offerings on any other airline I have flown. Meanwhile, all-new Club World suites are being rolled out shortly, promising a step change (excuse the pun) in quality.

Read more: Jetcraft’s owner & chairman Jahid Fazal-Karim on global trading

BA also seems to have made an effort to address an old gripe from long haul travellers, the service. This isn’t yet at the levels of the top Asian airlines, but staff have made a step change in service, willingness, and helpfulness, and, call me American, but it’s rather nice dealing with people who speak English as a native language and who have the same cultural references – a call for a late night KitKat brought the requisite chocolate bar, not a cuddly toy.

The accoutrements of the flights are also excellent: tablecloths, proper cutlery, nicely printed menus, a good choice of food and a cute snack bar with an array of fruit and snacks. The wines are still not up to the celebrated standards they were before the previous round of cost-cutting, but at least they are not getting any worse and contacts at the airline say there are plans to reinvest in them. (Tip: always drink the champagne. Although BA Club World no longer serves prestige Cuvée champagnes as standard, they are always good and you are drinking a much more expensive product than the wines, which typically cost a third of the price per bottle, or less, of the champagnes. This applies to almost all airlines.).

Luxury plane food

Club Class onboard dining choices are excellent, but the wine is still not up to previous BA standards

And while the BA Arrivals Lounge at Heathrow may not have the quality of bathroom as the American Airlines one, it serves a killer English breakfast with particularly superb mushrooms, in a tranquil post-flight atmosphere, and also has free massages available in its Elemis spa.

After my latest round trip, I asked myself if I would insist to my travel bookers on trying another long-haul airline first next time; and my conclusion was that I would ask them to try BA first of all, for a combination of the reasons above. As long as the airline doesn’t let things slip again as it did when current CEO Alex Cruz first took over (note to Alex: reinvest in the wines. People care and it’s important for your brand). And now comes the hard part: getting the long-haul business travel warrior community to talk about flying BA as a boast, not an excuse. You heard it first here.

For more information visit: BA.com

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Reading time: 6 min
Luxury cruise ship on the ocean at sunset
Luxurious cruise ship pictured floating at sunset

Sirena is the newest addition to Oceania Cruises’ fleet

Luxury cruise brand Oceania Cruises is in the midst of multi-million dollar project, which will see the refurbishment of their six ship fleet and the introduction of new exotic itineraries. We speak to the brand’s Senior Vice President and Managing Director Bernard Carter about the changes to come, fine dining at sea and how the brand is tackling sustainability

Portrait of a business man

Bernard Carter

1. Can you tell us about the OceaniaNEXT initiative and what it means for the brand?

Our $100 million OceaniaNEXT initiative is a sweeping array of dramatic enhancements designed to elevate every facet of the guest experience; from thoughtfully-crafted new dining experiences and reimagined menus, to the re-inspiration of our six luxurious and intimate ships.

The ships are being completely transformed – with brand new designer suites and staterooms and stunning new décor in the restaurants, lounges and bars – which will result in ‘better-than-new’ ships.

On top of this, we have announced we are preparing to take delivery of two new Allura-class ships in 2022 and 2025. This new class of ship will represent an evolution of the Oceania Cruises’ experience with all the elements our guests treasure: a warm, intimate, residential style, the most spacious standard staterooms afloat, amazing suites, and of course, excellent cuisine.

Follow LUX on Instagram: luxthemagazine

2. How do you provide fine dining services onboard?

Along with destination and service, we believe that cuisine is a key element of the cruise experience and this is what Oceania Cruises has been built on. Our promise to offer ‘The Finest Cuisine At Sea’ stands at the very heart of our business.

The key to offering such incredible food at sea is planning. We plan menus months in advance to ensure the smooth running of onboard operations.

This meticulous planning sits hand-in-hand with the need to build an impeccable network of trusted suppliers, who can deliver the quality goods we demand for ‘The Finest Cuisine At Sea’. Meats, fish and produce from specific and dedicated farms, some where we are the only customer – every detail is covered with care and attention to ensure we only use the very best ingredients.

Fine dining table with wine and bread

Oceania Cruises has a reputation for high quality cuisine onboard their ships

More than a quarter of all crew onboard an Oceania Cruises’ ship is dedicated to the culinary experience. Our high ratio of culinary staff to guest means that each dish is able to be created in our state-of-the-art galley à la minute.

Alongside the fantastic food on offer in our restaurants, we love to engage with our guests and offer them the chance to have a hands-on experience at The Culinary Center, our cookery school onboard Marina and Riviera. Here, our guests can cook along with our talented master chefs at fully-equipped individual workstations. We also offer a range of culinary excursions, giving guests the chance to see well-known destinations through an alternative ‘culinary lens’.

3. With a career spanning 25 years in the industry, what are some of the biggest changes you’ve noticed?

There’s been a real and meaningful shift towards wellness in the last ten years or so. Where once, the likes of offering fitness classes and having fully-equipped gyms onboard were seen as a nice-to-have element, they are now a crucial element of a holistic suite of wellness options for guests.

Just last month, we unveiled our new ‘Aquamar Spa + Vitality Centre’ the most unique and comprehensive spa and wellness centre at sea. This will be introduced across all ships by mid-January 2020 as part of our OceaniaNEXT enhancement.

This extends well beyond a traditional spa, offering a complete and original collection of holistic wellness encounters both onboard and ashore, including wellness cuisine options, land-based tours in ports of call, and onboard treatments and classes.

Our guests are active, they are leading rich and fulfilled lives. For them, wellness is not a pursuit, it’s a lifestyle.

Read next: Jetcraft’s owner & chairman Jahid Fazal-Karim on global trading

4. Do you think the expectations of luxury cruise clients differ from the demands of customers at luxury hotels, and if so how?

In a word: no. Guests who appreciate, and seek out luxury do so in all areas of their life – from cars to jewellery, from cuisine to travel.

At Oceania Cruises, our guests are a like-minded group who appreciate the same things, and our onboard operation being akin to an English country hotel, or a private members club lends itself to discerning individuals that want to explore the world from the comfort of their own home away from home.

Dining room onboard a cruise ship

Luxury bedroom onboard a ship

Here: The Penthouse Suite onboard Insignia. Above: the ship’s grand dining room

5. How are you tackling issues of sustainability?

Our environmental commitment is continually evolving and expanding into additional areas of our operations, both shipboard and shoreside.

Our industry is inextricably linked to the condition of our oceans and as such, continual improvement is one of our core responsibilities. In line with this accountability comes our commitment to preventing accidents and incidents involving pollution, reducing the environmental impact of our operations, and managing waste through recycling and reusing materials.

A great example of this is earlier this year, Oceania Cruises became the first cruise line to introduce VERO Water, the Gold Standard in still and sparkling water service onboard. All guest accommodation is be stocked with refillable and reusable VERO Water decanters as well as all restaurants and bars. With the introduction of VERO, we will eliminate more than three million single-use plastic bottles per year from onboard use

This is being extended further to include keepsake refillable water bottles for each guest to take VERO Water ashore with them, eliminating several million more bottles per year.

6. What’s been your most memorable voyage to date?

I have been lucky enough to experience many amazing cruise destinations during my career, but my most memorable has to be the 14-night journey onboard Nautica from the historically pivotal city of Istanbul through to cosmopolitan and vibrant Barcelona.

After an overnight stay onboard in Istanbul (which allowed us to really explore the city in depth) we set off around a variety of Greek islands, each with their own unique charm. These included Rhodes, Mykonos, Santorini and UNESCO heritage site, Monemvasia – where only a limited number of visitors each year are allowed onto the Old Town, built into a massive rock that can only be reached by a half-mile causeway.

Having spent a week living the ‘island life’ we headed to the western Mediterranean to experience the beauty of Sicily, the Italian gems of Rome and Florence and then to the billionaires’ haven, Monte Carlo. This second week was quite simply a majestic parade of history, culture and luxury – and as we ended in Barcelona it actually felt like we had been on two holidays in one!

For more information visit: oceaniacruises.com

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Reading time: 5 min
Cliffside hotel with view of the ocean
Luxury outdoor hotel swimming pool

L’Hotel Marrakech is one of Voyager Club’s Hidden Gems in Morocco

Sophie Caulcutt is the co-founder of luxury travel and fashion concierge company Voyager Club, which connects travellers with unique hotels, provides lifestyle services and curates personalised vacation wardrobes. Here, we speak to the 28-year-old entrepreneur about luxury experiences, fashion, and the hottest destinations for 2020

Portrait of young woman in a white dress

Sophie Caulcutt

1. How did Voyager Club go from an idea to a reality?

My background is in fashion and my other passion has always been travel. My co-founder, Ashley Barras, (who is also an avid traveller) and I couldn’t understand why no one was connecting the dots between the two, where you were going and what you put in your suitcase…so we had a vision to create a travel and lifestyle company that would be the first company to do just that. Voyager Club was launched in September 2018.

Follow LUX on Instagram: luxthemagazine

As well as offering clients a vacation wardrobe service, #MyVacationStylist, that curates bespoke wardrobes for every traveller wherever they are going, partnering with MatchesFashion – Voyager Club also works with Hidden Gem hotels and exclusive privately villas around the world. We do the 360 for clients, from travel to concierge to the vacation wardrobe but all our services are also à la carte.

2. What kinds of experiences can the lifestyle concierge organise?

We strive on offering the most personalised experiences so every trip is bespoke to each client. Anything from insider itineraries and off the radar experiences to curating the perfect holiday wardrobe. With our little black book, Voyager Club can also organise the money can’t buy experiences around the world such as access to exclusive global events with MatchesFashion and their favourite designers to renting a house or yacht that would not usually be for rent. We also offer what we call ‘super brand’ concierge, helping brands make the impossible possible from events, pop-ups and experiences in beautiful destinations.

Cliffside hotel with view of the ocean

Another of Voyager Club’s Hidden Gems: Monastero Santa Rosa on the Almalfi Coast

3. How do you tailor a holiday wardrobe to an individual’s preferences?

If a client chooses the #MyVacationStylist service, they will be paired with an expert stylist for an in-person or phone consultation and asked questions about favourite designers, colours as well as the vacation itinerary. Our vacation stylists will then create an edit based on the client’s preferences and ship them to their hotel, villa, yacht or chalet in time for their trip. The best part is you only pay for what you keep.

Read more: Why you should invest in a wine storage cabinet

Layout of holiday clothing

Voyager Club’s #MyVacationStylist service is a personalised shopping service, tailored to fit with the client’s itinerary

Suitcase filled with luxury clothing

4. Favourite brand right now?

I have a few…This season La Double J which are amazingly versatile in a suitcase, Ulla Johnson and Gioia Bini for vacation mode and my favourite new discovery are Métier bags, which are a work of art.

5. Where do you predict will be the hottest holiday destinations next year?

Eco-retreats in South America as our commitment to sustainability grows and Comporta [in Portugal] for summer escapes with its bohemian beauty.

6. What are your travel essentials?

Noise cancelling headphones, vitamins, a great swimsuit and always a pair of great flats (I always pack a pair of Le Monde Beryl mules). I never travel without my own beauty products which I decant into miniatures from Muji and always keep in my wash bag ready to go!

To find out more, visit: voyagerclub.co

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Reading time: 3 min
Grand facade of luxury five star hotel
Grand facade of luxury five star hotel

The newly opened Fullerton Hotel Sydney, located in the city’s historic General Post Office

Earlier this month, the opening of the Fullerton Hotel Sydney marked the Singapore-based brand’s first expansion overseas. LUX takes a look inside the heritage property

The latest opening by Singapore-based brand Fullerton Hotel & Resorts offers guests more than just luxury hotel. Housed in Sydney’s historic General Post Office, the hotel is the result of a careful restoration project which involved building 416 guest rooms and cleaning the sweeping sandstone façade.

Follow LUX on Instagram: luxthemagazine

Luxurious hotel bedroom with city views

One of the hotel’s luxurious suites

Grand staircase inside luxury hotel

The grand staircase at the Fullerton Hotel Sydney

During its former life, the GPO was known as a gateway to the world, functioning as the centre of NSW’s telephone and mail communication for many years, and Sydney’s postal headquarters until 1996. Designed by colonial architect James Barnet and built in 1866, the building was and still is regarded as one of the city’s major landmarks.

Vintage photograph of worker typing in office

Vintage photographs of workers inside post office

Here and above: Archive images from the Telegraph Section at the G.P.O., November 1953

The hotel’s programme of complimentary heritage tours aims to introduce guests and members of the public to the building’s history with a 90-minute walk involving unique anecdotes and insights.

For more information visit: fullertonhotels.com/fullerton-hotel-sydney

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Luxurious outdoor deck at safari lodge
Luxurious outdoor deck at safari lodge

Sanctuary Baines’ Camp, bordering the Moremi Game Reserve and the Okavango Delta, is ideally placed for wildlife watching

Nobody wants to go where everyone else has been. Creating a holiday that eschews the well-trodden tourist trail requires knowledge, contacts and experience. James Parry speaks to ultimate tour operator Abercrombie & Kent to see how they create experiences beyond expectations, from the best view of a solar eclipse in Argentina to a private tour of the Bolshoi with an ex-ballerina as your guide

In our increasingly crowded world, it’s difficult to ‘get away from it all’. We often reminisce about the places we visited long ago – that seaside holiday when you and your friends were the only people on the beach or that time you visited a beautifully tranquil temple and got a guided tour by one of the monks. And though our memories of bygone holidays may be rose-tinted, it is certainly true that getting off the beaten track today has never been more difficult. Queues, timed tickets and a throng of visitors brandishing selfie sticks are often part of the price you pay for seeing more of the world.

Follow LUX on Instagram: luxresponsibleluxury

The travel market is starting to recognise that some travellers would like a more engaging, authentic experience abroad, one where they can create a personal connection to their destination. Abercrombie & Kent (A&K), the bespoke travel company created by adventure pioneer Geoffrey Kent, has been specialising in highly personalised itineraries that are designed to match each traveller’s interests and passions since 1962. A&K’s clients want more than a sight-seeing tour, and Kent and his team are specialists in what’s known as ‘experiential travel’, conceiving trips that “inspire our guests to look at the world in a new and different way”.

Rolling fields of vineyards

Chile has some of the world’s most spectacular vineyards

However much input you may want to have in your itinerary, a wide network of contacts is useful, and A&K’s global staff – which numbers over 2,500 – leverage their detailed local knowledge and send their team members on fact-finding missions so they can devise trips full of unusual venues and experiences.

In Cambodia, A&K’s contacts extend beyond the temples, cultural landmarks and eco-tourism spots; it has also built relationships with art experts and curators to offer insider access to the country’s thriving creative industries. If you’re passionate about craftsmanship, the chance to spend time in an artist’s workshop gets to the very heart of what makes a place tick. One visit included the opportunity to spend time with artisans who are preserving and promoting traditional Khmer lacquerware techniques and whose pieces have been commissioned by brands such as Cartier, Hermès and Louis Vuitton. On another trip, A&K arranged a stopover to a Khmer couture designer to see how locally sourced fibres are used to hand-make bespoke fabrics that are now making it onto the catwalks of Milan and Paris.

Fashion designer at work drawing in the studio

Eric Raisina, a couture designer in Cambodia

For dance lovers, the trip of a lifetime might involve witnessing the legendary dancers of the Bolshoi in Moscow – not just performing, but in rehearsal. Elizabeth Patch, private client manager, organised one such behind-the-scenes visit for a client, who commented on “the unstaged emotion and raw-life element of the practice room”. The experience also includes a tour of the legendary institution led by a former ballerina who offers first-hand recollections of a life dancing on stage and regales her guests with stories of landmark productions and celebrated prima donnas. Guests are also shown the seamstresses’ workshop, where every costume is hand-made, and the visit is topped off with an attendance of the performance itself.

Read more: Ferrari designer Flavio Manzoni on collaborating with Hublot

Ballerinas practising for a performance

Behind the scenes at the Bolshoi in Moscow

Time and again, travellers’ most memorable experiences are drawn from the people they meet. In Chile, one possible itinerary sees visitors spending time at Casa Marín, the award-winning winery of Maria Luz Marín – one of the most influential women in the global wine industry. Marilú, as she is usually known, bucked the trend in the male-dominated world of viniculture by going out on her own to produce premium wines from an estate that most experts said was too close to the sea for vines to thrive. Today she shares her knowledge – and some of her finest vintages – with guests at La Casa.

A spoon applying cream to half a cooked peach

Renowned chef Francis Mallmann’s unique Siete Fuegos open-flame cooking techniques in Argentina.

One of the greatest joys of a bespoke holiday is delegating logistics to the experts – even the weather. Earlier this year, a special programme was arranged for a group of clients to witness the total solar eclipse visible across parts of South America on 2 July. The A&K team in Argentina had to identify the best possible location for a luxurious camp from which to view this momentous event. “We chose two different places, based on the optimum vantage points, and had to decide at the last minute which one to use, after we knew what the weather was doing,” says Veronica Curtis, A&K country manager for Argentina. “We were prepared for one area to have more cloud cover than the other, so we had helicopters on standby ready to take the group to whichever site had the best view of the eclipse.”

Read more: Lenny Kravtiz on his creative vision for Dom Pérignon

Total solar eclipse

A rare view of the total solar eclipse in Argentina this summer

For travellers who balk at overcrowding, the ultimate luxury would be a visit to a unique venue on an exclusive basis. This applies not just to cultural landmarks, such as the Mount Etna Observatory in Italy – one of many private tours that A&K has made possible – but also to accommodation. Hotels and lodges are selected to reflect the distinctive character of each destination. Think lesser-known gems, such as the boutique Temple House in Chengdu, China, which artfully combines a restored imperial courtyard with chic modern interiors, and Angama Mara, a luxury safari lodge dramatically perched on the edge of Kenya’s iconic Great Rift Valley in the midst of what has been described as the ‘greatest wildlife show on Earth’.

Abercrombie & Kent has spent decades honing its instinct for what makes truly meaningful, one-of-a-kind trips. Beyond the planning and preparation, experiential travel requires imagination on the part of the organiser and the traveller. After all, a successful journey will take you to a place you’ve always dreamed about, but a wildly successful trip might just take you to a place you’ve never even heard of.

Another side of the red city

YSL logo on the side of a building

The YSL Museum in Marrakech

The sandstone walls and souks of Marrakech in Morocco are a well-established stop on the mainstream tourist route, but you can also experience some of the city’s more remarkable sights in a totally original way: without the buzz of the crowds. Bespoke private access can be arranged to many of the city’s cultural venues, offering you the chance to soak up the atmosphere at your own pace. Options include an after-hours private tour of the Yves Saint Laurent Museum, a visit to an Arab horse stud farm, and exclusive occupancy of the privately owned estate of Dar El Sadaka, designed by the celebrated French installation artist Jean-François Fourtou and home to his whimsical architectural masterpieces, The House Fallen from the Sky and The Giant’s House.

Discover A&K’s portfolio of travel tours: abercrombiekent.co.uk

This article was originally published in the Autumn 19 Issue.

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installation view of a contemporary art exhibition
installation view of a contemporary art exhibition

Installation view of the ‘What’s Up’ exhibition curated by Lawrence Van Hagen in Hong Kong

Lawrence Van Hagen set out to start a travel tech company, and somewhere along the way, ended up curating a successful series of art exhibitions dedicated to supporting emerging artists. Now, Van Hagen runs LVH art, a business dedicated to helping clients navigate the international art market. Here, we speak to the entrepreneur about his unexpected career path, his favourite places to see art and how to start building a collection.

Man standing in a suit amidst contemporary art works

Lawrence Van Hagen

1. Can you tell us more about the What’s Up exhibitions and how you found yourself in the role of curator?

I started a travel start-up and in order to raise funds for it I decided to curate an art show. I wanted to curate a show since my family is in the arts. My mother has her own art foundation, collects, curates exhibitions and writes books on art. We decided to curate a show called What’s Up based on what’s up today in the art world with a focus on artists to look out for, whether they are young or established. We had the first show in Soho, New York with two spaces, 50 artists and 100 artworks. The next show turned out to be even more successful than the first.

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We have now had shows in New York, London, Hong Kong and Seoul. I work closely with my mother. It’s more my project, but my mother gives me a huge amount of advice and help. It is nice to be able to bounce ideas off one another. The good thing about working with family is trust, you know for sure with family. My mother has kind of been my mentor and taught me what I know today since I didn’t go to art school. However, since I was a kid I was immersed in the arts and always lived with art which led me to start started collecting at a young age.

2. Do you see yourself as a mediator between established and new artists?

A big thing I do with the shows is I tend to bring emerging artists or mid-career contemporary artists together with very well known names. I blend them and create a dialogue between both. I find similarities in inspiration, historical aspects, colours or medium between the established and emerging artists. I do the shows this way since I think that it is interesting and I believe that in order to attract people to a show with emerging artists, you need work by household names as well. Also, when you have younger artists at a show, it keeps the older generation more current. This way of curating shows has enabled me to have a client base from 20 to 80 years old. The older collectors have the most amazing collection of well known artists but now consider acquiring work by a young artist from the shows. I have noticed that the public enjoys shows set up this way.

3. Do you buy art for its beauty or as an investment?

My taste is very classic, I tend to focus on art that is more beautiful than conceptual. However, one thing I tell everyone including myself is to focus on buying what one likes. Whether it is beautiful work or not, it is important to know that you love the work. Second, it’s important to consider investment. For me, it’s a factor of the acquisition in my collection. If it is a very young artist, I tend to not look at it. However if I spend a certain amount of money, it has to have an investment purpose. I will not just spend a big amount of money on something I like, it has to also be of value and something I believe in. One thing to know about the shows I do is that many of the artists we showcase are artists that my mother and I collect. I love to promote the artists from my shows. Lastly, it is more important for people to find what they like, than to have an advisor tell them if what they like will be a good investment.

Abstract artworks on display in an exhibition

Artworks featured in one of the ‘What’s Up’ by artists Franz West, Stefan Bruggemann and Lucio Fontana

4. Which artists’ work do you have at home?

I have a selection of young and old artists. I have beautiful work by Georg Baselitz, who is a well known German painter and sculptor. I have two works by a young artist Donna Huanca, who is based in Berlin. She is an incredible artist, who just did a show at the Belvedere Museum in Vienna. In my entrance, I have a work from the 90s by the American artist Robert Rauschenberg. I have work by Sean Scully, Stefan Bruggemann, Stanley Whitney and George Smith. In the bedroom, I have a beautiful 60s Kenneth Noland. There’s a lot more too.

In my house, I mainly have contemporary work, but with simple classic older artists. Most of the younger artists are a part of my collection and the other work is from my mother. I tend to borrow as well. I always move the artwork around in my flat to create a different aesthetic. I am lucky because the ceilings in my apartment are very high which is rare in London, so I can hang up 3 metre work. It is important for me to keep a lot of art in my house since it is my passion and profession, and I also throw dinner parties where friends come over and they can see what I do. A few pieces of art makes a big difference to a home.

5. Best place to see art in London?

It depends what type of art you are looking for. In terms of galleries, if you want to see more established artists or big shows, all the major galleries from David Zwirner and Gagosian Gallery in New York to Simon Lee in London are great. In London, if you want younger artists, it is good to go to the east end or south of London where you have Carlos Ishikawa and Emalin gallery. When it comes to museums, my favourites are Tate Modern and Whitechapel Gallery for contemporary art. Tate Britain and Royal Academy are also great. Auction houses always have incredible work. If you are not looking for a curated show and you just want to see beautiful paintings, I would recommend the private view before sale at Christie’s, Sotheby’s and Phillips. The auction houses have anything from contemporary to established and renaissance pieces. Lastly, to be honest the number one place to see art in London is in people’s homes. Often artists have incredible work in their homes since they trade with people they know.

6. As travel was your first business venture, what’s your next destination?

My next big trip is to Indonesia. I want to visit the Raja Ampat Islands on New Guinea. I also want to see the Komodo Islands with the Komodo dragon when I am there as it is close by. I travel every week as it is part of my work and I love it. I get to see many beautiful places on work trips, however it is still work for me. Therefore, my personal travels are very meaningful and I like to travel quite far to experience something different. My last big trip was to the North Pole. I like to do adventure trips. I am not a very resort-y person, but I always make sure the adventures are mixed with comfort. If anyone needs a travel guide, I am the guy to ask!

Follow Lawrence Van Hagen on Instagram: @lawrencevh

Interview by Andrea Stenslie

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Two watches resting on a white wall with ocean in background
Two watches resting on a white wall with ocean in background

The Classic Fusion Mykonos is available in two versions, featuring titanium or king gold

Hublot’s latest series of classic fusion chronographs is a celebration of the laid-back Mediterranean lifestyle

Evoking the mood of luxuriously languid days on board a superyacht, Hublot has selected a nautical colour palette for their ‘Cruise’ collection, a new limited edition trio of classic fusion chronographs. The timepieces are named after, and pay homage to the Mediterranean islands of Ibiza, Mykonos, and Capri with varying shades of blue contrasted against striking white and metallic details.

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Luxurious blue and white watch pictured on sand

Hublot’s Classic Fusion Ibiza limited edition timepiece

Ibiza

The dominant colour of the model dedicated to the ‘White Isle’ is complemented by a blue ceramic satin-finished bezel and 45-mm case enclosing the chronograph movement, bound by a bi-material strap in cerulean blue rubber and white alligator leather. Characteristic of the brand’s innovative fusion of materials, these highly resistant and waterproof strap components are beautifully stitched in blue, alongside the polished and engraved back case and matte white dials.

Luxury watch lying on a white wall with ocean in background

The Classic Fusion Mykonos

Mykonos

Incorporating a similar combination of materials, but with the option of either king gold or titanium, the Mykonos model fully showcases the mechanisms of the watch, revealing the inner workings of the self-winding chronograph movement. Sapphire crystal sits at the centre of the dial, reflected in the Aegean blue lacquered small seconds hands and matching blue ceramic bezel and strap. The most striking element comes in the form of a small rotating windmill aligned at three o’clock, distinguishing the model with the island’s iconic attractions.

Read more: OMM’s Creative Director Idil Tabanca on creating an art institution

Luxury blue and white watch pictured on sand

The Classic Fusion Capri

Capri

The most relaxed of the three models, the Capri watch is decidedly lighter in colour with a sky blue satin-finished dial housed in a ceramic case of the same bespoke blue. The white lined rubber strap adds a touch of sporty chic, bringing a different dimension to this easy-to-wear collection.

Chloe Frost-Smith

For more information visit: hublot.com

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Contemporary light well inside a building made from wooden panels
Interiors of an art gallery space with wooden light well feature at centre

Inside OMM designed by Kengo Kuma & Associates. Photo by Batuhan Keskiner

This September will see the opening of Odunpazari Modern Museum (OMM), a major new art museum in Eskişehir, Turkey. Designed by architects Kengo Kuma and Associates, the museum is the brainchild of art collector Erol Tabanca, whose collection will provide the permanent exhibition, and his daughter Idil Tabanca who sits at the helm as Creative Director. We speak to Idil about her multidisciplinary approach, creating an international cultural destination and the challenge of bringing contemporary art to new audiences.
Portait of a young woman wearing a blazer and red lipstick

Idil Tabanca. Photo by Emily Hope

LUX: You were one of the founding editors of the successful New York-based art and fashion magazine Bullett – do you see yourself primarily as a journalist?
Idil Tabanca: No, not at all. I studied digital media because I always thought I was going to go into film. I wanted to do set design, production design, that kind of thing. Growing up that was my dream. I just wanted to make stuff. After I graduated, I worked in film for a couple of years on various projects in the US and then I was called in to do production design for a film in New York and that’s where I met the people I ended up setting up the magazine with. We just fell into, it was very organic and we didn’t have any money so we became our own publishers because we had all this great content that we wanted to put out. There are so many stories which aren’t at all luxurious like we would get our friends to dress up as catering staff for the cover shoot of some Oscar winning actor. We didn’t have the money to hire actual caterers but we wanted to keep up the appearance. It was like the con that didn’t end.

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LUX: And you’ve gone from that to being the Creative Director of OMM.
Idil Tabanca: Well yes, and this is a very different project because for starters, it’s my family’s foundation. My father [Erol Tabanca] started collecting art about thirty years ago. It started out just as a pure love for art and the pleasure he got from it, there was no strategy involved. He was buying what he wanted to buy. As time progressed, he filled up his house and then his entire office, he didn’t have enough room for the art and he also wanted to share the works that he found so inspiring so he started the foundation. That was around the time I was closing the magazine because the internet happened. It happened to the world. So many magazines were closing. The museum is a great opportunity because if I was at another institution like this, it would’ve taken me a really long time to be here. I felt like there could be an opportunity for me to have a voice, to have a say for the young people that needed this kind of a platform back in Turkey.

I feel like there’s huge potential in Turkey for artists, but not necessarily any organisations and platforms. The exciting part of the project for me is that I can actually give young people that opportunity.

Man and woman standing on steps outside contemporary building

Erol & Idil Tabanca pictured outside the museum. Photo by Gökhan Polat

LUX: Have you always shared your father’s passion for art?
Idil Tabanca: It was part of the magazine: we covered art, fashion, culture and cinema. I have always been interested in video and photography because of my studies, but I don’t have this amazing knowledge of art history or anything like that. It wasn’t part of my education so I’m learning that part now. Even just getting familiar with the art collection is a huge amount of work. I feel like I’ve got a good sense of aesthetics, but I’m learning the rest. I’m exposing myself to a lot of art, I read a lot, go to a lot of exhibitions.

Read more: London to Cornwall in a luxury Mercedes-Benz camper van

LUX: Can you tell us more about your concept for the museum?
Idil Tabanca: We’re from Eskişehir as a family and people from Eskişehir are very proud because it’s like a secular, intellectual, very young and fun town in Turkey. It’s very unique. They say it’s like a European city in Turkey. People are very open minded and because of that, there’s a huge potential for young people. There are also three art universities. My father has always felt that he wanted to give back to that community in some way.

We chose Kengo Kuma, whose work is so iconic, to make the museum iconic. Bilbao was an industrial city before the Guggenheim came and now it’s known as an art destination; I think Eskişehir has that same potential. For a long time in Turkey because of the regime and what’s happened there, there hasn’t been a lot of exciting developments. We also don’t have a huge museum culture. I don’t have any memories of going to museums with my family. I love that we might be able to change that for some people, and to change the place. Having a museum like this, starts an exchange, it becomes a bridge between cultures. For example, we have Kengo Kuma’s work  and we have Japanese artists who are showing. We want different cultures to be able to merge in the space.

Facade of a contemporary building made from wooden panels

Photo by Batuham Keskiner

Contemporary light well inside a building made from wooden panels

Photo by Batuhan Keskiner

LUX: We hear that the museum is also going to have a strong connection with fashion, is that right?
Idil Tabanca: Yes, I want every aspect of the museum to be like an art work in its own right and I’ve got Turkish fashion designer Dilara Findikoglu to design the uniforms for the museum staff. She’s blown up recently and dresses people like Madonna. I think that she’ll be the creative director of somewhere like Alexander McQueen very soon. But the reason for collaborating with her was, firstly, to challenge people. She is completely embraced internationally and keeps winning fashion awards, but in Turkey I feel like it’s part of our culture to be suspicious of anything that’s actually good and we do that to artists too. We don’t appreciate them at home as much as you do in Western culture. In Turkey, there’s no sense of protecting the things that are valuable and that’s the same with ruins even, you’re just allowed to walk all over the place. So I want to work with and give value to artists and designers from our communities that are doing really well outside of the country. That’s the reason we’re putting together a homecoming show to start a dialogue about who we are as a culture and why we don’t appreciate these people or talk abut them. We have local celebrities, but they’re not the people who are making a difference in the world.

Sculpture of a girl asleep on a sofa

‘Sleeping Girl’ by Hans op de Beeck is one of the artworks in the permanent collection. Photo by Kayhan Kaygusuz

LUX: And how will the exhibition programme work?
Idil Tabanca: We have the permanent collection, which will constantly change and be curated by different people and then we’ll have travelling shows and events. Exhibitions by other artists who have nothing to do with the permanent collection. For example, we’re bringing work by Marshmallow Laser Feast (who recently had a VR experience at the Saatchi gallery) to the opening. They’re really interesting because they use technology to bring people back to nature – I’m really excited to collaborate with them. Also the other part which will be so exciting for me is that we’ll get people coming to the museum who haven’t been exposed to anything, we’re going to get such a raw audience.

Portrait painting of a man's head sleeping

One of the selected works from the opening exhibition: Uyuyan Adam (2010) by Ramazan Bayrakoğlu. Image by Ozan Cakmak

LUX: What are local attitudes towards contemporary art? Is there much of an existing art scene?
Idil Tabanca: Yes, there is definitely an art scene. There’s a tiny wooden museum, glass blowing is huge and there are lots of little shops that make ceramics. There’s part of the town which is all these old houses, which look like they would have hundreds of years a go. There’s a wax museum, which is hilarious because no-one looks like they’re supposed to, but it receives 11,000 visitors on the weekend, which demonstrates the lack of cultural activities. But yes, we’re in talks with the art universities. We want to have residency artists that come in from abroad and to give them access to the facilities. We’re also going to organise discussions and education programmes. There’s the only animation studio in Turkey there so there’s definitely a lot of potential.

Read more: Savoir Beds’ MD Alistair Hughes on the value of craftsmanship

LUX: Are there any contemporary Turkish artists that you’re particularly excited about at the moment?
Idil Tabanca: Nilbar Güreş’ work is phenomenal. She’s based in Vienna. Another one of my favourite Turkish artists is Sukran Moral. She’s definitely someone I’d love to bring [to the museum] sometime in the future. She’s pretty established and is currently based in Italy.  She’s fantastic. Also Fatma Bucak is another young Turkish artist that I’d like to bring to the museum. She has some wonderful videos.

Artwork depicting an Asian girl leaning against a white box

‘Aylin’ (2014) by Sinan Demirtaş will also feature in the opening exhibition. Image by Kayhan Kaygusuz

LUX: How much of a consideration is sustainability?
Idil Tabanca: The building is made from sustainable forests, and we are trying to make it all as sustainable as possible, but in a place where that dialogue hasn’t started yet, it’s going to be tougher for us. So we have this task of talking to people and explaining to them why it’s important, why we’re not giving out plastic bags for example. I think it’s the responsibility of institution like ours to be a leader on these kinds of things.

LUX: Lastly, for first time visitors to Eskişehir, what are your hot tips for things to do and see?
Idil Tabanca: Oh my god, there’s so much to do! There’s a really good thermal spa. Then there’s also this fake Disneyland that I think is fascinating. You go and Snow White has her wig on sideways, it’s just a very weird place. The old part of town too where they have all these really cute houses and artists with their own little studios and shops selling handmade things. The area is called Odunpazarı, and it’s so beautiful. The museum is right in the middle of everything so the best way is to just walk around and discover the area.

OMM will officially open in September 2019, for more information visit: omm.art

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Reading time: 9 min
luxurious camper van with pop up roof and ocean in distance
luxurious camper van with pop up roof and ocean in distance

The Mercedes-Benz Marco Polo parked on a clifftop above St. Mawes, Cornwall. Image by James Houston

The Mercedes-Benz Marco Polo camper van provides a luxurious and hassle-free alternative to camping, as Digital Editor Millie Walton discovered on a road trip around Cornwall

At its best camping means seclusion, starry nights, wilderness, mugs of hot chocolate, campfires and barbecues; at its worst it means pouring rain, crowds of people, and hours of packing and unpacking. Usually, it’s a combination of the two. As children, we would drift around, teeth chattering in our damp pjs hoping for an invitation or even just a glimpse inside one of the gleaming camper vans that promised unimaginable luxuries: warmth, electricity, a real bed. Last summer, the childhood dream came true in the form of the Mercedes-Benz Marco Polo.

Needless to say that the Marco Polo is a lot smarter than most of the camper vans I encountered as a child; in fact, if you were to pass it by unaware, you’d most likely think it was a luxurious people carrier rather than a camper. It’s sophisticated and spacious, rather than bohemian and cosy.

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On Friday evening with a fridge full of food and cupboards stuffed with crockery and bedding, we set off from London to Cornwall, or rather to Blackdown Hills in Devon where we had booked in for a night at a farm campsite to break up the journey. Aside from this one reservation, our general plan was to have no plan, to find the most beautiful, remote cliff-edges and watch the sunset on the horizon with a glass of wine. The real joy of a camper van is the absence of hassle; it’s all there, ready to go, whenever you want it.

The drive down was incredibly comfortable. It’s a large vehicle, but it’s easy to control with excellent visibility; little flashing lights appear in the wing mirrors when another car is approaching and a 360-degree camera system that makes reversing and parking actually fun. We had a few hairy moments of sliding cutlery on sweeping bends, and had to do a bit of rearranging in the back, but all in all, it was a pleasure to drive. Perched high up on the driver’s leather arm chair, you have the sense of commanding the road.

Seagull in front of beach

A seagull in St. Ives, Cornwall. Image by James Houston

English beach scene in the summertime

Summer on Padstow beach, Cornwall. Image by James Houston

The Marco Polo’s interiors are high-tech, sleek and shiny. There’s a lot of leather, chrome and metallic surfaces; it reminded us of being inside a yacht, but with the roof up, it is spacious enough to stand upright, which makes cooking a lot easier. The first night, we struggled working out which button did what and regretted not studying the manual on the way down. In an ideal world, you’d be given a quick demo before you set off; I’m convinced there were lots more exciting features that we didn’t discover.

Read more: Savoir Beds’ MD Alistair Hughes on the value of craftsmanship

It might not be the most homely of spaces, but the layout has been carefully considered to maximise space. There are plenty of hidden cupboards and drawers, and the option of two double beds: one ‘upstairs’ in a pop roof (you push a button and it raises electrically) and one ‘downstairs’ formed from the rear seats, which flatten at the touch of another button. We preferred the downstairs bed because it was warmer, but the upstairs mattress is more comfortable owing to the fact that it is actually a mattress rather than two slightly lumpy leather chairs. Each morning, after a cooked breakfast, we hopped into the front and hit the road – easy as that.

Interiors of a luxury camper van

The Mercedes-Benz Marco Polo features a compact kitchenette, swivelling seats and a pop room for added room as well as extra sleeping space. Image courtesy of Mercedes-Benz

Our route took us on a tour around the edge of Cornwall, which did mean encountering several remote cliff-tops, but it’s actually harder than you think to find camping friendly spots that aren’t on private land or somewhat precarious. Also if you want to utilise the mood lighting, it’s necessary to occasionally plug in and charge up. We didn’t mind the campsites though, even the busier ones. Tucked up inside with the doors shut and curtains drawn, we felt snug and enclosed in own little space pod. It took us a while to work out the best layout for daytime usage; there was a lot of swivelling seats and moving things in and out of different cupboards but after a few days, we had it all figured out.

We spent four nights sleeping in the camper, and could have easily spent more. It is able to accommodate up to four guests sleeping, but it would be tight with more than two sharing the space unless they were small children. Also it’s worth noting that it feels a bit too slick for climbing in and out of with sandy feet and wet suits, and I wouldn’t imagine it’s the best environment for dogs; we became oddly precious about sweeping the wood panelled flooring, more out of anxiety than house pride (this is probably due to the fact that we were renting).

On our final night, we found the perfect perch on the edge of a cliff above St. Mawes. We woke to the sun skimming pink and gold across the surface of the sea.

For more information visit: mercedes-benz.co.uk

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Display of Van Gogh sunflower paintings
Sunflower painting by Vincent van Gogh

‘Sunflowers’, Vincent van Gogh, January 1889

One of the world’s most famous paintings Sunflowers (1889) has been carefully investigated, explored and restored for Van Gogh and the Sunflowers: A Masterpiece Examined at the Van Gogh Museum.

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As one of five sunflower paintings by Van Gogh, it is an iconic image of nineteenth century art and an important marker in still life painting. Yet, this latest exhibition transforms our view of the work by framing the masterpiece within its wide ranging and complex history.

Display of Van Gogh sunflower paintings

Installation image of ‘Van Gogh and the Sunflowers’ at the Van Gogh Museum, Amsterdam. Photo by Jan-Kees Steenman

On display are Van Gogh’s other flower paintings (not all sunflowers), the afterlife of the painting, its far-reaching influence, but also details of its recent conservation work. Most striking are the reconstructions by Charlotte Caspers, smaller canvases which copy views of the painting, using the same materials. These zoomed in views of the dying flower heads and of Van Gogh’s signature reveal the painting’s original colours, made up of brighter reds, pale lilacs and vivid chrome yellow. Through Casper’s work alongside the museum’s conservation team we are transported back to 1889 and the work’s conception. We are also shown x-ray images of the Sunflowers, revealing an added strip of canvas at the top of the painting, which Van Gogh used to correct the placement of the vase.

Read more: Sir Rocco Forte on building his empire of luxury hotels

Artist at work in the studio

Artist Charlotte Caspers painted reconstructions based on the results of research into the original colours of Van Gogh’s ‘Sunflowers’ in the Van Gogh Museum, 2019

Sketches of sunflowers in a sketch book

Vincent van Gogh, Sketches of vases with sunflowers, in sketchbook from Paris and Auvers-sur-Oise, 1890, Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). Photo by Petra and Erik Hesmerg

 

Standing in front of the painting, you are struck by the subject. Van Gogh’s obsession with the flowers evident in his precision and delicacy, each of his decisive strokes visible in the thickly painted surface. The sunflowers, which were first drawn by the artist in 1886 in the wilds around Arles, have become part of his signature, as he stated in a letter to Paul Gauguin in 1889: ‘I indeed … have taken the sunflower’. His affinity with the flower is portrayed in the masterpiece through the subtle use of varying shades of yellow and ochre, and by the way he captures the plant’s lifecycle as we see heads simultaneously opening in bloom and dying.

Rosie Ellison-Balaam

‘Van Gogh and the Sunflowers: A Masterpiece Examined’ runs until 1 September 2019 at the Van Gogh Museum, Amsterdam. For more information visit: vangoghmuseum.nl

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hotel bar restaurant with view over New York City
glass hotel facade

The entrance to the Moxy Hotel in Chelsea, NYC

President of Lightstone Mitchell Hochberg has put his stamp on New York with multiple real-estate developments, including luxury residences 130 William Street and 40 East End Avenue. In partnership with Marriott International, Lightstone are also developing lifestyle hotel brand Moxy, which has multiple properties spread across the US, Europe and Asia. LUX speaks to the entrepreneur about succeeding in a saturated market, New York real estate and working with the world’s biggest architects. 

Man stood in front of sculptural wall in a hotel

President of Lightstone Mitchell Hochberg

LUX: Lightstone is one of the largest privately held real estate companies in the US with your focus mainly in New York City. How do you succeed in such a saturated market?
Mitchell Hochberg: We’ve been able to distinguish ourselves by staying true to two common threads – across each of the various real estate segments in which we develop, each of our projects is entirely unique and as well, features a strong design aesthetic.

For instance, with our Moxy hotels, we saw an opportunity to be the first to develop an affordable micro-room, macro-amenity lifestyle hotel in New York, defining a new category of hotels amidst a sea of luxury lifestyle and lacklustre select service properties.

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In each of our projects, we strategically partner with architects and designers who have a strong design aesthetic, allowing us to create buildings that are provocative but contextual with interiors that are functional yet memorable. With our first two Moxy Hotels, for example, we worked with Rockwell Group to design the restaurants, bars, and clubs and Yabu Pushelberg for the rooms – both known for their luxury projects and unconventional choices for an affordable product, but key to creating the well-designed environments that make our properties special.

In the condominium space, we’ve partnered with two leading architects to design 130 William and 40 East End Avenue. At 130 William, we worked with world-renowned architect David Adjaye to create a 66-story building that pushes against the conventions of tall glass towers with a hand-cast concrete façade that will surely redefine the New York City skyline. At 40 East End, we worked with Deborah Berke, Dean of the Yale School of Architecture, to create a boutique condominium that represents a modern interpretation of local historic architecture.

LUX: Do you have a favourite residential area in New York?
Mitchell Hochberg: There’s an enclave on the Upper East Side of New York abutting Carl Schurz Park and Gracie Mansion (the Mayor’s residence) called East End Avenue. It’s a beautiful, bucolic neighbourhood that is fully immersed in the natural surroundings of the East River and the park, with nothing commercial in sight. In this setting, you have the advantage of both being in Manhattan and simultaneously not really feeling like you’re there – a result of the harmonious combination of the waterfront, the park, and the low density residential buildings. It’s the neighbourhood where we’re currently developing 40 East End Avenue, a boutique condominium, and it’s actually the one that I live in.

Read more:  Life on the thrillionaire trail by Geoffrey Kent

LUX: You’re currently working with Marriott International to develop their new lifestyle hotel brand Moxy. How did that come about?
Mitchell Hochberg: After spending many years investing in and studying the hospitality market, we saw an opportunity to develop a new type of lifestyle hotel that could offer efficient rooms at an affordable rate without sacrificing design. In the U.S., everything is bigger – the cars, the TVs – and indeed the hotel rooms. So at the time, nobody was doing this. The Moxy brand incubated in Europe, where travellers have long been accustomed to smaller room sizes, and we felt it had the potential to align perfectly with our vision. So as our ideas evolved, we decided to approach Marriott about forming a partnership to bring the Moxy brand to the United States. We have a longstanding relationship with Marriott, and as the most highly regarded international hotel brand with over 110 million loyalty members, we knew that they would prove to be a huge asset to our developments. Together, we reimagined Moxy for the New York market.

building overlooking a bridge

130 William Street’s view over the East River, NYC

LUX: How does your approach to developing for hospitality differ from other projects?
Mitchell Hochberg: The short answer is it doesn’t. What we’ve learned from our hospitality projects is that our guests don’t want to stay in their rooms – they crave social connections and memorable experiences. So our design has to accommodate that, with lobbies, bars, and restaurants that appeal equally to locals and integrate into the fabric of the community. Our residential projects – from rentals to luxury condominiums – all take this philosophy into account. We dedicate immense amounts of space in each of our projects to amenities – from the 20,000 square foot courtyard complete with a year-round greenhouse at ARC, a rental property in Long Island City, to the IMAX Private Theatre at 130 William (one of the first in New York City), we design spaces that our residents want to spend time in. Similarly to our Moxy hotels, we also consistently activate our residential properties with innovative programming, from wine tastings to yoga classes, allowing our residents to interact and get to know each other. That’s where the magic really happens.

Read more: Maryam Eisler’s Icelandic photography series

LUX: What’s been the most challenging project for Lightstone so far and why?
Mitchell Hochberg: It would have to be Moxy Times Square. From a pure design standpoint, the project had just about every challenge you could think of. The building was an adaptive reuse of a 110-year old office – not exactly an easy canvas for the flexible, vibrant, and memorable spaces you see today. Working within the confines of an existing building is always challenging, but in this particular instance the building was also landmarked, meaning we had to preserve the façade and all of the windows as well. The sheer scale of the project also brought its own complexities – the hotel is 612 keys in total with over 22,000 square feet of lobbies, bars, restaurants, and meeting spaces, including the largest indoor/outdoor rooftop bar in New York City.

Despite all this, I think the biggest challenge was bringing something entirely new to the New York City hotel market. We had to prove ourselves to guests who had never seen anything like this before, and convince them to buy into our “deal”: in exchange for an affordable rate, we could provide a room that’s efficient but stylish, along with public spaces that are engaging and well designed.

Hotel lounge and bar

Moxy’s luxurious lounge bar at Times Square, NYC

LUX: What are your future predictions for the real estate market in NYC?
Mitchell Hochberg: The real estate market in New York over the long term is always going to be strong. There will obviously be hills and valleys based upon macro issues, but you have to keep in mind that New York City is an island and there’s only so much space. People will always want to live here, work here, and visit here, and as a result it will always be a strong market.

LUX: Will Lightstone ever expand overseas?
Mitchell Hochberg: We’re currently discussing investments and development overseas. I think our first projects will probably be somewhere in the UK where we’re a little more familiar with the language and business customs, but we are always open to new opportunities.

hotel bar restaurant with view over New York City

The botanically inspired Fleur Room at Moxy Chelsea, NYC

LUX: How do you switch off from work-mode?
Mitchell Hochberg: One of my biggest passions is travel – I try to travel as often as possible. I’m naturally very curious, and find that my creativity is often sparked by wandering around and getting lost in cities and fully immersing myself in all aspects of the culture, which is both fascinating and inspiring. While I do switch off when I travel, appreciating architecture and design, as well as learning how different people live, serves as the inspiration for a lot of the development we do. In Italy, for example, which is one of my favourite places to travel, I’m constantly awed by the art, architecture, fashion, and yes, even the food. But above all, I’m struck by the genuine warmth of its people. You’ll see a lot of that reflected in the restaurants and bars and Moxy Chelsea. For example, Feroce, our Italian restaurant, took inspiration from some of my favourite spots around Italy: the Caffé and Pasticceria from the bar culture in Italy, where people visit the same spot for an espresso and cornetto in the morning and an Aperol Spritz in the evening; the outdoor dining garden from my favourite restaurant in Rome, Antica Pesa; and many of the design details from my favourite restaurant in MilanDa Giacomo.

When I want to completely chill out though, there’s nothing better than being on a beautiful beach. One of my favourites is Belmond Maroma in Riviera Maya, Mexico. It is casual and relaxed but with incredible service reflected by the culture of the local team who treat you as if you are in their own home. It is the epitome of barefoot chic!

Find out more: lightstonegroup.com and moxy-hotels.marriott.com

 

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Reading time: 7 min
Base camp of mount everest with mountains in the background
Mountainous forest landscape with low lying clouds

The Bwindi Impenetrable Forest National Park, Uganda

Expeditions to the remote and barely explored corners of the planet are not for everybody, but with the help of luxury travel company Abercrombie & Kent, destinations previously considered inaccessible to the tourist are now, at a price, within reach. From the altitude of Everest’s Base Camp to the depths of the Danakil Depression, their Inspiring Expeditions will bring out your inner adventurer. James Parry meets A&K founder Geoffrey Kent to find out where on earth they are going next

Abercrombie & Kent’s founder and CEO Geoffrey Kent knows a thing or two about adventure travel. Born while his parents were on safari in Northern Rhodesia (now Zambia), he grew up “running wild on the family farm” in Kenya and remembers once asking his father, Colonel John Kent of the King’s African Rifles, where they were next going on holiday. “Somewhere we can’t drink the water,” came the laconic reply. No surprises then, that at the age of 16, Kent set off solo from Kenya on an overland trip to South Africa. “Travel is in my genes,” he admits, “and I can’t imagine not wanting to get out there and explore new places.”

Through Abercrombie & Kent (A&K), Kent has pioneered luxury adventure travel and has been instrumental in developing the much newer concept of ‘thrillionaire travel’, tailored for adventurous ultra-high net-worth individuals. Using private charter jets and other exclusive modes of transport from helicopters and snow mobiles to hot-air balloons and luxury yachts, A&K’s Inspiring Expeditions offer the super- rich unprecedented access to destinations that most people have never even heard of. Kent leads each expedition himself. “By utilising our ground-breaking network and contacts within the highest echelons of government – from tourism ministers and presidents to prime ministers and kings – we are able to make these adventures a reality,” he explains.

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The Inspiring Expeditions are bespoke, one-off trips of a lifetime. They take place worldwide and, while ranging widely in terms of what they offer, are united by core common elements – a sense of exclusivity and privileged access, plus the highest standards of everything. Even in the remotest locations, no effort is spared to cater for the whims of the most particular of guests, with everything from a Michelin-starred chef to a deluxe espresso machine flown in if required. The objective is to provide all the ingredients for a luxuriously thrilling experience.

But Kent sees such expeditions as providing more than a simple adrenalin rush in comfort. “Visiting remote destinations on itineraries designed for the individuals involved can help prompt an inner exploration of the traveller’s true self,” he explains. And those travellers are clearly relishing the experiences on offer. “We are still basking in the afterglow of another splendid adventure,” enthused one recently returned client. “We so enjoyed the varieties of destinations, food and culture, and as always, the team was sensational – competent, knowledgeable, patient and loads of fun.”

Team of adventurers in an ice tunnel

Exploring an ice tunnel in the Antarctic

Man standing at South Pole wit American flag

Geoffrey Kent of Abercrombie & Kent at the South Pole

Meanwhile, the expeditions can pay dividends for local people, too. Back in the mid- 1980s, shortly after the creation of Abercrombie & Kent Philanthropy (AKP), set up to help positively impact the communities where A&K guests travel, Kent met with General Museveni of Uganda, who later became president of the country. Their conversation focused on how best to protect the country’s endangered mountain gorillas and benefit the local Batwa people with whom the great apes shared their forest home. As a direct result, A&K established the first luxury camp in the Bwindi Impenetrable Forest.

More than 30 years later, the camp is still there and AKP has also established a community hospital, a 112-bed facility providing care for 40,000 patients annually, a nursing school to train health-care providers, and a bicycle enterprise to help empower local women. “I’m exceedingly proud of what we have achieved there,” says Kent.

Dry valley with large cliffs

The view from the Abuna Yemata Guh church in northern Ethiopia

All the itineraries feature destinations chosen for being on the “road less travelled”, and which explore facets of a country or culture that may not be apparent or accessible. An upcoming expedition to Ethiopia will see A&K guests led well away from the usual tourist trail to unique places like the Omo Valley, celebrated among anthropologists as the home of a fascinating spectrum of tribal communities, some of which have little exposure to outsiders, or to the rock- hewn cliff-top churches such as Abuna Yemata Guh near Hawzen in the north of the country.

Read more: In conversation with the founder of Rallye des Princesses Richard Mille, the women’s only classic car race

Also in the north of the country is the salt- encrusted Danakil Depression, at 125 metres below sea level one of the lowest – and hottest – points on the planet. The intrepid explorer Wilfred Thesiger passed this way in 1930 and today’s travellers can contemplate a scene barely changed from his day. The Danakil is also known as the ‘Cradle of Mankind’, where the remains of 3.2-million-year-old Lucy, the oldest known hominid fossil, were discovered in 1974. Her skeleton is now in the National Museum of Ethiopia in Addis Ababa, and the thrillionaires will be given exclusive access to see it.

Base camp of mount everest with mountains in the background

Base Camp on Mount Everest

Insights into the local culture are an important component of the expeditions and never more so than in a country like Bhutan, the ‘Land of the Thunder Dragon’ and visited on a previous expedition by Kent and his guests. The Himalayan kingdom was virtually closed to outsiders until relatively recently, and maintains a proud Buddhist culture as well as the many architectural masterpieces. Ancient and ornate dzongs, or fortress-monasteries, festooned with prayer flags and often perched in precipitous locations, dot the landscape.

Bhutan is unique in having a Gross National Happiness index, set up by the country’s king in 1972 as being more important than the conventional Gross National Product. A&K clients were able to attend a private meeting with government delegates to learn about how the psychological and spiritual well-being of the Bhutanese people has remained their nation’s guiding principle and how they set a benchmark that other countries might do well to follow.

A cliffside settlement of traditional buildings in Bhutan

The Taktsang Pulphug Monastery in Bhutan

Neighbouring Nepal receives many more overseas visitors than Bhutan, but very few of them are able to experience one of the exclusive highlights afforded to the guests on that particular thrillionaire expedition: a visit to the renowned and iconic Mount Everest Base Camp. A helicopter whisked the lucky few from the capital Kathmandu over some of the main peaks and glaciers of the Himalaya range for a bird’s-eye view of the world’s greatest mountain range before descending to the very spot where mountaineering history has been made.

Read more: Maryam Eisler’s Icelandic photography series

Another previous expedition saw thrillionaires diving from sumptuous super-yachts into the pristine waters of Palau in Micronesia. Often dubbed the ‘underwater Serengeti’, the seas around this archipelago of forested volcanic islands support a unique ecosystem defined by several hundred different types of coral and with more than 1,500 species of fish to swim with and marvel at.

But for those seeking some serious party time, then the smart advice is to join Kent on his Rio de Janeiro carnival expedition early next year. “Nothing beats Rio for sheer energy and that inimitable samba vibe,” he says. A&K guests will enjoy VIP access to the world’s most famous carnival, including a ringside seat at the main parade and the opportunity to don a suitably extravagant costume and join the throngs of other dancers and revellers at the Copacabana Palace ball. There will also be private dinners with Rio’s glitterati and the chance to relax on a luxury private yacht after all that partying.

Birdseye image of Micronesia islands

The island of Peleliu in Palau, Micronesia

Every itinerary is meticulously researched and trialled by A&K in advance. As part of an expedition to Antarctica earlier this year (and which will take place again in 2020), clients were invited to submit suggestions for the naming of a previously unclimbed peak in the Drygalski Mountains that they would be tackling during the expedition. Careful scrutiny of maps and aerial photos led to the identification of several unnamed peaks potentially suitable for an ascent by non-professional climbers, but these needed to be checked out. Travelling solo, on foot and with all his gear on his back, a member of the A&K team spent several days camping in the foothills before determining which was the most suitable peak, as well as identifying a nearby glacier where the guests’ plane could land. It was exhaustive and essential planning that paid off handsomely when the eight clients, under the guidance of master mountaineer Marko Prezelj, safely scaled the peak that they had earned the right to call Mount Inspiring.

Meanwhile, there’s even the option of going on a round-the-world wildlife safari by private jet, lasting 25 days and spanning three continents, in a quest to spot giant pandas, tigers, mountain gorillas and lions. The price might not suit everyone, but that’s not the point. These are special tours for special individuals.

So, where next for A&K’s Inspiring Expeditions? Perhaps a mission to the Moon, or even Mars? No, at least not yet. Kent has discounted space travel as too unsafe right now, but he has other destinations up his sleeve. “I can’t deny that the world is well-travelled and that it takes innovative thinking to find new destinations,” he admits, “but there are still unexplored spots.” Among these he has his seasoned eye firmly on Gabon, a country in equatorial Africa that has placed an impressive 11% of its land area under national park protection. There are elephants, buffalo and lowland gorillas to go in search of in the virgin rainforest, as well as dramatic waterfalls and stunning beaches. “I remember seeing a group of elephants swimming off the beach with their trunks raised out of the water like snorkels,” laughs Kent. With sights like that to behold, is anyone up for a trip to Gabon?

Find out more: abercrombiekent.co.uk

This article was originally published in the Summer 19 Issue

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Reading time: 8 min
Nighttime view of ski resort village St Moritz
Nighttime view of ski resort village St Moritz

St Moritz at night

St Moritz, in Switzerland’s Engadin, is an Alpine paradise in winter, with some of Europe’s best hotels for your skiing vacation. But it could be yours all year round with exclusive chalets for sale. Emma Love reports on the latest Savills offerings and the virtues of Alpine living

It’s hard to imagine that the celebrated ski resort St Moritz was once better known as a summer destination. That was until Johannes Badrutt, the founder of the legendary Kulm hotel, won a bet. The story goes that in the autumn of 1864, he was enthusing about St Moritz as a winter destination to four sceptical English holiday guests. Badrutt suggested that they return in December and if they didn’t enjoy their stay, he would not charge them. The four ended up staying until Easter, marking the beginning of winter tourism in the Engadin valley.

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Facade of a modern style chalet

Luxury chalet Chesa Lumpaz

Of course, these days St Moritz is globally renowned as the glamorous go-to, year-round Alpine resort where everyone from Claudia Schiffer and Robert de Niro to the Swedish royal family has been spotted. It has hosted the Winter Olympics twice, popularised sports such as ice cricket and snow polo and is home to the Cresta Run, a world-championship bobsled run made of natural ice – not to mention it being home to Michelin-star restaurants, Bond Street-style designer fashion boutiques, and  glitzy bars, clubs and hotels. “Historically and geographically, St Moritz has long attracted a crowd with a heavy Italian influence, but in the past couple of decades there has been a steady flow of international billionaires buying chalets here. They are attracted to the sophistication of the resort,” says Jeremy Rollason, head of Savills Ski, who specialises in the sale of chalets and developments in super-prime Alpine locations.

luxury interiors of a double bedroom with wooden chalet walls

One of the four master bedrooms, all fitted out in contemporary style but with traditional materials

Luxurious open plan living area with alpine views from double windowsWhile many of the top one per cent choose to base themselves in traditional ski-in, ski-out Suvretta (where a car is needed to get into town), the latest Savills property on the market offers something rather different – the rare chance to own (and rent) a seven-bedroom lakeside house right in the heart of St Moritz, next door to the Badrutt’s Palace hotel and just ten minutes’ drive from Samedan, the private-jet airport. “Chalet Chesa Lumpaz is one of those rare propositions; it’s contemporary rather than futuristic, quiet yet close to the main shopping precinct and has extraordinary views,” Rollason says of the property, which is for sale POA. “The designer Nico Rensch has expertly combined modern design with St Moritz flair.”

Read more: Why Blue Palace in Crete is a springtime paradise

Spread over five floors, the 890m2 house has a private wellness area (which includes a gym, hot tub, steam room, sauna and massage room), a ski room (with boot, helmet and clothes heaters) and an open-plan living area designed for socialising. “The house was built to entertain, with the living room at the top because you want to have the view when you’re awake not when you’re asleep,” explains Oli Stastny, whose company PPM Exclusive Services manages fully serviced private villas in St Moritz. “The aim with the design was to fuse local materials such as stone and wood in a modern way while keeping a cosy, Alpine feel. For instance, the bedrooms have wood-clad walls.”

There is not one master bedroom but four, all at the front to take advantage of the views of the lake. They are fitted with sliding walls so the configuration can change depending on the guests staying. Yet Stastny echoes Rollason in stating that it is the uniqueness of the property and its location that makes it truly special. “This is one of the only single standing houses in the centre of town, the rest are apartments. It’s also connected by an escalator that goes down to the lake and up to the shops and Badrutt’s Palace.”

Luxury interiors of a sitting room with a wall of book shelves

Luxury terrace with views over the mountains

The living room (above) and view from the living room on the top floor of the Chesa Lumpaz chalet

This feature could be especially handy for anyone attending the annual New Year’s Eve dinner at the hotel, which is one of the hottest events of the winter social calendar. Other unmissable dates for the diary include the long- established St Moritz Gourmet Festival every January, which is known for attracting star chefs from around the world (this year the line- up included Guillaume Galliot from Caprice at the Four Seasons Hong Kong and Nicolai Nørregaard from Kadeau in Copenhagen). And, in the summer, a jazz festival held in the Dracula Club (Norah Jones, Nigel Kennedy and Curtis Stigers were highlights in 2018); the annual gathering of vintage cars, the British Classic Car Meet; the Engadin Festival featuring ten high-calibre classical concerts and the Tavolata weekend, a celebration of food and music.

All of which proves that while winter sports might be one of the biggest draws to St Moritz – the resort is at 1,850 metres which means an excellent snow record and world-class skiing – there is plenty to entertain visitors in the summer months too. “These summer festivals are a great way of getting property owners back into the resorts as an alternative to the French Riviera which, especially last year, was extremely hot,” says Rollason. “In the summer you can windsurf on the lake and cycle the mountain trails. St Moritz is a genuine dual- season resort.” Exactly as Johannes Badrutt suggested all those years ago.

Find out more: chesalumpaz.com and savills.com/countries/savills-ski

This article was originally published in the Summer 19 Issue

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Reading time: 4 min
Baha Mar Rosewood luxury resort
Baha Mar Rosewood luxury resort

The Rosewood Baha Mar’s pool

There has never been a better time to luxuriate in the Bahamas, as Jenny Southan finds out at the new exclusive luxury resort of Baha Mar in Nassau on New Providence Island

In an ever-more tumultuous world, the idea of escaping to an island holds much appeal. New Providence is one of 700 islands in the Bahamas, and a dream for castaways who want more than one or two luxuries to be marooned with. Positioned on the pale sugar sands of Cable Beach, multibillion-dollar resort Baha Mar is setting new standards for expat living with a collection of private residences that are up for sale.

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How often have you said to yourself, “I wish I could just live here”, as a holiday comes to an end? Now, as well as hotel rooms for short-term sunseeking, the SLS Baha Mar and the Rosewood Baha Mar are offering a variety of homes, available from US$726,500 to $25 million. So, if it really was the trip of a lifetime, you can invest in living it all over again, whenever you want.

Luxury interiors of a large sitting room area with people drinking tea on the sofa

Public space of a large holiday resort

Rosewood Baha Mar and its grounds

With the first release in January 2019, the residences are hot new entrants to the market, and lovers of the Bahamian laid-back lifestyle, of pristine beaches, swimming pigs and rum cake, are snapping up purchase agreements already. The Rosewood has 87 one- to three-bedroom residences priced from $995,000, plus four three- to six-bedroom beachfront villas from $6.4 million to $25 million, each with its own private swimming pool. Meanwhile, the SLS, which is operated by US lifestyle hospitality company sbe and is now 50% owned by Accorhotels, has 107 one- to three-bedroom residences costing $726,500 to $4.2 million. House hunting has never looked so good.

What’s the difference between the two brands? While many of the perks are the same, Genevieve Conroy, vice-president of residential sales and marketing for Baha Mar, says: “The SLS is more contemporary. Residences have sleek white furnishings, and a modernist, minimalist flair coming through. They’re sexy and cool. The Rosewood is more elegantly traditional in style. Clients walk in and they definitely gravitate to one or the other.”

Not only can owners generate additional income from renting out their property, but they will qualify to apply for residency in this independent realm of the British Commonwealth. What is more, buyers may be exempt from income tax, capital gains tax or inheritance tax. From being able to bank in one of the world’s largest and most trusted financial centres, to reliable medical care, to international schools, supermarkets and buying a car, it is easy for people to transplant their lives here, whether they are relocating full- or part-time.

Read more: Inside one of the world’s most exclusive business networks

To have a home on Baha Mar is to live on one of the most covetable of Caribbean bases. Conroy says: “You have these two globally recognised brands in one of the best resorts in the world – that is formidable. Owners get butler and concierge services, complimentary valet, and we are one of the few resorts that doesn’t charge them a daily resort fee.” On top of this, people looking to decorate their new homes can make use of the resort’s superior arts programme. A dedicated local curator will help them choose (or even commission) Bahamian work to display. Owners also receive 15% preferential pricing in many of the resort’s restaurants, shops and spas.

Baha Mar has almost 50 restaurants and bars, with cuisines ranging from Mexican to Chinese. There are nine tennis courts (including grass), as well as a Jack Nicklaus signature golf course (with 24 free rounds of golf annually for homeowners ), VIP entrance to Baha Mar’s Bond nightclub and Platinum status at the largest casino in the Caribbean (007 fans will feel like they have a starring role in Casino Royale, which was filmed on the island). Residents are also gifted VIP access to NEXUS Club by the eponymous luxury hospitality company founded by singer-songwriter-actor Justin Timberlake, the Tavistock Group’s Joe Lewis, and golfers Tiger Woods and Ernie Els.

Being part of a branded community guarantees certain standards, as well as international neighbours from a variety of backgrounds. The offshore lifestyle, of course, is key. Baha Mar has its own private island, Long Cay, which can be hired exclusively for parties and which has its own rum tasting room. It also has VIP use of the superyachts (213-ft/65m) Eternity I and II for private charter. Quirky touches at Baha Mar include Airstream food trucks and a daiquiri shack on the beach. Although residents can use two on-site spas (one of which is a flagship ESPA), treatments can be arranged at home. Gourmet meals can be cooked by in-house chefs.

Open plan living area decorated in white contemporary furnishings

A residence at SLS Baha Mar

How can buyers choose between the SLS and the Rosewood? Luigi Romaniello, managing director at the Rosewood Baha Mar, says: “The residences at Rosewood Baha Mar offer owners the opportunity to bask in the comforts of a home while indulging in the benefits of a five-star, world-class, luxury resort. Owners also become part of the elite Rosewood Residences global network. Worldwide privileges include preferred rates, special food, beverage and spa benefits, and VIP courtesies and treatment across Rosewood Hotels and Resorts.”

Meanwhile, Richard Alexander, general manager of the SLS Baha Mar, says: “Ownership at SLS Baha Mar provides a Bahamian retreat for contemporary global citizens and the opportunity to connect with a discerning community. Blending sleek design, an impressive array of culinary offerings and elegant nightlife, SLS Baha Mar residences are a rare and unique proposition surrounded by sparkling turquoise waters. More than a home – they are ushering in a new era of glamour in the Caribbean.” Where do we sign?

Baha Mar living – the facts

Number of residences Rosewood: 91; SLS: 107
Price range Rosewood: $995,000–$25m; SLS: $726,500–$4.2m
Types of property Rosewood: one- to three-bed apartments with balconies; three- to six-bed beachfront villas with terraces, hot tubs, outdoor showers and workout areas; SLS: one- to three- bed residences with terraces and sea views
Tax advantages no income tax, corporate tax, capital gains tax, wealth tax or inheritance tax for most nationalities
Services and amenities NEXUS Club Baha Mar membership, 24 annual free rounds at the Jack Nicklaus Signature Royal Blue club, Platinum-tier status at Baha Mar Casino Club Blu, VIP access to Bond nightclub, VIP reservations at Baha Mar restaurants, concierge and complimentary valet
Nearest airports Lynden Pindling, 9.5km away; private jet terminals
Non-stop flights British Airways from London; American Airlines from Miami and Charlotte; Delta Air Lines, JetBlue and United from New York; Delta from Atlanta; JetBlue and Delta from Boston; United from Chicago; Air Canada and Westjet from Toronto; Bahamasair from Houston and Miami and Ft Lauderdale

Find out more: residences.bahamar.com

This article was originally published in the Summer 19 Issue

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Reading time: 5 min
Contemporary concrete architectural entrance way to a building
Sloping vineyards with a house in the far distance

The vineyards of Masseto slope down towards the sea from the mountains of Tuscany’s Maremma region

Masseto, Italy’s most celebrated wine, is made from spectacular vineyards by the Tuscan coast, backed by ancient forests, looking out over the Mediterranean. This spring, it received a stunning new winery, whose wonders are all contained underneath the blue clay soil, as Darius Sanai, one of the wine’s most obsessive aficionados, discovers

Photography by Marius W Hansen

As you approach the Masseto winery, the overwhelming feeling is one of luminescence. There is a glow from above, and behind, as if the narrow road you’re driving along is the entrance to some new, celestial world.

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There are three shades to the luminescence. The piercing blue of the sky (the sky always seems to be blue around here in the Maremma, the coastal strip of Tuscany halfway between Pisa and Rome); the deep primordial green ahead, which emanates not from the vineyards that surround you but from a thick forest on the mountains in front, forest that looks as wild as it must have been in prehistoric times, with little or no sign of human intervention; and then there is a silver, which seems to come from a different direction altogether, subtle but enveloping. As the road heads up the slope through the vineyards and towards the new winery, you feel that you’re about to be welcomed through into another world.

Contemporary concrete architectural entrance way to a building

The entrance to the new winemaking buildings at Masseto winery

All this makes the entrance itself to the new winery, which opened this spring, even more remarkable. Rather than a great ziggurat to commemorate the otherworldly location of the home of one of the world’s greatest wines, you are greeted by a building that seems to sink far into the mountainside.

And this, perhaps, is the point. It is only when you enter between the stone sentinels at the entrance to the new winery, and disappear into the blue clay soil, that the adventure really begins.

A slim wine cellar with bottles from floor to ceiling

Masseto is perhaps the only Italian wine that has passed into the pantheon of high-luxury brands. It is a wine venerated by connoisseurs, while its serving is also seen as a mark of the ultimate respect by those with just a passing interest in wine, along with names like Pétrus, Lafite, Latour and Domaine de la Romanée- Conti – all the others are French. All the more remarkable, since Masseto has only been a wine since 1987. And since its birth, until the opening of the new winery in 2019, it has always been seen as the ‘big sister’ wine of Ornellaia, made on the same premises.

Read more: Karl-Friedrich Scheufele on Chopard’s partnership with Mille Miglia

This spring, Masseto finally received its own home, distinct from its sister wine, a few hundred metres away on another part of the same slope. The new winery is one of the most striking creations of anything in the increasingly rarefied world of fine wine.

Amid the vineyards, there is a beautiful classical building, terraced, with views across the vineyards and to the Mediterranean Sea, just a couple of miles away. It is the sea that gives Masseto’s vineyards their luminescence, and the wines themselves a kind of olfactory luminescence, lifting up and away, balancing the richness and power and complexity with a kind of angelic delicacy only the very greatest wines in the world can achieve.

Underground wine cellar designed in contemporary architecture

A table of red grapes being sorted by hands wearing white gloves

The glass-cube tasting room, and some of the merlot grapes harvested from the vineyard

But enter inside, and underground, and you are in a different universe. The landing area drops away to a vast, concrete-lined chamber, more redolent of a modern Abu Simbel in ancient Egypt than of a place where wine is made. Rows of wooden barriques line the room; everything is perfect, geometrically, but also puzzling, as if you have entered a kind of contemporary MC Escher drawing. A concrete wall swings open to reveal a room lined with what seem at first to be beautiful black tiles, but turns out to be the ends of Masseto bottles, stored geometrically in racks, black against the grey of the stone. Most remarkable of all is a glass tasting room, a cube in the middle of the winery, where you can taste wines looked on by the wines themselves, buried in the deep underbelly of Tuscany.

The architecture is the creation of Milan-based firm ZitoMori Studio. Masseto CEO Giovanni Geddes da Filicaja comments: “Years of planning and effort have been dedicated to building the right home for Masseto. One that consolidates three decades of experience, where every aspect has been designed to meet the winemaking team’s highly detailed requirements.”

Ordered lines of wine vines in a sloping field

Contemporary clean architecture of a wall and door leading into a wine cellar

The orderliness of the vineyards outside are matched by the clean and uncluttered design of the new winery buildings

Colour portrait of a middle-aged business man

Giovanni Geddes de Filicaja, CEO of Masseto

Commercial director Alex Belson comments about the architecture: “The architectural brief specified the winery must be a masterpiece in its own right. Quite simply, we needed to give Masseto the home it deserves and its own architectural identity. The brief also stipulated the winery must have minimal visual impact, and that the existing Masseto House (a classified building on the hill above the vineyard) be restored with integrity and to meet Italian architectural heritage requirements.”

To do this, says Japanese-born architect Hikaru Mori, “We created a series of spaces, not by construction but by extraction from the hill’s monolithic mass. The diverse internal volumes, heights and levels are reminiscent of a gold mine as it follows seams of precious metal to the core.”

Man picking purple grapes on a vineyard

Axel Heinz, Masseto’s Estate Director

But the architecture would mean nothing without the wine, and Masseto is a wine that is even more special than its setting. Axel Heinz, the estate’s director, has been in charge of the winemaking since 2005 and he says, “The core of Masseto, its warp thread, is a Mahler symphony played by a full orchestra. The weft is a small chamber music ensemble. It’s that orchestral power that needs very careful handling. It has to be balanced by the softer elements, which add complexity. People sometimes describe Masseto as single vineyard wine, but it’s not. There’s an incredible range of plot expressions and different proportions of clay, gravel and earth. It’s more like an intricate patchwork, with the blue clay at its core.”

Heinz also pays tribute to the importance of the sea, both in the light it donates to the vineyards, and the cooling breezes that temper the summer heat and give the wine its freshness, however ripe the vintage. But like the greatest wines, and the greatest poetry, and the greatest vistas, you cannot analyse the beauty of Masseto. It comes from the soil, the grapes, the winemaking, the weather, the microbiome of the earth, the human appreciation of the aesthetic, both in taste and in vision.

For me, Masseto shares with a handful of wines the distinction of being rich, powerful and deep, and also feather light, almost transparent. A big, rich red wine that lifts you up, with a thousand nuances. Different vintages have different characteristics, but there is a commonality in this lightness of being that differentiates it from any other wine I have had from Italy, and which it shares with a clutch of peers at the tip of the world wine tree. Grape variety is irrelevant here. One or two of the great Napa Cabernet Sauvignons have it, as do a handful of top Bordeaux names, and the greatest (and eye-wateringly expensive) wines from the likes of Domaine de la Romanée-Conti, Domaine Leroy, Mugnier and Armand Rousseau from Burgundy. In the context of many of these peers, Masseto, whose price has rocketed over the past few years, seems positively decent value.

And none of them have a view of the Mediterranean across the coast of the Maremma. It’s going to be fun tasting future vintages in that glass tasting room.

Find out more: masseto.com

This article was originally published in the Summer 19 Issue

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Reading time: 6 min
Architectural render of a public space and contemporary apartment buildings
Architectural render of a public space and contemporary apartment buildings

Exterior render of the new One Monte-Carlo residences in Monaco

The new One Monte-Carlo development could just be the swankiest place in the world for you to hang out with your money, your trophy spouse, and your Ferrari

Wander to your living room window, glass of Cristal in hand, open the balcony door and step out into a view of the Casino de Monte-Carlo, and beyond it, the Mediterranean. Feel the need for an emergency handbag? No problem, a flagship Louis Vuitton is just downstairs.

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Welcome to One Monte-Carlo. To call the development, created by Richard Rogers, the celebrated British architect, and Bruno Moinard, ‘interior architect’ to the stars, lavish would be a dramatic understatement. Built next to the Hôtel de Paris on Casino Square, and opened amid much champagne this spring, One M-C bring new heights of extravagance to a principality not exactly unknown for its swanky places for you and your money to live.

Architectural render of apartment building and courtyard

Render of One M-C residences and public space

Luxury apartment interiors decorated in neutral colours with wooden floors

Architectural render of a luxurious marble bathroom

Designed by Richard Rogers, One Monte Carlo houses 37 luxury apartments and dozens of retail stores

Moinard, responsible for the contemporary yet warm interiors of luxury temples such as the Plaza Athénée and Château Latour, tells LUX that, “in line with the vision of Monaco’s future, we used materials that give life and humanity to this exceptional project”. Combined with Rogers’ curvaceous forms, this gives One M-C a sense of the mountains overlooking the city. Some of the principality’s bland 1960s apartment blocks must now be feeling ashamed of themselves.

The catch? You can never own in One M-C: the apartments are available for long-term rental only, and most have already been snapped up. Worth selling your LaFerrari for a year’s rental? We would.

Find out more: montecarlosbm.com/en/hotel-monaco/residences

This article was originally published in the Summer 19 Issue

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Reading time: 1 min
Luxury hotel cottage rooms made from red clay with cactus trees in the foreground
Luxury hotel resort on a hillside

Blue Palace sprawls up a rugged hillside with spectacular views over the ocean

Why should I go now?

Most people go to the Greek islands in summer, but springtime is a far more pleasant time to visit. It’s breezy and warm, rather than insufferably hot (right now, for example, temperatures are in the low to mid twenties) and much less crowded. Plus, Crete is at its most beautiful and fragrant with the wild flowers in full bloom.

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What’s the lowdown?

Blue Palace sits tucked away in the Gulf of Elounda, roughly an hour’s drive from Heraklion Airport. It’s a big resort, with hundreds of rooms sprawling up the side of rugged slope, but since its built entirely from local stone, it blends beautifully into the landscape and has the appearance of a pretty hillside village. Guests are driven up a private road to the impressive open-air lobby, with huge arches framing the ocean and a long pool that comes halfway inside. This is just one of the many pools at the hotel, many of the rooms have their own infinity pools and there are several down on the beach. As you wander through the grounds you have the impression of being surrounded by soothing blue – the pools, sky and ocean.

A grand luxury swimming pool area with arched building and palm trees

Blue Palace’s grand lobby area and one of the resort’s many swimming pools. Photography by James Houston

In the distance, lies the historic Spinalonga Island, an ex-leper colony and UNESCO World Heritage site. It’s close enough to swim to (or so we’re told), but we take a speed boat accompanied by a wonderfully passionate guide, who tells us that she escorted Lady Gaga on the same trip not so long ago. Other activities include water-sports and various cultural trips. The wine tasting on-board a traditional wooden caïque was one of our highlights, where we got to sample local wines and cheese whilst floating on the azure waters of a secluded cove. On the private beach, suite guests are granted access to the VIP area where they given baskets containing fluffy towels, magazines and refreshing wipes. There’s also a spa with a hammam, sauna, indoor swimming pool and treatment rooms.

Read more: 6 artists creating experiential art

True to Greek culture, the resort is hugely passionate about food with five excellent restaurants to choose from. Anthós is the most romantic (reserve a table on the terrace to dine alfresco and for the best views), but Blue Door is the most fun. Housed inside an old fisherman’s cottage right on the edge of the sea, its in the style of a traditional Greek taverna and serves delicious, authentic Greek cuisine. On the feast nights, there’s live music and dancing. The food comes in vast quantities with an array of delicious dips, breads, fresh fish and “antikristo” lamb, which is slowly cooked for five hours above a bonfire. Be warned: entrance to the restaurant is granted after a large shot of ouzo and guests tend to be coerced into dancing later in the night. This is all part of the wonderful Greek hospitality that makes the resort’s staff some of the warmest, most genuine that we’ve encountered.

Luxury beach with swimming pool and views of islands in the distance

The resort’s private pebble beach with views of Spinalonga island (to the left) in the distance. Photography by James Houston

Getting horizontal

Our suite, named Santorini after the blue and white isle, followed the same theme of nautical colours with elegant, contemporary furnishings, a separate living room, bedroom and a secluded courtyard with a private pool. It was the perfect balance of luxurious and homely.

Flipside

The only thing that felt inconsistent with the resort’s relaxed vibe was the VIP area at breakfast, where suite guests are led to tables on a roped-off platform. It felt a little too exhibitionist for our tastes, and if necessary, it could have been arranged more subtly as it was on the beach.

Millie Walton

Rates: From 235 EUR for a Superior Bungalow Sea View room incl. taxes & breakfast (approx. £200 / $250)

Book your stay: bluepalace.gr

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Reading time: 3 min
A classic car driving along a mountainous road
A classic car driving along a mountainous road

The Mille Miglia endurance race winds its way through Italy’s most beautiful landscapes

The Mille Miglia is one of the world’s most prestigious motor-racing events. Founded in 1927 as a speed race, today it sees classic-car lovers from all over the world congregate in the northern Italian town of Brescia for a regularity race to Rome and back, taking them through some of the most beautiful landscapes in the world. As it celebrates over a century of racing, the Mille Miglia is going from strength to strength – most recently by welcoming a new major sponsor in the form of Deutsche Bank Wealth Management. Ahead of this year’s edition, Anna Wallace-Thompson speaks to Chopard co-president and regular participant Karl-Friedrich Scheufele about Chopard’s three decade-long partnership with the event

It’s a balmy spring day in May, the kind where it’s warm in the sun and cool in the shade. We’re in the north of Italy, and hundreds of thousands of people are milling around in narrow, medieval streets, congregating around classic cars in bright racing colours of red, yellow, blue, silver and dark green. Cars are parked side by side in piazzas, or nose to tail in between buildings, wherever there is space. Suddenly, amongst the all-pervasive rattling and purring of some 400 engines, a sonic boom marks the whirring, whining rush of fighter jets soaring overhead, trailing streams of red, white and green smoke. It’s a heady mix.

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This is the starting day of the Mille Miglia, the world’s most celebrated classic car regularity race. Every year, it starts in Brescia and attracts car lovers and celebrities alike. Participants have included Rowan Atkinson, Jay Leno, Jeremy Irons, the ‘Flying Finn’ and F1 legend Mika Häkkinen, and, back in its earlier days, legends such as Juan Manuel Fangio and Stirling Moss. Originally an open-road endurance race looping from Brescia to Rome and back again, it was established by two young counts (as all such events deserve to be), Aymo Maggi and Franco Mazzotti. Together with sports manager Renzo Castagneto and the motoring journalist Giovanni Canestrini, they envisaged the Mille Miglia as Brescia’s answer to the Italian Grand Prix (purloined after just one year from Brescia in 1922 and moved to Monza, which remains its home today).

Vintage photograph of famous racing driver Jacky Ickx waiting at starting line

Karl-Friedrich Scheufele and Jacky Ickx waiting for the departure of the 1989 Mille Miglia

The original Mille Miglia (literally ‘a thousand miles’) was founded in 1927 and named after the Roman mile (not the American imperial system, as Mussolini suspected, or, at least, so the story goes) and ran in fits and starts until 1957. It was paused after a fatal crash in 1937, and again during the second world war, before a second fatal crash in 1957 saw it permanently closed. This was not, however, before Moss made racing history in 1955 when he not only left Fangio in second place to win the Mille Miglia, but beat the Italian by a staggering 30 minutes, becoming the first British driver in the event’s history to win. The secret to his still unbroken record of 10 hours, 7 minutes and 48 seconds (that translates to an average of 98.53 mph) lay in the detailed track notes he and co-driver Denis Jenkinson devised – common practice today, but not so much in the mid 50s.

Read more: Sassan Behnam-Bakhtiar discusses Iranian art at artmonte-carlo

Fast forward two decades, and the race was revived in its current form in 1977 as a regularity race around an annually changing route through some of Italy’s most beautiful landscapes. Racers no longer hurtle through the Italian countryside at breakneck speed. The challenge now is no longer on who can reach the finishing line first, but in the maintenance, precision and control of handling vintage cars that took part in the original races.

Close up shot of the steering wheel of a vintage red Ferrari

Mille Miglia 2017 © Alexandra Pauli for Chopard

Another challenge is being allowed to take part. The Mille Miglia is one of the world’s most exclusive races and entry is either by invitation, or through a stringent application process where entry per car (yes, per car) is €7,000 (plus VAT) and dependent on a complex array of certification and documentation.

Participants should also have very good insurance. As any classic car collector will know, the combined total worth of the cars here soars into the hundreds of millions. While some are valued in the (relatively modest) hundreds of thousands, the upper end can be eye-watering. To give an idea, the 2016 Artcurial hammer price for the 1957 Ferrari 315 S that came second place in that year’s Mille Miglia was a cool US$35.7 million. Fangio’s 1956 Ferrari 290 MM, meanwhile, is valued at US$28 million. But this is the price one pays for being a part of history.

Product image of a Chopard watch with black strap

Chopard Mille Miglia 2018 Race Edition in Black

“We are dealing with the culture of the automobile, of course, but also the culture of an incredible country,” notes Karl-Friedrich Scheufele, co-president of Chopard, which is celebrating 30 years of partnership with Mille Miglia (manifested through sponsorship as well as an annual special edition watch). “I think the most beautiful landscape is in Tuscany,” he continues. “There are hills you have to go up and down, which is a challenge, and the views are breathtaking. There are times I have to remind myself that I must concentrate on the driving. It is such a privilege to drive through places like Siena, to find yourself crossing the Piazza del Campo – well, it’s like entering a live museum. The Mille Miglia takes you to historic places one might never otherwise visit.”

This is no exaggeration, for the Mille Miglia is indeed like a living, breathing open-air museum. The oldest cars taking part are more than 90 years old – this year’s race included an OM 665 S Superba 2000, a Bugatti T 35 Grand Prix and a Bentley 3 Litre, all from 1925, as well as a quirky torpedo-shaped Amilcar CGSS Siluro Corsa from 1926 (complete with leather strap to hold the bonnet shut).

Read more: Knight Frank’s Chairman Alistair Elliott on research and tech

That leather strap is indicative of the attention to detail the Mille Miglia fosters. The joy participants take is evident not just in the pristine condition of the cars themselves (often referred to as “better than new”), but in the smallest of details – from old-fashioned racing goggles and leather caps down to vintage suitcases placed in luggage racks. However, to label the Mille Miglia quaint would be misleading – these are serious car and racing aficionados and the appreciation for what goes on under the hood is just as important as the beautiful paint jobs that keep the cars gleaming.

Scheufele himself has taken part in the race 28 times in the 30 years that Chopard has been official partner and timekeeper. “What really caught my attention was the immense enthusiasm that the spectators and general public had for this event, and for the participants,” he says. “Back then, of course, the whole event was much smaller – but you could already sense that it was on the way to becoming something much larger and more international.” With this in mind, Scheufele set about convincing his father, Chopard owner Karl Scheufele, of the merits of sponsoring the event. His efforts were successful, and in 1988, Chopard came on board as historical partner and official timekeeper. And the rest, as they say, is history.

Crowds of people gather in a square for the start of Mille Miglia

A line of classic cars passing along a road

Mille Miglia 2017 © Alexandra Pauli for Chopard

To watch the race get underway in Brescia’s Viale Venezia is to experience intense exhilaration. The anticipation in the air is palpable; it creates a rush of adrenalin that is contagious. One could argue any racing event would have a similar effect, but with the Mille Miglia, it is the added sense that one is taking part, somehow, in history, as past and present collide. The parade of cars is a colourful spectacle, of Ford Thunderbirds and other models long since relegated to the annals of history – cars by makers such as Austin-Healey, OM, Lancia, BNC, Riley, Siata and Sunbeam roll on by, alongside grand tourers by the likes of Maserati, Fiat, Renault, Saab, BMW, Alfa Romeo, and Jaguar. There’s even a Triumph TR3.

Scheufele himself has been driving a 1957 silver Porsche 550 Spyder A/1500 RS in recent years, with his regular navigator, none other than ‘Monsieur Le Mans’, the racing great, Belgian Jacky Ickx (this year followed closely in the lineup by German sports car racer Timo Bernhard and Hollywood actor-turned-artist Adrien Brody in a 1955 Porsche 356 1500). “That Porsche Spyder is not just an icon, I love to drive it,” says Scheufele. “It’s light, and nimble, it’s just a delight to drive.”

Racing driver Jacky Ickx with Karl-Friedrich Scheufele

Karl-Friedrich Scheufele and Jacky Ickx preparing their Mille Miglia race in 1989

And delight is precisely the concept of this race. It has made the Mille Miglia such an enduring and significant event on the international racing calendar. As any classic car aficionado will tell you, the joy is in the handling of a purely mechanical engine, an analogue driving experience with electronics, no power steering, no ABS brakes (in fact, barely any brakes at all in the modern sense of the word), no traction control to help you out if you get a corner wrong, and in the pure physicality of driving in an age of ever-increasing automation. It is also quite something to see these cars out and ‘alive’, and not as static museum exhibits. “The experience here is a tangible one,” says Scheufele. “You can open the hood of these cars and understand what’s going on. In a modern car, often you simply have no idea, everything is managed by electronic equipment. I think the classic car is one of the last areas in which you can actually experience an element of freedom in taking it out on the road.” Imagine the sight of a gorgeous two-tone 1931 Alfa Romeo 6C 1750 GS Aprile, a bright green supercharged MG C-Type from 1932 or a 1954 lemon-yellow Lincoln Capri (although the most popular car by far is the mid-1950s Mercedes-Benz 300 SL ‘Gullwing’ Coupé, of Stirling Moss fame).

Read more: A journey to the Kimberley with Geoffrey Kent

Nobody seems to consider that the Mille Miglia could result in damage to some very expensive vintage machinery. “Back when the first enthusiasts came to the Mille Miglia, I don’t think they were really considering their cars as investments,” says Scheufele. “Even today, I personally consider my cars to be firstly objects for my passion, and then on a secondary level I think, OK, they have increased in value, but I would never buy a car for that reason alone, just as I would never buy a painting for that reason – but some people do!”

Looking to the future, however, Scheufele is keen to maintain quality over ambitious expansion plans. “Now, I think the challenge for the Mille Miglia is to maintain this standard, and in one sense, not to grow any further,” muses Scheufele. “There are many logistical challenges to getting this caravan around Italy while offering every participant a reasonable level of quality, and I think that can only be achieved by tightly reviewing the number of participants that take part.”

So, let’s go back to that balmy spring day. As the sun sets and the last of the cars have set off, the heavens open and rain pelts down on the Lombardy landscape. Those of us warm and safe indoors spare a thought for the many open-top cars and the drivers who are currently getting soaked – although for them, it’s all part of the authenticity of the experience. But when the next morning dawns warm and dry, and the sun shines over Italy and the wind is in your hair and your engine is purring, could there be anything more glorious?

The 2019 Mille Miglia runs from 15 – 18 May. For more information visit: 1000miglia.it

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Reading time: 10 min
Horizontal Falls in Talbot Bay, The Kimberley, Australia
Horizontal Falls in Talbot Bay, The Kimberley, Australia

The Horizontal Falls in Talbot Bay are regarded as one of the greatest wonders of the natural world. Image courtesy of Abercombie & Kent

Fresh from an expedition to the South Pole, Abercrombie & Kent Founder and LUX contributor Geoffrey Kent is planning his next trip to Australia’s last frontier: the Kimberley. Here, he shares his exclusive itinerary

At journey’s end, any passionate traveller knows the conflict of wanderlust: the more destinations you visit, the more you desire to see. Having completed another hugely successful and enjoyable expedition, to the South Pole at the very end of 2018, my thoughts are now turning to other exciting destinations for the intrepid.

In the far western corner of Australia lies a rugged and rarely seen frontier, enveloped by dramatic coastlines, gravity-defying waterfalls, ancient indigenous art and sheer wilderness.

It’s a vast and beautiful landscape of red dirt as ancient as the country’s Aboriginal history and as far away from the Australia trope as you can get. It’s the Australia we often read about but don’t often witness. It is, of course, the Kimberley.

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Revered as being one of Australia’s last frontiers, the Kimberley occupies almost 17 per cent of Western Australia, stretches for 421,000 kilometres and is as idiosyncratic as it is extreme. Home to sacred indigenous rock art, caves, and shelters as well as crashing waterfalls, rugged coastlines, unforgiving deserts, and limestone ranges, the isolation of this part of the planet only adds to its beauty.

Unusual dome shaped rock formations in a national park

Rock formations in the Purnululu National Park known as Bungle Bungles. Image by Ben Carless

But when it comes to exploring the Kimberley (an area larger than 75 percent of the world’s countries), it could be hard to know how best to go about visiting, especially if, like me, you crave adventure by day, luxury by night. The answer, of course, is boutique cruise ship or superyacht, backed up by helicopters and small fixed-wing planes. The feeling of climbing into a cosy bed with high-thread-count sheets after a day exploring a land off the beaten path – off any path, really, is indescribable.

Let’s begin a journey to the Kimberley:

Broome

A country township built on the mother-of-pearl industry, Broome had to quickly reinvent itself when the arrival of the now innocuous plastic button ended the world’s need for mother-of-pearl almost overnight. Luckily Broome is splendid, so when the town switched its focus from trade to tourism, business continued to boom. At its most popular during the dry season (April to October) Broome’s beauty really becomes apparent at sunset – particularly if you’re lucky enough to witness the Staircase to the Moon, Western Australia’s version of the Northern Lights. This natural phenomenon happens when the full moon rises at a low tide and casts its glow over Broome’s exposed mudflats. What’s left is a stunning optical illusion of golden steps rising out of the Indian Ocean. It’s best seen from Roebuck Bay, but you can catch it all along the coast.

Read more: Andermatt’s Mystical Mountains documentary series

Bungle Bungles

These stunning rock formations are found among the remoteness of the Purnululu National Park and have been sculpted by millions of years of erosion into the tiger-striped, beehive domes they are today. You must see them from above to appreciate the sheer scale of this fascinating and fragile rock massif, which stretches for more than 240 square kilometres.

Birds landing onto turquoise coloured sea

The Lacepede Islands are home to green turtles and many bird species. Image courtesy of Abercrombie & Kent

Lacepede Islands

Set atop a coral reef, these four low-lying cay islands are an important nesting site for green turtles and several bird species including brown boobies, red-chested frigates, crested terns and speckled ruddy turnstones.

Horizontal Falls

Hop aboard a boat and take a trip to see Horizontal Falls. This phenomenon can be found in Talbot Bay. David Attenborough called these falls “one of the greatest natural wonders of the world” – the horizontally flowing waterfalls are created when massive tidal currents squeeze through two narrow gorges.

A rocky beach cove with low overhanging cliffs

Swift Bay is the site of ancient rock paintings

Mitchell Falls

Take a helicopter ride across the rugged Mitchell Plateau and over the top of the sandstone-carved Mitchell Falls and its tumbling cataracts. Alight to explore the area on foot, perhaps enjoying a refreshing swim in the emerald-coloured, pristine freshwater pools formed by the falls.

Read more: Inside Bangladesh’s Rohingya refugee camps

Swift Bay

Named after the author of Gulliver’s Travels, Jonathan Swift. Located in the Bonaparte Archipelago and sacred to the Worrorra people, Swift Bay is the site of an incredible array of indigenous rock – the Wandjina (or Wanjina) style as well as the older Gwion-Gwion (or Bradshaw) style.

If I’ve ignited your curiosity and you can feel a visit to this historical and mythical part of the world becoming paramount, join the club, I’m fixated on the Kimberley. Meet you there?

Abercrombie & Kent will be hosting a Luxury Expedition Cruise to Kimberley in 2020. For more information visit: abercrombiekent.co.uk

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Reading time: 4 min
A Rohingya refugee child in a camp in Bangladesh
Image of a refugee child in Bangladesh camp
Last year, 13-year-old Dagmar Rothschild travelled to Bangladesh to visit the Rohingya refugee camps with the non-profit organisation BRAC. Here the young writer reflects on her journey and the impacts of discrimination

All photography by Dagmar Rothschild

I walk along the narrow dirt paths with sewage flowing through the gutters, the sound of screaming children fills the air. The roads are lined with huts held up by thin pieces of bamboo. I turn around looking at the thousands of tents that seem to go on forever as no matter how far I look it seems as if the people and the tents don’t stop. Standing in the centre of one of the largest refugee camps in the world which holds nearly a million Rohingya refugees, I feel as if I have been transported into another world.

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A large number of Rohingya refugees fled from Myanmar to Bangladesh in August 2017 because they claim that the Burmese government was persecuting them for their religious (Muslim) beliefs. They say that fleeing the country was the only option since their jobs were being taken away, their houses were being burned down and the military had been using violence against them. The refugees reported shootings, beatings and rapes.

As I travelled through the camps, I began to realise that although nobody could ever call a place like this home, at least it provided the refugees with a feeling of safety, which is something that many of them have rarely experienced. Although the Rohingya have no form of citizenship (the Myanmar government did not issue them passports), they do have shelter, healthcare, food, water, and primary education. Yet, I still sensed a profound feeling of loss. Not only had they lost everything they had treasured most in the past, but they also had lost all hope for the future. What I wanted to find out is: how you could provide such a significant number of people with the essentials to live in such a short amount of time and what the future might look like for the Rohingya people.

Panoramic photograph of temporary housing in a refugee camp

A child inside a refugee camp in Bangladesh

I was a guest of BRAC (formerly known as Bangladesh Rehabilitation Assistance Committee), an NGO that has long been effectively active in Bangladesh working in the areas of healthcare, education, and micro-finance. BRAC was one of the first NGOs on the scene in Cox’s Bazar when the Rohingya started coming over and they are able to work quickly and efficiently because they know the country and the people. There were people from all walks of life in the refugee camp showing how the Burmese government was discriminating against a religion, not a class. The Bangladeshi government does not allow the refugees to go outside of the camp, so their opportunities for work are minimal. The adults are permitted to open a food stall or do small jobs around the community. People want to work, they want to support their family and not sit around all day because they have nothing to do. Throughout the camps many people are being trained on how to prevent disease spreading by washing their hands regularly in clean water and cooking food in a sanitary way.

A Rohingya refugee child in a camp in Bangladesh

I spent four days touring around the refugee camps, but I didn’t come close to seeing all of it. One of the things I was interested in is talking to young children. Children in the camps are encouraged to spend their days in a child-friendly space where they have access to a safe child-friendly environment and can get a standard education and interact with children their age. However, as I talked to these kids with a translator, I could tell that they were still afraid. They didn’t know whom to trust and when they would be able to sense the feeling of safety again. Although some children do spend their time in the child-friendly spaces, many other children spend their days either sitting in their tents or wandering the streets desperately looking for something to do, someone to talk to. Many children, girls in particular, are too scared even to leave their tents because they fear that they will be kidnapped and will have to relive their horrifying memories.

Read more: Model and stylist Mouchette Bell on Buddhism and Anna Wintour

I left these camps with questions and thoughts whirring around my brain. I’ve grown up in a world where I don’t have to worry about having to flee my country or having access to clean water. For me, these essentials to life were just handed to me, and I tend not to even think about it. From a young age, my parents always tried to teach me how lucky I was because there were people all around the world who were struggling, and it didn’t have anything to do with what they had done. I guess a lot of it is due to luck. I definitely would not be sitting here right now in my air-conditioned house typing on a laptop. Instead, I would be crunched up in the corner of a tent with 20 other people  wondering why I was there, what I had done. The Rohingya refugees did nothing wrong; they were persecuted and discriminated because of their beliefs. How could anyone let this happen?

We hear about acts of violence and discrimination every day. A lot of us think that something needs to change, but still most of us carry on with our everyday lives. That’s where the problem is, nothing is going to change if we don’t change it.

Find out how you can help: response.brac.net

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Velocity black branded truck in a desert facing sand dunes
Velocity black branded truck in a desert facing sand dunes

Velocity Black offers a start to finish booking service for high-net-worth individuals 

In 2014, Zia Yusuf quit his job at Goldman Sachs and started an online, ultra-luxury concierge service with his school friend Alex Macdonald. The business is run 100% digitally through the website and app, and membership is by invitation only. We put the co-founder in the hot seat for our 6 Questions interview slot.

Portrait of Velocity Black founder Zia Yusuf

Co-founder Zia Yusuf

1. What makes Velocity Black different to other lifestyle services?

Velocity Black is a members’ club reimagined for the digital age and engineered for those looking to lead a limitless life. Velocity Black is built on a breakthrough technology: the world’s first conversational mobile commerce engine for the affluent consumer. Our unique technology is disrupting several multi-trillion dollar industries at once, by re-imagining and simplifying the member experience for discovering and booking travel, dining, events and experiences. Built on the principal that the only thing we truly own is our story and everything else we are simply custodians of, Velocity Black liberates members to make their story as extraordinary as it can be. From planning round-the-world trips, to obtaining the most-sought after luxury goods, a dinner that’ll never be forgotten and original experiences like no other, Velocity Black turns what-ifs, into what’s next.

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We guarantee a response time of one minute 24/7, 365 days a year. We have enabled conversational commerce for the affluent consumer delivering personalised recommendations, automatic payment and fulfilment in real-time, around the clock.

2. How do millennials compare as customers to older generations?

Millennials are the ‘experience generation’. They are bringing a shift in consumptionVelocity Black app showing hotel booking service growth away from goods to experiences, valuing a meaningful life and memories shared over material goods. There is also an increase in awareness of the wellbeing of the planet and the effect of humanity on the environment and communities. Many millennials are increasingly looking to ‘give back’. We see that our members are particularly invested in global change.

In addition, instant messaging on smartphones is the preferred form of communication for millennials and they are much more likely to use messaging while travelling. Thanks to an ‘always on’ lifestyle, millennials live in an age of immediate gratification and our guaranteed response time appeals to this.

3. Will Velocity Black ever run out of experiences to offer?

We have delivered more than 45,000 experiences in 60 countries. We strive to assist members to live a limitless life of unforgettable moments and experiences. The world is our oyster. There is always a new experience or discovery to be had and we connect members to these.

Preview the Velocity Black world:

4. Your founding members include public figures such as Gigi Hadid and Vanessa Hudgens. Why is celebrity endorsement so important for the app?

These people work on extraordinary schedules. The reason they find value on our platform is because we make experiences so easy that all they have to do is go and get on a plane, or arrive at a restaurant. Our membership acquisition is based on an outstanding reputation and incredible offering.

5. What’s the craziest experience requested or organised through the app?

Our members benefit from being part of a closed community and we take privacy very seriously. I am therefore unable to disclose the nature of any individual requests, not even the really crazy ones!

6. Where do you go from here?

Velocity Black is one of the fastest growing tech start-ups and we don’t plan on slowing down. As voice search moves from novelty to habitual routine with time poor individuals looking to optimise their time however possible, you can expect to hear Siri and Alexa booking Velocity Black experiences on our member’s behalf. We will also be launching services in health care, real estate and art, later in 2019.

Find out more: velocity.black

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White cliffs of dover with the channel stretching into a blue horizon

Image of a DFDS ferry floating on the sea

The DFDS ferry from Dover to Calais only takes 90 minutes, but with beautiful views, good food, and the comforts of a VIP lounge, you’ll wish the journey was longer, says LUX’s Editor-in-Chief Darius Sanai

What is the most curious new development of early 2019 was a report stating that sales of paper maps are actually increasing. The report quoted extensively from the august merchant of the world’s greatest and most detailed maps, the cartographers Stanfords of Longacre in London. Apparently, in the era when your phone contains not just a map but predictions for exactly you should be doing in the confines of that map, the lure of the paper map is increasing, not decreasing – in some cases, anyway.

On the face of it, this seems bizarre. Why would we need a foldout map, when everything you might have a need to know about a journey is stored inside your phone, and by tapping your destination, it will not only tell you how to get there, it will tell you exactly how long it will take you to get there and how many people recommend the fish pie at each restaurant en route. Astonishing progress. Or is it?

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Think about that for a second: on a Google map, your journey across the country, or across the continent, is reduced to a simple statement of time. This is an amount of time, it is implied, that must be endured until you do what you actually need to do, which is is get to the stated destination at the other end. It completely ignores the fact that the journey might be an end itself, that the journey might be something to enjoy and indulge in.
White cliffs of dover with the channel stretching into a blue horizon

The iconic white cliffs of Dover

Your electronic devices all about maximising the efficiency of delivering a certain message in a certain way. Yet the art of travel is precisely the opposite. Your journey is not data to be downloaded in a microsecond. It is something to be indulged in and appreciated in itself, not simply a means to an end.

These days, there are many very efficient ways to get from Britain across the continent of Europe (Brexit aside), including a plethora of travel by aircraft to different hubs, high-speed trains, and of course the tunnel under the Channel. But all of these assume that the two points of interest in your journey are the beginning and the end, and nothing in between. Or, in the case of the tunnel, assuming that the speed with which you get from one side of the water to the other is more important than what’s above.

Read more: Ingenuity is crucial to human destiny

Until relatively recently you might have been forgiven for avoiding the option of ferry travel, as the vessels that sailed from the UK to France were not the most sophisticated, even though they had their own romance. So, recently, on a DFDS ferry from Dover to Calais, we were both delighted and astonished. An efficient cafeteria served a selection of French-biased food (real vegetables, properly cooked, accompanying meats of various types) which you could take and eat at your leisure in the refectory overlooking the stern of the ship. France, to start with a line in the distance, became a distinct outline of cliffs, beaches, and buildings by the end of the meal.

Meanwhile, a walk round to the outside deck at the back revealed the cliffs of Dover, slowly fading into the haze, as we left the seagulls behind.

Luxury ferry lounge with leather chairs

The VIP lounge offers a comfortable space for travellers to relax and enjoy the views

But the most compelling aspect of all, besides the views, and the sense of reality that you are crossing a body of water between one part of the continent to another (a body of water that has proved the difference between independence and conquest for Britain since 1066), was the simple comfort of the VIP lounge. Here for an extra fare, you can relax in absolute silence on the array of sofas and help yourself to a selection of drinks and snacks. And read magazines and newspapers while watching the world go by for the windows. As an element of a long journey, it is a real respite break for drivers and passengers. It is not inaccurate to say that we were rather disappointed with the announcement that came after just over an hour into the journey, that we would soon be disembarking at Calais.

And there’s the rub. Taking the ferry is actually barely any slower than going underground when all the elements of boarding and embarkation are taken into account. If it’s rough, you may wish to spend a bit more time outside, but you still feel like you have been somewhere, properly traveled, rather than simply been transported. We will be doing it again this summer.

Book your journey: dfdsseaways.co.uk

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South african open air safari camp pictured at night
South african open air safari camp pictured at night

The safari deck at Selati Camp with views across the bush

Why should I go now?

Whilst the frost is settling over Europe, it’s summer in South Africa and the sun is scorching.

The Sabi Sand Wildtuin is an unfenced private game reserve stretching a massive 60,000 hectares of pure, uninterrupted wilderness. It’s situated adjacent to the Kruger National Park and is regarded as one of the top safari destinations in the country; home to the Big Five (i.e. lion, leopard, rhino, buffalo and elephant) and over 200 other animals.

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Aside from the game drives, “Tshamakahle”, “stay well” in Shangaan (the local language of Sabi Sands) is the only item on the To Do list.

Suite at a traditional luxury safari camp in africa with vintage furnishings

The Ivory Presidential suite with a private plunge pool

What’s the lowdown?

The Selati Camp is one of four luxury all-suite lodges at Sabi Sabi. Intimate with a classic, vintage aesthetic (think thatched roofs and original antiques), the vibe is elegant yet eclectic. The service style is old school, though not too formal, and very personable. Nothing feels too much to ask.

The safari experience generally follows the same routine: at 5.30am the ranger comes knocking on your door for the morning drive, which might sound horrifying but this is the best time to spot the animals before they all slink away into the shade. To soften the blow, there are blankets and hot water bottles in the trucks, and after an hour or two of driving, there’s often a pitstop for breakfast in the bush.

Read more: We speak to designer Mandkhai Jargalsaikhan about Mongolian cashmere

After that, the rest of the day is left open for snoozing, sunbathing, book reading, drawing or whatever else takes your fancy. The evening safari starts at 4pm, returning in time for dinner.

An alfresco bath tub surrounded by candles

An outdoor bathtub beside one of the luxury suites

Getting horizontal

We loved the earthy colour palette, natural textures and the grandeur of the four poster bed draped with a curtain.

There are no fences around the lodges and our shower and bath were alfresco, which all added to the feeling of being at one with nature.

Flipside

The Sabi Sabi Private Game Reserve is perfect to get to by private plane from Nelspruit (less than 15 minutes in the air), but if you arrive after dark they won’t let you land on the Sabi Sabi airstrip because it’s too hard to keep the animals off the run way.

Rates: From £650 (approx. €750 /$850 ) per person per night, all inclusive.

To book your stay visit: sabisabi.com/lodges/selaticamp

Kitty Harris

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Luxury indoor swimming pool surrounded by plants inside a glass atrium
Luxury indoor swimming pool surrounded by plants inside a glass atrium

The Rosewood Beijing is one of Grand Luxury’s handpicked hotels

Grand Luxury is a curated hotel booking site and a concierge service through which clients can arrange exclusive, once-in-a-lifetime experiences. LUX speaks to the company’s founders, brothers Ivan and Rouslan Lartisien about handpicking their hotels, delivering first-class service and making the impossible possible
Colour portrait of founders of Grand Luxury Ivan and Rouslan Lartisien

Ivan and Rouslan Lartisien

LUX: How did you take Grand Luxury from a start-up to a global business?
Ivan & Rouslan Lartisien: From a 3-person company in a maid’s room to a 100-person company based in Paris, London, Dubai, Mauritius, Philippines, Romania and Italy, Grand Luxury has changed entirely in just 10 years. To better serve our individual clientele, we strive to continuously exceed the boundaries of personalisation. We are now the 2nd largest booking force for luxury hotels in Milan, London, Paris, Marrakech. In 2018, we have also become the leading EMEA agency on the luxury segment. The explanation might come from the fact that since the very beginning we have always been truthful to our original values.

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LUX: You handpicked all of the 350 hotels in the booking collection, did you visit them all and what were you looking for?
Ivan & Rouslan Lartisien: We have visited 90% of our hotels and rely on a network of travellers we know since the very beginning for the rest. We also have a team dedicated to visiting hotels on a regular basis but the final choice is always on one of us two.

We are mixing objective and subjective considerations. First of all, the hotel must meet the core standards of a 5-star deluxe hotel. But there must be a rather unique feeling, a special “je ne sais quoi” that will make you feel you are entering in a one-of-a-kind property. A Grand Luxury Hotel might not even feel like a hotel anymore. During our selection process we must have the conviction that we are about to engage in the promotion of a most unique place and enchant our existing clients and of course the new comers to Grand Luxury who we shall lure to our exceptional universe.

Luxury hotel lobby area with contemporary decorations and chandeliers

Grand Luxury clients receive exclusive perks at hotels they book through the site such as the Baccarat Hotel in New York

LUX: What defines first class service?
Ivan & Rouslan Lartisien: For us, luxury starts on-line and off-line when one of us engage on a conversation with the client. Everything has its importance: from the property we had curated, to on-line photos, content and suggestions to enhance the trip. We then ask many questions, not in a formal and mechanic manner but in a way our engagement seem natural and genuine. It’s quite irrational but when you show interest and express empathy, it works.

Luxury used to be materialistic, brand-driven, “stuff”-centric. Today it is more about the “moment”, the parenthesis you open to break away from your daily routine or your busy occupation. From being a Mom of 3 teenagers to a woman who looks after her for that one week and away from the family.

To this end we select, inspect and curate places that are truly exceptional. Not from a physical stand point but from our client’s perspective and for what they really want or need.

Luxury is also about the “results”, the outcome of a trip: be it to celebrate a milestone event or to explore family roots, or simply get away and reunite with your spouse, your mom or your best friends.

LUX: How do the current trends in booking patterns differ from when you started 10 years ago and does it vary across culture?
Ivan & Rouslan Lartisien: To be honest, on some aspects – it did not change so much. We have been quite constant in our strategic vision as we had decided to focus on two salient points: a highly restricted selection of the best hotels in the world, and very personalised service, all of this with a digital twist! The combination of the very best hotels and quality service allowed us to reach a high ratio of repeaters. What has changed in the market is the quest for more experiential travel and the growing desire to experience a destination as locals. That is one of the reasons why Grand Luxury has completely revamped its website, it will be rolled out at the end of the year to embrace these new market trends. Of course, we have to adapt to the cultural aspects.

Read more: How Hublot’s attracting a new generation of customers

LUX: What are the top 5 guest demands?
Ivan & Rouslan Lartisien: Unlike some long lasting and rather terrible clichés, wealthy customers are not capricious and impatient. Their demands (we prefer to use the word requests) reflect who they are and what is important for them (in general or for this specific holiday). If this is a family reunion for a special occasion, all details count from smooth arrivals to small attentions for each member of the family and to make sure you meet these expectations, there is only one technique: ask many questions and anticipate! Do not leave anything to chance (this is good for every single client). Many contact us not to simply find a great holiday spot for them, but for a reason and over the years we had many situations e.g. this famous film director who needed a quiet place anywhere in Europe likely to inspire his writing therefore had to have a solid historic feel without being difficult to reach! This gentleman, a widower for a few months, who wanted to visit all the places he had been happy with his wife before she passed after a sudden leukemia. Imagine the amount of emotion behind his request.

This father who wanted to reward his only daughter for graduating brilliantly. Not a regular five-star palace hotel guest but who had decided to spend well over what he would normally do, to celebrate this milestone event in his family. This very rich family (2 children age 8 and 10) who decided to spend a whole month in Paris and give the children a true education in art, history, culture. They wanted to have a young university teacher every day, capable to take the children on a different experience in a nice, supporting yet demanding manner.

And one day, we had this Australian billionaire who wanted to propose on the third floor of the Eiffel Tower. He wanted to have it for himself and the woman of his life. We managed to obtain a yes from the very traditional institution at a rather high price. Our client was a bit hesitant to spend so much and we knew he was open to an alternative suggestion. In a day we managed to contact the Musée Rodin and to privatise the famous museum for an hour after closing. Champagne had been arranged next to Le-baiser (the kiss) one of the most moving piece of Rodin and of course it work very well as she said yes and was incredibly touched by the gentleman’s surprise proposal.

LUX: Can you tell us more about some of the sought after experiences Grand Luxury can arrange?
Ivan & Rouslan Lartisien: We always try to work on experiences that will work on emotion, memories and take you more deeply in the cultural essence of a country. For instance in Paris, we worked on a specific program about French gastronomy. We picked the clients at 5am at his hotel, brought him to a very nice bakery in the heart of the old Paris to see before the opening of the shop how the croissant and baguette are made, taste it fresh out of the oven. Then the client took a basket of bakeries and was brought on a Riva on the French Seine to eat on a nice private breakfast-cruise, with Champagne of course as you are in France. Then, the client was brought back to his hotel just in time to see the arrival of the food supplies at the Michelin-Star restaurant.

Luxury poolside cabana with plush seating

The Royal Mansour in Marrakech is another of Grand Luxury’s hotels

LUX: How is luxury travel evolving?
Ivan & Rouslan Lartisien: The big change we’ve seen in the last few years is the way people expect to experience a destination. Today, all of our clients from around the world want to feel like a local when they visit a destination, so we bring them experiences that will show them the heart and soul of the place. We have guides in each destination who are really knowledgeable about certain aspects of a place, so we’ll call the guide that best fits the preferences of the guest. In terms of hotels, we’ve seen that more and more people want a more residential feel in the place they stay, so they have a kind of home to go back to in the destination. This is something we’re seeing more and more of with luxury travellers.

Grand luxury app shown on a phone screen

The Grand Luxury app functions as a digital personal assistant

LUX: Is technology increasingly important to travellers or do they want to be off the grid and why did you launch the app to accompany the online site?
Ivan & Rouslan Lartisien: Technology for us at Grand Luxury Hotels is absolutely essential. It has never been used to replace staff but to increase value for our clients. The App is a perfect example. It is a unique opportunity for our customers to have their own assistant directly in their pocket. A transfer, the best new trendy restaurant close to your location, flowers or caviar in your room in less than 30 minutes, a great ballet or musical to go to in the evening! We make it easy for the customer to choose and book among our curated list of partners. And for us, technology is here to answer to clients who want easy and quick options. But if they want to speak to their dedicated adviser, they can of course chat with him/her anytime through the app!

LUX: What can users expects to see with the upscale concierge service?
Ivan & Rouslan Lartisien: Anything, there is no specific limit. It Is all about the client’s needs and wishes. 3 years ago we set a special trip for a small group of opera fans which was meant to end in Prague. On the last night we booked Don Giovanni at the Estates Opera House (where Mozart debuted the famous opera). We had told our clients that a supper would be served after the show but we did not mention where. We had actually arranged for our group to have dinner on stage … with the cast!

On another occasion we had set a wedding anniversary in Venice. The clients (a very nice couple in their 70s) had decided to treat themselves to a long weekend in Venice. Nothing too original so far – but as they head to the restaurant for a dinner we had booked for them, we sent them by boat to a small palazzo instead, where their family and close friends were waiting for them (we had arranged the group to travel a day after and of course made sure their were completely invisible so another of our Venice property was chosen) the family had asked us to surprise their parents, they also wanted to pay for the stay and finally add a fun touch and a small show at the palazzo to also recognise how exceptionally loved the couple was.

LUX: Where will Grand Luxury be in 5 years?
Ivan & Rouslan Lartisien: 5 years ago we had approximately 10 employees. We are now almost 100. The only limit is our imagination. We already have so many plans for the coming months : full relaunch of our website under a completely new design, deepen our offering with far more experiences to offer, launch our new website www.grandluxurycruises.com … Just for one year. What is sure is that Grand Luxury wants to position Itself as a luxury brand offering 360 degrees offer in the travel industry.

Discover Grand Luxury’s list of hotels: grandluxuryhotels.com

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A lone traveller wearing a backpack staring into a jungle landscape

Whilst the sharing economy has made travelling more convenient and affordable, consumers need to be wary of companies that are cutting corners to get ahead, says Abercrombie and Kent Founder and LUX columnist Geoffrey Kent

Looking back over my 56 years in the travel industry and I can think of very few concepts that have revolutionised the way we holiday in the same way the rise of the sharing economy has. Uber, Lyft, Airbnb and other examples of ‘collaborative consumption’ companies have changed the way we visit destinations and how we interact with them while there – where we stay and how we move around.

No longer a fad, PricewaterhouseCooper declared the sharing economy here to stay back in 2015. Figures that are sure to have increased since PWC’s survey was conducted, but then 19 per cent of the total US adult population had engaged in a sharing economy transaction, and amongst those familiar with the sharing economy, the vast majority perceived benefits like convenience, efficiency and affordability.

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The service that Uber and Airbnb provide is undoubtedly something people want – testament to the success they have seen globally in their short lifespans. For me, gone are the days of waiting for a cab in the rain in London – an Uber driver can be with you quickly wherever you need it. And Airbnb answers a need for beds – opening up new destinations to tourists worldwide at a price that suits them. These are both amazing services – taking something people need and making it easily available and accessible from their most prized possession: their mobile phone.

Map with plotted travel route, camera, money and watch

Geoffrey Kent advises travellers to be smart about which companies they use to book trips

The successes enjoyed by these companies have shown regulatory gaps. As is often the case, the law scrambles to keep up with technology. It’s not plain sailing for these companies – nor should it be. The success of the travel industry is based on people doing what they say they will – ensuring holidays happen, or taxis turn up. This is vital to consumer trust. It’s an accepted truth that consumers should always book a holiday with an ATOL-accredited company or an ABTA member. It means you, your money and your holiday are safe.

But convenience often wins over common sense. These smaller, more nimble, and now very available companies are gaining a huge share of the market – they’re not bound by the same licensing rules or health and safety standards.

Read more: Why Lake Como’s appealing to a new generation of travellers

As a result, drivers who have spent years perfecting city road knowledge, have hours of professional driving experience and are committed to being bound by licensing regulations are being undercut. Licensed hotel operators, in an already tough economy, are being squeezed in the marketplace. This is the obvious downside of a sharing economy. Evolution and innovation in any industry is inevitable and vital to ensuring quality and choice improve but all parties should be subject to the same rules and regulations.

We, as consumers, and we, as part of the travel industry, need to know there are clear rules governing how all companies operate. Travel operators adhere to stringent oversight and health and safety regulations providing safe and trouble-free holidays for travellers. Consumers should be able to rightly assume the same levels of care, safety and service from all providers. With this level playing field then established, it will truly be up to the consumer to decide when, where and, most importantly, how travel and experience a destination.

Geoffrey Kent is the founder of luxury travel tour company Abercrombie & Kent, to view their itineraries visit: abercrombiekent.com

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Luxury hotel bedroom with huge double bed, gold wall and plush linens
The Tjuvholmen (thieves' island) in Oslo, Norway

The Thief boutique hotel sits on the edge of a peninsula known as Tjuvholmen

Why should I go now?

One of the fastest growing capitals in the world, Oslo is in the midst of some serious reinvention, which admittedly means you’ll encounter a few clusters of cranes but the excitement is palpable. You can now walk the entire length of the pretty harbour which is lined with cafes and shops, and it’s well worth popping into the Nobel Peace Center while you’re at it.

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The Thief is very much part of the grand redesign; perched on the edge of the small peninsula known as Tjuvholmen (translated as thieves’ island) alongside slick luxury apartments, restaurants and galleries. The hotel’s views over the Oslo fjord are staggering especially at this time of year when the sun’s shining.

Artworks hanging in five star hotel foyer

The Thief is an art-lover’s dream

What’s the lowdown?

smart restaurant with large table laid for dining and industrial style lighting

The Thief Foodbar restaurant

The hotel is made for aesthetes; there are Warhols in the restaurant, works by Sir Peter Blake in the suites and Julian Opie artworks in the lift. The art is supplied in partnership with the Astrup Fearnley Museum (room keys to the hotel also grant you unlimited access to the museum) next door and forms an eclectic in-house collection that contributes to the cool ambiance.

Read more: Geoffrey Kent reveals how luxury hotels are still getting it wrong

The action goes down at the Thief Foodbar, a chic and stylish restaurant; personified it’s a sexy deep, dark and interesting character. Breakfast is also served daily for guests here, and in the warmer months the roof terrace opens for alfresco dining with panoramic views of the harbour and live music as part of the hotel’s Unplugged series. The grilled squid with eggplant, cherry tomato and browned butter comes highly recommended.

luxury concrete spa with indoor pool and underwater lighting

The Thief Spa’s cove-like indoor pool

The Thief Spa features an indoor pool with an eye-level window so that you can gaze out onto the crisp blue sea that gently laps against the glass as speedboats hurtle past. The Turkish hammam is dreamy with its twinkling LED lights in the ceiling and the Sensory Sky showers, by German brand Dornbracht, offer waterfall or rainfall downpours depending on your preferred level of drenching.

Read more: Introducing Richemont’s new, sustainable watch brand Baume

Getting Horizontal

We were in a Deluxe Suite on the seventh floor decorated in sultry shades of blue, grey and cream with an enormous, and exceptionally comfortable double bed piled high with pillows. All of the rooms have huge floor-to-ceiling windows and private balconies, but the higher up you are, the better views.

Luxury hotel bedroom with huge double bed, gold wall and plush linens

The extravagant suites are furnished with unique artworks

Flipside

The hotel’s moody atmosphere makes it perfect for a romantic getaway, but if you’re there on business, it might be harder to, well, actually get any work done.

Rates: From 3000 NOK (approx. €400/ £350 / $500)

Kitty Harris

thethief.com

 

 

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sketchy black ink painting of figures in trees by Henri Michaux

Untitled, 1944, Henri Michaux. Private collection. © Archives Henri Michaux, VEGAP, Bilbao, 2018. Photo: Jean-Louis Losi

Belgian painter and poet, Henri Michaux stubbornly refuses to fall into any particular category and yet, or perhaps because of this, he remains a huge artistic influence on writers and artists alike – indeed during his lifetime, he was known as both as a “poets’ poet” and a “painters’ painter”, idolised by the likes of André Gide and Francis Bacon.

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‘The Other Side’ at The Guggenheim Museum Bilbao is a colossal exhibition displaying more than 200 works, divided into three thematic areas: the human figure, the alphabet and the altered psyche, including his works produced under the influence of hallucinogenic substance, mescaline. A fascinating audiovisual screening gives a deeper insight into these experiments, which were conducted with the assistance of  doctors and scientists.

Watercolour painting of a face in red with blue eyes

Untitled, 1981, Henri Michaux, © Archives Henri Michaux, VEGAP, Bilbao, 2018. © FMGB Guggenheim Bilbao Museo. Photo: Erika Barahona Ede

Michaux sought the intervention of chance in his works as a way of collaborating with unknown forces, therefore favouring mediums such as ink and watercolours which naturally spill and overflow (see above). In his own words, he painted to ‘to surprise himself’- and walking through the gallery at the Guggenheim, it’s the undefined beings that seem to mysteriously appear (as if by chance) on the canvas that are by far the most intriguing, and haunting.

Read more: A different kind of Alpine luxury

A major section of the gallery is also devoted to Michaux’s writings – poetry, travel journals and short stories – including works by other authors who were closely associated with the artist, such as Jorge Luis Borges and Octavio Paz, revealing the Michaux’s close links with, and influence on the literary world.

painting of a white figure with arms raised and yellow head

Untitled, 1938–39, Henri Michaux. Private collection, Paris © Archives Henri Michaux, VEGAP, Bilbao, 2018. Photo: Jean-Louis Losi

The exhibition ends soon, be sure not to miss out.

Millie Walton

‘Henry Michaux: The Other Side’ runs until 13 May 2018 at the Guggenheim, Bilbao

 

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Massai warriors in red traditional dress jumping behind a fire in the African bush
Massai warriors in red traditional dress jumping behind a fire in the African bush

In Kenya at Sanctuary Olonana, Abercrombie & Kent guests have the opportunity to go on walking safaris and take survival lessons led by Maasai warriors. Image supplied by Abercrombie & Kent

Luxury travel is evolving, but who’s driving the change? Millennials, says Abercrombie & Kent Founder Geoffrey Kent. Welcome to the age of transformational travel.

The first generation of digital natives, millennials, as defined by the Pew Research Center, were born between 1981 and 1996. This age group – which we increasingly need to recognise for their affluence and significant spending power – have led the way in redefining what the term ‘luxury’ itself means.

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Prior to late 2007, luxury was linked to ostentatious spending and opulence. Within the travel industry this equated to first-class flights, five-star hotels, Michelin-starred restaurants and designer souvenirs. After the global recession, a major shift occurred, and luxury has become much more experiential.

‘Experiential travel’, and its evolutionary step of ‘transformational travel’, are the industry’s biggest trends. Millennials have rejected the term ‘tourist’. They don’t want to visit a destination to trod well-worn tourist trails, eat at restaurants that cater to non-residents and have pictures on the menu, or meet the same type of people they see in their local coffee shop on the way to their 9:00 am meeting. Millennial travellers want total immersion in a destination and want to make connections with interesting local personalities.

Facade of traditional chinese monastery

The Ganden Sumtseling Monastery in the Yunnan Province, China. Image supplied by Abercrombie & Kent

In the last decade, as an industry, we have seen this generation beginning to travel in style despite economic uncertainty. Just-published studies reveal that millennials see travel as more important than buying a home, paying off debt or investing in a car. Wary of investing for the long-term, they spend freely on travel, seeing it as an investment in themselves.

Read more: An aesthetic adventure in India’s chaotic capital Delhi

The next step beyond experiential travel, which is becoming ubiquitous and therefore unappealing to millennials, is transformational travel. In an excellent article, Vogue magazine has called transformational travel, ‘experiential travel, but a step further – defined by a shift in perspective, self-reflection and development, and a deeper communion with nature and culture’. More than memory making, it is the type of travel that inspires an inner journey and leads to life changes when travellers return – and exactly the type of travel worthy of investment by these 20 and 30-somethings.

There is nothing new in the transformative power of travel, or young people looking to step out of their comfort zones as they develop and grow as global citizens. Think of the Grand Tourists (young aristocratic men touring Europe in the 17th and 18th centuries) or the Beat Generation on epic American road trips. Change – through the broadening of one’s horizons – is palpable when one travels.

Abercrombie and Kent founder Geoffrey Kent poses crouching in front of luxury safari tent in Tanzania

Geoffrey Kent outside a safari tent in Manyara, Tanzania. Image supplied by Abercrombie & Kent

In 1958, when I was 16, I rode a motorbike from Nairobi to Cape Town. On this 3,000-mile journey of self-discovery along some of Africa’s most dangerous roads, the mantra that I would build my life and business upon came to me: adventure by day, security and luxury by night. More than 55 years after founding A&K, I still like to push my boundaries (by day) and like to encourage travellers to expand their horizons.

In southwest China, A&K guests meet with the ‘Living Buddha’ at the Songzanlin Monastery in Shangri-La in Yunnan province, a Tibetan autonomous region. This exclusive, one-to-one interaction gives A&K guests a profound understanding and insight into this traditional culture.

The Lion King is many children’s first introduction to Africa. At A&K, we’ve arranged for millennials and their young families to watch the film on a large screen in the middle of the bush, followed by walking safaris and survival lessons from Maasai warriors – the live-action version of “the circle of life.”

Do these kinds of experiences have the power to transform a person’s life… I think so.

To find out more about Abercrombie & Kent’s luxury travel experiences visit: abercrombiekent.co.uk

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black and white image of a herd of elephants drinking from a watering hole
Female elephant with her calf in the African bush

Wildlife conservation is essential to the tourism industry in Botswana. Image by Cristy Zinn.

A holiday is not simply a time for rest and relaxation, it’s also about discovery and education, says Abercrombie & Kent Founder Geoffrey Kent in his latest column for LUX. Travellers and the tourism industry have a responsibility to protect the places they visit, and the wildlife

Cultural curiosity inspires travel. How better to understand the impact of a volcano than to visit Pompeii? Seeing Victoria Falls gives you a new understanding of how “the smoke that thunders” fuelled the imagination of the earliest explorers. And to truly comprehend the threat of extinction facing species as diverse as mountain gorilla, tiger, Asian elephant and rhino, you must see them in their natural habitats.

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This thirst for understanding can be harnessed in ways that have the potential to reshape our world. I am lucky enough to have worked hand in hand with visionary leaders to protect wilderness areas that are home to endangered species in order to preserve them for future generations.

In 1985, I met with the soon-to-be President of Uganda, General Museveni. Together we discussed how to protect their mountain gorillas while at the same time benefiting the local Batwa people. Museveni set aside a reserve area, and in return, A&K brought tourists to see them, establishing the first luxury camp. As a result, the gorillas were protected and became the focus of a burgeoning tourism economy. Thirty years later, Bwindi Impenetrable Forest is a safe haven for more than half of the world’s surviving mountain gorillas.

Gorilla walking through the jungle

Tourism has helped to protect the mountain gorillas of Uganda and their natural environment. Image by Mike Arney

Botswana offers a very different safari experience; an unusual combination of desert and delta with an immense concentration of wildlife, especially elephants. It is wild, pristine and expansive. His Excellency the President Seretse Khama Ian Khama made a commitment to develop the country in a sustainable manner — not with “a short-term approach that leaves nothing for the future”. Today some 34 per cent of the adult population works in tourism and wildlife, contributing to the conservation of fragile habitat and threatened species, as well as generating income and employment.

Read more: Hong Kong’s emerging fashion designers

Leopard lying on tree trunk with mouth slightly open

AKP runs conservation projects to protect both the wildlife and local culture. Image by Andy Brunner

To support these kinds of landscape conservation efforts, we established Abercrombie & Kent Philanthropy (AKP). Our projects range from wildlife conservation to education and small enterprise initiatives. We save leopards in Sri Lanka by helping cattle farmers protect their herds overnight from predation. We support the Hansraj Children’s Home in India – a residential school that provides equal education opportunities for 100 girls including free education, books, meals, and clothes. We teach women in Botswana to repair and sell bikes, enabling them to feed and educate their children.

AKP has more than 40 projects on all seven continents, offering our guests a unique opportunity to meet local people making a difference through their commitment to protecting their country’s natural and cultural heritage.

I believe the travel and tourism industry should play an essential role in protecting wildlife by integrating sustainable practices into a triple bottom line of environmental, economic and social responsibility.

To learn more about Abercrombie & Kent’s philanthropic efforts and to find out how you can help visit: akphilanthropy.org

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Wooden balcony overhanging a lush green mountainside with the ocean in the distance

Blue skies and sunshine: springtime is picture perfect in the Canary Islands

Why should I go now?

Spring sounds good in theory, but in much of the northern hemisphere it means grey and cold as business as usual. Europeans still need to fly long haul to have guaranteed warm sunshine – or do they? The Canary Islands are beautifully toasty at this time of year, and never too hot, although you have to choose carefully: the rain in this part of Spain can sometimes arrive on windward hillsides.

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This is where the Ritz-Carlton Abama comes in. Built in the style of a Moorish palace, on a steeply raking mountainside dropping into the Atlantic, it is on the sunniest, southwest facing coast of Tenerife, which also happens to be entirely unspoiled by the overdevelopment in other parts of the island. To one side, banana plantations rise up relentlessly towards the peak of Mount Teide, a snow-capped volcano which at nearly 4000m is as high as most of the significant Alps. To the other, the mountainside plunges off a cliff and onto a semi-private white sand beach on a protected cove, facing the wild volcanic island of La Gomera.

Pink domed roof of a building and the ocean seen through a window

Views through a window of the Ritz Carlton Abama Citadel and the volcanic island of La Gomera

Monarch butterflies flutter hello as you wander through the resort’s endless tropical gardens; Margaritas are mixed and and ice-cold draft beer is on tap next to all of the seven pools (and the beach); and the place is so spaced-out that you never feel overcrowded – and end up feeling very pleasantly spaced-out yourself.

What’s the lowdown?

The pool and beach action, or inaction, should be enough for anyone wanting a decompression from a long winter deal-making season. We enjoy sitting on a balcony facing out over the sea, looking at the ominous mountain shapes on Gomera turn a deep blue-green as the sun sets behind them and disappears, and a panoply of stars emerges – Tenerife is one of the best spots in the world for star-spotting, as it is so clear of pollution and light pollution.

But there is an enormous amount to do for active types: the hotel has its own championship golf course on the dizzying slopes leading up the volcano, with a vertical gain so dramatic that it can be noticeably chilly on the uppermost holes while the resort basks in sunshine. There are numerous tennis courts (and a tennis academy), a kids’ club with an extensive outside area and mini football/rugby pitch surrounded by tropical flowers, a series of interconnected ponds and water features filled with hundreds of decorative Koi carp, and then there’s the dining.

swimming pool surrounded by plush white sunbeds

The imperial terrace and swimming pool

Two of the hotel’s restaurants have Michelin stars, an exceptional achievement this far from the coast of Africa; M.B is run by celebrated Basque chef Martín Berasategui, and Kabuki is an outpost of two renowned Madrid restaurants of the same name and outdoes either for both cuisine and location. Situated halfway up the golf course, Kabuki has a terrace with dramatic views down over the resort and the ocean, and a Japanese menu tinged with touches of the local – local catches are used for the sushi and sashimi, and flavoursome Canary mini-potatoes integrated into the menu. The wine list is rich with hard-to-find small grower champagnes.

Read more: Luxury chalets and high altitude adventure in Chamonix

Our favourite restaurant of all, though, is not Michelin starred; it is the Mirador, an eagle’s nest situated on top of a cliff plunging straight down into the ocean. On the terrace, you feel like you are floating over the sea, and Mirador is so celebrated for its paellas that it runs its own school, teaching clients how to cook the perfect blend of lobster, mussels, clams, local fish, saffron, and al dente rice.

Getting horizontal

Rooms are large, and simply but tastefully furnished in keeping with the semi-tropical setting, with marble floors, floor-to-ceiling windows, and furniture and artefacts from west Africa, the nearest continent. Pay more for a room with a view out over the ocean.

Luxury hotel room with a balcony

A deluxe, adults only room in the Tagor Villas with an ocean view

Flipside

If you’re travelling without kids and choose to dine within the family-friendly hotels in the centre of the complex, you might find more children around you than you care for; but otherwise, there are adult-only pools, and zones, and so much space around the grounds and facilities that you never feel overrun by other people’s offspring, unlike in many resorts at peak season. And outside peak season, you’ll have the place and views to yourselves. And while some rooms inside the main block have restricted views, if you choose a Villa in the grounds, you can walk out of your living room into your own gardens and pool area.

All in all, you could fly to the Caribbean or Indian Ocean and not have vistas, cuisine, and facilities to match. Believe us, we’ve done it.

Rates: From €245 + tax ( approx. £200 / $300 )

Darius Sanai

ritzcarlton.com/abama

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luxury chalet collection Les Rives d’Argentière, Chamonix in winter

Les Rives d’Argentière, a hamlet of five-star chalets in the village of Argentière, Chamonix

For centuries, Chamonix has been the prime alpine resort for those seeking adventure luxury travel with a heady mix of challenging skiing, glaciers, designer boutiques and five-star hotels. Digital Editor Millie Walton travels to the lesser known village of Argentière, a twenty minute drive from the main town and home to the valley’s most luxurious collection of chalets, to discover where adventure and luxury meet

That feeling you get when you wake up early on the first day of skiing is, for me at least, the nearest I ever get to the giddy excitement I felt as a child on Christmas morning. It’s a restless, wide-eyed kind of anticipation and on the way to Flégère, one of Chamonix’s most scenic and slightly easier ski areas (although no skiing in Chamonix is exactly easy), the excitement is almost palpable. We’re silent as the driver opens the door and hands us our skis, poles and passes. We’ve been warned that the visibility is bad, which is hard to believe in the valley where it’s sunny and relatively clear, but the warning makes us even more edgy and impatient to begin.

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At the top of the cable car, we’re met with gale force winds that pull us from side to side in a drunken swagger, making the experience of waking in ski boots feel even stranger and more space like. Most of the pistes are closed, the wind howling in our ears, stinging our faces, biting into bare skin. My ski partner looks at me and points warily at a red avalanche sign with one pole, a gesture that’s perfectly timed with the boom of the canon and the thundering rumble of snow. And yet, there’s something especially exhilarating about skiing in extreme conditions, when there’s a sense that you’re on the fringes of real, raw adventure. We push off down the run, carving through thick powder, gathering speed and arrive at the lift, panting, laughing. It’s worth everything for that (and a timely break for vin chaud).

Skiiers descending the famous off-piste route, Vallée Blanche in Chamonix

World famous off-piste skiing: Vallée Blanche, Chamonix

Sadly, the mountain is closed after a couple of hours – the weather’s too extreme – and whilst it’s not quite long enough, it’s something, and we return to Les Rives d’Argentière with our cheeks still flushed, snow dripping from our hair. The pretty hamlet of luxury chalets sits snugly in the little village of Argentière, facing south towards Mont Blanc. We’re in the biggest of the four, Chalet Terre which has a capacity of 14, but is by far the cosiest with rustic, tribal inspired furnishings, a log fire, a sleek open plan kitchen (re-stocked daily with drinks and snacks), five en-suite bedrooms, a games room in the basement and a hot tub, sunken into the snow on the terrace.

Read more: Geoffrey Kent on the rise of adventure luxury travel

The chalets also share an underground walkway with a sauna, hammam, fitness suite, massage rooms and cinema, and it means that if you happen to be renting the whole hamlet, you don’t have to trudge through the snow to pay the rest of the group a visit. That afternoon we’re booked in for treatments with Chamonix’s star masseuse Ruth Martin, who uses her fascination with the inter-relationship between psychology and physiology to create a truly bespoke experience that’s as relaxing as it is deeply therapeutic.

Chamonix railway alongside the Mer de Glace glacier

The Montenvers Railway winds up the mountain alongside the Mer de Glace to a viewing point at 1913 m

Most people who choose Chamonix over resorts such as St. Moritz or Zermatt, choose it for the extreme sports (the first Winter Olympics were hosted by Chamonix in 1924); the notorious off-piste skiing route Vallée Blanche, the Mer de Glace, Aiguille du Midi (a 3,777m terrace with panoramic views of the surrounding alps), and ‘A Step into the Void’, a glass cage that hangs over 1000m precipice. It’s a ski resort that’s primarily about the sport and not the après, and because of that it tends to attract a slightly more adventurous clientele, who are by no means less deep pocketed – wander through Chamonix town and almost all of the shops are designer or artisan and there’s a multitude of smart restaurants.

Les Rives d’Argentière chalet interiors, open plan dining and kitchen area

The warm, blonde wood interiors of one of Les Rives d’Argentière’s chalets

One evening, we’re treated to a wine tasting menu in the chalet with an excellent and varied wine selection by Le Verre Gourmand, who are renowned suppliers of the top chalets in the alps. The food is not quite as refined as one would expect, and disappointingly doesn’t take advantage of the Alpine ingredients and traditional recipes, which are done so well and with so much elegance in the bistro style restaurants in town, but the service is warm and thoughtful.

Secluded in its own little world of luxury, Les Rives d’Argentière has all the advantages of a five-star resort, with the added allure of privacy and bespoke service that makes a day of adventures slightly less daunting.

lesrivesdargentiere.com

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Dramatic mountainous landscape of Torres del Paine National Park in Chile, South America
Dramatic mountain landscapes in Chile, one of 2018's luxury travel destinations

The dramatic landscapes of Chile. Image by Ruben Santander

Geoffrey Kent, Abercrombie & Kent’s chairman and founder, spends around 270 days on the road every year. In this month’s exclusive column for LUX, he pins down some of luxury destinations that will be trending in 2018 and gives his insider tips on where to stay and what to do

Armenia

Armenia is one of Europe’s best-kept secrets. Known as the “Land of Churches”, it’s scattered with magnificent monasteries, ruins full of relics and centuries-old cathedrals. The now-defunct Kingdom of Armenia was the first country on the planet to adopt Christianity. It’s said that two of the apostles – Thaddeus and Bartholomew – spread the religion’s ideas northwards from the Holy Land to Armenia after Jesus’ crucifixion.

Landscape in Armenia, one of the hottest travel destinations of 2018

Armenia countryside. Image by LEMUR Design

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During my recent visit, the many highlights included visiting UNESCO-listed Geghard Monastery and Zvartnots Cathedral, the Hellenistic-style temple of Garni and Khor Virap, from which there are magnificent views of Mount Ararat. Whilst at Khor Virap, I particularly enjoyed partaking in the tradition of releasing doves in the hope they’ll fly to the mountain’s summit.

The “Pink City”, Yerevan is one of the world’s oldest inhabited cities. It’s home to the Yerevan Brandy Company, which has been producing cognac since 1887. During World War II, Stalin apparently shipped cases of Armenian cognac to Winston Churchill, who first tasted the spirit at the Yalta Conference.

Montenegro

Though small, Montenegro may be the next major thing in the Balkans. With some wondering if it’s the ‘next Croatia’, the country’s tourism star is on the rise thanks to the development of a new multimillion-dollar marina on Boka Bay. When it opens in 2018, Portonovi will lure the Adriatic’s yachters to shore with its siren’s call. The marina’s lifestyle resort will include Europe’s first One&Only resort, a yacht club and an Espace Chenot spa. I’ll be cruising around Montenegro on a superyacht this September, docking at Portonovi and attending a private opera on an islet in Kotor Bay, which is on the World Heritage List.

Montenegro's blue skies and mountains surrounding Boka Bay

Montenegro: the new pearl of the Balkans. Image by Faruk Kaymak

Chile

In my experience, most travellers touch down in Santiago and head straight out of town – north for the stark beauty of Atacama or to the wild expanse of Patagonia down south. In this sliver of South America, which will celebrate 200 years of independence from the Spanish Empire in 2018, there’s so much in between.

Read next: Artist Rob Munday’s extraordinary holographic portraiture

Long overlooked, Santiago is worth pausing in. The food scene is piping hot, with restaurants like Boragó at the fore. More and more design-centric boutiques are popping up. As if that wasn’t enough, it’s all framed by the stunning surrounding Andes. With BA’s relatively new nonstop flights to Santiago, it’s more accessible than ever.

Dramatic mountainous landscape of Torres del Paine National Park in Chile, South America

Torres del Paine National Park, Chile. Image by Olga Stalska

Once you’ve finished exploring Santiago, I recommend heading to Patagonia to stay at one of my favourite hotels. The Explora Lodge provides some of Earth’s ultimate views. Sitting at the breakfast table on a clear day, the view is one of the most beautiful you’ll ever see – with glaciers, snowcapped mountains and the lake. The trouble is you must get lucky. I’ve been there several times and you might get horizontal snow when it’s windy so that you can’t see more than a foot ahead of you.

Agra

Rudyard Kipling, Disney and the UK’s close ties to the subcontinent obviously have had an indelible effect on our psyches. India’s appeal is evergreen and the classic introduction to this colourful and captivating country is the ‘Golden Triangle’ – Delhi, Agra and Jaipur. Before travellers visit the tangled jungles of Madhya Pradesh, the tranquil backwaters of Kerala or the Bollywood sets of Mumbai, the Golden Triangle is essential India.

Mother and child walking in colourful building in India

Travellers continue to be entranced by the colours and culture of India. Image by James Houston.

Most just dip into Agra for the Taj Mahal, but with the famed mausoleum under restoration-related scaffolding at the moment, there are new cultural attractions emerging. Famed architect David Chipperfield is collaborating with New Delhi-based Studio Archohm on the Mughal Museum. Located near the Taj, this modern marble palace is due to open any day now. I like contemporary architecture so I’m very excited about this.

Egypt

A camel crosses in front of the pyramids in Egypt

Image by Martin Widenka.

This isn’t the first time Egypt’s been on my ‘where to go next’ list, but it’s back because this ancient country is  buzzing with renewed confidence. It’s been a bucket-list destination for centuries, but there has never been a better time to travel to Egypt. There are new hotel openings to entice, such as the 39-storey St Regis in the heart of old Cairo.

New tombs are being discovered regularly. A trio of rock-tombs were unearthed 125 miles south of Cairo and another was found on the left bank near the Valley of the Kings. And most excitingly, the world’s largest archaeological museum, the Grand Egyptian Museum (GEM) will open in 2018 in Cairo. Not only that, but its many fabled sites are free of crowds and open to in-the-know travellers. The experience for tourists in Egypt right now is as welcoming and upbeat as I’ve ever seen it, but the ability to see the pyramids without crowds won’t last long.

Find out more about Abercrombie & Kent’s luxury tours: abercrombiekent.co.uk

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LUX's featured luxury destination Davos, Switzerland
Outside view of the Belvedere hotel in switzerland, the best luxury hotel in Davos

The Steigenberger Grandhotel Belvédère, Davos

Why should I go there now?

The Belvédère is the hotel for top dignitaries at the World Economic Forum in Davos, held on the last week of this month; many of the most significant events are also held at the hotel, with a high likelihood of bumping into Emmanuel Macron, Bono, Bill Gates or Melania Trump (all at the same time).

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Unfortunately, if you’re not already on the global A-list, you’re not going to get a room at the Belvédère that week, no matter what you pay. But you might well be inspired by TV images of the handsome hotel façade and the mountain view beyond to visit the slopes of Davos at a less hectic time.

What’s the lowdown?

When it’s not hosting world leaders, Davos, along with the neighbouring village of Klosters, is at the centre one of Switzerland’s leading ski areas. The town is in a broad valley with skiing on four separate (and unfortunately not interconnected) mountains. Take the funicular up the most significant one of these, Parsenn, and you are rewarded with some of the prettiest and most varied skiing on a single mountain in the Alps; the long, sinuous red to the Schifer skilift alternates between open mountainside, gullies, and undulating forest.

Skiiers on the top of a mountain in Davos

Davos and Klosters serve one of Switzerland’s prettiest ski areas

And if you go before the end of February, you’ll maximise your chances of being able to complete one of the longest runs in Europe, which extends beyond Schifer, through forested hillsides, all the way down to Schiers, a 30-minute train ride from Davos. The total distance from peak to valley is 12km, all of it relatively easy. And this is Switzerland, so everything from ski and boot hire to lift operation to the buses running the length of the village, is beautifully efficient.

Getting horizontal

Unlike many ski resorts, Davos came of age as a spa town in the 19th century and the grandeur of the Belvédère reflects this era – as does its service, which is more fin-de-siècle luxury than Alpine cosy. We particularly enjoyed dinner in the Restaurant Belvédère, which has recently been modernised: bare wood floors, contemporary art, but still thankfully with tablecloths and traditional waitstaff – this would not be a place for a Soho House-style makeover. There was still a hint of Belle Epoque about the place; and another dinner in the Romeo & Julia Fondue Tavern featured a fabulously sourced and scented fondue.

Dining table at the Belvedere restaurant in Davos, Switzerland with views of the alps

Dining with a view at Restaurant Belvédère

Our room had a view across the rooftops to the mountains opposite; furnishings were traditional and the balcony was a fine place for a last schnapps of the day. There was also a good pool and spa area.

LUX's featured luxury destination Davos, Switzerland

Davos town, at 1500m, is quite functional; the surrounding mountains are excellent for intermediate skiers

Flipside

Unlike its neighbour Klosters, Davos is a rather functional town, not a village, so you won’t have the cute atmosphere of some of the Alpine resorts; and with no slopes above 2900m, it is best experienced when you are surest of snow – try zipping there before the WEF begins this month (though you’ll have to mind the temporary construction work and security at the Belvédère), or when everything is over in early February. The snow’s fabulous at the moment.

Rates: From 191.20 CHF ( approx. £150 / $200 /€150)

Darius Sanai

steigenberger.com

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Hotel of the month, luxury chalet in Zermatt, Switzerland
Matterhorn mountain at sunset in Zermatt, Switzerland

The Matterhorn, Zermatt. Image by Samuel Zeller

It has snowed already in the Alps. Time to book a week at Chalet Banja, our favourite property in Switzerland’s most spectacular resort, Zermatt.

Zermatt, the village in a deep valley beneath the iconic Matterhorn, remains LUX’s favourite Alpine wintersports resort. St Moritz might have swankier shops, Courchevel may have a more conveniently laid-out lift system, Cortina d’Ampezzo may have a flash of Venetian style and Chamonix may offer vertiginous heli-skiing; but Zermatt has something nowhere else can offer.

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That something is a combination of a few pieces of magic. Beside the view of the Matterhorn, itself worth the journey, the ski areas above the resort – Rothorn, Gornergrat and the Klein Matterhorn-Schwarzsee zone – have an unmatched panorama of the Pennine Alps, the highest peaks in the Alps, arranged around Zermatt in a vast horseshoe. In no other area in the Alps do you ascend to a perilous high point above 3000m, stepping out into a subzero gale and fear-inducing view back down, only to realise you are yourself dwarfed by a whole new wall of mountains, some higher than 4500m, and none of them accessible by the lift system. It’s a different dimension.

Hotel of the month, luxury chalet in Zermatt, Switzerland

Chalet Banja in the little hamlet of Winkelmatten

As well as the views, and the skiing, which varies from quite tricky to OMG rated (unless you cruise into Italy for the day, which is a bit of light relief), there are mountain restaurants like Chez Vrony, Findlerhof and Blatten (and dozens more besides), which create a kind of Michelin-starred cosiness on the slopes.

And then there’s the resort itself. Zermatt allows no cars, which gives it a pleasing tranquillity. For some, it has sprawled a little too much across the valley in recent years.

private pool at luxury chalet Banja in Zermatt, switzerland

Chalet Banja’s private pool

Which brings us to the jewel in Zermatt’s crown. Technically, Chalet Banja is located in Winkelmatten, a little hamlet on a grassy knoll immediately on the south (Matterhorn) side of the village. Winkelmatten has its own chapel, playground, shop, and a couple of restaurants. Banja is built beautifully into a river embankment, and it has an uninterrupted view across a pine forest and the Schwarzsee hill to the Matterhorn.

Read next: The New Museum’s most important exhibition to date

From the road side, it appears as a low bungalow with a roof carefully created with local stone; the engineering feat of its construction means it is actually a four-storey house with the largest private pool (and gym) on its lower floor, three bedrooms, and a fabulous modern-Valais style kitchen, dining room and living room at its heart. Every floor has stunning views over the Matterhorn, and extensive wraparound balconies, and the construction was a labour of love by a local doctor who works elsewhere in Switzerland, and his wife.

Interiors of Luxury chalet in Zermatt, Switzerland

The drawing room and library, which has a bijou selection of Alpine books

Five minutes walk from the Matterhorn lift, Banja has a glorious sense of place, and of Zen. You could sit on the balcony, gaze at the Matterhorn, sip local Cornalin wine all day, and not ski at all; or you could spend your days haring off piste down from Rote Nase and Schwarzsee and come home for a dinner that would be both traditional and modern. All around, those giant peaks would sleep in their subzero coats. It has snowed already in the Swiss Alps; time to book.

Darius Sanai

zermatt-luxury-chalets.ch/en/chalet-banja

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Desert polo in Jaisalmer Indian desert
Luxury tent in desert under starry night

Camping under the stars in the desert. Image by Wei Pan

Geoffrey Kent is a pioneer of luxury travel and the founder of the multi-award winning Abercrombie & Kent global travel operator. In his most recent column for LUX, Mr. Kent explains why the most luxurious travelling experiences are truly transformative.

Over the past decade the definition of luxury has changed. It has become much more flexible with an emphasis on experiences and personalised service, rather than the mere physical trappings of luxury. From the opulence of a palatial hotel to the serenity of waking up to a spectacular sunrise in a simple mountain refuge, I believe true luxury is the privilege of discovery, adventure, relaxation and insight, enjoyed in a context that perfectly suits the experience. Seamless service, safety and security are a given. But it is the unexpected that inspires a sense of wonder and elevates an adventure into a true luxury experience.

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There are some places that are just so exceptional that they have come to define luxury. These run the gamut, from African safaris to expedition cruises in Antarctica, but their commonality is that they are transformative experiences that do more than just take you to a new place, they challenge your understanding of the world. I have found that this kind of travel is a powerful way to induce the sort of shift in thinking in which creative breakthroughs spontaneously arise.

Desert polo in Jaisalmer Indian desert

A man poses with his camel for desert polo in Jaisalmer, India. Image by James Houston

Guests define luxury as having an authentic experience – an encounter that is true to the place and its traditions, incorporating elements of the past and reflecting the local culture. Spending time on a tropical island is appealing, but luxury guests want more than that. They want to get out and explore, experiencing authentic cultural traditions that do not reflect Western values. Your life will change when you are immersed in a culture so dramatically different from your own and reach a new understanding of how life is lived in another part of the world.

African safari in the golden light of dusk

African safari at dusk. Image by Sergey Pesterev

Recently I met a couple on the beach who recognised me. They told me that despite the money they spend on their holidays, they always feel richer when they get home.

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For discerning travellers, it’s not about checking places off a list – it’s about making connections through unique local experiences not found in a guidebook. It might be a camelback safari to an Indian desert camp, enjoying a hotpot dinner in the home of a Tibetan family in China’s Yunnan province, or taking a private cooking class in the Mercato Centrale in Florence with a local chef. It will be these kinds of inspiring encounters you’ll share with friends and family when you return – not the gold-plated Corinthian capitals in your hotel suite.

Geoffrey Kent is the founder, chairman, and CEO of Abercrombie & Kent

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boat cruise
boat cruise

On board Saffron, Spice Routes’ double-storey houseboat. Image by James Houston

Beyond Kerala’s humid, bustling cities lies a subtropical maze of secret waterways and verdant rice paddies. LUX discovers the singular beauty of the backwaters, aboard a luxury houseboat

We arrived in Fort Cochin, dusty and bleary-eyed from a long train ride down from Mumbai, into the thick humidity of an early Indian summer. Fort Cochin is the prettiest and oldest part of Kochi. It was once occupied by the Dutch and the Portuguese, and the cobbled streets and architecture retain the appearance of old-world Europe. The food is fresh with tropical flavours that differ from the rich, creamy sauces of Northern India. We ate best at the tables beside little huts which sit beneath palm trees along the waterfront, where the fish is caught practically before your eyes and served simply with fried spices and rice.

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Whilst this part of the town used to be busy trade port (there’s plenty to be discovered in various museums), the rhythm of life is now sleepy and tranquil, with tourists drifting between air-conditioned cafes, craft shops and independent art galleries. During our stay, we caught the last few days of the Kochi-Muziris Biennale, stumbling across various installations and exhibitions hidden within courtyards and gardens as we wandered the streets.

Mountains

Views over the rolling hills of Wayanad. Image by James Houston

Almost everyone we met was returning to the state for the second or third time, having fallen in love on their first visit. The top recommendations were to stay amongst the tea plantations in Wayanad (the north-eastern part of Kerala) and to go on a cruise through the backwaters. For many travellers, the word ‘cruise’ understandably conjures up images of massive five-storey monster ships, packed tight with tourists, but in Kerala, a cruise simply means a boat trip whether that’s on a fishing boat, houseboat, or in any other kind of floating vessel.

Most of the backwater tours depart from the coastal town of Alleppey (an hour and a half’s drive down the coast from Fort Cochin, or two hours in a tuk tuk if you prefer a slower, more scenic route). Spice Routes, unlike many of other cruise providers, offers exclusive use of their luxury houseboats, meaning that you get the whole thing to yourself. The company owns six boats varying from one-bedroom to five-bedrooms. We were booked on Saffron, an elegant double-storey boat with a large bedroom, ensuite bathroom and lounge area on the lower deck and a dining room and sundeck upstairs. The interiors paired traditional Keralan design with contemporary touches and an abundance of floor-to-ceiling windows.

Read more: Art dealer Tamara Beckwith on Rob Munday’s holographic portraiture

Rather than feeling like a floating hotel, the boat felt homely and private. The staff were there when we needed them, and not when we didn’t. We spent most of the time from our departure to nightfall, lying on the deck, sunbathing, watching the fishing boats and listening to the birds.

It is worth noting that the backwaters are by no means a secret and whilst there are, most likely, more secluded routes to navigate on smaller vessels, the main waterways tend to be busy with activity. By the evening though, when we moored up close to a bank to buy fish for our supper from a local fisherman, most of the other boats had returned home. We ate amidst silence and slept with the blinds up in a grand four-poster bed, waking with the sun.

The real luxury of the sailing through these waters, though, is the opportunity to see the landscapes and life beyond India’s urban environments. For most travellers, experiences of the country tend to be confined to the cities dotted along designated transport routes; self-drive cars are near impossible to hire and if you have a driver, it can be difficult to know exactly where to direct them unless there’s it’s to a tourist site. In the backwaters, life happens on the riverbanks: the washing of clothes, dishes, bodies, hair, swimming, chatting, playing. On the deck of a luxury boat, we became  voyeurs, made suddenly, acutely aware of the country’s wealth divide, of our privilege and other ways of existing in the world.

Rates from 25000 INR per night on-board Saffron, incl. all meals (approx. £250/ $350 / €300)

For more information visit: spiceroutes.in

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model woody harlow attends launch of Kimpton de Witt Amsterdam

Amsterdam’s reputation as a party town isn’t exactly new. It’s long been the go-to capital for a hedonistic weekend whirling in and out of the clubs and bars hidden within the city’s canal-woven core, but more recently the Dutch party scene has grown up. Luxury hotels such as The Dylan are now offering high end party packages, specially designed for the well heeled club-goer, and the opening of the US boutique chain, Kimpton de Witt’s first European hotel in Amsterdam is testament to the growing demand for a more modern kind of luxury. Charlotte Davies joins the likes of Winnie Harlow, Vanessa White and Mary Charteris for a sophisticated soirée at the city’s newest boutique residence.

Known for its design-centric hotels, it’s unsurprising that Kimpton Hotels & Restaurants chose to launch it’s first European outpost in Amsterdam, but whilst other trendy boutiques have been opening their doors along the leafy streets of the Jordaan  neighbourhood or the well-trodden canal ring, Kimpton De Witt is conveniently located in the city centre district, just a stone’s throw away from the central station positioning it as the perfect weekend stop-over. Indeed many of this evening’s glamorous guests have flown in just for the night.

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We join supermodel Winnie Harlow, DJ Chelsea Leyland and singer Vanessa White at a luggage tag making workshop with Heaps and Stacks in the hotel’s industrial-chic bar and restaurant, whilst DJ and singer Mary Charteris’s cheekbones are painted with glitter by make-up artists Shine Shack. Other guests nod along to the atmospheric beats mixed by Amsterdam-based DJ Emanuelle Vos, sipping gin cocktails, and nibbling on lobster rolls in sultry corners.

kimptonhotels.com

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Penguins in Antartica against backdrop of ice glacier
The great migration of wildebeest through Tanzania and kenya is one of the nature's most extraodinary wonders

The Great Migration, Tanzania & Kenya

Geoffrey Kent is the founder, chairman, and CEO of Abercrombie & Kent, one of the world’s most respected luxury travel companies. In his first column for LUX, Mr. Kent marvels at nature’s most extraordinary wonders.

From Africa at its rawest to Japan at its most genteel, experiencing these natural phenomena will remind even the most jaded traveller of what a privilege travel is and our place in the world. I have always believed that in nature we are completely unified with all of life…

Sakura, Japan

No season’s arrival is more celebrated than that of spring. People rejoice in shaking off winter’s grip and greeting the season of new life. In Japan, one million cherry trees blossom. Known as sakura, it starts in the south and moves northwards, following a wave of warm weather. Clouds of pink appear as daytime temperatures reach 17 degrees Celsius. As they have been doing for centuries, locals picnic under these trees – a custom known as hanami. In the modern capital Tokyo, people flock to Ueno Park. In the ancient Kyoto, the Philosopher’s Path is an inviting place to relax and reflect on the wonder of nature.

Nature's blossom in spring in Japan

Sakura, Japan

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In my experience the most rewarding, but often over-looked way to experience Japan – from its timeless mountain villages to its delicate cuisine, distinctive architecture and graceful gardens – is to approach it from the sea. A small expedition yacht provides just the right balance between luxurious on-board amenities and access to remote villages, places that the big cruise ships simply can’t reach. This access illuminates Japan’s history and culture, arts and architecture, gardens and nature, as well as its culinary traditions, with experiences that reveal the country through a local lens.

Each day brings unexpected delights. During one visit to beautiful Kenroku-en Gardens, we were invited into a teahouse to savour delicious ‘fragrant peach’ ice cream.

The Great Migration, Tanzania & Kenya

Every year more than a 1.5 million wildebeest, 200,000 Burchell’s zebra and a smattering of trailing Thomson’s gazelle make a 1,900km odyssey between Tanzania’s Serengeti and the Masai Mara in Kenya. Instinct and the smell of rain spurs the herds forward with two things in mind: food and water. They are following the rains in search of fresh grass. Along the way, many migrating animals fall prey to waiting predators including lion, leopard, cheetah, crocodile and hyena.

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One year when I was on safari with Richard Burton, I was getting him a drink at the bar in the mess tent when I heard a roar and a lot of screaming and turned to see two lions bringing down a buffalo in our campfire. I quickly upended the table, sending the crystal and china flying, and gathered the guests behind it as a barricade. What an amazing spectacle it was to watch! The next day Richard Burton wanted to know if we could do it again. He thought I’d set the whole thing up – nature is full of surprises!

During the Migration, sightings of predators taking down prey are common. Visit Tanzania between January and early March to see thousands of wildebeest being born each day. Then from June through September, vast herds are on the move through Kenya.

The Monarch Butterfly Migration, Mexico

The migration of the Monarch butterflies is one of the most astonishing of all natural wonders. Every autumn, tens of millions of Monarchs travel from the eastern USA and Canada to Mexico’s Sierra Madre Oriental Mountains – their winter hibernation grounds. It’s an epic journey for these creatures in distance and – most intriguingly – they do it without ever having been there before. A butterfly that departs from Canada will never return. Nor will its progeny for the next two generations. It is the third generation that sets off once more from Canada for the same twelve mountains… 5,500 kilometres away. An amazing natural mystery.

The March of the Penguins, Antarctica

For those dreaming of genuine adventure, Antarctica is nature’s last frontier. This pristine landscape of mountains and glaciers remains largely untouched by civilization and wildlife abounds.

One of the most inspiring is the Emperor Penguin colony in Atka Bay along the Weddell Sea coast of Antarctica. The penguins breed on the sea-ice in bitterly cold conditions. Once an egg is laid, the female leaves the colony, giving the egg to her partner, who carefully puts it on top of his feet and covers it with a skin fold to keep the egg warm – even when the temperature drops below −35°C.

The mother will return in July when the chick is ready to hatch. They are very small, weighing only about 150–200g (adult penguins weigh 22-30kg at this time of year). They have a thin layer of down and are not yet able to regulate their own body temperature, so it is up to the parents to keep the chicks warm.

Wonder of nature: Penguins marching through Antarctica

The March of the Penguins, Antarctica

By September, the chicks have grown a thick cover of down and are developing quite rapidly. Growing requires a lot of energy so they are always hungry. It now takes both parents to go out and gather food for the youngsters. At night, the little ones left in the colony form huddles to keep warm.

In December – when we visit the colony – the chicks are nearly as big as their parents. Small black patches appear on their flippers. They are beginning to grow real feathers and they start shedding their down.

Warmer temperatures cause the ice to break up, bringing open water closer to the nesting site. The chicks are now old enough to swim and fish, and we watch enthralled as they begin to take to the ocean themselves.

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A landscape scene of summer in the Swiss alps
Summer in the swiss alps, green mountains

Panorama of summertime in St. Mortiz

A short blast in a vintage Ferrari from the crowds of the Côte d’Azur, the two most prestigious villages in the Alps offer glamour, sunshine, fine dining and more than enough space. Darius Sanai would go nowhere else in summer

Walking through the grand dining room of Le Restaurant at the Badrutt’s Palace, I felt two dozen pairs of eyes glance up at me. Our table, a good one, was a little beyond the centre of the room, meaning a decent double catwalk’s length stretched between the landing at the bottom of the staircase leading from the lobby hall, to the sanctuary of the table. The glances – Badrutt’s Palace clientèle is far too well brought up to stare – varied between the mildly interested and the appraising. The Palace has a claim to be the grandest legacy hotel of the Alps, the epitome of old money in St Moritz, the resort which personifies Europe’s inherited and regenerated wealth. Its regular guests wanted to know who was joining them.

After a couple of days, we got to know the Badrutt’s regulars, at their tables. The lady in the Chanel glasses, immaculate in white Dior trousers and a vintage Dior jacket, sitting and nursing her green tea and water, reading the Süddeutsche Zeitung. A ringer for Greta Garbo, she could have been one of a number of German movie stars from the sixties. The young couple with a little boy who conversed with them in French, English and Italian, seemingly at will, and who had befriended all the waiters. The jolly English family, extending from a baby via teenage girls on Instagram to a paterfamilias who looked like he had enjoyed as many bottles of First Growths as he had bought and sold enterprises. After three days, we started to feel at home.

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Badrutt’s is the hotel of St Moritz; if you want to get in to its New Year’s Eve gala dinner, you had better get in your time machine and ensure your great-great-grandmother marries a significant German count. We were there in summer, when it’s easier to book a room; in fact, the occupancy ratio was perfect, with enough people around to create a buzz, but enough space not to feel remotely crowded.

If Le Restaurant, with its etiquette and dress code, suggests the formal holiday experiences of the past, around 50m diagonally below it, cut into the rocks, is the holiday experience of today. A 25m pool, with picture windows facing the mountainsides across the valley and an extensive spa and wet area. The pool is bordered on one side by a 5m-high rock formation, which serves as diving board, waterfall and, underneath, a cave. Outside on the great lawn are swings, slides and a trampoline, all with a dramatic view.

Grand suite bedroom at the five star hotel in St. Mortiz, Badrutt's Palace

The Hans Badrutt Suite

Our rooms had the same view, albeit from a slightly higher vantage point; creams and floral curtains, subtle wood panelling and mahogany furniture suggest the tastes of the European aristocracy who form the heart of the hotel’s clientèle.

One of the most charming, and certainly the most surprising, element of the hotel is a little chalet that sits on the hillside across the road from the main building. Chesa Veglia is an ancient chalet that now belongs to the hotel, housing three restaurants, including a casual-chic rustic pizzeria, where the super-rich can eat with their hands and pretend to be normal people. We sat at a table on a first floor balcony, watching informal St Moritz in action; one of our party was invited down to make pizzas with the chefs in the open kitchen. The pizzas, Napoli-style, were picture perfect.

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Outdoor swimming pool at five star hotel in the Swiss Alps

Badrutt’s outdoor swimming pool

It would have been easy to chill out in Badrutt’s for five days, perhaps stepping outside for a little jewellery shopping, before sliding into the limo and slipping away across Europe. I get the idea a lot of people do; while it’s 1800m up in a high Alpine valley, unlike many villages in the Alps, St Mo is not exactly crawling with people who look like they clamber up rock faces for fun.

But the mountains either side of the broad, high, light Engadine valley are far too tempting for anyone with a little mountain blood in them to ignore. On the second day, we took a funicular train through a steep forest, emerging at an Art Deco-inspired hotel called Muottas Muragl. High on a ledge just above the tree line, the hotel’s restaurant terrace floated over the Engadine, with the valley’s lakes set as blue splashes against the deep meadows; and also over another valley branching out immediately below, which rose to a wall of high peaks thickly covered in snow and ice. In this surreal setting, on a warm, sunny summer’s day, we sat on the terrace, and chose from a short menu strong on local ingredients and with a dash of panache. Perhaps it was the clear mountain air which augmented the senses (although a lack of oxygen is supposed to suppress taste buds) but the beef tartar with cognac tasted more vivid, more limpid, than its famed counterpart at the Cipriani; and a ‘Pork steak gratinated with tomato and mountain cheese on red wine sauce with pappardelle and vegetables’ had clearly delineated flavours, unlike some mountain food. The Muottas Muragl terrace was as memorable as its name, and we lingered until the view started to fade in the late afternoon light, before staggering down the mountain through a forest.

Chalet style hotel the Alpina Gstaad in the summertime

The Alpina is built on a knoll just above the village of Gstaad, facing off against the Palace, on its neighbouring knoll.

Apart from St Moritz, Switzerland, the country where the world’s wealthy have stored their money and visited for sport for the past century or more, has a few mountain village destinations that are known to the high net worth A-list. Zermatt, Crans-Montana, Verbier, Wengen, Arosa; all have their bijou appeal, their private bank branches, and are witness to a parade of furs in winter. But perhaps nowhere epitomises what Henry James called “the happy few” (the reference was ironic, but is now not always used as such) as Gstaad. And if the Palace Hotel has been the embodiment of old money at play for more than a century, its new rival, The Alpina Gstaad, tries to take everything to a new high.

The Alpina is built on a knoll just above the village of Gstaad, facing off against the Palace, on its neighbouring knoll. For breakfast here, we were ushered through a room combining ancient Alpine timbers and contemporary art and colour, onto a granite-lined terrace next to a flowerbed and a few metres from an outdoor pool. Beyond the pool, a lawn and more flowers, and then an uninterrupted view across a broad valley to round, forested hillsides, with rocky peaks splashed with snow beyond.

It was August when we visited the Alpina. Gstaad is one of the lower Alpine resorts, at 1000m lying roughly halfway between the high-Alpine vibe of the likes of St Moritz or Courchevel, and sea level. The sunshine was hot, tempered only by a hint of glacial cool. It wasn’t a great leap to imagine the crowds on the Côte d’Azur and people leaping off yacht diving boards, a few hours’ drive in the Ferrari, to the south. But, unlike the Med, the terrace at the Alpina was both sun-splashed and tranquil. After breakfast we walked the few metres to the pool’s sun loungers and spent the day sipping Margaritas and occasionally taking a dip, being careful not to get burned in the (semi) mountain sun. We had a few other people for company, but it all felt as private as having your own villa.

In the evening, we strolled down to the village; there were no teeming hordes here, either. Just enough people, from families to retired residents and the occasional romantic couple; just enough vibe.

Gstaad may be a gentler location, but it is still very much in the Alps; on the next day we took a cable car to Wispile, at the top of the small mountain overlooking the village. From the terrace here there is a 360-degree vista, towards high, glacial peaks to the south; across spiky, meadow-lined foot-peaks to the east and west; and to the northernmost ridge of the Alps to the north, with a glimpse of the hazy lowlands of Switzerland beyond. We walked along a series of meadows, past forests and farmsteads, through herds of curious cattle, and were ourselves herded onto a rock by an Appenzell cattle dog, until its smiling farmer owner emerged from a barn to tell us she was harmless.

Read next: The world’s most exclusive polo tournament in Gstaad

A steep, zigzag path dropped down through a forest, so dark we only had snapshots of the precipitous fall beneath us; after almost disappearing through a muddy field, the path emerged again and led us to a hotel on the edge of a little village, Lauenen, where we had a refreshing beer and called a taxi to take us back to dinner in another picture-postcard village, Schoenried. This is on a little plateau above Gstaad, and at its gourmet restaurant, Azalée, we felt we had no choice but to try the Simmental beef – acclaimed throughout the Alps, and from the valley we were in. The Azalée, with its vista across the Gstaad valley, was a gentle, spiritual place to be as summer evening turned into night.

Switzerland is the home of haute-hotellerie; nowhere has a higher concentration of five star hotels in small towns and villages. These hotels have faced a challenge as a new generation of wealthy guests arrives, brought up on the casual chic of the likes of Ian Schrager’s creations and the Soho House group. How much do they bend to cater for the new guard? In some cases, new hotels have sprung up which feel a little out of place, Greenwich Village in the Alps. In the case of the Alpina, which was created in 2012 on the site of an old hotel of the same name, the balance is exemplary. The building feels local through its extensive use of timber rescued from abandoned Alpine buildings and huts, and through the local stone on display throughout. It feels contemporary through the openness of its internal architecture, its colour, light and the museum-quality art displayed throughout, courtesy of its owners. None of that would matter if the quality of offerings didn’t stack up.

Attic room at the Alpina Gstaad, a five star hotel in the swiss alps

Chalet style interiors of one of the bedrooms at the Alpina

Sommet, the main restaurant, has a Michelin star, the highest Gault-Millau rating in the area, and a wall sculpture composed entirely of cutlery, under which we were seated. Expecting fine but rich Alpine fare, we were surprised: then executive chef Marcus Lindner’s tasting menu is 100% vegetarian, with carnivores catered to on request (Lindner has since been replaced by Martin Göschel). Redolent of the aromas of Alpine meadows, the succession of dishes proved that meat is far from essential to a signature evening: as one example, the artichoke with truffles from Perigord, sweet chestnut and brussels sprout was as savoury and protein-balanced as you could hope. It would be hard to match such an experience – in such a refreshingly light ambience – let alone to do so in the same establishment.

 

Interiors shot of Japanese restaurant at five star

Megu is the Alpina’s Japanese restaurant, bringing the flavours of Tokyo to the Swiss alps

Megu is a Japanese restaurant, overseen by chefs who have come over from the homeland expressly to create a slice of finest Tokyo in the Alpine hills. Toro tartare with ponzu sauce, fresh water shrimp and Oscietra caviar was a study in subtle contrasts. We developed a serious yearning for the crispy asparagus crumbed with Japanese rice crackers, chilli and lemon – more, please, every day. It’s fine dining with a slice of wit, and a thorough and reasonably priced Swiss wine list – pinot noirs from Malans, Cornalin from Valais, local white grapes from the edge of Lake Geneva, all wines you just can’t find outside Switzerland.

Megu–sleep–pool terrace–repeat. What’s not to love about August in the Alps?

Our thanks to the Switzerland Travel Centre for organising first-class transportation on Switzerland’s beautifully efficient train network: switzerlandtravelcentre.co.uk

badruttspalace.com, thealpinagstaad.ch

 

 

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Polo tournaments don’t exactly suffer from a downmarket reputation, but there is polo and there is the Hublot Polo in Gstaad. On arriving in your car, you are confronted with a unique kind of triage: Ferrari Parking is signposted next to the field and stands, while all other marques have to park a little further away and walk. The indignity. (Ferrari’s local dealership is actually a sponsor).

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This year’s tournament went swimmingly in Mediterranean temperatures under an aquamarine mountain sky. The final was hosted by Hublot panjandrum and LVMH watches CEO (and LUX columnist) Jean-Claude Biver, who had cycled to the venue up the Saanenland Alps from his home by Lake Geneva. The teams battled it out on the field while in the VIP zone, champagne was sipped and deals were sealed, not least via the sponsors – we suspect Ferrari, Hublot and Riva sold a few choice items. (Our choice? An 812 Superfast, a Big Bang Automatic Unico Chronograph, and a 44 foot Rivarama Super.)

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But it was also a tournament for all the people; entry was free, whether you arrived in a Ferrari or a Fiat, and perhaps the best location of all was not the VIP zone but the Feldschlosschen beer tent at the entrance, serving ice-cold draft, at a spot where you could spot and be spotted by everyone. LUX prefers a cold, well-served, bottom-fermented Swiss beer with a three centimetre head to a lukewarm champagne on a summer’s day, and that’s where we had some of our best conversations.

Darius Sanai

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Priya Paul, one of India’s most prominent entrepreneurs, is chairperson of the design conscious, luxury five-star boutique hotel group ‘The Park Hotels’. She is heir to the Apeejay Surrendra Group, owners of Typhoo Tea, and her determination, spirit for hospitality and flair for design awarded her India’s fourth highest civilian honour, the Padma Shri in 2012 (for her services to Trade & Industry by the President of India). The President of the French Republic granted her Insignia of Chevalier de l’Ordre National du Mérite (National Order of Merit) an Order of State.  Kitty Harris talks to Priya about the Indian luxury market, leadership and innovating whilst staying true to heritage.
entrepreneur priya paul

Priya Paul

LUX: Apeejay Surrendra Group has been running for over 100 years. How has the business evolved since it began?
Priya Paul: The family business started over one hundred years ago with my grandfather and my father’s brothers and the business was originally in steel – in steel trading, small manufacturing and then into steel production. It then moved into shipping. We do dry bulk cargo ships and shipping, and we still have that business.

Later we added businesses such as hospitality, tea, real estate, finance, logistics and a whole lot of other businesses. Right now, it is my brother, my sister and myself who run the business and the main sort of businesses are shipping tea. We are the largest producers of tea in the country and we own Typhoo UK. We also have a hospitality business, real estate, logistics and other financial investments.

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LUX: What is the greatest challenge facing a group with so many different branches of investment?
Priya Paul: Indian businesses have been more diversified and have responded to many of the needs that the country has had in terms of investing. Traditionally, a lot of Indian business houses have largely been diversified. Firstly, to respond to the different needs and industries that arose when India was in its early decades of birth. I think having a diversified list of assets has been quite good for us over the long term; sometimes one thing is a drag and in other times, another one is. Particularly in a large family it has been quite good, because everyone has their own space.

LUX: It’s a family run business, is this ever difficult?
Priya Paul: Our family business was much larger, until we split up in 1989. Since then it has been my brother, my sister and myself. My mother and one of my uncles were also involved the nineties, so at one point there were five of us in the business. As I said, the business is large enough for everyone to have their own space. Yet, we make a lot of decisions together, certainly in the larger investments or re-investing. Decisions are made by us siblings now, together, and I think as we’ve grown up pretty much in the same age we see a lot of the same things and our world view is very similar. It has been quite rewarding for us.

LUX: You began your career under your father, the late Surrendra Paul, what was the greatest lesson you learnt from him?
Priya Paul: I worked with my dad for about a year and a half before he died. I think my father was very disciplined and I could see that in his work and in what he did. I can’t say I’m as disciplined, but it is something I try to emulate. He was especially disciplined and so I learnt from that. He would say, “work hard and play hard, and enjoy life too”. So that is how I live my life.

LUX: You’re the Chairperson of Apeejay Surrendra Park Hotels – what is the key to its success?
Priya Paul: We are celebrating fifty years this year. It has always been a very young and vibrant company that reflected a contemporary aesthetic, even when it first opened in 1967. I would say my role has been to actually reposition and build it for a new generation of travelers and customers – both Indian and international. The success has really been to reinvigorate the brand, provide it with meaning and to position it as something that is far from ordinary. That’s my tagline: ‘anything but ordinary’.

LUX: The Park Hotels have new properties under construction, Chettinad (old palace conversion), Mumbai and Jim Corbett National Park – how do you decide on location and maintain the five-star level across so many properties?
Priya Paul: We have two brands now. We have one called The Park, which is a fifty-year-old, luxury, five-star brand with full service that’s routed in the design. When I go to look at a property, I want something from the interiors that I can create a unique identity with. Personally, it is very important for the space to be creative, interesting and not like any normal hotel you might see. The site and location are dependent on the type of city, as the city must be able to take that kind of hotel. We have now also launched a brand called Zone by the Park, which I call a design and price conscious hotel. Similar in essence to that of The Park, as they are still fun, lively and vibrant and remain a reflection of the local space. However, they are in smaller spaces in smaller cities and the hotel size typically ranges from 65 rooms to 300 rooms at most. The idea here is to create a vibrant, big-city atmosphere within a small city. Since that is what the smaller, growing, cities in India want and need. There is a whole aspirational class of customers that want a nice bar and restaurant with international food, as well as the local specialties. They want spaces where they can entertain and have their weddings.

LUX: How do the contemporary luxury boutique hotels (The Park Group Hotels) set themselves apart from the rest?
Priya Paul: I think it’s a combination of many things. We orchestrate the whole design and aesthetic of how the hotel looks; however, it is also how the hotel behaves. This is in terms of how the spaces interact and how the customer feels when they relax and are at ease in a place. There is still outstanding service, but our staff have been trained to deal with customers on a more equal basis and to be more relaxed and casual with them. It seems very simple now, but when we discussed it twenty years ago there was big kind of difference between how staff in a hotel would be treated by customers. There was a class difference and I think that has changed because hotels now attract younger service staff. I feel we have taken care to hire creative people with individuality, who are able to deliver that service in a different way. When we started talking about that around twenty years ago, that was quite a unique approach and that is the feel when you go into The Park. It is relaxed and casual and people are friendly. You have everything you might need and want, in an environment that is fun, creative and interesting.

Read next: The bohemian allure of Chiang Mai  

LUX: Is it important to hold on to heritage and tradition or to keep current?
Priya Paul: I think it’s a combination of two things. I am a firm believer that you need to know your culture and heritage and to preserve part of it, whilst allowing yourself to move forward. So, it’s a tricky balance. That being said, one of the hotels that we are currently restoring is in a palace. I firmly believe in heritage conservation and I believe this also applies to food. Twenty-five years ago we were not even exploring what our Indian food heritage was. But within twenty years, people have caught up and realised we are losing our grains, our vegetables, our techniques and our recipes. It is very important that we preserve those, but also that we move forward with them. Our food does not have to look the same for five hundred centuries. It has to evolve. For example, we host The Parks New Festival, which is a performing arts festival that now runs in six cities for a month – we started off in just one city! We do this because it’s actually for new performances not the old stuff, we want creatives to push and move forward. So how do you push comedy or music or dance? There’s that and I also think maybe it’s from my personal interest; you have to know your tradition, but we must still know how to move forward, explore and experiment.

LUX: How has the hospitably climate changed in India and how did you respond to these changes?
Priya Paul: We’ve always had a few very good luxury hotels because a lot of the palaces were converted. What’s happened in the last twenty five years, is many of the Indian brands invested in some great
properties and developed new circuits and new properties in lots of locations. A lot of the international brands have come in with their high-end brands, whether it’s Grand Hyatt and The Four Seasons. I think it has changed a lot. We have about eight million international tourists traveling into India but we have over 400 million Indian travelers traveling. So, the strength of the Indian market has never been better. At all levels of the 400 million people you need hotels and accommodation. And as people earn more money they want to move on to the next best thing. So, there is a lot of demand for luxury products within India, whether it is cars,hotel rooms, luxury dining or experiences. That has fueled a demand to supply and create those products. At all segments of the market I’ve seen growth; we are growing at seven something percent.

Park Hotel in Goa, India

The Park Calangute Goa

LUX: What’s the ultimate luxury in hospitality?
Priya Paul: You know I think I’m more of an explorer, I like exploring new places and cities or neighborhoods. For me, the luxury is in the exploration, in getting to know the area. I used to plan everything a lot more and now I just go to a place and I just discover. I think that’s also quite exciting, to just explore and you never know what you are going to find. Also, I always look for a hotel that is interesting, design wise. I typically don’t choose a chain hotel to stay in, unless there are brands doing new things. I don’t mind doing things once or twice, just to see what’s on. I look for a clean aesthetic, contemporary rooms; similar to what I do now with hotels. On the other hand, I also sometimes like grand, luxurious hotels and those old-fashioned hotels can sometimes be quite charming and interesting too. It depends on the destination.

LUX: You are a trustee of Indira Gandhi National Center for the Arts (IGNCA) and board member of the National Council of Science Museums. You’re passionate about art and design, an art collector too – where did your love of the arts begin and how do you incorporate it into what you do?
Priya Paul: I think my love of the arts started off because I lived in Calcutta with my parents. Calcutta at that stage, and even now, is considered a very artistic city. The people are artistic and into the arts whether its music, dance, theatre or fine art. At a young age I did oil painting and my parents would take us to all the exhibitions in town. And at that time, in the seventies, there weren’t many art exhibitions in India but there were some in Calcutta. We would go to exhibitions, to see art and new artists. At that time, my parents collected art for the hotels, as well as personally, and so we were exposed to it at a young age and it just stayed with me.

Read next: The hottest new hotel opening on the Vietnamese coastline 

LUX: You’ve received numerous accolades and acknowledgements that include the FHRAI (Federation of Hotel and Restaurant Association of India) who inducted you into their hall of fame in 2010. You were awarded “Excellence in Design Innovation 2011” by Condé Nast Traveller India. Which one was the most special to you?
Priya Paul: Numerous and I think a lot of them are from the industry. In the early years, it was very important to get those recognitions from the industry because I was not from the industry. I was doing something quite disruptive, I was making people look at hotels in a different way. It was great to be recognised then as doing something different and being successful but I think the most proud moment was the one I got from the government of India in 2012. The Padma Shri, the fourth highest civilian honour, which was completely unexpected. I am probably one of the youngest people to get it in the industry and that was a very lovely recognition.

LUX: What does it take to be a good leader?
Priya Paul: Leadership requires different things at different times. I think I have a good “people instinct” and I enjoy working with people. But I’m also not afraid to make decisions and I think you have to be courageous as a leader, to make decisions whether they are bad or good. And you have to perform and stick by your decisions.

Park Hotel in Hyderabad, India

The Park Hyderabad

LUX: You’re a powerful female figure, with Forbes recognising you as top 100 most powerful business women in India – have you ever faced challenges in business from your gender?
Priya Paul: I’m lucky, in that I work in my own family business. When you work in your own family business you get the benefit of people accepting you because you are in that ownership and leadership role. Having said that, I started working at a very young age and I was also working at a time when there were very few young people working in business at a leadership level. Very often I felt people looked at me and thought you’re too young to be making that decision or to be in a decision-making role. I got more of a youth bias than a discrimination bias. But I was the owner and when in that position, you obviously have to handle yourself correctly whether you’re young or a woman. To me it doesn’t make a difference whether you’re a man or a woman, as long as they perform. But there are many people who have issues with it. I didn’t directly face that gender bias because of the industry I’m in. Even when I joined as a marketing manager, and General Manger of one hotel, when my father was around there were quite a few women in leadership roles in hospitality, because hospitality was much more equal. Women would always be heads of Sales and Marketing or Housekeeping, with a few General Managers and a few chefs. So there were even people twenty-five years ago in those leadership roles. There were some powerful women, even in hospitality.

LUX: Why was it important for you to be a Chairperson for the South Asia Women’s Fund?
Priya Paul: I was invited by Ford Foundation to be one of the founding directors of the South-East Asia Women’s Fund and I have always been a proponent of women’s empowerment and women’s leadership. Partly having had leadership roles in my School and College and having gone to a very pure feminist college in the US. It’s always been a part of my consciousness and so it’s my way of giving back and providing that leadership to the organisation. I was a director for many years, and I was elected to be chair a few years ago. It’s very interesting as I’m not from the field of women’s rights or activism but I think the organisation needed me to give it more direction, which I think has been quite successful. The organisation is doing good work.

LUX: If you hadn’t of gone into the family business, what would you have done?
Priya Paul: Well I’m asked that question a lot, and I have a standard answer for that. For many years I’ve said I would have been a chef. Cooking and food; it’s also a passion of mine. And luckily, I have wonderful chefs and I get to live vicariously through them. But that’s what I would’ve done, I would have run my own restaurant.

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Reading time: 14 min
The Anam Vietnam hotel
The Anam vietnam

Beach front villa with private pool

Why should I go now?

Monsoon season is one of the most beautiful times to go to Vietnam. The landscape is lush and green, and whilst the showers are fierce, it makes the periods of blue skies and blazing sunshine even sweeter. Nestled within a forest of palm trees on a peninsula of white sand, The Anam is a vibrant, tropical paradise.

What’s the lowdown?

The Anam five star resort in vietnam

Image by James Houston

The Anam opened in April this year as the first and only World Luxury property in Vietnam, and whilst it should still be in the teething stages, there’s very little to suggest this is a new face in the luxury world, apart from a few bare walls where local artworks are due to be hung. The design is colonial with traditional Vietnamese detailing, handmade lanterns and ornate, tiled floors with columns allowing the cool sea breeze to flow through the spaces.

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The food, in all three of the restaurants, is superb, but really exceptional at the recently opened Indochine Grill. It’s European fine dining, intimate and elegant with a live pianist creating an almost Parisian mood. We tried the taster menu and each course was as delicious as the next. During the daytime, there’s a complimentary activity schedule of yoga, kayaking, fishing, volleyball and mini tennis tournaments or you can just lounge on the beach or by one of the three swimming pools, which are open all hours, so that at night you can float on your back whilst listening to live music in the Saigon Bar.

The Anam Nha Trang Vietnam

The Indochine European fine dining restaurant.

Getting horizontal

Our villa opened out onto a manicured lawn leading straight down to the sea; lying in bed we could hear the calm, continuous rolling of the waves and glimpse a sparkling line of blue when propped up on pillows with the curtains open in the mornings. Interiors were bright, homely and simple with dark wood furniture contrasted against white walls and linens. The bathroom, at the back of the villa, featured a light well with tropical plants growing up alongside the bathtub. It was quietly luxurious, but in no way overdone, allowing the view to take centre stage.

The Anam Vietnam hotel

The Anam. Image by James Houston

Nitpicking

The Anam is everything you could possibly want from a beach resort. Where so many resorts fail, it manages to blend the highest-level of sophistication with a laid-back island kind of attitude. The villas are hard to compete with so the the hotel building at the back of the resort inevitably falls short in comparison. Whilst the rooms here mainly have sea views, the multilayered building feels dark and imposing where the rest of the resort is bright and elegant.

Rates: From USD $215 (approx.€200/£150)

Millie Walton

 

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Reading time: 2 min
Chiang Mai hotel
Ancient temple in Chiang Mai

The ancient chedi at Wat Chedi Luang temple, Chiang Mai. Image by James Houston

Chiang Mai is fast becoming Asia’s most appealing tourist destination with its verdant scenery, glorious temples, thriving arts scene and seductively bohemian mood. Digital Editor Millie Walton ventures to Northern Thailand to discover the secrets behind the city’s allure.

Thailand’s never really appealed to me. I shunned the backpacking, full moon party scene for trekking in the Himalayas, safaris in Zimbabwe and little known rural villages where I could still feel traces of culture that elsewhere have been mowed over by skyscrapers and shopping malls. Yet, on a recent trip I found myself making a detour to meet a friend who’s recently moved to Bangkok, a city which she cheerfully describes as “the ugliest place in the world,” but for a day or two it’s fascinating to be wide-eyed in an Asian supercity.

By contrast, Chiang Mai is the kind of place you could stay for weeks, months or like many artists from around the world, years. We arrive on Sunday morning in early June, when monsoon season is at its teething stage. The showers are short, but extremely powerful and in response, the surrounding landscape shines vibrantly green. The city, for many, is Thailand’s adventure capital; within a few kilometres radius, there’s trekking, zip lining, white water rafting and multi-layered waterfalls cascading through the jungle, but it’s also slowly establishing itself as an artistic hub with live music venues, art galleries, yoga, studios artisan coffee shops and a collection of swanky boutique hotels.

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Chiang Mai city

A suite at 137 Pillars

We check in to 137 Pillars, one of the most architecturally interesting five-star establishments in town, built around a grand restored Lana style Thai house. It’s a small hotel, just a few metres back from the Mae Ping River and a short walk from the city’s walled old town, but the spacious layout of suites in a collection of traditional style houses, clustered around the main wooden house and gardens, makes it seem almost like a mini village. As the first downpour of the day hits, we sit on our terrace watching the huge raindrops run down the palm leaves and soak into the earth. It’s over in less than ten minutes and we make our escape to the old town.

Chiang Mai hotel

137 Pillars, Chiang Mai’s most stylish boutique hotel

Technically, the old town is the tourist hub of the city, but its also where most of the art galleries reside and the most beautiful temples. Compact in size with picturesque hidden alleyways, it’s perfect for exploring on foot. We begin at the Chiang Mai House of Photography, a sky blue wooden building hidden alongside the more dominating presence of the Lanna Folklife Museum. Downstairs is the room for lounging on sofas and armchairs with a photography book selected from one of the glass cabinets, whilst upstairs is the gallery space. As elsewhere in Thailand, the imagery here is currently dedicated to the recently deceased King. It’s an interesting and intimate exhibition examining a nation’s collective mourning, featuring four walls dedicated to the work of young photographers.

Read next: Guy Bourdin’s seductive world at Maison Chloé

Artist, Chumpol Taksapornchai

Whilst Chiang Mai isn’t home to any big-name galleries, as you dip in and out of the artist studios and cosy, colourful art spaces that line the streets, there’s an exciting sense of discovery and experimentation. Last year, the Chiang Mai Art Conversation (CAC), a four-year-old collective that aims to consolidate information about the city’s art spaces into a central database, issued its first Chiang Mai Art Map paving a route for visitors to explore the best of the local arts scene. One of the favourites is Matoom, run by artist Chumpol Taksapornchai. Filled with his large scale, dreamy water colours of imaginary landscapes and his mother’s colourful mobiles, it’s like wandering into a creative cave. “A lot of artists live here because we’re surrounded by nature and old culture. It’s an inspiring place to be!” Chumpol says of the city, “You have the smell of the countryside whilst being in a modern city at the same time.”

Chiang Mai temple

Wat Chedi Luang temple. Image by James Houston

At 6pm we make our way to Wat Chedi Luang temple, in time to watch the monks gathering inside for evening meditation. We sit for a while at the back listening to the chanting before circling the courtyard to admire the towering Lanna-style chedi built in 1441. When we leave, we find the streets lined with stalls for the Sunday night walking market. Here you can find local crafts, cheap souvenirs and sample the street food and whilst it can get crowded, it still manages to feel relaxed and soft. The people are gentle and smiling, eager for you to see their products, but never aggressive or pushy.

The market sprawls in a kind of maze and we’re lost for a while before we find our way back to the hotel for a late, but very welcome treatment at the spa. I opt for the 90 minute signature, combining Swedish massage techniques, with hot herbal compresses and Thai stretching. It’s a deeply relaxing and indulgent experience that seems fitting with Chiang Mai’s sensual aura, followed by an even later dinner and cocktails in the sultry, open air Dining Room restaurant that, on a balmy evening, feels almost Mediterranean.

Chiang Mai is one of the few destinations in Thailand, which manages to cater to the modern lifestyle without compromising ancient culture and traditions. Sadly, it probably won’t be long until that changes, but for now the city remains one of Asia’s most intriguing.

 

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Reading time: 4 min
Sotogrande Grand Prix

Over the course of five days from Wednesday 24 May to Sunday 28 May 2017, southern Spain from Seville to Sotogrande welcomes the automobile elite for rallies, exhibitions, sales and displays of an eclectic selection of classic cars. The Andalucian route, weaving through picturesque cities and pine forests, ends each year with the legendary three-day Grand Prix festival of speed trials and Concours d’Elegance held in the stunning setting of La Reserva Club at Sotogrande alongside star-studded cocktail evenings and garden parties. Here LUX recounts this year’s weekend in pictures

 

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Reading time: 1 min
The Excelsior hotel Hong Kong
Hong Kong Mandarin Oriental The Excelsior

The Excelsior is a cathedral to modern tourism and business travel

Luxury hotels are not all about marble bathrooms and art in the corridors: without perfect service and functionality, a luxury hotel is not worth the title. Darius Sanai holds up Mandarin Oriental’s Hong Kong behemoth as a case study – technically, it’s not a luxury hotel, but the experience should be an example for all hoteliers on how it’s done.

The idea of staying at a Mandarin Oriental hotel conjures up a dreamy vision, a blend of eastern exoticism and richness of service. And this dream is generally an accurate predictor of what you’ll receive in the only luxury city hotel group that, for me, perfectly combines the style and individuality of a boutique private resort group with the functionality of a major luxury chain.

‘Functionality’ is probably not a word that appears in Mandarin’s, or any group’s staff manual, but it’s a key element of a top hotel and one that is overlooked too easily. I have stayed in boutique hotels whose bar staff don’t know what a cigar cutter is; design hotels where room service breakfast looks like something on a second-class train carriage; style hotels where the concierge forgets your restaurant reservation and today’s front office staff have no idea about the detailed conversation you had about your needs with yesterday’s front office staff. An adaptor for your European plug? Sorry, the guest who borrowed it last week didn’t bring ours back.

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I’m ok with having an orange sofa in the shape of a banana in my room; I’m delighted to find an oxygen machine and green juice in my minibar, it’s fine that the person showing me to my room is an easy-on-the-eye Instagram star, but when I travel, and I suspect I speak for a fair number of LUX readers here, what I need is functionality.

This is different to being able to process eccentric requests, or to having a fleet of Teslas to show your green credentials. Functionality is boring, and it makes the world go round. If I call on my way in from the airport and order dim sum in my room at precisely 6.30pm that night, it needs to be there; I don’t need to have to call at 6.45pm to be told, oh sorry, there’s no dim sum today, would you like anything else from the room service menu? The adaptor – already in the socket. Housekeeping needs to speak English and know the answer to a question about dry cleaning delicates without promising to call me back – I’m talking to you now, I don’t need to talk to you again. Room service should remember my breakfast order from yesterday so I don’t need ask all over again about gluten-free toast and no lemon in the water and do you have any sliced grapefruit, no, not juice, sliced actual grapefruit. The person who answers the ‘At Your Service’ function on the phone really does need to know everything about the hotel – it’s not at my service if you have to be a broker between me and the rest of the hotel.

Read next: Searching for serenity in the Nepalese Himalayas

Staff need, in general, to know not just about what you are asking them, but every element of the hotel, so the host in the French restaurant on Floor 2 is clued-in that you have a car for the airport at 9.30pm and the staff there already know to serve dinner in time, while the concierge has already had the bell boy pick up your bags (and return the adaptor to reception so they don’t add a charge to your bill).

Which brings me back to Mandarin Oriental hotels. All the ones I have stayed at, from Hong Kong to New York, score high marks in this kind of functionality. Not unusual – a minimum requirement for a luxury hotel, and one which is shared by competitors like Four Seasons and Ritz Carlton.

There is a hotel that appears in the Mandarin Oriental portfolio, though, that doesn’t bear the brand name. The Excelsior in Hong Kong is part of the group, but not; it’s just called The Excelsior, and doesn’t share the luxury status or accoutrements of its more illustrious sisters. It’s a good bit cheaper, as well.

The Excelsior, Hong Kong

A Deluxe Double Room at The Excelsior

I have just bid The Excelsior farewell for the last time. I had a three-year advisory contract with a Hong Kong-based client, whose company booked me into the Excelsior for all of my four-to-six-time-a-year stays. Having, on previous trips to Hong Kong, stayed at the Mandarin Oriental, its sister hotel the Landmark, and other luxury citadels like the Four Seasons and Upper House, I have found myself staying in The Excelsior for something like 15 times over the last three years, for nearly a week at a time; that’s more than 90 nights, enough to get to know a place, or get weary of it.

The sole sub-luxury hotel of my global itineraries for LUX, my luxury consultancy Quartet Consulting, and my other employer Condé Nast, the 848-room monolith, at the ‘wrong end’ of Hong Kong to the financial bustle of Central, with its plethora of groups from mainland China, should have stood out as a step down, a place to be endured, perhaps even complained about to my client. One colleague did complain: a creative director who travelled with me once took one look and instantly changed addresses to a boutique hotel, which turned out to have paper-thin walls and chaotic service, but which had Tom Dixon light fittings.

Read next: Fine artist and model, Orla Carolin on modelling’s need for greater equality 

The Excelsior is a cathedral to modern tourism and business travel. Thousands seem to flow through its two facades every day. Its rooms are homage to the era when hotel rooms weren’t really designed; the bathroom’s on your right (with a shower in the bath), the safe’s in the cupboard on your left, the desk is in front if you, and the bed’s over there. To walk into my room (2422, usually) after the 12 hour flight from London should have been to be hit with a wave of mundane gloom: my functional home for the next six days.

But I rather loved the Excelsior. My room, like most others (I never received special treatment there) looked out over the harbour to Kowloon, and past to the mountains in China, with that spectacular and unique mix of commerciality, romance, urban ugliness, urban beauty, noise, light and possibility that Hong Kong epitomises.

My flight would touch down at 5pm on a Sunday night, and, arriving at the hotel around 7, I would get changed (a shower in a bath is fine) and walk outside into the neon-lit streets. The crazy signs and lights of the Laforet stall, the crowds of shoppers at any hour, the shops on the Lockhart road selling Chinese roots and beauty products and barbecued chicken and technicolour drinks; these were an instant hit of Hong Kong, unlike anything you will receive in the sanitised central business area a mile or so away.

I would then walk back to hotel for dinner at Yee Tung Heen, the Cantonese restaurant on the second floor. A formal, sophisticated, old-fashioned place with white glove service and tablecloths and a vast menu of traditional Cantonese dishes, it is apparently a favourite place for a treat for local families – and appears absolutely nowhere on the fashionable tourism agenda. Bare sharing tables, fusion offerings, Cantonese cocktails – all are on offer elsewhere in Hong Kong, but Yee Tung Heen has extreme comfort, peace, an excellent wine list, and superb food. From the boiled peanuts which I dipped into the homemade XO sauce as a pre-starter, to the steamed garoupa with ginger and lime, to the citadel of Chinese mushrooms, this was the best food I had in three years of being shuttled around Michelin-starred restaurants in Hong Kong.

The Excelsior, Mandarin Oriental Hong Kong

ToTT’s bar has the best views of Hong Kong from the roof terrace

After dinner, jet lagged, knowing this would be my only night “in” during my stay, I’d ask for the rest of the bottle of Riesling to meet me at the rooftop bar, ToTT’s. It inevitably got there before I did, a table would be waiting and I would sip a glass and marvel at the best view of Hong Kong from anywhere: 34th floor, with a precipitous view of both the city and Kowloon across the water, and the canyon of lights leading away through anonymous forests of blocks into the eastern distance.

“Room Service, Wendy speaking, how can I help you Mr Sanai, would you like the same as usual?” – how did Wendy remember, or care, among 848 rooms, with my several week period of absence each time, about the jug of American coffee, empty bowl with spoon, sliced apple and orange, and Welsh sparkling water (not the revolting San Pellegrino)? How did the entire concierge and front desk staff always know exactly when my limo for the return to the airport was booked? How did it all link up in such a vast hotel with its streams of bemused and voluble first-time tourists?

My theory, though I can’t be sure, is that the Excelsior is a kind of test-bed for Mandarin Oriental’s staff: if they can operate at peak standard at the Excelsior, they can do it anywhere.

It’s a rare anomaly of a hotel where the service is super-luxury and the rooms are barely above three-star (a recent refurbishment stripped them of their most attractive element, 1990s-retro oak panelling and desks that ran the length of the walls, replacing them with forgettable florals and whites). And I’ll take it that way anytime. The Excelsior may never be a LUX Hotel of the Month – not unless it is knocked down and rebuilt, as the old Intourist in Moscow gave way to the new Ritz Carlton – but every luxury hotelier should pay a visit to see how hotels ought to operate.

mandarinoriental.com/excelsior/

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Reading time: 8 min
Himalayas Nepal
Nepalese Mountain retreat

Dwarika’s Dhulikhel is designed like a village, nestled into the hillside overlooking the Himalayas

Since the devasting 2015 earthquake, Nepal has slowly been rebuilding itself as a travel destination. Until now, visitors tended to be Everest summiteers and those seeking other, though slightly less extreme, high altitude adventures, but slowly luxury is finding a place in the Himalayan foothills for travellers who seek to immerse themselves in mountain life without the hike. In the second part of her Himalayan journey, Digital Editor Millie Walton crosses the border from North East India to the remote Nepalese mountain retreat, Dwarika’s Dhulikhel in search of a slower pace of life.

Unsurprisingly, the Himalayas are difficult to navigate. It’s not until you’re actually eye to eye with the mountains that you can even begin to appreciate their enormity, not just in terms of height, but length too. The range stretches through Nepal, India, Bhutan, China and Pakistan with over fifty mountains exceeding 7,200 metres (including ten of the fourteen 8000 metre peaks). So making the journey from Darjeeling to Kathmandu isn’t impossible, but it’s not easy. Firstly there’s the drive to the border, which even in one of Glenburn Tea Estate‘s hardy Land Rovers is likely to make the strongest of stomachs queasy. The land border itself is a breeze, the Nepalese border control are easily the most friendly security officials I’ve ever met, but then there’s the flight. The weather systems over the mountains are unpredictable – on a good day it’s a bumpy ride – that said, the views of the world’s highest peaks rising majestically through the clouds makes it more than worth it.

Dwarika's Dhulikhel, Nepal

Day beds dotted round the resort provide a perfect viewpoint of the Himalayas

Sitting in the Zero Gravity lounge at Dwarika’s Dhulikhel that’s all far behind us. We’re here for the sunset, which, we’ve been told, illuminates a view of panoramic peaks in soft pinks and golds. The lounge is a rectangular glass box with an alfresco roof top seating area, but the winds are blowing and it looks dangerously like rain so we’re nestled into one of the day beds, playing Bagh-Chal (Nepal’s national game, also known as tigers and goats), hoping that nature will change its mind. Of course, it doesn’t. The storm when it hits is fast and ferocious. Sheets of rain slice into the glass, forks of lightning stab the ground and the wind shakes the sides so violently, we almost expect it to shatter. It’s over in less than ten minutes. The clouds have been ripped apart leaving smudgy outlines of the giants that surround us. There’s no rosy tint, but even these sultry shadows are impressive.

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Mountain retreat in Nepalese Himalayas

Homely touches in the suites

An hour’s drive outside of Kathmandu, Dhulikhel is an ancient Newari hillside town where tourists flock in the promise of panoramic views from Langtang Lirung in the east, through Dorje Lakpa to the huge bulk of Gauri Shankar and as far as Numbur. Of course, for the true thrill seekers, you can venture by foot into the depths of the Himalayas to a base camp or perhaps even to a peak, but if its luxury you’re after, you won’t find any beyond this point. Just outside of town, Dwarika’s sprawls up the side of a slope, hidden behind thick forest. Built in 2013, as the more subdued sister of the Dwarika’s hotel in the city, its a place of indulgent solitude, where guests are invited to embrace a slower pace of life in search of a more mindful and creative existence. There’s a daily schedule of complimentary activities led by resident gurus and artists including yoga, meditation, pottery and painting all held within little mud huts tucked into the dense foliage. Most beautiful is the Himalayan pink salt room, with walls and floors made from glistening rock crystals. It’s the purest form of salt on earth and is thought to be beneficial for the respiratory system – sitting on the arm chairs with a soundtrack of spiritual chanting, it feels almost otherworldly. Time within these walls loses all meaning.

Himalayan retreat, Nepal

The resort’s infinity pool

We begin our stay with an Ayurvedic consultation with an enthusiastic doctor who asks us to fill out a form to determine our body type. Most of the Ayurvedic teachings are based on common sense, and whilst sceptics may be turning away at this point, at the very least its an important reminder to prioritise health and mental wellbeing with early nights, mindful eating and exercise. Essentially it’s about learning or re-learning to listen to your body. In urban landscapes, every space is filled with sound (traffic, voices, building sites) – even when we get home, there’s rarely a moment of true silence – and so somewhere along the way, we’ve forgotten how to listen to our bodies. The mountain setting of Dwarika’s then isn’t just about pretty views, but about reconnecting to a more traditional way of living, a way of life which still exists within the Himalayan villages.

Read next: British model, Orla Carolin on her art collective NINE8

Mountain retreat in Nepal

The Art Studio at Dwarika’s Dhulikhel. Image by James Houston

The resort takes its inspiration from that simplicity and whilst it is certainly luxurious, it is designed to blend seamlessly in with the natural surroundings. The suites are all bright and spacious with rustic furnishings, cream linens, smooth natural woods and pebble stoned bathroom floor. To be truly of nature, there probably shouldn’t be wifi access or televisions, but since most guests fill their days with chakra meditation or ink painting, there’s really very little opportunity to pull out a device. Our junior suite is centred around the views with floor to ceiling windows allowing the space to fill with natural light and a large terrace where we curl up on the daybed in the afternoons with a cup of herbal tea and homemade cookies, gazing out at the mountains. There are homely touches like a bowl of walnuts for cracking, a pot of honey as a natural sweetener for tea, homemade soaps and a ceramic pot of lemongrass bath salts on the edge of the tub. Each evening coloured cotton scarves are placed on the bedside table, to wear on the following day reflecting a certain energy along with a small silver dish of soaked almonds to promote peace of mind. It’s a world of indulgence, in which every detail has been carefully considered to create an atmosphere of complete calm, and it’s not long before we feel ourselves unraveling.

Read next: Summertime in Moscow at the Four Seasons

Nepalese mountain retreat

The Spa. Image by James Houston

The food adheres to Ayurvedic principles too; ingredients are locally sourced, and vegetables are plucked straight from Dwarika’s own organic farm. At Mako’s Zen, the Japanese restaurant, which offers set menus of six or eight courses, the cuisine is based on the diet that was originally followed by monks in training (it’s not nearly as intensive as it sounds) and dishes are all vegetarian and light on sodium, designed specifically for easy digestion. The vegetable tempura and maki are the highlights, and although we leave craving a little something more, it is refreshing to go to bed feeling light. For Nepalese traditional cuisine, Nature’s Flavours restaurant serves up by far the best momos (dumplings) I’ve ever tasted, and they look pretty too, dyed (naturally, of course) in bright colours.

Himalayas Nepal

Sunset over the mountains. Image by James Houston

On our last morning, before sunrise, we wander to the top of the hill – it’s quite a breathless climb for those unused to altitude (at 1,550metres it’s well above the UK’s highest peak) – to the meditation maze, a winding walled path of sculptures on the grass with hidden speakers playing a continuous track of OM chanting, which has an almost soporific effect as we drift from side to side. The air is fresh and light, not yet saturated with the heavy heat of the day, the grass is damp beneath our feet and the birds are only just beginning to sing. The Himalayas surround us, rising like giant waves into the ice blue sky. It’s a powerful image of stillness and stability, that’s more poignantly therapeutic than any level of luxury ever will be.

dwarikas-dhulikhel.com

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Four Seasons moscow spa
The Four Seasons hotel in Moscow

Russia’s grandest hotel: The Four Seasons Moscow

Why should I go now?

Moscow in summer is vibrant, unexpected. In the warm, dry, continental sun, the city’s streets and parks have a Mediterranean vibe. The Four Seasons has the best location in the city bar none, next to the Kremlin; you can watch Russian tourists wander in and out of Red Square, eating their marozhonye (ice cream) from your balcony.

What’s the lowdown?

The Four Seasons is an edifice and a historical artefact. Those interested in Soviet history will be fascinated to know it was formerly the Hotel Moscow, a pet project of Joseph Stalin, opened in 1935 – the Lubyanka, headquarters of Stalin’s NKVD security police, is a five minute walk. Those interested in cocktails will know its façade from the labels of Stolichnaya vodka. Transformed after many years of work into a luxury hotel, it is now the grandest hotel in Russia.

Four Seasons moscow spa

The 25 metre indoor pool at Amnis Spa

Its 25 metre indoor pool, occupying the internal courtyard, with a glass roof, and surrounding ultra-luxurious spa, are the central symbols of the transformation. We balanced out the yin of exercising and spa purifying with the yang of hanging out in the Moscovsky bar on the ground floor, where immensely strong cocktails are served in an atmosphere more New Orleans than Moscow; the Moscovsky Mule is the hotel’s take on the classic Moscow Mule, and has a moreish kick.

 

Bar at Four Seasons Moscow

The Moscovsky bar

Getting horizontal

Our suite (bedroom, living area by the bedroom, and living/reception room) had balconies facing out onto Red Square, with the Kremlin to the right – you don’t realise exactly how much of a castle the Kremlin is until you have a chance to examine it at night and wonder at what has happened there over the centuries. Furnishings were plush, light and contemporary, while thick carpets and swathes of marble in the bathrooms will ensure that traditional Four Seasons fans (and visiting dignitaries) are not upset. It’s worth upgrading to a room with a view of, and balcony onto, Red Square; one of the most momentuous city views in the world.

Premier Room Four Seasons Moscow

Some of the hotel’s Premier Rooms have balconies onto the Red Square

Nitpicking

This is a Four Seasons, so an element of grandeur and formality go with the deal, from the moment you walk into the immense lobby and stride down the marble corridors. Service is impressive at every touchpoint, as is security; the lobby areas are probably more suited to those with an entourage of bodyguards than a casual cabal.

Rates: From RUB 28,000 excluding breakfast (approx. USD $500/€400/£300)

Darius Sanai 

fourseasons.com/ru/moscow

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Glenburn Tea Estate himalayas
Tea Estate himalayas

Breakfast is served alfresco at Glenburn Tea Estate on the terrace. Image by James Houston

The Himalayas are one of the few corners of the earth that remain unconquerable by humans. Many of the world’s highest peaks are yet to be summitted and much of the range is still a mystery. In the first leg of a journey from North East India to Nepal, Digital Editor Millie Walton ascends to the colonial city of Darjeeling to experience life at high altitude from the luxurious view point of Glenburn Tea Estate.

Life on the mountains begins at sunrise. The curtains of our suite are drawn at 6am with the delivery of “bed tea” ( a china teapot of the estate’s finest brew) and biscuits. The room glows pale yellow, a light which will soon turn bright and icy. We have been told that this is when the Himalayas are at their most magnificent as the sun slides down the edges of the mountains, and the snow blushes pink, then gold. This morning, however, nature won’t oblige voyeuristic eyes and the mountains are concealed by layers of puffy, white clouds. Set against, the vibrant green of Glenburn’s surrounding tea plantations, it’s still beautiful, but not quite Kanchenjunga.

Glenburn Tea Estate

Kanchenjunga, the third highest mountain in the world, sits opposite Glenburn

“You may need umbrellas. It rains almost every day here,” Jemima, our Scottish hostess warns us as we set off on a morning walk down to the Sikkim river. In the hot sun, it’s hard to believe, but the weather at high altitude is volatile and necessarily so for the healthy growth of tea. “Most people don’t realise that there are only two types of tea: Chinese and Assam. We grow both here at Glenburn,” our guide explains to us, as we stroll through the neatly combed lines of tea plants. Today is Sunday so there are no pickers at work, but there are over 1,000 employees on the estate who contribute in some way to the production of the tea. The estate, originally established by a Scottish family hence the Celtic name, is now owned and run by one of the most respected tea families in India, The Prakashesnot just as a business, but as a community. There are five villages, five schools, shops, hospitals, mosques, churches, Hindu and Buddhist temples on Glenburn’s hillsides. Lives are created and lived on the same soil from which the tea grows. It’s not something you tend to think about when you sit down for a cup of afternoon tea, but of course, most of the brands we are familiar with don’t have that kind of heritage, in fact, we’re told, a large percentage of the tea bags we dip into boiling water are stuffed with the leftover scrapings of leaves, the bad, cheap stuff. Unwittingly, our tastebuds have been dulled into acceptance of mediocre.

Read next: Hotel Byblos owner, Antoine Chevanne on intimate luxury

The Glenburn estate isn’t actually in the town of Darjeeling, and whilst it’s only 6 km away (as the crow flies), it’s a painful hour’s jeep ride along mountain roads and down dirt tracks to reach the pretty green and white cottages that sit on a well kept, mountainside shelf (each morning the postman makes the journey to deliver the daily newspaper). So it’s remote enough not to see or hear the deafening horns of India’s jostling traffic, which somehow still manages to infiltrate the lower parts of Darjeeling. Walking down an increasingly steep track to the river, the only sound is the singing of birds. The lower we descend, the more jungle like the landscape becomes – the mountains here are so vast that they support multiple ecosystems – and we arrive at the riverside campsite glistening. Here more adventurous guests can camp for a night in the basic, comfortable lodge, but compared to the four poster bed in our bright and spacious floral suite, we decide lunch will suffice.

Glenburn himalayan luxury

Tea pickers on the estate

The river, flowing fast with ice cold, glacial mountain water, is the border between West Bengal and Sikkim, and whilst Indians can move freely between the two states (we meet two men returning to a Glenburn village later on with baskets of beer hanging from their foreheads, as alcohol is cheaper across the water), foreigners require a permit to cross the bridge so all we can do is peer through the distant trees. The journey back is by jeep – luxury travel gives guests the option to choose the intensity of their adventure – and the clouds are still stubbornly blocking our view, smouldering with coming rain. Come nightfall though, the mountains around us are blinking with thousands of lights revealing the isolated communities that are hidden during the day. At a higher level, the sky seems even more black and endless filled with the vibrations of cicadas.

Himalayan Luxury

The Singalila Suite

Glenburn Tea Estate

Views from the bathtub. Image by James Houston

Dinner is served formally at 8pm, following colonial tradition, round a communal dining table after drinks in the drawing room. On the first night, guests timidly trot round the edge to find their place name, smiling shyly at their neighbour, but conversation flows freely after a few glasses of wine; the remoteness of Glenburn appears to attract a more worldly and relaxed type of traveller in comparison to city smart hotels. The menu is themed each night according to the produce the estate has been able to source, and whilst it’s not quite Michelin star quality gastronomy, the chefs do well with the limited resources, often incorporating tea into dishes in innovative ways. It’s a languid, indulgent and homely evening. The very charm of Glenburn lies in its unpretentiousness and eccentricity; each room is furnished with beautiful, “lived-in” antiques, battered board games are stuffed onto shelves amongst well read books, there are no locks on any doors and guests are free to wander without butlers pouncing on them to ask if they’d like another drink. It’s a nostalgic world that could not exist anywhere else, but the foothills of the Himalayas.

Read next: Haute cuisine at high altitude in Zermatt

That night, I’m awoken by the reverberating drumming of an insect calling out hopelessly into the darkness for a female. It’s almost 2am, hours from sunrise and yet… I draw back the curtains and in the silvery light of the moon glimpse the jagged edge of a luminous mountain, just visible for a moment before a shadow moves across the sky. There’s something reassuringly calming though, just knowing that the mountains are and always will be there.

glenburnteaestate.com

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bangkok luxury hotel
bangkok luxury hotel

Bill Bensley’s Art Deco palace, The Siam

Why should I go now?

Thousands of tourists flock to Thailand every year to take part in intensive wellness and meditation retreats in monasteries round the country, but whilst most of these tend to involve at least degree of comfort deprivation, The Siam is offering its own luxury holistic programme throughout 2017 with visiting artisans running classes to help guests restore a sense of balance into their hectic lives. Think aromatic essential oils, cold towels, soft, fluffy dressing gowns and slippers. In other words, pure, indulgent bliss.

What’s the lowdown?

luxury travel bangkok

A treatment room at the Opium Spa

Designed by renowned architect and interior designer, Bill Bensley, The Siam is a contemporary Art Deco palace with traditional Thai elements, but whilst Art Deco architecture is usually known for its heavy facades and oppressive detailing, the hotel is light and airy with stark white walls and a glass roof atrium. Unlike most of the city’s other luxury hotels – towering skyscrapers, glinting on the skyline – The Siam is more like a creative home with a well curated art collection and original antique furnishings as well as cosy communal spaces where you can curl up in an arm chair listening to one of the hotel’s vinyls; the library area can also be transformed into a private cinema room, on request, complete with popcorn. As such, it attracts a stylish and refined crowd who value aesthetism over elitism. The Opium spa is seductively sultry and Thailand’s Princess  trains regularly in the hotel’s gym, which feature its own miniature Muay Thai ring. The real charm here is in all the thoughtful details; free water bottles to keep you hydrated in the humidity, umbrellas in case of sudden downpours, cards specially printed with Thai instructions for guests to hand taxi drivers, even a guard standing by to stop the traffic when you cross the road for a lunch time street food snack. If you must venture further into the city, The Siam’s sleek yacht transports guests up and down the river from its private pier. It’s as James Bond as it sounds.

Siam bangkok

One of the hotel’s sumptuous Pool Villas

Read next: Minjung Kim’s contemporary ink paintings at Aloft,  Hermès, Singapore

Bangkok's luxury hotel, The Siam

The sprouting glass atrium

Getting horizontal

Our suite was a sensual chamber of cool Art Deco black and white, with enough mirrors to satisfy the most vainglorious of guests and smooth jazz set as the default soundtrack. The room came with a butler, who took personal responsibility for all our needs and was fitted with its own bespoke smart phone programmed with city guides and useful hotel information.

Flipside

The only window in the room was behind the bathtub, but in Bangkok that’s not necessarily a disadvantage. It’s one of the few cities in the world where people actually avoid the views unless you’re into mazes of futuristic skyscrapers. Plus, since most of the hotel is glass and full of exotic plants, it’s easy enough to find natural light when you need it.

Rates: From THB 17,971 a night inclusive of breakfast, excluding tax and VAT (approx. USD $ 500/ €500/ £400)
Millie Walton

thesiamhotel.com

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Chez vrony zermatt

The breathtaking views of the Matterhorn are worthy of any postcard and a million selfies

Above Zermatt, Switzerland’s most spectacular mountain village and home to the Matterhorn, high-altitude restaurants like Chez Vrony combine tradition with chic, and put the haute into cuisine, as Darius Sanai discovers
The Matterhorn and Chez Vrony

All-round views are breathtaking

Mountain hut cuisine will be familiar to anyone who has skied the Alps; raclettes, fondues and other dairy confections. Fresh in the best sense of the word – sourced locally, recently – but rarely sophisticated.

We were looking forward to a little mountain cuisine as we approached Chez Vrony, in Findeln, high above the resort of Zermatt. It was a clear, warm summer’s day, and we had been hiking down from Fluhalp, a hut positioned high above a former glacier I enjoyed gazing at in my childhood in the 1980s (now melted, due to global warming, Mr Trump). The hike had taken us through a fantastical rock wonderland – where part of the mountainside above had simply collapsed into several football fields of Mini-sized boulders. We strode along the side of Stellisee, a lake whose reflections of the famous Matterhorn, facing us from across the broad Zermatt valley, have featured in a million postcards. We edged along a narrow path, a sheer drop to our left, as the glacial valley disappeared into a stream far beneath us; we could just make out the sound of a stream, a distant, constant swirl, like a giantess shushing its infant.

Read next:Kazakh artists make world art breakthrough at Venice Biennale

Descending, we walked past the highest trees, stumpy starter Christmas trees that had the temerity to grow above the otherwise uniform treeline; and skirted around another lake, this one more green, where children splashed and a thousand tiny frogs appeared and vanished into the grass on its edge.

Dinner in the Swiss Alps

The restaurant’s idyllic terrace, above the Findelnbach stream

Past a rock ridge, we gazed down and saw the hamlet of Findeln, home to Chez Vrony; only another ten minutes of descent down the well-made, sand-covered path and we were there. Chez Vrony is a wooden village hut from the outside, a sophisticated terrace restaurant from the other side. Ushered in by a lady who knew everyone (was this Vrony? Her daughter?), we were whisked past groups of well-dressed hikers (a curiosity in itself) and sat on sheepskins atop benches by a broad wooden table. The Matterhorn stared down, a world of ice, rock and snow, across a forest and a valley. We could have been served supermarket sandwiches and would have declared it the most wondrous refuge in the world.

But Vrony has other ideas. The menu was haute cuisine in both meanings: ingredients plainly sourced from the mountains, like the ‘pink-roasted entrecôte of Swiss lamb served with a port-steeped fig and hazelnut potato purée’, but with real panache and delicacy. (For a simpler option, the beef in the Vrony burger was sourced from the pasture above the hut.) We could have stayed all afternoon; indeed I think we did.

Vrony serves mountain cuisine with a sophisticated touch

Afterwards, it was 45 minutes’ rapid downhill hike through a scented forest as dusk approached, to the outskirts of Zermatt. The Matterhorn, changing angle and mood, always there with us, always a reminder that, however civilised the food, and however much we melt the glaciers, above Zermatt, this greatest of all Alpine villages, is a wild world, not our own.

chezvrony.ch

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The Royal Suite
Eiffel suite Hotel Plaza Athenee

The view from one of the Eiffel Suites

Why should I go now?

Paris in the spring; summer fashions adorning the Parisiennes and their offspring and canines; do you have no romance? The Avenue Montaigne, upon which Hôtel Plaza Athénée sits like a palace, is the most sophisticated retail street in the world, with the river and view across to the Eiffel Tower at one end, and the ‘rond-point’ floral circle of the Champs-Elysées at the other.

Hôtel Plaza Athénée Dining paris

Alain Ducasse at Hôtel Plaza Athénée. Interiors by Patrick Jouin and Sanjit Manku.

What’s the lowdown?

Hôtel Plaza Athénée is the ultimate Paris ‘establishment’ hotel. Republics are created and Prime Ministers deposed in its art-deco Relais restaurant. Unions (romantic, corporate and both) are created in the three-Michelin-starred Alain Ducasse restaurant, the centrepiece of the chef’s empire. A recent complete refurbishment has transformed the hotel. The long gallery through its heart still has classic Paris in its soul but the lighting and ambience are gently contemporary; it now feels like a place for a 21st century couple, rather than the deposed Count of Montauban and his dowager companion. Service, by the Dorchester Collection, is typically attentive; as flourishing as you could possibly expect over tea at the Gallery. The bar is a place to propose over a Black Forest Gin Martini. The bar staff seemed slightly in two minds whether they needed to be cucumber-cool to match the new style bar décor, or Dorchester-attentive to the numerous couples paying attention to each other in the dim crannies overlooking the Avenue Montaigne.

The Royal Suite

The Royal Suite

Getting horizontal

Our room had the best view in Paris, across Place l’Alma to the Eiffel Tower; a Disney movie couldn’t have made it better. Rooms have also had a complete refurb, although the style is a little different from Bruno Monaird’s ultra-sophisticated public areas; more classical, with less subtle lighting, and plenty of trad luxury, reds and golds.

Flipside

There really isn’t anything to dislike about Hôtel Plaza Athénée. The palace hotels of Paris are still in a league of their own in Europe, and possibly the world, for grandeur backed up by depth of product and service, and of course location; and Hôtel Plaza Athénée is one of the very greatest. If you’re wedded to all-white design hotel boxes with all their signage in lower case sans serif, then perhaps it’s not the place for you, but then Paris probably is not, either.

Rates: From €850 excluding breakfast (approx. USD $900/£700)
Darius Sanai

Paris in the spring: every year, from April to June

dorchestercollection.com/en/paris/hotel-plaza-athenee

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More and more luxury brands are pledging their commitment to protecting our planet by valuing environmental concerns as highly as their customer’s expectations. Leading the way in the luxury yachting industry, Fraser announced a partnership with Plastic Oceans Foundation earlier this year to fight the pollution of our marine environment whilst announcing new, adventurous charter destinations where their clients can experience the wonders of our natural planet first hand. As part of our luxury leaders series, Millie Walton speaks to Fraser CEO Raphael Sauleau about the evolution of the yachting industry, ethical luxury and adventures into the Antarctic.
Fraser CEO

Raphael Sauleau

LUX: How has the luxury yacht industry changed in recent years?
Raphael Sauleau: The industry has changed and developed in a number of ways; in terms of charter, clients are often leaving bookings until the last minute in the hope of getting a last minute deal, however this often leads to disappointment as their chosen yacht may already be chartered out so they have to settle for something else that is still available. In terms of sales, buyers are becoming a lot more savvy and price driven, since the financial crisis they always want to push to get the lowest possible price, however sellers are also very aware of what they’ve paid for the yacht and invested into it and now set much more realistic asking prices so there is less room for negotiation.

In terms of the yachts themselves there is now an increasing trend to be more environmentally friendly, both in terms of the materials used in the construction and to be more self-sufficient which in turn allows for longer cruising periods and particularly to reach more remote destinations. Due to developments in technology, designers are also able to create yachts that use more glass to allow more natural light in and more sophisticated doors and retracting walls that allow more indoor/outdoor spaces.

We have also seen an increasing number of small companies setting up, 1 or 2 people offering charter or brokerage services. They have low running costs and will often undercut some of the more well established companies but of course they can’t offer the same level of expertise and experience that a company like Fraser can.

Fraser yachts imagine

Imagine. Courtesy of Fraser.

LUX: What are the expectations of the modern luxury traveller and how does that differ from the past?
Raphael Sauleau: This obviously varies by client but we have noticed an increase in people wanting to have unique experiences, create memories that they will treasure forever. Many clients no longer want to go and sit on their yacht anchored off St Tropez and visit all the local beach clubs (although this is still very popular), instead an increasing number would prefer to do something different that they haven’t done before or is done by very few people. This could be exploring a unique destination such as Antarctica or a unique cultural experience such as a Va’a, a traditional Tahitian welcome from locals on their outrigger canoe, or even just enjoying an action packed holiday in a more traditional location but with lots of adrenalin pumping toys.
In terms of service, the main difference we have noticed is the food on board, clients are a lot more health conscious and have more specific dietary requirements such as vegan, gluten-free or even raw food.

Read next: Supermodel and restauranteur, Alicia Rountree on home cooking and dressing up

LUX: How do you balance innovation and tradition?
Raphael Sauleau: We are proud of our heritage and the experience and knowledge that this represents however we are always looking for new ways to provide a better service to our clients. This could be anything from launching our new website which is more adapted to modern day browsing on mobiles, to being the first company to use Augmented Reality to promote our yachts and show potential clients what it’s really like to be on board. However innovation is not just about the latest technology, we’re also working on efforts to help the industry develop, such as improving regulations that are more suitable to yachting and protecting the marine environment so that we can be sure that the industry is protected and continues to grow for years to come.

LUX: What are the most popular charter destinations nowadays?
Raphael Sauleau: The Med and the Caribbean are still by far the most popular choices for charterers however we are seeing a steady increase in charterers wanting to explore Asia and the South Pacific as well as an interest in the Antarctic. There are some terrific cruising grounds in these regions and as yachts are being built to do more long distance cruising and be more self-sustainable these regions are becoming more and more accessible.

Fraser Yachts, Hanse Explorer

Hanse Explorer. Courtesy Fraser.

LUX: You’ve said before that ethics are important for Fraser, what does that mean?
Raphael Sauleau: We’re working in an industry with one of the most highly valuable products on the market today, there are very few things that can come close to the value of a superyacht. Due to the large sums of money involved and the lack of transparency in some areas of the business you occasionally hear of people who are too focused on just closing a deal, at whatever cost, or taking their own cut on services or products that are outsourced. At Fraser we pride ourselves on always putting our clients’ interests first, we want to find the best yacht for them, be it for sale or charter and we won’t push them towards something just so that we can close a deal. We also don’t take any commission on services or products ordered through our management division, the original price of the supplier is what the client will pay.

LUX: Can luxury ever be truly adventurous?
Raphael Sauleau: Absolutely, I think if you speak to anyone that has been to Antarctica or a remote South Pacific island they will say that it was one of their greatest adventures. Admittedly you might have to go ashore to experience the real adrenalin pumping encounters with some of the local wildlife but it is still an adventure to be experienced before you return back to the comforts of your luxury yacht.

Fraser Yachts paraffin

Paraffin. Courtesy Fraser.

LUX: How would you define an exclusive experience?
Raphael Sauleau: An exclusive experience is one that very few people can take part in; many people would say that owning or chartering a yacht is an exclusive experience and I would have to say I would agree. However it can also be an experience that money can’t buy, a special moment that you cannot buy off the shelf. We’ve organized for clients to be whisked by helicopter to the top of a glacier where they can enjoy a private 5* lunch with the most incredible views imaginable, or another very popular activity on our charters is being taken out by a local Greek fisherman in his little fishing boat on the most pristine clear waters to catch your dinner for the evening. Whatever it is, the overriding common factor in an exclusive experience is that it will create a unique memory that you and your family or friends will treasure for a life time.

Read next: Sushi Shop brings fine dining to takeaway casual

LUX: What’s next for Fraser?
Raphael Sauleau: We’re currently working on a number of new initiative such as our partnership with Plastic Oceans, many of us (including our clients) are realising that the oceans we cruise on are becoming increasingly damaged and we want to make sure that they are protected and there for us to enjoy for years to come. As we mentioned before we’re also working on some initiatives to help make the industry more transparent and regulated, we have a vast amount of knowledge gathered over the last seventy years and we want to make sure that we lead the way for the industry to grow and develop further. And of course there are some other projects and partnerships that we’re working on which we’ll be announcing over the coming months but unfortunately I can’t say anything further at this stage.

Fraser Yachts Mystic Tide

Mystic Tide. Courtesy Fraser.

LUX: How do you relax?
Raphael Sauleau: Aside from spending time with my wife and daughters I’m a keen sportsman and regularly compete in Triathlons and Ironman competitions. Training and taking part in these endurance races is a great way for me to switch off from the every day juggling act of managing one of the world’s leading yacht brokerages. However when I want to do something a little more relaxing there’s nothing better than picking up a good book and listening to some chilled out music

fraseryachts.com

 

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Reading time: 7 min
Nyhaven copenhagen
Nyhaven copenhagen

The colourful buildings of Nyhavn

A young writer’s view on why Copenhagen makes such an impression; and her pick of six hip young Danes, talking about why their capital is the best city in the world. And, no, it’s not about the hygge
young writer ella johnson

By Ella Johnson

Copenhagen is fast becoming the coolest Scandinavian kid on the block. A fashion hub and destination of culinary excellence, Denmark’s capital is making waves around the world. And at the centre of it all? Its youth.

Copenhagen has an undeniable sense of vitality; it is a place where young people can challenge ideals and rewrite the rules. And what’s more, everyone appears to be tall, slim and stylish. Yet their mutual winning of the genetic lottery is the only thing these natives share in common. Each person dresses exquisitely and uniquely, oozing an innate personal style. Earthy hues keep these otherworldly urbanites grounded, whilst androgynous silhouettes nod towards a progressive society. And what’s refreshing is that none can be seen tottering on sky-high stilettos or wielding impractical handbags – the Danes dress for themselves and comfort is key. (Hint: if it can’t be worn on a bicycle, don’t wear it.)

So what’s the driving force behind this unrivalled style and nonchalance? You would probably guess hygge, and you may be right, although this overused term doesn’t even begin to get there. My concept of hygge is much more than ‘cosiness’ and woolly jumpers – it underpins culture as a whole. Egalitarian by nature, Danish society is people-oriented. It has nurtured its youth and they are thriving; Copenhagen is full of inventive young people simply living in the moment. Whilst navigating the bustling streets no-one can be seen brusquely pushing through the crowds, urgently trying to get somewhere else. It has been said that the journey is as important as the destination, and in no other place has this phrase rung so true. The Copenhagen kids are the ones to watch. Don’t just take my word for it – they’re here to prove it.

Mathilde Topsøe
Mathlide Topsoe copenhagen

Mathlide Topsøe

Mathilde is a 21-year-old student at Copenhagen Business School and has been working as a model part time for 5 years.

Describe your generation.

The youth are characterised by their passion for whatever interests them.

What makes Copenhagen special?

Somehow, the city has managed to stay very local – the atmosphere here is really something. The different neighborhoods [Nørrebro, Central Copenhagen, Vesterbro and Frederiksberg] all contribute something unique, making the city fit for everyone. Copenhagen tends to steal people’s hearts – it has mine, anyway!

Where are your favourite places to go?

If you ever find yourself in Copenhagen, take a walk to St. Ann’s place, have a coffee at Union Kitchen and then walk to the Amalienborg Castle. In the summer hang out at Ofelia Beach with music, street food shops and ice cream. The Meatpacking District [Kødbyen] is also a cool area with lots of great restaurants. My favorite is Gorilla, which serves new Nordic food in small portions so that you can share and taste a little bit of everything.

Where do young people go out?

Chateau Motel and Arch are the best clubs in town, while Balthazar and Ruby’s make great cocktails. My favourite wine bar is Nebbiolo, where you can share a platter of Italian specialties with a good bottle of wine.

Are you a typical Copenhagener? 

I’m terrible at using my bicycle, which is very atypical! But I feel like a real Copenhagener on Sundays when all the shops are closed. The city is very quiet and all the people walking the streets are locals. That’s when I feel truly local.

Levino Tvarnø

21-year-old Levino lives on Amager, an island that forms part of the city, and works as a pub manager. He has always lived in Copenhagen and insists he will never leave.

levino tvarno copenhagen youth

Levino Tvarnø

What’s the best thing about Copenhagen?

The rugged beauty in its architecture. My favourite building is Vor Frelsers Kirke [a baroque church, famous for its helix spire with extensive views over the city centre] – I think of it as the Danish Eiffel Tower!

Where do young people like to hang out?

A lot of young people go out at the weekend to Christiania. It’s a free state in Copenhagen – organised crime at its best!

How important is fashion to Copenhageners?

It’s quite common not to care about fashion in Denmark – sometimes it’s cooler not to.

Denmark was voted number one in the World Happiness Report for the third time last year. Do you agree with this?

I don’t personally see us as very happy people. I’d say the Danish are quite cynical! No one talks to each other on the bus or at the supermarket – people conversation. But there’s no doubt I’ve had awesome experiences with strangers. If we got voted the happiest nation, I’m not complaining!

Karla Bak

Karla is 15 years old and attends a boarding school in Oure.

Karla Bak copenhagen

Karla Bak

What’s the best thing about Copenhagen?

The people. It’s a city that never sleeps! No matter what the time is, you’ll always see someone walking down the street.

Where do you hang out with your friends?

We like to be in the middle of everything – you’ll often find us at a café in the centre of Copenhagen on a street called Læderstræde. My absolute favourite is Café Zirup.

How would you describe your generation?

The Danish teenagers are quite wild. Our society is very relaxed – we can buy weak alcohol from 16, but we start drinking even earlier. We’re known as the teenagers who drink the most in Europe.

Do you think it’s a good thing that you can access alcohol from such a young age?

I do. Most teenagers here are very independent. We’ve grown up learning how to take care of ourselves.

What influences the way you dress?

I don’t care what people think of me. I dress to look good and to be the best version of myself, but if someone has a negative opinion about my clothes or me in general, I couldn’t care less.

What are your hopes for the future?

I’d really like to work with people – maybe those with social issues. My mother died a few months ago and she worked with a lot of different people in her life – prostitutes and drug-addicts, for example.

Celine Nyegaard

Celine is an 18-year-old student who lives in Vesterbrø. She has recently set up her own company, Valencia, selling T-shirts and hoodies using her own prints.

What inspired you to start your business?

I’ve always been a creative soul and couldn’t find a job in Copenhagen. I wanted to make some money and then I got the idea – there’s definitely a gap in the market for cool, simple t-shirts that aren’t as expensive as the big brands.

Celine Nyegaard

Celine Nyegaard

Is Copenhagen good for fashion?

In recent years it has definitely become more of a fashion hub. Fashion houses are popping up everywhere and there’s a great range of shops.

Where can you find the best food?

We have a market called Torvehallerne, which is like a big food court, where you can get all kinds of food. In Vesterbrøthere’s the Meatpacking District with great restaurants, too.

What’s your favourite thing about Copenhagen?

Whenever I walk through the centre, I almost always meet someone I know. It’s such a small place, but there are so many opportunities.

Anton Thiemke

Anton is 19 years old and in his final year at high school. He lives in central Copenhagen and works in a coffee shop, Henckell, in his spare time.

Anton Thiemke

Anton Thiemke

What’s the most striking thing about Copenhagen?

Definitely the youth culture. I don’t know how to explain it. Creativity is a big thing for young people here; you can drop out of school and go study whatever you want for free. There are so many opportunities.

Is fashion important to you?

Of course! It’s very important to Copenhagen kids. There has to be some distinction in what you’re wearing here.  You have to wear what you think is cool – but not just because some cool rapper wears it. That’s what’s great about the people around me – they don’t care what other people wear. Young people are very creative.

Where do you and your friends hang out?

We spend a lot of time at nightclubs. One of my friends is opening a one right next to where I live, so I’m going to be there a lot!

Randi Mølmark

Randi Mølmark is 24 years old and hopes to study Film and Media Science at the University of Copenhagen.

copenhagen

Randi Mølmark, trave

What makes Copenhagen a great place?

I love that it has both modern and mid-19th Century elements. With great artists like Hans Christian Andersen and film director Carl Theodor Dreyer, it’s definitely an inspiring place.

Are you a typical Copenhagener? Do you ride a bike?

Do I ride a bike?! It’s like asking someone if they breathe! A bike is a necessity in Copenhagen.

How would you describe your generation?

We’re very relaxed about a lot of things.  Creativity is huge for us – we get a lot of support from our society, especially when it comes to art, which allows us to just follow our dreams.

Where do you and your friends go out in Copenhagen?

Everything closes at 5am when it comes to partying so young people are out all night! My favourite bar is McJoy’sChoice [on the Nyhavn waterfront] with good beer and great people. If you want an amazing hot dog just go to the local stands all over Copenhagen. But the best place is Tivoli. It’s a magical park in the middle of the city with rides and food, and in the evening it’s just beautiful.

LUX will be back to report more in-depth on the Copenhagen scene very soon, so watch this space.

 

 

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Galerie Berlin-Baku

Leyla Aliyeva and Hervé Mikaeloff hosted the event in Berlin

As a race, we are responsible for wreaking a unique destruction on our planet. More than 90% of the world’s population of elephants, lions, rhinos and countless other species have been wiped out by our activities. A travelling art exhibition, the first of its kind, is aimed at raising awareness of this carnage: we caught it in Berlin, and it was quite the eye opener.

Heidrum Tempel, former German Ambassador to Azerbaijan

Nuran Huseynov

Anar Alakbarov, Leyla Aliyeva and Galerie Berlin-Baku owner Emin Mammadov

A small gallery in the Schoeneberg district of Berlin was recently host to a big evening: the preview of the Live Life art exhibition in support of endangered species. Previously showing in Paris, Live Life is a travelling show by Leyla Aliyeva and other artists from her homeland of Azerbaijan, curated by Hervé Mikaeloff, who works for LVMH Chairman Bernard Arnault.

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Sabine Burmester, artist

Tanya Makrinova and Jakub Kubica

Leyla Aliyeva and Naiba Shirinova

Peter Lindenberg, artist

Each show also includes works by local artists: in this case, Galerie Berlin-Baku hosted Peter Lindenberg, Sabine Burmester and Sandra Hoyn. The conversation was as warm as the evening outside was chilly and the compelling artworks portraying endangered species were admired by all. But the seriousness of intent of the show, inspired by Aliyeva’s IDEA environmental initiative, couldn’t be missed. The statistics were displayed boldly: 93% of elephants, 94% of rhinos and 97% of lions have disappeared over the past 100 years, through the actions of humans.

It’s dramatic, and it’s something that’s not high enough on the agenda of influencers around the world. The exhibition’s next stop: Moscow.

Galip Yilmabasar, Leyla Aliyeva and Bärbel Mietzschke

Ramin Hasanov, Azerbaijan Ambassador to Germany, and Leyla Aliyeva

Christa Korn-Wichmann, Elko Wichmann, Berta Rist, Hanna Ehrari

Raksana Civişova with Prof. Dr. Wilfried Fuhrmann, University of Potsdam

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Reading time: 7 min
Ritz Carlton Hong Kong
Ritz Carlton Hong Kong

The Ritz Carlton starts on the 102nd floor and only goes up from there

Why should I go?

March sees the arrival of the international fine art circus and party known as Art Basel in Hong Kong. While the Asian edition of the fair is not as lofty as the original in Switzerland, and less sexy than the Miami version which sweeps together America’s top collectors, gallerists, and wannabes every December, it is growing steadily in stature and is Asia’s premier art fair.

Ozone Hong Kong

The world’s highest bar: Ozone

What’s the low down?

It’s actually a misnomer to say the Ritz Carlton, Hong Kong, is in Hong Kong. Sitting on the open terrace of the “Ozone” bar on the 118th floor, sipping a Tanqueray Ten Martini to steady our nerves, our view looked down onto the tops of clouds, with a dreamy orange glow. Closer inspection revealed a city and water far below the clouds. We were viewing Hong Kong’s landmarks as if overflying in a military drone: Ozone is the highest bar in the world, and the Ritz Carlton Hong Kong is the highest hotel in the world. Rooms span the 102nd to 108th floors, and the hotel is really located above Hong Kong. Like a mountaintop, the temperature on that terrace is a few degrees below that on the ground, a welcome break from the summer heat.

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Getting horizontal

Our bedroom had light taupes and greys balanced out deep mahogany wood finishes. It was classic-modern Ritz Carlton, with the service touches they do so well: a good balance between too much service (where in some luxury hotels you expect a butler to pop out of the bathroom cabinet to rinse your toothbrush for you), and overcasual, where an establishment tries, and fails, to be Soho House. Staff were professional, efficient, human (a mix of young European hotel-school pros and effortless stylish Asians) and didn’t jump out of cupboards to ask how our stay was going.

Carlton Suite at Ritz Carlton Hong Kong

The Carlton Suite

Flipside

The hotel is located on the Kowloon side of Hong Kong, which has its own attractions but is a 15-minute cab ride away from the central district. And it’s definitely not for those with vertigo.

Rates: From $7,600 HKD per night (approx. USD $1000/ €950/£800)
Darius Sanai

Art Basel Hong Kong, March 23-25

ritzcarlton.com/hongkong

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Delhi by Igor Ovsyannaykov
Delhi by Igor Ovsyannaykov

The streets of Delhi. Picture by Igor Ovsyannykov

In the past, India’s heaving capital has been a fly-in, fly-out destination for most tourists, but with a booming art scene and the recent opening of the Hyatt hotel group’s, coolest counterpart, Andaz, Delhi is fast developing its own allure. Yet, it’s the chaos, culture and complexity, that makes Delhi so fascinating, says our Digital Editor, Millie Walton.

It’s daybreak in Delhi and the streets are singing with car horns as taxis and rickshaws muscle past each other, weaving in and out of stray dogs, pedestrians and the occasional cow. India’s capital is more than overwhelming: it’s explosive. Every year the city, consumes huge mouthfuls of landscape, stretching it’s borders further in order to accommodate it’s 9 million and growing population. It’s a heaving labyrinth of sounds, smells and bodies. It takes a few minutes to be able to focus in the sensual chaos. This isn’t London busy: heads down, too busy to stop, see or speak. This is India busy that centres around interaction and trade. There’s something calming about the vibrancy.

The sunlight cuts shapes through Chandni Chowk’s crammed streets, holding dust in the air and illuminating passersbys. It’s one of Delhi’s oldest and busiest market areas, but fortunately the mundane outweighs tourist curiosity so you can play the invisible observer, without being coerced into buying a trinket, batteries or silk scarves (if you want to purchase cheap merchandise of almost any category this is the place). Huge blocks of golden brown sugar lie stacked at the front of the stall, whilst the man next door makes Jalebi, dropping coils of batter into a copper bowl of spitting oil, and a dog hopefully pushes its nose through the litter on the road. There’s less traffic here and most of the rickshaws are pedalled, but the force of bodies is enough to keep you moving underneath the overhanging tangle of electrical wires and pipes. It’s better not to plan a route, not just because there’s little indication to tell you where to turn, but because you can let your surroundings fill you without limitations. I stop at the call of a chaiwala to buy a small cup of steaming, spicy, sweet Indian tea underneath a blackened building that looks as frail as an empty shell.

Read next: The 10th anniversary of Jaipur Literature Festival

I break out of the market onto a wider main road, slipping in behind a local as he crosses the road. The Jama Masjid is the largest and most imposing mosque in India, standing at an elevation of 10 metres with two tall watchtowers guarding the entrance. For visitors there’s an entrance free but it’s well worth it if only to stand barefoot courtyard, eye to eye with ornate yawning mouth that some 25,000 pass through for worship. Locals seem to stop here too, to rest on the steps and watch life sprawling below.

Igor Ovsyannykov image of Delhi life

A cup of hot Masala chai exchanging hands. Picture by Igor Ovsyannykov

In a rickshaw some time later, I sit alongside the dense pocket of traffic jostling towards Connaught Place, the commercial and business district where most of the luxury hotels cluster. My driver holds down his horn as a man on a motorbike pushes ahead, the woman perched sidesaddle on the back throws back a stare that silences. Then we’re there, in a circle of colonial style white columns and designer shops. It’s another city entirely: New Delhi. The huge flag of India lazily ripples in the sky above, while smart Indians strut into designer shops. It’s beautiful, but lacks the visual seduction of the older areas. Here you’re less able to blend into the surroundings, as foreigners are quickly spotted by locals as affluent and therefore, targets for money making schemes.

Read next: British model Joanna Halpin on blogging and inspiration

The wider parts of New Delhi though are more pleasant and offer an interesting insight into India’s contemporary art scene. DAG Modern is the place to begin, with an impressive collection of modernist works, experimental art forms and paintings by some of the country’s most respected names. The theme of memory and identity that’s gripping the art world globally, reveals itself here with a display of works from 14 diaspora artists interpreted through western and Indian writings. I stand captivated by Satki Burman‘s swirl of moving colours that’s acutely relatable in this vibrant setting.

Hyatt group hotel

The Hyatt Regency Hotel, Delhi

Outside the heat has settled and the air is visibly thick with pollution. I retreat to India’s oldest luxury residence, the Hyatt Regency that’s cool and sultry with recent renovations.

The bakery at the back is still where many of the wealthy local families buy their bread and pastries, sending their drivers to make the most of the end of the day 50% discount. I sit downstairs in the cafe for a Indian high tea of chai, samosas and pani puri ( crisp balls filled with potato and spicy tangy water) before soaking in the jacuzzi pool, in the hotel’s gendered spa. As it’s Chinese New Year, dinner is at the hotel’s famed China Kitchen for a feast of crispy duck and dumplings. Oddly, it’s the best Chinese food I’ve ever tasted.

As I wander upstairs to bed, it strikes me that it’s incredibly still within the hotel walls, and I wonder, perhaps whether that’s the ultimate luxury in a city that’s endlessly restless.

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The annual Jaipur Literature Festival is the world’s largest free literary festival, attracting crowds of book-loving enthusiasts from across the globe. Set in the grounds of Hotel Diggi Palace, the festival is a jungle labyrinth of performance spaces welcoming poets, writers, journalists, politicians, historians and academics to the stage for readings, lectures and panel discussions. Unlike the sober and hushed atmosphere of many other literary festivals, JLF is loud, colourful and outspoken; here the crowds join the conversation laughing, jeering and fighting for the microphone to voice their questions. One fierce debate on whether we are living in a post-truth world very nearly resulted in a brawl between two Indian politicians.

Read next: Exhibition of the month, Give Me Yesterday at Fondazione Prada

This year’s line-up, for the tenth anniversary, welcomed Richard Flanagan, Sebastian Smee, Mridula Koshy, Alan Hollinghurst, Paul Beatty, and Timothy Garton Ash, amongst many other notable names, speaking on topics ranging from Brexit and Edward Snowden to the Magna Carta and Lucien Freud. Photographer, James Houston captured the scene exclusively for LUX.

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Reading time: 1 min

In the five years since it opened, The Alpina Gstaad has become an iconic European hotel, featuring award-winning restaurants and spa, spectacular indoor and outdoor pools, a gallery-worthy art collection, and an ambience of relaxed chic that epitomises modern luxury at its best. Here, Eric Favre, its Managing Director, talks about how it’s done as part of our ongoing Luxury Leaders series.

Managing Director of The Alpina Gstaad

Eric Favre

LUX: The Alpina Gstaad opened into a market, Gstaad, with plenty of choice at the luxury end. Why did it succeed?
Eric Favre: Since it opened in 2012, our property has offered an entirely different experience than Gstaad has seen in the past 100 years. Our owners, architects and consultants had a clear vision of today’s discerning guests, who seek a chic but casual, authentic but refined hideaway in the mountains. So yes, the hardware is still important and we are fortunate to be offering outstanding facilities, but it’s really about meeting the exacting needs of our guests which is at the crux of our success. More and more, hotel and spa clients are looking to connect with a 360 degree lifestyle brand, which offers a compelling combination of art, fashion, wellness and personality. We make it our mission at The Alpina Gstaad to deliver this in a truly exceptional way.

LUX: What were the greatest challenges?
Eric Favre: Finding the right people that are able to transport your philosophy has always been a challenge. Your biggest assets are the people behind your brand and who are willing to go the extra-mile for the satisfaction of your guests. We are fortunate enough to have built a team which goes above and beyond in achieving that task. Another challenge we were facing at the beginning was to build up a loyal clientele given the competition in the area. Today we are thrilled to welcome a strong percentage of returning guests year after year.

Summer in Gstaad, Switzerland

The Alpina has the best outdoor pool zone in the Alps

 

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LUX: What are your clients like?
Eric Favre: Our guests are looking for a sophisticated hideaway to unwind from their busy schedules and responsibilities. It is a wide and international audience that we attract, from high profile celebrities to active couples and families seeking some quality time. What they appreciate is the casual but classy environment at The Alpina Gstaad – not needing to oblige to any dress code, for example. They appreciate the discretion and natural beauty that Gstaad is so famous for.

LUX: Why is Gstaad thriving when many Alpine destinations struggle at the top end?
Eric Favre: I believe that it’s a mix of Gstaad’s world-class events, alpine authenticity, breath-taking landscapes and lively social scene, not only during peak seasons. We keep reinventing ourselves without compromising on the local traditions. The world has always met in Gstaad and I am confident that this will remain a hot-spot for many generations to come.

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LUX: Are you “new luxury” and what does that mean?
Eric Favre: We go beyond what you would expect from a luxury hotel. Yes there is a Michelin starred restaurant and an award-winning Spa, however we are not celebrating the opulence in it. The idea of luxury is much more simpler than it was 20 years ago and today it evolves around re-connecting with yourself, your loved ones and a piece of heaven that we believe is Gstaad.

LUX: What are the most important elements of your offering?
Eric Favre: High-end accommodation, interesting gastronomical experiences, a holistic wellness area and a personalised service from our 170 employees. Moreover, it is also the high level of discretion and Alpine authenticity in a stylish and contemporary setting.

LUX: Is The Alpina Gstaad old money or new money?
Eric Favre: I’d say we are well-invested money.

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LUX: How is running a very exclusive hotel different from the rest of the hospitality industry?
Eric Favre: It is highly labour intensive and there is no room for error.  It is also important to tread carefully the fine line between being exclusive and inclusive – while we wish to offer the utmost in discretion and privacy, it’s important for all of our guests to feel welcome.

Luxury in the Alpine town of Gstaad

One of the hotel’s spacious junior suites

LUX: How important is PR and how do you generate it at the high level?
Eric Favre: We consider PR to be very important, but it needs to be well managed with a strategic approach. We are very selective with the opportunities we pursue and the media we work with, to ensure the results generated are the most effective. It’s important for us to have exposure in the right lifestyle magazines, newspapers and supplements, as well as niche websites, in order to reach our target demographic. Part of this comes from working with the right journalists who have a clear understanding of our offering, and of our audience.

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LUX: Is The Alpina Gstaad a brand, to roll out?
Eric Favre: The beauty of our hotel is that we are completely independent from any international hotel chain.

LUX:If you were a guest in your own hotel, what would you enjoy most about it?
Eric Favre: The ability to be myself in a beautiful environment, which feels like its a million miles from anywhere in the mountains, yet is just minutes from all that Gstaad has to offer.

thealpinagstaad.ch

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Reading time: 4 min
Vilebrequin model cactus

Roland Herlory, CEO of luxury swimwear brand Vilebrequin continues our Luxury Leaders series. He speaks to LUX about Saint Tropez’s 1970s rock’n’roll lifestyle, the influence of social media and working in St. Bart’s

CEO of Vilebrequin

Roland Herlory

LUX: How would you describe the Vilebrequin lifestyle?
Roland Herlory: When you think about Vilebrequin, you think about holidays and fantasy. About having a good time, relaxing, and sharing privileged moments with your loved ones. Vilebrequin wants to make this feeling of “lâcher prise” last all year long. Our style is elegant but casual and fun at the same time.

LUX: In the fast expanding luxury market, is heritage still as significant?
Roland Herlory: Of course it is! We were born in St-Tropez in 1971. At that time it was just a little harbour where many artists and icons gathered. It was a time when carelessness was allowed and freedom was in the air. Brigitte Bardot , Gunter Sachs, Françoise Sagan  …They all met and had fun together. It was rock’n’roll at that time and Mick even married Bianca Jagger in St-Tropez in 1971. Now times are different, but Vilebrequin still claims its St-Tropez 1970’s roots! It is very important because no other swimwear brand has this kind of heritage and expertise – apart from probably  Eres  created in 1969. Most of our clients work throughout the year in dark suits. Its only during their holidays that they allow themselves humour and freedom. Vilebrequin’s expertise is this delicate fine line between elegance and the joy to play. This is part of our heritage and we will keep working around this. The secret about men is that they embody strength when they feel comfortable with their bodies. Only then, they wear green elephants or pink crabs with an ultimate, male allure. For me, this is the St-Tropez spirit of the seventies for which Vilebrequin is still a symbol.

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LUX: What makes a product truly luxurious?
Roland Herlory: Quality is restless. The characteristic of real luxury is to always strive for more. For our golden swimsuits, it was our Italian embroidering company that came up with the idea to work with threads of real gold. Now, there are 15 grams of pure gold embroidered onto these special editions, plus 2 sapphires for the ends of the cords. Half of the 80 pieces that were produced were sold out in a second.

LUX: What are the most challenging issues you face as a CEO of an international business?
Roland Herlory: We always need to evolve. We still have the same ocean vocabulary but we always need to reinvent our classic, with the iconic turtle becoming bubbly or 3D. We don’t follow fashion, instead we are guided by our technological advances. What makes the human hand also allows us to progress stylistically. Today, thanks to ink jet printing, we can reach qualities of unsurpassed delicacy on a fabric, which is nevertheless extremely difficult.

Read next: LVMH’s Jean-Claude Biver on the singleness of real luxury 

LUX: How do you balance business with pleasure?
Roland Herlory: I live 10 days each month in St Bart’s, but I’m not at the beach as often as one might expect me to be living in the Caribbean. Having lived in St Bart’s for 15 years, you tend to look at the beach in a different way to tourists. If you’re were on holidays there, you would probably spend the whole day at the beach. But I work there, even if people don’t believe me when they hear ocean waves in the background of a phone call. The rest of the time I live in Geneva and Paris, travelling from subsidiary to subsidiary. I am moving around a lot.

LUX: How has the rise of social media affected or influenced your business decisions?
Roland Herlory: Under the #Poolside365 this year, and #SummerAllYearLong last year, fashion and lifestyle bloggers presented their favourite pools on the Vilebrequin blog and social networks. The whole digital Mise en Scène is a trend that is represented by these bloggers. Tradition stays alive if you inject modernity. It’s a skill I’m well accomplished in, having been at Hermès for 23 years. Tradition can become a part of the past very fast. We need these bloggers to add part of the modernity.

Read next: Bringing back the sounds of the seventies 

LUX: You’re a pioneer facing increasing competition, how do you deal with that?
Roland Herlory: You have to keep on fighting to maintain the level or to improve something. For example, quick dry was a big challenge during the last two years. The new collection dries three times quicker – I don’t know if I should even be telling you this yet – but my dream is to make completely water-resistant swim shorts. We are working on it, with nano-technology . But I don’t want the competitors to know more. Fabrics that dry fast are easy to be found, but they are thin and technical. When you leave water in such a fabric it sticks to your legs. Bad for selfies…Our material is- thanks to an elaborate fabrication process and incredible expertise – the ultimate elegance. Wet or dry , the swim shorts keep their look. But still the easiest solution for the problem is a second pair of shorts: one for the water, one for the beach.

Commercial shot of Vilebrequin swimwear

Vilebrequin menswear

LUX: What are the most important developments for Vilebrequin this year?
Roland Herlory: Vilebrequin was created 45 years ago so for us, this is an age of maturity. We will open more shops in Asia and Australia. We have been developing accessories, including shoes and soon sunglasses. We grow at our own rhythm, step by step. We will continue creating more products.

LUX: How do you relax?
Roland Herlory: The best way to relax is yoga. Otherwise, when I am home in St Bart’s, on a beach at sunset.
vilebrequin.com

 

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Reading time: 5 min

Speed and posing in Monte Carlo: Francesca Peak revels in the most glamorous destination on the F1 calendar, courtesy of Rolex

Formula 1 Grand Prix de Monaco 2016When you think of Formula One, you don’t think of the gruelling driver training, the complex mechanics, or the global travel involved in an exhausting 10-month schedule. Instead, it’s the lavish parties, glamorous crowds, and beautiful surroundings. More than any other international competition, Formula One is a seductive combination of speed and charm, and nowhere is this more evident than at the Monaco GP.

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Since the first race was run on the Circuit de Monaco in 1929, the event has remained one of the most competitive and desirable for drivers and fans alike. Along with the Indy 500 and Le Mans 24 Hour race, it forms the Triple Crown of Motorsport, lusted after by every driver that graces the tarmac. And this year, about 10 years into being a Formula One fan, it was my chance to see the sport’s most legendary race up close and personal.

For this year’s Monaco Grand Prix, I was hosted by Rolex, Formula One’s official timekeeper, and taken underground – literally – to see all sides of the race weekend. Driving into the city from Nice airport, the colours of the houses and Mediterranean nonchalance drew me in, definitely something I could get used to. Oddly, the track is opened to pedestrians and cars when races aren’t taking place which, while making it much easier to drive up to the hotel, meant walking to dinner was a little unnerving.

Read next: Boodles’ Michael Wainwright on taking luxury overseas

Formula 1 Grand Prix de Monaco 2016

One question I always had about race weekends was what visitors do to amuse themselves on the mornings before qualifying and racing. The answer in Monaco is, of course, take a classic car for a spin along the Grande Corniche, the mountain road that connects Monaco and Nice. My ride for the morning was a navy blue Jaguar XK120, in perfect condition but seemingly produced in an age before seat-belts were compulsory. The almost dangerous lack of power steering and extremely low gearstick were certainly a glimpse into the world of Formula One before today’s technology kicked in – no wonder the drivers had to be thin and fit as marathon runners.

A rainy Sunday took us around The Paddock, otherwise known as the Beverly Hills of motorsport: this is where the teams park up their motorhomes for the weekend, worth tens of millions of pounds. The Red Bull motorhome is more of a floating disco – by day a modest bar, restaurant and press centre, by night a disco with live DJ and dancing until the early hours.

Read next: Constructing timeless elegance

Being shown around The Paddock by Sir Jackie Stewart (a Rolex Testimonee for nigh on 50 years) was an honour – this year celebrating the 50th anniversary of his first win in Monaco, Stewart spoke of the track and the sport with nostalgia, affection but a tone grounded in reality, as only a brutally honest Scot can. Walking through the teams’ homes with Stewart made one realise how revered and legendary a personality he is – the sport certainly couldn’t be blamed for forgetting those who made it what it is today.

The weekend ended with the race itself which, thanks to a dry qualifying session followed by a race in the pouring rain, made for a more interesting race than usual. We watched from the Norman Foster-designed yacht club, an impressive structure nestled next to the water on the edge of the track. While some braved the rain outdoors to watch the cars passing beneath, others stayed inside with a blanket and a glass of champagne to watch on television with live commentary by Jonathan Legard. Somehow everything’s more immediate when the commentator’s standing right behind you.

rolex.com

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Reading time: 3 min

Two typical English country house hotels at the very top of their game can lead to two superb, yet quite different, experiences, as LUX discovers

LUCKNAM PARK

main house exterior

The arrival

To arrive at Lucknam Park is to enter into a dream of a 19th-century English romantic novel. We arrived just before dusk on a breezy evening when dark clouds were shooting across the remaining patches of blue sky. As we pulled up the drive, the setting sun turned the parkland on either side of the mile-long avenue of trees a golden green. The drive is so long you can’t even see the hotel, your final destination. After parkland and woodland, a big paddock appeared on the right, horses strolling around on the damp green turf. Finally the hotel appeared in view, looking as welcoming as it would have to arrivals in a carriage a century or more ago.

Living quarters and view

A very generous suite, comprised of two spacious rooms (extremely large by the standards of English country house hotels; it would satisfy even those used to American hotel dimensions). Both living room and bedroom looked out to parkland stretching to a short horizon: a hilltop, it turned out. No cars or buildings in sight. The bathroom was, thank goodness, of the new generation of UK country house bathrooms, with a full, separate shower, extensive marble and proper lighting, and enough room for pre-dinner pampering.

Cuisine

Lucknam Park has a Michelin star and a celebrated wine list. Bare table, staccato-menu dining has not invaded this traditional country hotel: full service, tablecloths and serious napkins await. The style of cuisine may best be described as traditional Anglo-French. Vagaries of season mean that you, the reader, will not have what we, LUX, had, but examples include roast line-caught sea bass with maple-glazed chicken wing, celeriac risotto, wild mushrooms and confit baby onions. It’s ambitious and it works beautifully.

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And the rest

The pool, in a separate and sympathetically built spa building, is a proper length for laps and the spa itself is a serious operation, with an array of treatments we found both soothing and effective. There’s also another, more casual, restaurant here and its quiet, sunny terrace is an excellent place for a grilled chicken salad lunch. The grounds are vast and it’s a horse rider’s paradise. The hotel accepts but does not encourage children, meaning you won’t be overwhelmed by offspring.

Conclusion

Lucknam Park is an extensive and effective luxury country spa resort beautifully melded with a traditional country house hotel in one of the prettiest parts of western England. We hail its thoroughness, beauty and professionalism.

lucknampark.co.uk

LORDS OF THE MANOR

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The arrival

To arrive at Lords of the Manor was, in our case, to get hopelessly and rather delightfully lost. We knew the hotel was in the village of Upper Slaughter, which was a couple of miles from the village of Lower Slaughter; these are tiny, postcard villages. After driving back and forth from one to the other, we realized we had driven past Lords of the Manor each time. Despite its grand name, it is not a place that shouts about itself. But the building itself, and its setting, is breathtaking for its seclusion and its history. We parked the car and immediately strolled around the pond and the informal gardens in a sunny dell in front of the hotel, taking in the peace, the soul. This is a place to dream of when in inhospitable places around the world: a little jewel of perfect Cotswolds England, not manicured or overdone, just timeless.

Living quarters and view

The room had a four-poster bed, a bay window letting in plenty of light, and a view across fields and the pond to ancient hedgerows and a little river. A variety of songbirds were at large in the trees, which bent back and forth in a mild breeze. It was a view you could stare at for hours.

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Cuisine

In the restaurant at Lords of the Manor you feel tucked away, cosy, safe, as if outside there are highwaymen and danger. The restaurant has a Michelin star, but is low on fuss and ceremony, and high on quality and warmth of service. The menu is relatively simple and well communicated. For example, braised lardo glazed turbot, celeriac, greens, ox-tail, roast turbot consommé was exactly as it sounds. The wine list should be lauded for the efforts successive sommeliers have made to go beyond the standard French, Italian and Spanish classics (which are nonetheless very much in evidence) and further around the world.

And the rest

In the morning, after a breakfast of locally sourced, gently spiced sausages, limpid back bacon and local mushrooms, we walked out across the grass in front of the hotel, past the pond, in between a couple of hedgerows and into a field in a gentle 5 valley. The path wove alongside a little slow – moving stream so clear you could see fish zipping through the water; they were still, then would suddenly race forward, then be still again. There was no indication of where the hotel’s grounds ended. After 20 minutes the stream reached a couple of Cotswold stone houses marking the edge of the next village, Lower Slaughter.

Conclusion

Lords of the Manor is discovery luxury of the very best kind. Unstyled, the opposite of slick, without an array of the usual add-on facilities, it is very much its own place and, because of that, it nears perfection.

lordsofthemanor.com

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Reading time: 4 min

Abama Citadel .jpg

On the south side of an island off the coast of Africa, yet pleasingly accessible, the Ritz-Carlton Abama is one of the most dramatic resorts in the world, as DARIUS SANAI discovers

A perfect storm in the luxury travel world has meant the world is unrecognisably smaller than just 30 years ago. We have seen a combination of escalating numbers of high net worth individuals, a global burgeoning of high-quality airlines and operators (and private jet-friendly airports), rapidly developing destination countries and destination management organisations, spectacular new hotels and the internet to make it all transparent. And it means that what was unspeakably exotic a generation ago – Thai beaches, or hotels on stilts in the Indian Ocean – is mainstream now, and what was unimaginable – bareback riding to the Angel Falls, hikes to meet isolated villagers in Papua New Guinea – is quite feasible.

There is one destination I visited recently that could belong to both the ‘hot discovery’ category and the mainstream category simultaneously. I could write that I spent a week on an island mountainside, on a cliff above the ocean, facing a volcano across the sea on a quasi-uninhabited island off the west coast of Africa. That Charles Darwin took inspiration from, and wrote about, the natural wonders of the volcanic island I stayed on; that its climate is preternaturally sublime, never too hot, cold, or wet; and that stargazers congregate here for its clear, pollution-free skies.

Read next: VIP tour of the Monaco Grand Prix with Rolex

I could also write that I spent a week in a luxury resort with seven swimming pools, three highly acclaimed restaurants (with a total of three Michelin stars), a golf course and a private beach – in the Canaries, one of the prime mass-market destinations for the people of industrialised northern Europe. Both stories are true and are, in fact, the same story.

As a child, I missed out on the Canary Islands boom, my parents preferring to take me to mainland Europe for our holidays. They became synonymous with a certain type of package holiday, so it is with some skepticism that one arrives in Tenerife. Then, in the rental car from the airport, you notice that the whole island is in fact one vast volcano rising from the sea bed. The height of the peak, far above, is 3,718m – high enough – but the whole mountain, from ocean floor to top, must be vast: it would dwarf Mont Blanc, western Europe’s highest mountain. That means you are always at some point on its flanks, whether driving along the motorway or sitting on a beach.

The Ritz-Carlton Abama is a cacophony of pink stone on the edge of this mountainside. It sits alone, and from the moment you enter the gates of the resort, the broad view in every direction lacks any of the overdevelopment of other parts of the island.

Read next: Charmed by Colombia’s most beautiful city, Cartagena 

The balcony of our suite faced out over some gardens planted with subtropical flora; the gardens stopped at a cliff edge, underneath which was the hotel’s private white-sand beach (most beaches on the island have volcanic black sand). At night, sitting back on a lounger, sipping local Malvasia wine and dipping papas (tiny black potatoes, intensely flavoured, grown in volcanic soil), the sky was a ceiling, not a void. A hemisphere of stars rotated slowly, noticeably: constellations would move across the ceiling at set times every evening. Occasionally a marine bird, flying through the banana plantations that flanked the resort, would break the silence.

To get to the beach at Abama, you walk down through the gardens to the edge of the cliff, where you have two choices: a funicular lift with glass walls descending the mountainside, or a zigzag path through cacti and tropical flowers. Once at the bottom you are presented with a perfect semi-circle of beach, within the embrace of a sheltered bay. Directly in front of you is the volcanic island of Gomera, a national park, protected and wild. It is a big, green, upside-down cone rising out of the ocean.

There is no fighting for sun loungers here(we were there at peak season); you take your pick along the extensive sandy crescent and then swim in the sea (quite chilly, very clear, plenty of small fish for company) or go jogging along the beach, a few hundred metres from cliff wall to cliff wall.

El Mirador swimming pool - Twilight.jpg

Abama is dotted with very classy cafes and restaurants, the beach area being no exception. They all have the distinction of feeling like stand- alone, individual places with their own identity, destinations in themselves rather than outlets in a resort. The bartender at the beach cafe said he would never work elsewhere in the resort. “Here we can just see the sea, the sun, the island,” he smiled, laying down a mojito and a bowl of green olives. We sheltered from the sun under the palm trees planted along its terrace (it’s only a terrace – no indoor tables at all), sipped our drinks, watched people strolling on the beach immediately below, and then went for a stroll of our own.

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Adjacent to the beach to our left, we had seen children and adults diving off a rocky outcrop. Wandering over, we noticed that the other side of the outcrop featured several rockpools, perfect for wading through, and then turned into an extraordinary ancient lava field: smooth, black rock, almost soft to the touch, slipping into the ocean and home to hundreds of blue crabs of various sizes. Typically they were the size of an adult hand, but some monsters were twice that size; they would cling to the rock as a wave washed over them, oblivious, and then scuttle along at alarming speeds.

Dining that evening, we visited a restaurant called El Mirador, situated by the little funicular at the top of the cliff, surrounded by gardens and a long pool, and with even more dramatic views over to the island of Gomera. El Mirador’s speciality is local seafood and paella, something frequent visitors to Spain may be wary of, as it is the mantra of many a mediocre establishment. Our interest was piqued, though, by the fact that the restaurant runs its own paella- making school, replete with lessons on types of rice, and that the chef has been acclaimed in the media all over the country.

On the terrace of El Mirador, under the ceiling of stars, unidentifiable fledgling birds chirping in a nest to our side, we were given a lesson in paella; not how to make it, but how it can taste. During a fairly lengthy wait (which we were warned about: “a great paella cannot be rushed”), we enjoyed some starters of langoustines and some Azuarga red from the Ribera del Duero – red wine with a seafood dish may seem a curious choice, but a fruity, fresh, powerful red matches well with highly flavoured fish and rice.

The paella came in a big black pan, its rice brown, long-grained and al dente. Atop were mussels, lobster, a local white fish called, strangely, bluefish, and clams. There was a slash of umami about everything, hints of parsley, white wine and a kind of bouillon of fishy herbaceousness, and no sign of the oiliness that blights so many examples of this dish.

Food is more than an incidental part of the Abama experience; it is one of its showcases. Apparently the owners (one of Spain’s leading media owners) wanted, when they built the hotel, to show that their favourite island could host restaurants on a level with anywhere else in the world. The next evening we went to Kabuki, the Abama outpost of the celebrated Michelin-starred, Madrid-based Japanese restaurant. The restaurant is within the main part of the hotel, its view out to the gardens behind. Decor is cleverly done so you step into Japan – Kyoto, perhaps? – as you walk in along the long sushi bar.

The cuisine integrates local fish and other touches of the area in its menu: nigiri of locally caught bluefish and local tuna caramelized with a blowtorch were memorable and delightful; wagyu beef sashimi wonderful. This was Japanese fusion cuisine at its most powerful: giving you a sense of place in terms of where you were eating, while still evidently very strongly rooted in Japanese tradition. We chose a blanc de blancs small grower champagne from the excellent wine list – evidently the pride in sourcing extends to more than just the food. It was only halfway through the meal that we learned from our waiter that the Kabuki at Abama has also been awarded a Michelin star. Such an accolade, for a restaurant on the far side of an island a long way from the mainland of Europe, and a Japanese restaurant to boot, is quite an achievement and more than deserved. The ambience was relaxing but correctly Japanese and ordered; you felt you were somewhere else entirely, so much so that walking out towards the suite through the hotel lobby was quite a surprise.

The architecture of Abama means you get lost, deliberately. The sweeping, organically shaped reception area looks out over a labyrinth of carp ponds, out to the island of Gomera, and to an amorphous cluster of shapes that turn out to house rooms or front pools. There are no straight lines at this Ritz-Carlton. The main pool, beyond the carp ponds, must be 50 metres long and twists and turns under bridges and rock formations, surrounded by children enjoying ice cream and looking for butterflies, and parents on sun loungers facing the ocean and the omnipresent island.

Kabuki.jpg

There’s another pool beyond a cool wooden hut housing yet another restaurant and another one on the roof of the main building, with a dramatic view of Mount Teide, Tenerife’s volcano – this is a part of the resort it could take you weeks to discover. Within the gardens are a couple of rows of nicely integrated villas, each with its own snake-shaped pool. There’s another beautiful, precipitous, panoramic pool by El Mirador, this one for adults only.

Above one of these pools is the hotel’s spa, which as you would expect of a Ritz-Carlton spa, allows you to luxuriate amid an entire ecosystem of treatments synthroid tablets. One morning we ventured up the steep mountainside above the hotel – still part of the property – to discover a dozen clay tennis courts and a tennis centre staffed with several pros; you could spend a week here doing nothing but taking instruction from different pros. And around and above that, a championship golf course. With its slopes, views, challenges and properly panoramic clubhouse – at the very top of the property, several hundred metres above the beach – it is, apparently, one of the best reputed in Europe.

Seven days at the Ritz-Carlton Abama and we had not even discovered half of it, it seems. From the exotic to the haute cuisine to the stellar, it’s a place that seems to have it all. And it’s just a short hop from western Europe.

ritzcarlton.com

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Reading time: 9 min

Once one of the most dangerous destinations on the globe, Colombia is in the midst of a renaissance. Millie Walton discovers the unique charms of the country’s most beautiful city, Cartagena

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The sky is a dramatic swirl of pinks and oranges, as we sail into Cartagena, shimmering off the surface of the sea and melting into the blackness beneath. It’s quiet and still, the water looks velvety and bare. Ahead the city glows. It’s not quite what I imagined. I’d seen pictures of homely looking, colourful streets and had expected a seaside shanty, rather than skyscrapers – naïvely, perhaps for Cartagena, I soon learn, is fiercely fashionable and contemporary, bursting with the old world culture I’d hoped for, but with glossy restaurants and luxurious hotels too.

Read next: The green season in the Alps 

IMG_0555_-_Torre_San_AgustinUntil recently, Colombia was a no-go zone, riddled with stories of violence, drugs and tourist kid-nappings and for many, that image still remains. I was met with wide eyes and warnings when I first unveiled the plans for my trip. As a result, the country has managed to maintain a secret allure and a feeling of wilderness that’s as liberating as it could be slightly bewildering. If you don’t speak Spanish, you’ll find yourself resorting to gestures and broken phrases. Smiling gets you a long way too. Colombians are, in general, the happiest and most helpful nationality I’ve come across; the most endeared to fresh faces and foreign tongues. Fortunately, I spoke sufficient Spanish to find my way to the old town, a Unesco World Heritage site – the place of the cobbled streets, bright blue walls, and balconies overflowing with bougainvillea. It’s particularly beautiful to wander at night when the heat is more subdued and the squares are filled with music and food stands, people dancing and children playing. Or to just sit and watch the night unfold.

TCasa_San_Agustin_13his evening, we wind up in Getsemani, an up-and-coming neighbourhood with a rather sketchy past. Now luxury brands are tiptoeing in with Four Seasons reportedly looking at a property and smart dining options opening their doors. It’s a warren to navigate, but that hardly matters if you don’t mind getting lost. We sip sangria on the tiled rooftop of Malagana Café and Bar to cool down, before heading back to our hotel, Casa San Augstin for dinner at Alma, reportedly one of the city’s best places to enjoy costal Colombian cuisine infused with the head chef, Heberto Eljach’s originality.

Read next: An unexpected paradise off the coast of Africa

We ask for a selection of appetisers, too tempted by the menu to be decisive and find ourselves with plates of prawn tempura, hummus – easily the best I’ve ever tasted-, olives and hams. The service is relaxed, perhaps not quite up to fierce and impatient European expectations, but you have to remember you’re in South America. Life has a different pace. I choose fish for my main; plain, steamed with fresh vegetables. It’s not actually on the menu, or something I would necessarily pick as my favourite, but the dynamic chief operating manager at the hotels’ management company, Nicolas Dominguez, insists, telling me I won’t regret it and I don’t. It’s perfect; fresh, light and subtle in flavour, better, as so many things are, without embellishment.static1.squarespace-1

Unsurprisingly, the night leads us to Café Havana, the undisputed favourite spot post 11pm in the city – when the Latin jazz bands start to play and hips sway. Unless you’re British, of course, then the only thing swaying is likely to be your head slightly reeling from one too many shots of the local liquor Aguardiente. It’s a fun place to be, understated and packed with salseros. We find ourselves coerced into an impromptu dance lesson, which leaves us a little flush faced, and exhilarated.

Outside, the streets throb with heat, music and people. We mingle for a while, stretching our Spanish to its limits before slinking back to the calm oasis of Casa San Agustin.

hotelcasasanagustin.com

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Reading time: 3 min

By Darius Sanai
Editor in Chief

Ozone at the Ritz Carlton in Hong Kong, the highest bar in the world, has a long row of bar stools along its floor to ceiling picture window. You settle on a stool, place your Mojito on the counter in front of you, and stare out at a view of… nothing much. Where is Hong Kong? You lower your sights and, far below you, is a meandering stretch of water lined by buildings. The city that takes your breath away with its architectural glamour from the ground is now so far beneath you, from the 118th floor, that it almost loses impact; I was reminded of looking at Paris from a helicopter once, and pondering that human achievement needs to be appreciated at the scale it was created on.

OZONE - Private Dining Room

Why do we so love views, and in particular, bars with views? From London’s Shard, you can gaze down from any of three lively and extensive bars at sweeping views of the city, from floors in the mid-30s: a perfect height for admiring a low-rise city like London. In Dubai, you can head to the Burj-al-Arab’s top-floor bar, and perhaps you will be as disappointed as I was at the tawdry collection of plump men and sad Russian hookers desecrating a surreal vista over the inky Gulf. The Rainbow Room in New York is still the most atmospheric bar with a view in the world, wearing its Jazz Age history on its sleeve (and try drinking Martinis there during an electrical storm for a genuine out of body experience).

Read next: Colombia’s quiet renaissance 

And perhaps that – slipping out of reality – is why views and bars are so intimately attached. For these watering holes are all in the middle of man-made firmaments, cities aching with crowds and claustrophobia and high anxiety; just as a Beluga vodka Martini provides an escape from the everyday, so does a vista stretching along, above and away. Together, they are an irresistible combination.

OZONE - Bar Area

And so it was at Ozone. Slowly, the eyes adjusted to the relief map of Hong Kong spread out far below. Even in the gallery facing oblivion, the lighting was (correctly) kept low, so you could start to pick out ships and landmark buildings. The crowd was lively: low on suffocating young gents in finance talking about money markets, high on a blend of skin colours and nationalities, out for fun, not for expenses. And, as a slightly disingenuous counterpoint, Ritz Carlton levels of service, which you somehow don’t associate with somewhere so…groovy. Cocktails and champagne whizzed through the crowds with old-fashioned efficiency and deference. My Moscow Mule was refreshing and long, made even more revitalising by a cool breeze blowing in from the open roof. At 490m altitude, it was a discernible couple of degrees less hot than Hong Kong below.

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You exit Ozone via the lobby of the Ritz, a surreal interlude of calm elegance, and outside, suddenly, Hong Kong towers over you again.

If Ozone looks down at the view, Aqua is the view. This spot, a kilometre or so from the Ritz, is on the 30th floor, some 88 floors below Ozone. Also in Kowloon, the fast-emerging half of the city across the water from the historic centre, the city centre of Hong Kong – known to locals as Central – is a bristling wall of multi-coloured towers. In the foreground, fishing boats, ferries and old Chinese junks chunter through the water, which is multi-coloured, from the reflections of the buildings facing. It is the urban equivalent of being in the heart of the Alps, except instead of glacier whites and granite greys, green, pink and silver neon light up the cityscape facing you and the water below.

Aqua Interior ML03

If you can take your eyes off the view, you will note that Aqua takes its cocktails and food quite seriously. Less of a party spot than Ozone; more of a place for an aperitif that turns into a thoughtful dinner, with good friends. The Moscow Mule here packed a punch, with real ginger and a dab of mint, and one of my favourite vodkas, Ketel One, still made in an old gin pot still. It adds texture and class.

The chef’s selection of sushi came with an instruction not to ask for wasabi as it mars the flavour; the lobster, wagyu beef and toro nigiri were indeed delicate, buttery, nutty, gentle. For all the correct international conversation about human beings desecrating the planet, and the follies of modern urbanity, an evening at Aqua may lead you to conclude that humans are still capable of adding beauty, soul, and delight to the world. And that this bar high in the heart of Hong Kong is one of the very best places to appreciate that.

Meanwhile, a good friend tells me that the bars on the other side of the expanse of water are less spectacular, but more edgy. To be continued..

Ozone, Ritz Carlton, Hong Kong ritzcarlton.com; Aqua Spirit, Hong Kong aqua.com.hk

 

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Reading time: 4 min

Monaco is the place where yachtsmanship and money combine in an intoxicating and irresistible blend. Millie Walton is charmed by the sailors and owner of Maserati’s record-breaking yacht

Siren of the Seas: The VOR70 shows all the hallmarks of Maserati's design prowess

Siren of the Seas: The VOR70 shows all the hallmarks of Maserati’s design prowess

The crew of the 70ft Maserati Yacht VOR70 are sitting around a table at Bistrot Le Bouchon, one of Monaco’s more understated restaurants. They have just sailed in from Barcelona and are sporting bodily evidence of the journey – a torn-off fingernail here, a badly swollen wrist there. But they speak with excitement about the boat’s ambitious 2015 racing programme, which culminates in the infamously challenging Rolex Sydney–Hobart Yacht Race, between mainland Australia and Tasmania.

Our dinner is an intimate introduction to the team before the main celebratory event, an uber-powerful affair featuring the crew of the yacht, the owner of Fiat, Maserati and Ferrari (the companies that is, not just single cars: that would be unexceptional in Monte Carlo), and one of Monaco’s royals – but more on that in a moment.

The crew are a fresh-faced gang from all across the globe: Andreas Axelsson (Sweden), Guido Broggi (Italy), Andrea Fantini (Italy), Oliver Herrera Perez (Canary Islands), Boris Herrman (Germany), Francesco Malingri (Italy), Gwen Riou (France), Corrado Rossignoli (Italy) – all picked for their expertise by Milan-born skipper Giovanni Soldini. The next 12 months will be a series of record attempts, including the San Francisco–Shanghai sprint in May, which retraces the 7,000-mile route across the Pacific Ocean used by the legendary clippers in the mid-19th century – there’s no room for error.

Soldini himself sits quietly in the midst, his salted black hair and sun-burnished skin betraying his extensive experience at sea, which includes two single-handed round-the-world races, one of which he won in remarkable fashion after making a diversion to save fellow competitor, Isabelle Autissier, who had capsized in the dangerously freezing waters. He was later awarded the Legion d’Honneur in Paris and the Medal of Honour in Rome. In total, he boasts more than 40 ocean crossings and is one of the few allowed to wear a gold ring in his left ear – a privilege granted only to sailors who have rounded Cape Horn, the southern-most tip of America.

At the event the next day, Pierre Casiraghi, the youngest son of Caroline, the daughter of Monaco’s late long-time ruler Prince Rainer and his wife Princess Grace, holds forth. Pierre’s father is the late Stefano Casiraghi, who was tragically killed, aged just 30, when his powerboat overturned during a race on the French Riviera in 1990. Despite this, Pierre is clearly unfazed about taking to high-level water sport, having already had a successful on-board experience in the Cape2Rio race last year. He marvels at his captain’s ability to maximize each of his crew’s individual talents: “He’s a very kind and generous man. He makes everything seem so fluid”.

The boat’s owner is John Elkann, chairman of Fiat Chrysler Automobiles, an empire which also encompasses Maserati and Ferrari. Elkann, who has just arrived from London, is smartly dressed in a blue suit with an eccentric bright orange waistcoat revealing his youthful approach to all things in life, not only business. He’s quietly spoken, giving an impression of humility, as he recounts the “unforgettable experience” of crossing the Atlantic from the Canaries to the Caribbean in 2009 with Soldini. He speaks of an irreplaceable bond with the crew, the type of which can only be formed through shared struggle and perseverance.

Together, they have come to be recognized as one of the world’s most successful and impassioned racing teams, extending Maserati’s market quite literally to further seas. “It’s an exciting and challenging year for the VOR70 and for Maserati,” explains Elkann. “After growing sixfold in terms of volume and luxury market coverage in the last two years, we will be looking to keep that momentum going, especially in the US and Asia.”

In keeping with its trident logo, most commonly associated with Neptune, the god of the sea, the Maserati yacht aesthetically evokes a sense of power and awe, fitting with Maserati’s reputation for exceptionally beautiful designs. The interiors of the monohull, however, tell a different story – one of hard work and competitive sportsmanship, with basic bunk beds, little to no lighting (it takes a sure-footed sailor indeed to navigate through the cubbyholes) and a very simplistic kitchen. No bathroom, no luxuries – a giant leap from the plush extravagance of the shining new Yacht Club de Monaco, where Maserati has an exclusive lounge space as the club’s official car. The challenging aspect of sailing though, Elkann explains, “perfectly expresses the values of passion, emotion and innovation that are intrinsic to Maserati”. Select customers can see this themselves on the unique Drive&Sail experience: sailing on the Maserati VOR70 with Soldini, and then driving the latest models in the Maserati range. Surf and turf indeed.

maserati.soldini.it

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Reading time: 4 min

A ski-in, ski-out residence complete with Martini bar and pool sounds very Rocky Mountains, yet L’Amara is a spectacular addition to one of the most traditional skiing regions of France, as Darius Sanai discovers

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Powder White: Avoriaz’s high elevation ensures a fine supply of deep snow

How do you like to take your Alpine winter holiday? I suspect that cosmopolitan readers of LUX like to ski in the Alps, as well as put carbon fibre on snow in Colorado, Idaho and Hokkaido. There is something about the home of skiing, the crescent of mountains that rises out of the Mediterranean above Nice and sweeps through France, Switzerland, northern Italy and Austria before petering out, like the Turks, at the gates of Vienna, that is more concentrated, more alive with possibility and atmosphere, than anywhere else. The powder may be deeper in Niseko, the back country bigger in British Columbia, the whole experience more effortless in Aspen: but the Alps are where the story started, and where it evolved and continues to evolve. (Snowboarders have a different tale to tell, but not that many of you are boarders.)

If you are of one generation of wealth, you may stay in a hotel in St Moritz, Lech or Gstaad. Another, and you will be pounding the new hotels of Courchevel (see our helpful tongue- in-cheek guide at the end of this article). Or you may instead take over a whole chalet in Zermatt or Verbier. One rung down from the gourmet-catered chalets are the traditional French ski holiday chalets, cheerfully run by a chalet girl fresh out of British boarding school, happily burning the scrambled eggs and fighting off the advances of a soon-to-be-retired chartered surveyor from Surrey while his family occupies the Jacuzzi.

While there is no shortage of grand hotels, old and new, and chalets of every style, what the Alps have largely lacked is sophisticated, concierge-led residences in the American style, where you have a kitchen and living room, an in-residence pool, and a proper reception/bar/ restaurant downstairs, hotel-style. Until recently. L’Amara, one such development, opened last year to a considerable buzz in the French resort of Avoriaz. Avoriaz itself, located at a very high 1,800m on a mountainside above a deep valley, in which lies its mother resort of Morzine, has undergone something of a rebranding in recent years, shedding its 1960s middle-middle-class French bourgeoisie image and turning more contemporary and upmarket. L’Amara is in an extension of the main village, on a ledge overlooking Morzine (rather satisfying, if, as during our stay, there is deep snow all around but the grey of rain far down below).

When booking we did wonder whether being a) high on a ledge, and b) 500m from the main part of Avoriaz would be an issue, and this is a good demonstration of how even an enormous amount of online research can draw you to the wrong conclusion. L’Amara’s location, bordering the thick forest that plunged down the valley, was spectacular and felt exclusive. The walk to the village centre was panoramic, flat, and thrilling; even more so when my younger daughter decided that the wheelbarrows-on-skis that you can pick up and deposit back anywhere in the village would be an ideal mode of transportation: one daughter thus transported the other throughout the trip. (This would not work in a resort thick with teenage British partygoers, who would inevitably shove each other down the run leading down the ledge in an alcohol-fuelled daze, with predictably alarming consequences. Fortunately, Avoriaz is very upper-middle-class family, or was when we were there.)

L’Amara itself is genuinely ski-in, ski- out (unlike some places that dub themselves so): unless you execute a perfect stop, you will find yourself skiing into the ski room, and conversely you can launch yourself out in the morning like a racer from a downhill starting gate. The ski school assembly area, where I left the family every morning, is above the main village. On day one we walked, and felt rather laden down with skis, poles and rucksacks (the altitude doesn’t help). Day two saw us ski down out of the hotel to the bottom of the (easy) blue run, with the aim of taking the chairlift that would deposit us just above the ski school area; we were just patting ourselves on the back for working out this ruse when we were confronted by a 20-minute queue of several hundred other people who had the same idea. (In the resort’s defence, we were travelling on the busiest week of the year and this was the only lift with any kind of significant queue.) On day three we found the solution that we used for the rest of the week with joy: a horse-drawn sleigh taxi, which whooshed us up to the ski school in a cloud of hooves, powder and sleigh bells (to the children’s delight) in three short minutes, for a mere €10. Worth the money for the ride alone.

The skiing in Avoriaz is extensive but not very tall: there are no ultra-high lifts of the type you get in Zermatt or Chamonix. Double- diamond and power-hound experts would run out of thrills quite soon, I think, but for a skier like me (and I am possibly the most common type of lifelong skier) the selection of interesting reds and proper but not kamikaze blacks was varied enough to hold the attention for a week without getting too much déjà vu.

Avoriaz is in the middle of an interlinked region called the Portes du Soleil. It is not as logically and broadly linked as the Trois Vallées of Courchevel, Meribel and Val Thorens: you can choose to ski to Champéry in Switzerland or, in the other direction, to Châtel in France. The Châtel trip was a ski journey of the type I enjoy, but it took a bit of navigation with the map. A lift up, then down to a collation of restaurants in the next valley called Ardent; up another lift and down a pleasant red to another, bigger collation of restaurants called Les Lindarets in a confusingly similar-looking valley; then up two lifts to a high-ish station called Chesery, from which it would be easy to take the wrong piste and end up back in Les Lindarets.

From Chesery there was a long view down a new valley all the way to Lake Geneva. The most interesting run of all, a steep, straight and mogulled red through the trees (really a black), led down to the pretty, traditional village of Châtel. It felt strangely satisfying to know that to drive back to Avoriaz from here would take up to two hours, around the mountains, and I was planning to have a hot chocolate (laced with a little something) and admire my last run, when I realised that I would need to turn straight round and return if I weren’t to miss the last in the fiddly series of lifts to get back home. I had to positively will the chairlifts to go faster and ski like an impatient Italian instructor eager to get down to his first date with a blonde Swedish student. I still had my heart in my mouth as I did my last racing turn (or what I hoped was a racing turn) to meet the final lift: it closed at 4.15pm, my watch said 4.17pm and… it was still moving. I shot through the gate without slowing down and was whisked back up to safety.

The rest of the family had just as enjoyable, if rather less eventful, times and after years of staying at luxury hotels it was a curious relief to be back into our extensive den at L’Amara. I enjoyed cooking (shopping in French supermarkets is always a pleasure) and opening wine purchased from a wine shop, not a marked-up hotel restaurant (it’s the principle, not the price). And after a day of ski school/private lessons, nobody felt much like talking to more strangers in the form of waiters and the like.

L’Amara has been designed with great attention to detail: we liked the porthole window by the floor-to-ceiling balcony door, the wraparound balcony itself, and the extremely well-equipped kitchen (complete with oyster shuckers and other signs of entitled bourgeoisie). On two nights we ventured across the snowy courtyard to Le Grand Café, part of the same complex, a new-but-trad restaurant serving steak on hot stones, various fondues, and high-class thin, misshapen pizzas of the best kind. Neither hotel nor chalet, and rather better than both, residences like L’Amara have a bright future in the Alps – the best type of American import.

Crystal Holidays offer comprehensive luxury packages to L’Amara in Avoriaz. crystalski.co.uk

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Reading time: 7 min

bali-5 Where is the best place to combine a proper luxury holiday, ancient, unknown temples and one of the most unique dining experiences? Bali resident MARY JUSTICE THOMASSON would tell you it’s right at her doorstep. Naysayers that say the ol’Bali charm has left the island are, quite frankly, full of it. As a 10-year resident of Bali, I can testify Bali’s never been better. Our culture remains beautifully intact and the Balinese thrive in the luxury of knowing that they are living in a form or paradise where, if they play their cards right, balancing good with evil in their Hindu ceremonies (translate, parties), things generally work out.

Sashaying palms, stunning girls and smiling, happy people abound and while pretikins line the beaches, in the distance are verdant mountains of terraced rice fields and varied volcanic landscapes that dot the island, lending well to multitudes of choices for surf and turf activities.

Bali continues to win travel awards like ‘world’s best island destination’ and ‘best island getaway’ and when you consider that 20 years ago the options for food were nasi goreng or nasi campur (noodles or rice with a little meat and veg thrown in), it’s nice to know that our international restaurants, including top new players like Bambu, now compete on the stage for culinary excellence. It’s true the south of Seminyak is teaming with faddish bars, boutiques, night clubs and parties that pop all day and night so if you want to see more of the ‘ye olde’ Bali, put those pretty little pedicures to the metal and explore. In the main areas of town there are several new delights that await you but many an enlightened visitor will head for the hills of Ubud and the coasts of the North to further explore the island. bali-1 A good start is in the northwest where English-born, Cordon Bleu chef and interior designer Diana Von Cranach cranks it up a notch or two at our perennial favorite resort, Puri Ganesha. Here, Diana has opened what must be one of the smallest and most unique restaurants on the island. Liperu (which in Bali slang literally means ‘where the hell is Peru?’) seats only 10 and has a small daily menu that tantalises diners with amazing combinations of Balinese-cum-Peruvian flavours, using purely local ingredients served on small bamboo baskets that reflect the seasons. True to her favourite vegan words, it’s all “rawfully good”.

Heading for the hills of Ubud, Von Cranach also teamed up with a friend and colleague, Dutch-born Anneke Van Waisberghe, whose colonial tents à la ‘Out of Africa’ overlook the river south of Ubud and where you can dine on the edge of the world. This is a romantic and ideal setting for Diana to showcase her culinary skills and reach a larger audience, far from her tiny laid-back luxury up north. They call it Dining Within Tent and it is splendidly theatrical with a natural grandeur that sets the tone for the evening. Here, the noises of the rainforest co-exist happily with the sentimental sounds of Waisberghe’s collection of prewar songs played on an old record player that wafts out into the night, mixing with the cackles of the guests’ laughter and the katydids outside.

The lucky night I went, the dinner party theme was the ‘Happy Valley Set’, aka ‘White Mischief’, a largely hedonistic British and Irish group of aristocrats and adventurers who settled in Kenya between the 1920- 40s. My character given in advance was party girl and socialite Lady Idina Sackville and my date was given the title Josslyn Hay, 22nd Earl of Erroll. Hedonistic and hilarious it was indeed, and our linens and silks from the evening had to be sent out for cleaning post haste in the morning. This evening should be pre-booked before your arrival and it will go down in the memoirs as memorable. We certainly enjoyed ourselves, from what we can remember.

And why not continue the theme of tented extravagance and check out Glamping Sandat where two stylish Italians have created glamping tents on the outskirts of Ubud. Our tent was complete with our own infinity pool perched on the forest edge and a private deck for sunbathing ‘au naturel’ in total privacy – perfect for those keen to reconnect with nature while not necessarily chipping a nail. We enjoyed our chandelier-lit tent and all the mod-cons which we didn’t end up using as the open air was far more refreshing. There are five tents and two traditional Balinese Lumbung villas laid out like a rabbit’s warren, with plenty of room for roaming. It has perhaps one of the prettiest gardens I’ve seen in Bali – more English in style than Balinese – with a wonderful assortment of flora and fauna that had been carefully thought out while remaining charmingly chaotic.

Bali continues to surprise me and I recently toured the ‘7 Temples of Enlightenment’ with the charming Professor and Curator of The Sukarno Centre, Enong Ismail, who has partnered up with one of the most exclusive and professional tour organisations on the island, My Private Concierge. To say we were gobsmacked is a gross under exaggeration. On this tour we visited seven world heritage temples and monuments that have recently received their UNESCO certification and for the first time, fully understood the origins of Balinese Hindu religion ‘Hindu Darma’. Our journey took us through the temples as we traced the evolution of this fascinating culture. Many of the temples and meditation places we visited are not even known to locals, let alone visitors and it was a rare opportunity to be one of the first visitors to these sites which are all part of the Pakerisan world heritage listed area. bali-2 bali-4 bali-3   Our day began with tea and smart talk with Pak Ismail at his charming home amongst rice fields on a ridge just off the sacred river of Pakerisan. Pak Ismail’s passion is infectious and he has been documenting Balinese culture since 1979. He sees his rare tours as a way to give back to the society he loves and to share his wealth of information. Most of the temples have been untouched other than the weather playing a role in their appearance. After a few sights, a lovely picnic lunch was laid out in the fields, and just when I thought I couldn’t be more blown away, we went into a 10th century meditation temple that is carved into the side of a stone hill and hidden amongst the rainforest. I wondered whether Indiana Jones might make a quick appearance just to add to the unreality of it all. While there, we were met by a local priest who conducted a blessing for us, wishing us well on our onward journeys in life. His appearance, as Pak Ismail wisely told us, belied his Balinese heritage as there was a distinct Indian flair to his features. Our priest was a sixth generation priest, and indeed I felt blessed. The day finished in a large temple that, in the 12th century, leaders of the Buddhist, Hindu Shiva and ‘respect your ancestor’ religions met and agreed to create one religion for all Hindu Darma, or Balinese Hindu, as it is known today.

Bali continues to be blessed with hidden treasures that can be explored for generations to come and that is what makes this island, in my opinion, one of the best destinations in the world.

puriganesha.com; glampingsandat.com; privateconciergebali.com

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Reading time: 6 min

Port, the great fortified wine created by the English in Portugal, was once an essential indulgence in every self-respecting home. Now, after decades of being as unfashionable as acrylic slacks, it is showing signs of a comeback. Leading wine commentators extol its high standards and fantastic value for money, and a new generation of mixologists is creating port-based cocktails from the beaches of Ibiza to the underground bars of Manhattan. Photographer COLIN HAMPDEN WHITE recently toured the Douro region of Portugal, home to the ancient port houses, and we showcase his images on this page

Down The River - Viewing the scenic and culturally-rich upper Douro Valley by boat

Down The River – Viewing the scenic and culturally-rich upper Douro Valley by boat

Douro Valley - Six villages are located on the slopes of the valley, each contributing to the region’s wine-producing industry

Douro Valley – Six villages are located on the slopes of the valley, each contributing to the region’s wine-producing industry

Respected as a producer of wood aged ports, Taylor’s holds one of the largest reserves of rare cask aged wines

Respected as a producer of wood aged ports, Taylor’s holds one of the largest reserves of rare cask aged wines

Quinta do Noval - One of the major historic Port houses, renowned for its great Vintage Ports, old Tawnies and since 2006, for its Douro wines

Quinta do Noval – One of the major historic Port houses, renowned for its great Vintage Ports, old Tawnies and since 2006, for its Douro wines

Grapes at Quinta do Noval are picked exclusively by hand

Grapes at Quinta do Noval are picked exclusively by hand

Taylor’s is regarded as the benchmark for Vintage Port

Taylor’s is regarded as the benchmark for Vintage Port

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Reading time: 1 min
The Balmoral
Clyde Auditorium

Clyde Auditorium – Seating 3,000, it is also referred to as “The Armadillo” by Glaswegians

Edinburgh is Scotland’s capital, Glasgow is its biggest city. Ahead of this year’s vote on independence, RJ MALONE explores what each has to offer in terms of hospitality and soul

Glasgow, Scotland’s biggest city and Britain’s second city after London (at least, until the Scots decide whether or not they wish to remain part of Britain later this year), is often gifted with slightly backhanded epithets. “Gritty”, “real”, “friendly” and, worst of all, “down-to-earth”, for example, compared with Edinburgh, Scotland’s capital 40 miles down the M8 motorway, which is “beautiful”, “historic” or “traditional”.

I rather like spending time in Glasgow. It doesn’t have the visual drama of Edinburgh’s Castle as viewed from Prince’s Street, or the tourist-postcard dream come true of the Royal Mile. But it does have plenty of striking architecture around its university, West End and central areas, a fizzing cultural program, and some fantastic, and well-priced, restaurants if you like seafood, simply rendered.

To experience the city properly, you either need to stay in a place where you can escape from its very real harshness – no creative cultural program can obliterate the bands of rain sweeping on crystal clear air from the Atlantic, whatever the month – or revel in it.

The first of these is the Hotel du Vin, One Devonshire Gardens. Fans of the boutique town hotel group will be familiar with its cleverly designed, gourmand-friendly, contemporary-cosy properties around the UK; but this is another level altogether. The group’s only effectively five-star outpost (only the vagaries of staircase connections between the grand townhouses that comprise the hotel rob it of an official five-star rating), it is on the edge of the city’s restaurant-and-bar-packed West End. Step inside and you shut the wind, rain and streetscape out, both visually and physically.

Hotel Du Vin

Hotel du Vin – The iconic hotel is known for both its service and style

It’s all about a series of grand drawing rooms, created with a very contemporary blend of pared-back chic and ornate swank. My bedroom, facing an internal courtyard, was all about swoothing swathes of drape and fabric, and a bedroom that felt like you had been whisked into a 19th-century boudoir (but with no mustiness or dustiness; everything was perfectly up-to-date). The best part of the stay, though, was an evening spent in the bar: this was another ornate drawing room, with sofas and chaises longues and coffee tables, with a bar along one side. The lighting, so often the killer in bars in drawing rooms (there’s usually too much of it and you expect your maiden aunt to drop in for tea and biscuits, not very seductive), was just dark enough. The array of single-malt Scotches would have kept a whiskiphile going for weeks; the wine list was peppered with interesting red Burgundies and new-wave new-world points; I enjoyed some local Scottish craft beer, while picking at a very pleasant board of charcuterie.

Glasgow’s heyday was at the height of the industrial revolution, when it was a port, centre of commerce and ideas, and shipbuilding centre: a sort of 19th century version of contemporary Shanghai. Its more recent reinvention involves some interesting architecture also, and a way to both see and experience it is at another of my favoured hotels in the city, the Crowne Plaza Glasgow. This sits in the middle of a new cultural and conference area, a former industrial zone across the curiously quiet Clyde river (the great shipyards were further downstream, where the waterway is mightier) from the BBC’s new Scottish headquarters, and next to a mini-Sydney Opera House known as the Clyde Auditoriam, designed by awardwinning architect Sir Norman Foster. At night, the area has a kind of Twilight Zone beauty about it, and I enjoyed sitting in the silent efficiency of my corner suite, which had a double outlook, drinking a Schiehallion beer, looking out across the river and over to the outline of the Southern uplands beyond, feeling like we are on the edge of Europe. The bar, downstairs, is pretty lively too, in a very Glasgow way.

Edinburgh has a much more formal way about it, and a far more formal beauty. I prefer the cheerful gruffness of a semicomprehensible Glaswegian taxi driver to the clipped and chipped service of an Edinburgh driver, but that’s personal. And if you are going to see Edinburgh, there is one place to see it from: its grandest hotel, the Balmoral, which sits directly adjacent to Waverley Station, diagonally facing the Castle, and at one end of Prince’s Street. Prince’s Street itself is a shopping boulevard flanked by unremarkable retail in grand stone buildings on one side, but the gardens on the other side, dropping into a dip, and then rising up to the great rock hill on which the Castle is perched, give the impression of being on the edge of the sea, the Castle a fortress rising beyond.

The Balmoral

View From The Balmoral with views of the Edinburgh Castle by night

My room had a view of all this, and an enormous amount of space besides, a mark of this grand edifice of a hotel. A small measure of Highland Park 12-year-old whisky with a single cube of ice made from Highland Spring water (why put chlorinated tap water in your whisky, in the form of a melting ice cube?) enhanced the view.

The public areas of the Balmoral are a tourist attraction in themselves; the domed Palm Court a place where locals and tourists congregate for afternoon tea, Ritz-style (be sure to book in advance) and no doubt talk of places where palm trees don’t need central heating in order to grow properly. More my style was the spa, where a chatty therapist gave me a very effective scrub and massage, amid generously proportioned surroundings.

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Reading time: 5 min

There’s a whole lot more to Bali than makeshift beach bars and hippy zone-outs. Make like a dude with ANDREA SEIFERT’s guide to the island’s spectacular cocktail hotspots

1. KAKILIMA BY THE SEA, CANGGU

This charming, family-friendly seaside spot in Canggu sits on an expansive grassy lawn that gently slopes down to meet the sparkling water. Fast becoming known as the hotspot for sundowners, the postcard-perfect sunsets have to be seen to be believed and are best enjoyed with a pitcher of Kakilima’s signature sangria. The extensive menu of Mediterranean-inspired fare offers beautifully presented tapas, fresh seafood, an excellent mahi-mahi burger and the best pork ribs in town. On weekends, you’ll find acoustic live music and a crackling bonfire to add to the atmosphere.

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2. TOWNHOUSE, SEMINYAK

Renowned New York nightlife impresario Mark Baker has brought a hip, new multi-concept five-story space that is drawing Bali’s in crowd day and night. Raw food enthusiasts and art lovers can peruse the ground floor photo gallery and organic juice bar and then slip up to the roof garden terrace to take in the 360 degree panoramic views. Dinner is served at Bistro, a welcome precursor to bespoke cocktails and dancing in the sleek, opulent third and fourth floor lounge. thetownhousebali.com

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3. OLD MAN’S, CANGGU

Old Man’s is a barefoot beach bar with a view of one of the busiest surf breaks in Bali, which just happens to be called Old Man’s. Bamboo, surfboards, Lucas Grogan murals, dogs and kids make this quite the interesting scene. Pop in any time for an easy menu of staples for the beach – baby coconut juices with bircher muesli in the morning, and a mixture of Balinese and Western favourites to fill you up once out of the surf. Live music, sunset DJs and a relaxed vibe will have you dancing here for hours. facebook.com/oldmansbali

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4. MOTEL MEXICOLA, SEMINYAK

Head south of the border to a quirky, rainbow-hued riot of Latin tunes and tasty tacos. Every night at Motel Mexicola is a fiesta in the retro tropical surrounds, filled with candle shrines, floral table clothes, bright artworks, rosaries, knickknacks, and twinkly lanterns. Food is as flavourful as the decor, and it doesn’t get any more authentic than the pork rib, a special recipe handed down to Chef Silverio by his Mexican granny. This is a place for merriment and margaritas. motelmexicolabali.com

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5. BARBACOA, SEMINYAK

Hungry carnivores come to South American fusion bar/restaurant Barbacoa to feast on whole lamb and suckling pig, slow-roasted for eight hours over an open fire. The menu also features lighter options like Peruvian snapper ceviche and grilled octopus, which can be washed down with a cold bottle of white from their wine cellar. The grand, airy fit-out marries urban exposed brick with colourful floor tiling, and the mezzanine level is home to a tequila bar with low Chesterfields overlooking the serenity of a rice paddy field, a rare sight in urbanised Seminyak. barbacoabali.com

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Reading time: 2 min
Brindisa in London’s Borough Market

Brindisa in London’s Borough Market

It may not have the adrenaline rush of free falling from an airplane but for our columnist there is nothing quite as thrilling as making a new culinary discovery – Stacey Teo

Travellers today are given the choice of dozens of kinds of adventure holidays. For me though, instead of zip lining over a 300-foot gorge or swimming with great whites, I like my adventures served to me on a plate. There is a real excitement in trying a local dish for the first time or discovering a new flavour.

In my wanderings I’ve stumbled upon some excellent places. I will never forget, and still long to return to, a busy little stall in Bangkok’s Otoko Market for their perfectly grilled Mekong River prawns. I had another memorable experience many years ago on a trip to Hong Kong where I discovered some of the world’s best egg tarts at the Tai Cheong bakery.

Those were lucky moments. Really special finds like those have been rare. In between I’ve had my share of dreadful food experiences. I know I can limit the risk by picking up a guide, and there are a lot of good ones out there, but I have made it a personal rule to go by word of mouth instead. Of course this doesn’t included big name, award winning restaurants. I don’t need a guidebook for that. I normally reserve a Michelin star, or two or three, before ever packing my bags. No, what I’m interested in finding are the places that only the locals know. Finding these little gems is the kind of adventure I want in my travel.

Basically wherever I go, I am in search of the rustic fare that forms the base for that destination’s cuisine. As a chef, I know that in order to appreciate the flower one must understand the root. Ferrán Adrià’s brilliantly deconstructed tortilla means nothing to anyone who has never had a slice of the humble Spanish potato omelette.

One of the advantages to working for a company with a multinational staff is that, without leaving the office, I can get great insider tips on local restaurants that normal tourists would never find. Before I set out on any journey I ask around to get a few pointers and now that I have a pretty good idea of whose culinary instincts to trust, the system works like a charm.

This is how I ended up at Mak’s Noodles in Wellington Street, Hong Kong. I’d been in the city countless times but it was thanks 01 to a co-worker that I enjoyed one of the best plates of wonton noodles I’d ever had. Thanks to another recommendation I also had one of the best pizzas in my life at a place called L’Antica Pizzeria Da Michele in Naples where the Condurro family has been making pizza since 1870. Five generations later it is no longer a tightly held secret, especially since Julia Roberts in the film Eat, Pray, Love ate here, but the two types of pizza they serve (Neapolitana and Margherita, that’s it) are out of this world and the plainly decorated dining room still has a very local feel to it.

One sure sign of food globalisation I have noticed recently is that I am no longer being recommended just the fish and chips in England or the tacos in Mexico. Like my office, the food world has gone international and I am just as likely to hear about a good paella in Washington DC as a fantastic burger in Madrid. A recent trip to Paris was highlighted not by the French food of a famous chef, although there was plenty of that too, but by the falafel served at Chez Marianne followed by a sorbet at Maison Berthillon.

Spicey chorizo sandwich from Brindisa

Spicey chorizo sandwich from Brindisa

Before my last trip to London a colleague steered me to a little place called Brindisa in the Borough Market where I had a chorizo roll served with rocket and roasted Navarrico Piquillo peppers. I had to wait out the 20-minute queue that snaked its way into the market (I had been warned) but the smoky intense flavour of the barbequed chorizo was well worth it and probably just as good as anything I could get in Spain.

Next up? A colleague from Montreal who insists there are two stops I simply must make if I’m ever in the city. One is to a humble little establishment called Patati Patata for an order of what she says are the very best fries in the world. The secret apparently is to use a little basil in the frier. The other is to Schwatz’s deli for a thin sliced pastrami sandwich. Normally I’d choose New York for my Jewish deli sandwiches but I’ve dined with this woman numerous times. I know her and trust her taste, so I’ve promised myself that if I ever make it to Montreal I will make time, and room, for both.

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Reading time: 4 min
Stubai Valley - Four family-friendly skiing areas cater to all aptitudes

Stubai Valley – Four family-friendly skiing areas cater to all aptitudes

Jackson Hole or Hokkaido? Courchevel or St Moritz? None of the above, says Darius Sanai, rediscovering a childhood passion for why Austria offers one of the most involving ski experiences of all

For a sport that essentially involves the same thing, namely gliding down a mountainside with your feet attached to fiberglass boards, skiing divides opinions quite dramatically among its connoisseurs. If you play golf, you will more likely than not admire the same courses as other golf savants; mountaineers agree that Nanga Parabat and K2 are likely to exercise you more than any other peak; drivers aspire to the Nürburgring.

But ask 10 experienced and affluent skiers their opinions on where the best place is to ski and you will likely receive 10 opinions. A powderhound might insist on Jackson Hole. A lover of open pistes (and diamonds) will cast her vote for Courchevel. Fans of vertical drops (and gourmet lunches) will urge you to visit Zermatt. Heli-skiing fanatics will go for the Alberta back country; expert ski/socialisers will favour Aspen. And so on.

And they may all be correct, for skiing has so many sides to it, both on the slopes and in terms of what happens before, afterwards and in between. One of the prominent categories of aficionados is the Austria-lover. While this may seem a rather broad church — affiliated to a country, rather than a single resort — it shares a common range of loves, and I have to admit that I am becoming part of it.

To be an echt Austriaphile, you need to satisfy various conditions. You need to be an admirer, and consumer, of that country’s unique tradition of gastronomically high-achieving, comfortable, familyrun, small luxury hotels. These are never part of a chain, and often idiosyncratic, but are run to exacting standards of hotel keeping that would make many a luxury chain blush. They are as precise in their standards as Swiss watches; indeed Switzerland has a similar tradition, although its luxury mountain hotels tend to be bigger, grander, and more generic (and less gastronomic) than the Austrians.

Spa Facilities - Relax in the indoor or outdoor pool with views of the Tyrol mountains

Spa Facilities – Relax in the indoor or outdoor pool with views of the Tyrol mountains

You need also to admire wood-panelled cosiness, in quantities that can sometimes be kitsch, and are now sometimes melded with contemporary chic. You should favour friendly Alpine village-style service over highly trained service staff who could be replicated from an island resort. And you have to tolerate idiosyncracies: slopes that do not link up as well as some of the slickest purpose-built resorts and mountain areas that sometimes require a walk from your hotel (although the advent of ski depots on the mountain has taken the pain away from this element).

I am not new to Austria. I learned to ski there, in the era of long skis and Franz Klammer, and having since skied pretty much the best of Europe, North America and Africa (although not Japan’s Hokkaido, which remains on the must-ski list), find myself irresistibly attracted to it again now I have a family of my own learning to ski. Partly it is because of the superb standard of the Austrian ski instructors; partly it is because the country is so well served by Crystal, the excellent UK ski tour operator; and partly it is for all the reasons outlined above.

And as it is time to be planning your winter’s hit of snow and mulled wine, I can heartily recommend you replicate our own experience last winter; if you are not an Austriaphile already, it is likely to convert you.

Our chosen destination was not one of Austria’s world-famous names (St Anton, Lech, Kitzbühel), but a village (Neustift) in a valley (the Stubaital) that was previously unknown, even to me. The decision was informed by the fact that Neustift has a highly-rated family-run luxury hotel, the Jagdhof, with indoor and outdoor pools; it also has snow-sure glacier skiing at the Stubai glacier, a few kilometres down the valley; and it is amazingly near Innsbruck airport — a mere 25 minute transfer, which, when you have car-sick children to worry about, is a holiday game changer to the three to five hours each way required by many of the big resorts in France.

The Stuben - Enjoy an extensive breakfast spread and award-winning cuisine in the expansive restaurant

The Stuben – Enjoy an extensive breakfast spread and award-winning cuisine in the expansive restaurant

The Jagdhof appeared slightly unprepossessing at first, as it is tucked on a road exiting the village of Neustift; it is only on entering that you realise that its gardens, views and open spaces are on the other side, onto which our room, a family suite in the annexe, fortunately looked. Our balcony was vast, big enough to cross country ski on, and it sat above meadows and parkland covered with thick snow, and a view down the valley towards the glacier on which we would be skiing. The bar at the Jagdhof, where we went every evening for the pre-dinner aperitif, is all alcoves, wooden panels and super-professional bartenders, exactly as an Austrian hotel’s bar ought to be. There was no attempt to mimic urban bar chic in terms of décor, and although there was an extensive cocktail list, we delved instead into the quite superb list of Austrian and other European wines. Occasional wine drinkers may be familiar with refreshing Austrian Grüner Veltliners and fruity Rieslings, but Austria also has an array of distinctive, characterful, soft and layered red wines that don’t see broad distribution outside the country. They go very well with post-skiing evenings, sitting in the intimate restaurant across the corridor from the bar, sipping as temperatures drop outside. Blaufrankish and Blauburgunder from Burgenland, Pinot Noir from the Wachau: these warm but approachable reds also matched the intricate cuisine served in the restaurant. Char, trout, salmon and turbot were fragranced, always perfectly cooked, and nuanced rather than overwhelmed by their accompaniments; lamb was a mountain staple. Desserts were Austrian-sweet and creamy. (One observation: if you are not too fond of dairy, it is worth letting them know, as this is a chef who is fond of his cream and cream-based foams, from the amuses onwards.)

Hotel Jagdhof - Expect traditional Tyrolean hospitality in the five-star hotel

Hotel Jagdhof – Expect traditional Tyrolean hospitality in the five-star hotel

And then, there was the skiing. The Stubaital, or Stubai valley, of which Neustift is the main village, has a number of skiing areas, the most extensive and snow-sure of which is the glacier, at its southern end. The journey to the lifts takes 20 minutes by road and you take the gondola up to the glacier’s hub, you can fan out in a number of directions: everything from nursery slopes to black runs are available.

The children advanced from the nursery area to the longer blue runs fanning around the hub within a day or two; I enjoyed the couple of black runs, although I should note that this is not an area for a group of skiers who only wish to bash the blacks. Some longer reds were exciting also, and the star piste was the 10km (challenging) red run, with almost 2,000m vertical drop, from the top station, through a hidden valley, to the valley station of the gondola. The altitude difference was quite breathtaking, and if you did stop to catch your breath halfway down, you found yourself in a valley with no sign of human hand or habitation (apart from the piste), far away from the lifts and restaurants.

If you are a mixed-ability family or group, and enjoy the convenience of getting together on the mountain for lunch every day and not splitting off from each other for the entire day, the Stubai glacier is one of the best options I have come across in the Alps. There is one caveat: the main gondola serving the glacier is quite old and low-tech, and on a windy day it can close, as happened to us. This is being addressed by a new hi-tech gondola that will open at the start of the 2014 season.

The other areas of the Stubaital are notable more for their cute, tree-lined pistes cutting through the forests (they are at much lower altitude) and excellent mountain huts serving fondues, hearty salads and mountain meat dishes, than their world-beating skiing. For a gentle family meander interspersed with a meal incorporating high-quality ingredients at reasonable prices (I hope the French are paying attention here) they are memorable.

In the end, the blend of traditional warmth, exacting standards, excellent organisation, convenience of transfer, and catering to all standards of skier, is something the Stubaital has down to perfection. If and when our children become experts themselves, we will look elsewhere; but it is heartening to know that varying standards of ski ability do not need to mean an inconsistent standard of holiday.

A number of operators offer five-star packages in Austria; of them Crystal Ski (crystalski.co.uk) is probably the slickest and most experienced. Crystal offers half board at the Hotel Jagdhof including airport lounge passes, flights, transfers, and all the extras you might expect, including the excellent childcare from the kids’ club, which in our experience goes above and beyond the call of duty.

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Reading time: 7 min

So you’ve done Morocco, burned through Bali, and Bhutan is just so yesterday. Take a tour with Caroline Davies of six destinations that are for now – and the future

THE ATACAMA DESERT, Chile

There are few places as serene as a desert at sunrise. The world’s most arid desert, a drive through the Atacama can lead you to volcanoes, salt flats, geysers, natural hot springs, isolated beaches and fertile valleys rich in wildlife. Dotted with colonial towns such as San Pedro de Atacama, the desert is also famed for its clear skies. Combined with the lack of light pollution and radio interference, it is one of the best places in the world for astronomical observation.

Where to stay? Alto Atacama Desert Lodge and Spa. Tucked in a secluded valley alongside the San Pedro river, the lodge’s red sandstone blends into the craggy deep red ridges. And of course, it has its own observatory. altoatacama.com

SYLT, Germany

OK it’s not exactly a discovery, but the German chi-chi classes like to keep this stretch of idyllic sandy haven to themselves. The island sits off Northern Germany in the influence of the Gulf stream, keeping its summer temperatures above those of the mainland. A favourite of the well-to-do, the small island even has its own branch of Hermès and a polo club which hosts beach polo cup games.

Where to stay? Kampen is perhaps the most famous of the 11 villages on the island. Beautiful beaches, broad heaths and a rugged red cliff, the scenery is dramatic and the hotels refined.

KURDISH, IRAQ, Iraq

A trip for adventurers who like their routes untrodden. The region retains a degree of political freedom from Baghdad and surprisingly boasts 5 star luxury hotels and spas – the Marriott, Hilton and Kempinski are all on the way too – as well as a UNESCO World Heritage site. In fact, the ancient city of Erbil was named 2014’s tourism capital by the Arab Council of Tourism. Castles, churches, monuments and archaeological sites are all key tourist spots, but few sites beat Gali Ali Beg. Also known as ‘the Grand Canyon of the Middle East’, this dramatic lush green ridge provides biblical views as well as rafting and rock climbing.

Where to stay? At present, tourism infrastructure is still in its infancy outside Erbil, so take a tour to see the country fully. ‘Undiscovered Destinations’ provides a good grounding in the harrowing recent history of the country as well as the ancient influences that shaped the region. undiscovered-destination.com

MONTENEGRO

Referred to as the hidden pearl of the Mediterranean, the small state of Montenegro is tucked next to better known Croatia and holds the same beautiful coastline, ready to be explored. Despite the unspoiled mountainous scenery, parts of Montenegro are far from rustic. Porto Montenegro, one of the newest luxury yacht developments on the Mediterranean, houses Versace, Armani, Missoni and Feragamo alongside gleaming mega yachts.

Where to stay? Luštica Bay. After a few days in the noise and the action, retreat to Luštica Bay on the ancient bay of Trašte. No less well catered for, the Bay has a quieter pace than the port and is just a stone’s throw away and holds the country’s first 18- hole golf course. lusticabay.com

MYANMAR

Previously closed off by a military regime, Myanmar, (or Burma), remains relatively unaffected by the trappings of a globalised world. Intrepid travellers are beginning to dip their toes into this mysterious country, although don’t expect fast food restaurants, credit card machines or 3G just yet. The release of Aung San Suu Kyi in 2010 and Obama’s visit in 2012 have made for a more optimistic atmosphere in a country steeped in a fascinating if volatile past.

Where to stay? Orient Express, Orcaella Myanmar. From July 2013, Orient Express will launch its newly built luxury river cruise into the heart of Burma down the Ayeyardwady and Chindwin Rivers. With only 25 cabins on its four decks, the cruise is an intimate way to be introduced to the country. orcaella.net

THE NORTHWEST HIGHLANDS, Scotland

A stay in the rugged highlands can inspire novels and symphonies as aristocrats, royalty and artists have known for centuries, and a new generation of travelling classes is discovering for themselves. Drive through twisting valleys and watch your phone signal and worries drain away as the lochs and purple heather appear. The land of countryside pursuits, you can try trekking, fishing, stalking, mountain biking, white water rafting or clay pigeon shooting. Alternatively, a brisk walk and a wee dram from a whiskey distillery can be just as rewarding.

Where to stay? Alladale, Wilderness Reserve. Follow in the gentry’s footsteps and stay in the main sporting lodge at Alladale. Built in 1877 it is protected by a dense forest of Caledonian Scots pine. You can go helicopter fishing, stalking, shooting, hiking, and even hit the beach. With a roaring fire in winter the drawing room has its own baby grand piano which might get you singing, the array of single malt whiskies certainly will. alladale.co.uk

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Reading time: 4 min

 

SWEDEN IS CELEBRATING ITS OWN, UNIQUE GASTRONOMIC CULTURE LIKE NEVER BEFORE, AS Caroline Davies DISCOVERS ON A TOUR OF THE CAPITAL

Sweden is going back to its own. No longer satisfied with following the dictates of the French, the demands of the Spanish, the inventions of the Americans, Swedes are making a stand. Organic, traditional, simple, smoked, foraged and served, the Swedish food movement is embracing its homegrown tastes and getting its hands dirty. In more than one way, they are going back to their roots.

My visit to Sweden starts in twilight, at 3pm in the afternoon on a winter’s day. By the time my friend Rory, a discerning foodie, and I arrive in the city known as the “Venice of the North”, night has fallen. We bumble our way through the old town streets of Gamla stan, pausing to take in the view across the lakes, ornate pristine facades and street lights reflected in the water, or to peer past the curtained covered windows of cafes promising bowls of hot chocolate.

At the unlikely location of a motorway junction, we find our first stop. Strömmingvagnen, the herring stand, is the Swedish equivalent of a burger van. For over 20 years, the small trailer under a large golden fish has served herring in different forms to late night snackers and adventurous tourists. Ravenous from the journey, we examine the faded images displayed behind the counter and opt for rye bread, gravalax, dill and herring. Warm, gooey, salty and sweet, it is impossible to eat neatly and without noises of appreciation. Hands still a little sticky, we head for our hotel.

Hotel Rival, owned in part by Benny Andersson of Abba fame, is a converted cinema. The huge theatre, filled with 700 red velvet covered seats, is still used for screenings – Abba, the movie was premiered here – theatre productions and comedy nights. On performance evenings the foyer and bar are lively and the hotel has more spirit than most. Swedes love their coffee shops, a welcome escape from the winds that whip across the waterways, and Hotel Rival’s cosy art house style cafe tucked in the corner is a good spot to grab something smothered in cinnamon.

Each room is decorated with a wall sized print of a famous golden moment in cinematic history, a teddy bear and, of course, an Abba “The Greatest Hits” Album. Unsurprisingly, the sound system is not only crystal clear, but available in a variety of guises. If you haven’t had enough after singing along to “Dancing Queen” in the shower, you can request a speakerphone pillow from the menu and allow Benny, Agnetha, Björn and Anni-Frid’s dulcet tones to sing you to sleep. Buoyed by the burst of Swedish pop, we head out for our first taste of the food.

Volt is discreet. Situated on an elegant street in Ostermalmstorg we walk past it a couple of times before noticing that the clean framed front with elm branches in the window is the entrance. The decor – black carpet with white walls, the occasional pencil sketch hung on the wall – sounds stark, but is surprisingly relaxing, even comforting. Perhaps it is the quiet friendliness of the staff, who are so closely involved in the restaurant they pick everything from the art on the walls to the berries used in the tea at the end of your meal, that makes the restaurant feel familiar. Their music choices, which sounds as though they should be the soundtrack to an indie film, mummer in the background. Brass pipes cross geometrically along the walls with the occasional tap, used to refill the jugs with icy cool water.

The six course tasting menu, paired carefully with wine from Germany and France, focus on in season ingredients. Plates are balanced, but flavoursome with interesting pairings; smoky tinges are encouraged but not dominant, berries present but used sparingly. The Normandy cider, made only from fallen apples from a Michelin starred producer was a confident match with the cheese plate from local farms. With understanding and careful delivery, the menu wins even initial sceptics round.

“This place is one gravedigger short of Elsinore.” Rory says as we wander the isolated path towards the nursery gardens in Djurgården.

There is something Hamlet-esque about the Rosendals Trädgård in winter. Black mud sucks in the green tendrils of the grass and stains the solid grey boulders, silver birches hold cawing ravens. The bright light of daytime cuts the outlines of the surroundings into clear focus, so that we can see a horse drawn cart dragging its way through the mud in the distance with distinct clarity. We come across an art installation, the words “this is the corner of a larger field” written in swirling handwriting, created in white wire 10ft long, its stand planted solidly in the marshy ground giving the impression that it has been scrawled across the landscape.

The gardens are in the stately home of Rosendal palace. An organic haven, they grow seasonal produce for local restaurants and their own cafe, an expansive, steamy greenhouse with painted blue picnic benches laden with plates of Swedish biscuits and rosehip tea. In summer the gardens are full, but in the colder months, the cafe is filled with dog walkers and knowledgeable foodies. It is a curiosity, not quite bleak and not quite twee. We wander the garden’s paths past artistic bamboo structures and carefully pruned topiary to find a locked greenhouse, empty but for a leaf strewn dinner table, decorated for a dinner party that never came or is perhaps yet to arrive.

Henrik Norström is viewed as the pioneer of the Swedish food movement. Formerly a chef at a Michelin starred restaurant in central Stockholm specialising in French and Spanish cuisine, Norström decided that he was tired of meals dominated by flavours from other countries. He wanted his dishes local. In 2003, he opened Lux, a converted staff canteen for the Electrolux company, overlooking the lake on the small island of Lila Essingen. In 2004, they won a Michelin star.

“From here you can see the changes in the season,” he says. “If you have a restaurant in the city you have your four walls and you cannot see if it’s summer, winter, autumn or spring.”

Even a trained eye might find it difficult to spot the distinction between each of Norström seasons; there are 16. He is an innovator in tune with his subject.

“If you came back here this time next year there would be different items on the menu,” he says. “I use the same produce, but I never go back and use old dishes.”

Over the past decade Norström has developed a relationship with each of his suppliers, be they the fisherman, apple growers or reindeer farmers in the northern reaches of Sweden. Not unlike its owner, the restaurant is elegant and understated; the focus is on the food and a lifestyle, not brash gimmicks.

Back in central Stockholm, Swedish restaurants are fast becoming a la mode. With the food’s hunter gatherer ethos, some restaurants have adopted a macho edge. Ekstedt is bold. Red brick walls, black granite surfaces, bare light bulbs and a scorching fire behind wisely placed glass barrier, this is a hearty restaurant. Dishes are smoked, sizzled and grilled at the flame before being prepared by chefs in leather aprons at the central table and presented carefully on slate plates and wooden charred slats. The food is rich and creamy, the meat tender and the flavours strong. Butter soft reindeer meat, baked in ember and served with truffle proves a highlight, and their lemon ice cream with smoked almonds and salty caramel mixes textures well. The chef and creator behind it, Niklas Ekstedt, researched traditional methods to give his food the authentic Swedish edge; you can certainly imagine that their five-course tasting menu would sustain you through a long winter.

Full to the brim and as it is our final night in the city, we wrap up and meander through the old streets of Gamla stan past churches and narrow passages. Heading for home, we find ourselves in front of the big golden fish over the small trailer. We pause. There is always a little room left for herring.

Volt: restaurangvolt.se

Ekstedt: ekstedt.nu

The Rival Hotel: rival.se

Info: visitstockholm.com 

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Reading time: 7 min
The Lodge seen from across the Snake River

The Lodge seen from across the Snake River

Caroline Davies doesn’t care for beaches or spas when she’s on summer holiday. Perhaps foolishly, she mentioned to LUX’s editorial team that she had a taste for adventure. Not long after, she found herself on a plane, headed for America’s wildest bear country. And she survived to tell the tale

“Got bear spray?”, the park warden asks.

My guide nods and gestures with his chin to me. I helpfully hold up a hairspray size can labelled “50 times stronger than mace”. It has a vivid warning photo of a man gushing blood from a bear sized bite in his forehead.

“Well alright then.” The park warden opens the gate and our 4×4 rumbles down the open track and into the woods.

Welcome to Idaho, America’s real life adventure playground. Unlike the well-visited Yosemite to the south west and Yellowstone to the north east, the wilds of Idaho are the well kept secret of those who like their nature without burger bars.

Reaching Idaho Falls, population 60,000, was no mean feat. A few hops across America on United Airline planes of ever decreasing sizes I buzzed over flat fields, deeper and deeper into the American heartland. Touching down, I had been met by Ian, the general manager of South Fork Lodge. Broad and affable with a sarcastic sense of humour, he is in town to pick up me, some groceries and to stop by the Sportsman Warehouse, a cavernous huntsman’s store on the outskirts. Under the gaze of your future targets – glass eyed moose heads and stuffed eagles hang from the soaring rafters – you can browse the racks of rifles and rails of hunting outfits.

“Camouflage isn’t a method of disguise here,” says Ian, catching me quizzically browsing a selection of camouflage bikinis. “It’s a fashion statement.”

We drive through the valleys of low growing potato bushes and dry farming plots of hay. The summer bush fires from neighbouring states have brought a haze to the city and valleys, blotting out the hills in a dense blue until you are almost upon them. After an hour, we begin to descend through the river worn valleys to the lodge. Curled around a lazy bend in the Snake River in Swan Valley, South Fork Lodge is located on 65 miles of dry fly fishing river, making it one of the fishing destinations of the North West.

Tucked away from the main road, past their fly fishing shop, the lodge’s cabins scatter their way across the gentle slope down to the river. Designed to fit with local architecture, the warmth of the honey coloured wood, grey stone chimneys and slate roofs blend with the burnish tones of the forests, the bubbling pebble colour of the river. The main lodge holds the suites, all with their own grey stone fireplace and private terrace looking out to the river. For a little more privacy or larger groups there is an eight person cabin complete with pool table and your own deck on the river. For families or smaller groups the vast double bedrooms with connecting doors give you more than enough space and come with a balcony or veranda. I dump my bags, hit the hot tub and curl up on the rocking chair outside with the wine and jerky from the welcome basket.

A double suite at South Fork Lodge

A double suite at South Fork Lodge

Inside, the lodge is decked with original art works by local artists, hung next to panoramic windows that look out on the landscapes and wildlife that inspired them. The relaxed restaurant, which spills out from the polished wood octagonal dining room on to the flagstone terrace, has recently had a shake up. The newly appointed chef was chosen for his menu of local flavours and produce, created with a twist. Rainbow trout sushi is popular, as is their lamb, and the hen of the woods, served with a reduced cherry dressing to add sweetness and balance to the slight bitterness of the mushrooms, is a flavoursome update on the traditional dish.

Over dinner, watching the few remaining boats sidle past, I meet a few of the lodge’s guide and the sous-chef. He is only a few rounds away from a place in the smoking finals in Memphis, I am told. I look blank, mind whirling with images of grizzled men manically smoking multiple Marlboros simultaneously in a Memphis shed, their eyes on a cigaretteshaped trophy.

“Meat smoking is big business around here,” explains Ian. “Ribs, chicken, all sorts of meat. Our guy came 3rd out of 2000 in the last competition.”

Steamy morning views

Steamy morning views

The lodge holds rib evenings throughout the summer, but the next big event is in a few days time at a local music festival. Despite competition from across the valley, they always sell out. The morning arrives misty and fresh, condensation spotting my boots as I brush past the long grass on my way up to breakfast. Ovals of folded grass, like amateur crop circles, spot the fields; the only remaining sign of the deer that bedded down here the night before. After a large plate of sticky soft French toast with maple syrup I set off. We drive the short distance to Wyoming, past rock strewn drops, dense pines and a winding roadside queue for ‘the world famous square ice cream’ parlour. Stopping in a gravel lay-by we perch above the river to watch the rapids. The river courses through the bolder littered banks, hurling inflatable rafts up and over. Children shriek with excitement, bumping downstream. In summer the water is comparatively low, but the river swells in spring and has taken the lives of a few daring rafters with it. We turn back, pausing to watch the dam that feeds into the Snake River. Built in the 60s, the dam is partly responsible for the rich fishing in South Fork, pushing cooler, oxygenated water from the bottom of the river through and encouraging the creatures that feed the fish to multiply.

By the time we return to Idaho, the dew has dried. I am dropped at the bottom of a steep crag, the edge of a range of hills. Being British, they seem more like small mountains, rough and shrub strewn, thin grey wires bend up and across the peaks.

“T-bar or harness?” Ian asks. I hesitate. I’ve not zip wired before and my palms are already a little clammy. He laughs. I think he’s joking. Helmeted and trussed up in a harness, I clamber into an open air all terrain vehicle next to the driver, an octogenarian with a deep tan and a hearing aid. He beams at me, then starts the near vertical ascent.

“You’re up.” I step up to the small wooden platform, the last point before the slope disappears, becoming a flat rock face. I’m clipped in and edge forward, trying to absorb all of the instructions. “Don’t worry if you start going backwards, particularly when you reach the end, that’s normal. If you go upside down, keep your knees tight and give us a big wave. Ready?” I nod, walk off the edge and drop.

Eight wires later, and jumping off a cliff feels quite normal. I even go upside down while backwards willingly. Blood still pumping a little, but feet now back on the ground, I follow my nose firstly for a dip in the sulphur hot springs next door and then the pizza parlour for a Hawaiian and a jug of ice cold beer watching the sun creep down.

Heading out for a trout of two

Heading out for a trout of two

I wake early to hit the river. Not early enough. The hard core crews have been and gone, setting off at six to catch the first fish of the day and watch the valley waking. Leave as the sun rises and you should catch deer, moose, perhaps even the odd bear, strolling to the water’s edge for a morning drink. Foolishly travelling without a hat, I drop by the lodge’s shop to pick up a floppy khaki number complete with draw string chin strap and a friendly-looking embroidered fish. Feeling the part, I saunter to the car park to meet my fishing guide, Dave.

Dave is a man of few and select words. He has the deep tan of a fly fisher that has spent every summer on the river, black reefer shorts bleached grey by the sun. As I approach he pushes his cap over his salt and pepper hair and I notice that the backs of his hands and knuckles are speckled with small cuts and scrapes, presumably from manly outdoor activities.

“Can you see ok in those sunglasses?” he asks.

My Jackie O style glasses have always served me well before, but as we push off down the river I realise quite how little I see. We bob under a bridge and I squint to spy the nymphs Dave points out stuck on the pillar, brushed by the waterline. Dave gamely hands me his, in a case labelled “welcome to the city”. They are rose tinted. “Not only clever, but they make the world look cheerier.” He says.

We drift downstream, resting up against gravel banks, wedging the boat among the rapids and fishing out. Focusing hard on casting and not catching Dave on my hook – a possible explanation for the cuts – you can almost forget to look up at the soaring canyon around you. Sandy coloured grass and 3ft tall bracken sweeps down the lower reaches of the reddish tinged rock formations, camouflaging the wildlife sheltering from the midday sun. Although you need keen eyes to spot a deer, birdlife is easier to notice, either tucked among the reeds or circling against the azure sky. The water bubbles past, so clean you can see the pebbles on the river bed.

“Gin clear.” says Dave, seeing me watch a failed catch as it slips away down river.

We fish until the sun begins to set, turning the river from blue to copper. As we pull in to the bank and our camp for the evening, a fire is crackling, the beers are chilling and the red wine is breathing in the last of the day’s heat. Ian and his fiancée Haley are at the stove, cooking steaks that fill an entire pan. After a competitive game of horse shoes, someone suggests clay pigeon shooting. Ian mocks me up a makeshift set of headphones – folded tissue paper tucked into a bandana – and gives me a quick tutorial. With no machine to fire the clays, Ian throws them out like a Frisbee. As night falls, we tuck ourselves into the sturdy wooden picnic table to eat platefuls of tender meat and buttery vegetables by torch and candle light. By dessert, a sizzling hot berry crumble, we are all sitting around the glowing embers of the fire, draining the last of the bottles of wine. After a heated discussion with Dave about which really was the greatest Rolling Stones record, I pad into the tall white tent and clamber into my cot.

We wake to a hearty breakfast and a cold dip in the river for the brave. The camp packed up, we jump into the waiting boat and skim back upstream to meet our transport back to the lodge; three glossy steeds, two red and one white. We amble our way gently on a path that takes us through the undergrowth, the trees and finally out of the canyon into field upon field of chest high corn.

Lodge dining with views of the river and beyond

Lodge dining with views of the river and beyond

Back in the ranch there is a buzz. It is the last night of the music festival and it seems everyone is going. The “Young Dubliners” are headlining, an Irish folk band. The park in Victor town centre is rammed, barely an inch of grass between picnic rugs strewn with plates full of ribs, burgers and noodles as people balance bendy plastic pint glasses on the grassy mounds. South Fork’s stand queue winds around the stall; they are nearly out. We grab some of the last rack of ribs and manoeuvre our way to the front. The band starts up, authentic Irish accents, violins and guitars and the audience stands to its feet, jumping around in fake jigs, beer splashing the ground.

My final day at South Fork and I go east to Jackson Hole, Wyoming with my trekking guide, Bob. We stop just outside the centre for a big breakfast at Nora’s and necessities for our walk. I loiter outside the store, admiring the number of different states on the number plates. Jackson Hole is a well known spot for nature tourists and adventure holidays are big business, especially when the adventure feels real. We buckle up in the 4×4 and Bob hands me a bag with the bear spray.

“Just in case, always best.” He says as I scrutinise the directions for use. We head towards the mountains.

Summer may be short but it’s extremely lush

Summer may be short but it’s extremely lush

A boutique ski resort in Winter and outdoor activities centre in summer, Jackson Hole is one of the wealthiest regions of America. “The billionaires are buying out the millionaires.” Bob says as we drive past the airport, sleek private jets lining the runway.

The slopes, now devoid of snow, still run a cable car throughout the summer, offering one of the best ways to see the Tetons. We clamber onboard, joined by a group of five T-shirted men in their twenties wearing three-foot backpacks; paragliders. “We have seats left if you want them.” one says to the rest of the car. I smile, but Bob turns to see if anyone is taking them up on the offer. They are serious.

We follow them up to the peak and watch as they piece together their equipment on the slope. Those with passengers strap them in tightly and point their instructions; run down the mountainside and don’t stop until told or the mountain ends. The first one catches a gust, untangles his parachute and runs, full pelt, off the edge. For a moment he is still, feet just off the ground, parachute hovering above him, then the force of the wind takes him up and off, smoothly gliding. Mesmerised, we watch them each as they follow one another, circling like a bird of prey before curving out of sight behind the mountain. When we reach the bottom, I follow them to their landing spot, watching them bump down.

One of Wyoming’s largest national parks, Grand Teton National Park spans around 31,000 acres, including peaks of Teton range, lakes and forges. Driving past the entrance, we zigzag our way through the trees, as I keep an unnecessarily close watch for wildlife. We are pulled over by an officious looking ranger, tight lipped and severe.

“You sure you guys want to head down this way?” he asks. “There are a lot of grizzlies around and they’re hungry and grouchy. Where you walking?”

“Death Canyon.” Says Bob unflinchingly

Our ranger sucks his teeth. “You sure you wouldn’t rather go to Jenny Lake?” Jenny Lake does sound preferable, but after jumping off cliffs, learning the difference between a Rainbow and a cutthroat trout and wearing a floppy khaki hat without shame, I’m fairly committed to following South Fork’s expertise. We soldier on.

Thinking it’s best to be prepared, I ask Bob for some bear advice. “Well they used to say make yourself small, then they said make yourself big. Neither of those work particularly well though,” he says. “Probably the best advice is to run.”We park at the bottom of the trail. “Bears don’t like to be surprised so if you make a lot of noise that can scare them off.”

I talk non-stop up the mountain, jumping once at a chipmunk. Thin reddish trees flank the path, row after row, disappearing to fine lines in the distance. We pass a thick tree next to the path, freshly shredded by bears in search of food; they were here a few hours before us. The path ahead clears to one gnarled tree, its roots bursting out through the dusty ground, its branches framing the spectacular view; a deep blue lake, pine green forests, jagged mountain sides and tiny bays. Slightly out of breath from my constant conversation, I stand at the edge in silence, leaning against the tree, drinking it in.

Our final stop is Jackson Hole town centre, an idyllic scene with a wooden sidewalk lined with art galleries and boutiques. The highly manicured, lacquered stores gleam with wares of country living; furs, fishing, a bronze of an eagle. It is well equipped. As we ride out of town, we pass a row of tents with a handmade sign reading “Art Fair.”

“Now art,” says Bob, sighing. “That’s the thing that will wear you out.”

Caroline Davies travelled as a guest of Natural Retreats who provide luxury holidays in secluded locations of natural beauty in Europe and the USA. They have recently introduced Natural Retreats properties to buy Naturalretreats.com, South Fork Lodge

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Reading time: 14 min

 

OVER THE PAST DECADE, MERCEDES-BENZ AMG MODELS HAVE BECOME A BYWORD FOR THE ULTIMATE COMBINATION OF POWER, LUXURY AND EXCITEMENT. Guy Fiorita SPENT A COUPLE OF DAYS AT AN EXCLUSIVE OWNERS’ EVENT, GETTING TO KNOW THESE THOROUGHBREDS OF THE ROAD – AND FALLING IN LOVE WITH THEM

I’m not a car fanatic, a speed freak or adrenaline junkie. I don’t particularly enjoy driving fast. When I learned to drive, I made a conscious effort at smoothness. The goal of any good driver, I thought, was to drive so that your passenger hardly noticed the movement. No sudden turns or slamming of brakes. Right?

“Wrong, all wrong,” comes a voice on a walkietalkie by my side. “You have to hit the brake much, much harder. Jam it as hard as you can and pull the steering wheel to the left.”

Sitting behind the wheel of a Mercedes-Benz CLS63 AMG, stopped in the middle of a racetrack, I had have obviously blown my first test. The voice is Former British Formula 3 and DTM racer Marco Engel, my team leader. I’ve just finished the first leg of the first day of training and I am already coming up short.

The racetrack is in Andalucia, Spain and I am here as part of an AMG Private Lounge event. My co-drivers are all AMG Mercedes owners. The chassis number on their cars qualified them to join the AMG Private Lounge, of which there are now more than 20,000 members. The thirty or so here with me are mostly from Germany and the UK but also from as far away as Brazil, the US and Lebanon. These are people who are serious enough about their cars and driving not only to have paid the price of an AMG but to have splashed out a few thousand extra to spend two days speeding around a racetrack having orders barked at them by professional race car drivers.

The Lounge event is taking place at the Ascari Race Resort. We were helicoptered in the day before from Marbella. From above, the track is a beautiful expanse of tarmac that twists its way through the rolling hills. This 5.4 kilometres track with a total of 26 total turns was once called “the most challenging race track in the world,” by some guy named Fernando Alonso and I get the feeling I’m soon going to find out why.

Earlier this morning we were divided into groups and now each is out on a section of the track being put through their paces by one of the instructors. AMG has brought along an impressive group of rock-star drivers like F1 and Le Mans racer Karl Wendlinger, endurance racer Roland Rehfeld and four-time Mercedes DTM champion Bernd Scheidner.

They have their work cut out for them with me. Back on the track I am finding that this Lounge is anything but relaxing. After my initial break and turn failure, we move onto a series of warm-up exercises including a combination of fast slalom, cornering technique, trail braking and handling parcours, skid pad and lead and follow training. At the end of each exercise we stop just long enough to switch cars between the AMG CLS 63, SLS, SLK and my soon-to-be favourite, the C63 AMG Black Series.

And off we go again. Around and around. I soon find I am pushing the limits, if not of the car then at least my own. I’ve been bitten. The faster I go, the faster I want to go. At one stage in the loop, we get to drag race against another driver. Each time I punch the gas a little harder and break a little later. I’m surprised by how much I want to win. I never do, except once when the other driver was penalised for stopping outside the box.

And it is not only the speed that’s got me. It’s the sound. The primitive, guttural rumble of an AMG is exhilarating. No wonder owners say it was one of the main factors in their decision to purchase one.

Later that day I get a chance to see how it should be done, this time as a passenger in a Pagani Huayra. Equipped with a Mercedes-AMG V12 engine that produces 720 horsepower, this brandnew Italian hypercar has a top speed in excess of 230 mph (370 km/h). By the time I get myself strapped into the passenger seat, my Italian driver is already giving me the thumbs-up. “Ready,” he says and something suddenly pushes me deep into my seatback and I find out what 0–60 miles per hour in just three seconds feels like. The rest of the lap is a jostling blur that proves once and for all that I knew nothing about real driving. There was nothing smooth about that, I say to myself as I walk away on wobbly legs.

Looking at the itinerary the next morning I thought that the “On Road Experience” and the  chance to take a leisurely drive through the Andalusian countryside at the wheel of a classic AMG would be more my pace, but my pace had obviously changed. Halfway through the drive, beautiful as it was, I found myself itching to get back on the track. Before I could however, I was taken off road in a Mercedes-Benz G63 AMG. The vehicle proved to have impressive power as we slogged our way over the muddy hills around the resort grounds but I was here for speed.

Which is exactly what I lacked as we lined up for the big event of the day, a team trail where all the times are added together and the lowest total time receives a prize. I really want this one, or at least I don’t want to let my team down. They’ve been so patient. So this time I really go for it, pushing myself faster and faster until I come skidding to a stop, dead centre in the box. Perfect. I look over to see that my time is just a few seconds worse than the slowest member of our team. Not bad for a non-speed freak. The proud moment is short lived. It appears I’d missed two gates and hit a cone along the way too. It all adds up to 15 seconds of penalty time and knocks my team out of any chance for a victory.

Fortunately everyone’s attention quickly turns to the last event of the day and the chance to run a few laps in a true race car, the SLS AMG GT3. The top-of-the-range of Mercedes-Benz cars, it is a strictly limited edition and so extreme you are not allowed to use it on the road. This was universally considered the highlight of the whole Lounge by my co-drivers. Personally I found the asbestos suit, the helmet with just an opening for the eyes and a driver’s cage that took a Houdini-like effort to get into, almost unbearably claustrophobic. On the track, the car’s raw power is scary and I am afraid it remains beyond my skill set. The experience, however, certainly gave me a new-found respect for race drivers.

I may not have come here much of a “car person,” but by the end of the three days, having driven, and heard, enough horse-power to propel a horde of Mongolians across the Steppe, something in me has changed. Now as the shuttle slowly winds its way back to Malaga airport, I sit leaning over the seatback in front of me like a restless child, watching the road ahead. “Are we there yet,” I ask the driver. “No, about another hour,” he answers. After my AMG Private Lounge experience, I’m confident that I could do it in half that time. And as I watch the olive groves move slowly past my window, one thing becomes perfectly clear, I’d sure love the chance to try.

mercedes-amg.com 

 

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Reading time: 6 min

DARIUS SANAI’S Luxury travel views Where our Editor-in-Chief ponders culinary conundrums from his sojourns around the world

Not so long ago, to experience the best of the world’s cuisine, you had to travel to their origins. Interested in exploring Escoffier’s legacy? Fly to Paris, Burgundy or Lyon. Want to know what the greatest sashimi tastes like? Try the stalls at Tsukiji Market in Tokyo. To taste the best Shanghainese seafood, you’d need to be looking at the Yellow River.

Now, everything has changed. Now there’s no question about being inauthentic if you taste Tuscan food in Vegas, or sample Joel Rebouchon in London, or Nobu in, well, anywhere. The greatest ingredients, and the greatest chefs, are where they are.

Which makes Miami such an interesting conundrum. The only food the city can really, authentically claim as its own is Cuban, imported by the hordes fleeing Fidel Castro from the 1960s onwards. That, and the ubiquitous stone crab, served by the pile, a food to eat with fries and a big Sonoma Chardonnay and to grow fat on.

But Miami is also South Beach, host of America’s biggest annual food festival, home to some of the most glamorous restaurants and hotels in America outside Vegas; the place where Russian oligarchs and New York tycoons gather under the sun to talk art, women, wine and song on megayachts and in megaresidences.

And I was intrigued by what my megahotel in SoBe, the Fountainebleau, would have to offer. On the culinary side, that is. As a resort hotel, its offering is pretty evident to anyone arriving up its driveway crowded with limos and Lambos: about 10,000 rooms in various buildings, Art Deco and mock; a properly mega swimming pool which I estimated as around 60m curved end to end, which would have been perfect for lengths, had it not been overoccupied by smooching couples taking advantage of its uniform shallowness; a private shopping mall; a stretch of private beach with uniformed staff shifting sunloungers to the evermoving gaps in the afternoon sunlight as the sun set beneath the giant structures of the hotel itself.

The Fountainebleau is not short of celebrated options, with Hakkasan and Scarpetta operating there. Just to be different I chose to entertain my guests at the hotel’s nouveau-Japanese restaurant Blade, which registers there as one of the ‘casual’ dining options. ‘Casual’ meaning informal service and a lack of tablecloths, rather than low prices.

It was eye-opening. The straight sashimi and nigiri – yellowtail, sea bream toro – was as good as sashimi can be, flown in from Tsukiji as it is in any fine sushi restaurant. A mark of standards and craft, but nothing else.

It was the speciality rolls that would make or break Blade. These were ambitious: the Geisha, with yellowtail, ooba leaf, orange, asparagus wrapped in soy paper with a yuzu miso glaze. The Chateau with spicy snow crab, spring onions, cucumbers, and spicy tuna. The Dragon, with deep-fried shrimp, asparagus, avocado, barbecue eel, miso wasabi and aioli. And what about the Ronin: salmon, mozzarella, tomato, cilantro, Serrano ham, chilli, and crispy onion – about as derivative as you can get and still claim Japanese roots, sort of.

We tried all these rolls and more, and my conclusion on Blade reflects the conclusion on cuisine in general, which in turn reflects a contemporary worldview. They were on the whole beautifully made, with ingredients that had plainly been sourced from the very best possible sources, and hewn together by a chef who understood the intricacies of the human palate. I entertained at Blade every time I could during my sojurn; even ate there by myself once.

But the fact that I was eating at a soi-disant Japanese in a corner of the United States was irrelevant: this is the new food, inspired by everywhere, with certain splashes of somewhere more prominent than others, meticulously made, perfectly served. Just as the model in the corner was a mix of Chinese, Persian, Russian and German, from everywhere and nowhere, so was Blade’s food. Once that meant the worst: international cuisine. Now it is the trademark of a new contemporary quality.

Many hotels thrive these days by attaching luxury brand chefs’ names to their restaurants: these bring in visitors who otherwise would not be seen dining at a hotel restaurant, for fear of appearing like tourists. One of my favourite hotels in the world, though, has another take. The Parkhuus restaurant, in the Park Hyatt Zurich, is as cool, and spectacular in its internal architecture, and as imaginative in its menu, as any high-concept chef ’s: but the restaurant is entirely the hotel’s own.

A sweeping open kitchen dominates the room; ceilings are high, as are windows; tables lack formal dressing, instead bedecked in contemporary architecture. The menu effortlessly combines the casual and the formal, the haute and the bas: you can simply choose ‘Chop, Wood Roasted, 400g’; or go for the Swiss ‘pike-perch fillet, pan fried, herb crust, herb salad, tomato jam’ accompanied by the wood-roasted seasonal vegetables. Both were sublime in their delicacy with the signature of the Parkhuus wood oven.

The menu at Parkhuus is brutally seasonal, in the best possible way: there are no signature dishes, only seasonal dishes, so if you go in autumn you would be crazy not to try the products of shoots in nearby Burgundy, for example. As befits one of the very best restaurants in the city that serves as the capital of Europe’s wealth management business, the wine cellar is breathtaking in its breadth, although I have recently favoured the local draft beer, served swiftly and ice-cool, its hoppy bitterness a welcome counterpoint to the slight caramel sweetness that arises in some of the woodroast dishes.

Parkhuus is an interesting room in that it runs counter to what I normally admire about restaurants. It is a big space, with big windows, and a view technically of nothing but the other side of a quiet Zurich street. Yet it feels sexy, alive, because of the lighting, the attitude, the décor, the service, the style. You feel this is a destination for locals, not because of the name of a chef above the door, but because of the sheer quality.

Around 1000 miles north of Zurich, on a very different kind of lake, is the Scottish Highland hotel of Cameron House. Cameron House is on Loch Lomond, a long lake that stretches like a finger into the Highlands, and you can’t quite imagine the barren beauty that unfolds before you as you stand on the lochside of the hotel, without having been there. On one of Scotland’s most famous lochs, this is the perfect location.

The hotel’s main restaurant has fine views over the water, but on my latest visit I stopped in on the Boat House, the more casual option, on the water’s edge. You feel as though you are floating on this untamed loch, and the casual atmosphere is enhanced by the engagingly informal staff – and the crowds, for this is a popular place.

The menu is created by the Loch Fyne people, they of seafood bars across the UK, and that guaranteed a level of quality: excellent selection of salmon of various smokes, mussels that were well cooked in white wine and parsley; spectacularly presented oysters. Good quality for a seafood lover, if nothing too ambitious, but the view of a snowstorm whitening the head of Ben Lomond across the water (this can happen at any time of year) was ambitious enough.

In the course of my annual travels I stay in quite a number of luxury hotels, and those that disappoint usually outnumber those that excel. So it is a delight when a hotel that was supposed to do nothing other than perform solidly, does so with flair and a panache of proper hotellerie, like a mid-division football team suddenly matching Barcelona at their own game.

That was my experience, shortly after Cameron House, with the Hilton Central in Glasgow. Hilton has been demeaned as a brand over the past years, the sometimes glorious towers of Hilton International now replaced by business lodges stamped with the brand. Some exceptions remain, for me in the U.S., and London’s Park Lane: but Glasgow’s Hilton is evidently in a category of its own. The service was not only attentive but intuitive; the rooms well-arranged, a sort of cookiecutter- plus, for road warriors who want to know where everything is but also have high standards. It was the food that surprised, a sequence of room services arriving swiftly and with pride, steaming hot, sea bass cooked a point, a perfectly herbed soup: the kinds of things you wish room service would do around the world, but it so rarely does. And with staff that took pride: they were neither overtrained, nor obsequious, nor over-aware, nor over-cool: just spot on. Hilton Glasgow, you outdo many of your more glamorous five-star rivals.

Back very much closer to home, I am delighted at the reopening, after a few months’ refurbishment, of my favourite part of one of my favourite restaurant/food shops, Villandry, in London’s NoHo. Villandry is part café, part food hall, part restaurant, and the latter two have just reopened, accompanied by a fine wine theme and a bank of those fine Enomatic machines at which you can taste fine wine by the small pour. Redecorated in exquisite taste by Claire Sheppard and her team, it retains that light, airiness so rare in central London venues, as well as fine ingredients cooked simply, whether for breakfast, lunch or a prix-fixe dinner. Bon appétit.

Darius Sanai is Editor-in-Chief of Condé Nast Contract Publishing

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Reading time: 8 min
Giorgio Sermonetta

Giorgio Sermonetta

GIORGIO SERMONETA RESPONSIBLE FOR THE WORLD’S MOST DIVINE GLOVES, IN EVERY CONCEIVABLE HUE. Caroline Davies TRAVELS TO ROME FOR AN AUDIENCE WITH THE WORLD’S SUPREME GANTIER

When I arrive in Giorgio Sermoneta’s flagship store in Rome, things get off to a slightly unnerving start. Squeezing into the multi-coloured glove store – floor to ceiling of outstretched elegant hands, greens, yellows, browns and blacks, studs and bows, cut-outs and ruffles – I muscle my way over to what Google images had promised me must be Sermoneta. Bright blue eyes, square figure, neatly cut white hair and a serious mouth. I tap him on the shoulder.

“Mr Sermoneta?”

He looks blank.

“Me? I don’t work here. You’ll have to ask someone over there. I’m just browsing.”

There is an awkward pause as I hurriedly scan the room. The serious mouth twitches then beams and the blue eyes crinkle. “I got you then!”

Before I have time to force a relieved laugh, he says we are heading off for lunch. I follow, past the browsing crowds into the glaring sunshine. Sermoneta’s first glove shop could hardly be in a more perfect location. In the shadow of the Spanish steps, its rainbow colours and glowing reputation attracts passers by and those in the know. While the

tourists marvel at the sheer number of ways you can decorate a hand, connoisseurs march to the front desk for the owner’s advice. Wise decision. Were it not for a helping (well-dressed) hand, you could easily spend hours hypnotically running through the options. Some wide-eyed, open-mouthed wanderers in the corner look like they might have done just that. Carefully crafted, beautifully dyed and exquisitely designed, Sermoneta gloves have graced some of the most influential hands in business, fashion, music, film and politics. Without knowing it, you have watched them seduce and enrapture, part a crowd and denounce dictators. With that sort of power, you had better pick the right pair.

And if you were looking for a guide to gloves, you would be hard pressed to find one more knowledgeable or experienced than Giorgio Sermoneta. He first established his glove business in 1964 after he left the army at the age of 21. Keen to make his own mark away from the family business, he adopted the idea of glove making from his 17-year-old girlfriend’s family, now his wife. With little experience in business or gloves, Sermoneta relied on his wits and wide-eyed creativity to pull him through.

Carefully crafted, beautifully dyed and exquisitely designed

Carefully crafted, beautifully dyed and exquisitely designed

“When I started, I knew nothing about gloves. I was surrounded by monsters in the business,” he says. “Big names. It was like a comedian between mummies. They were old, dedicating their gloves to blue blood; they had only black and brown leather. We wanted to bring something new.”

It isn’t particularly difficult to imagine Sermoneta as the only one refusing to take glovemaking quite so seriously. We take our seats on a busy side street tucked moments from the Piazza di Spagna, but no sooner have we sat down then Sermoneta is up, greeting friends who pass by in streaming Italian, always ending with a husky laugh and a teasing joke as he waves them on.  Unfortunately, to start with, Italy didn’t seem to like his sense of humour.

“At the beginning it was very, very, very, very difficult,” he says, fixing me with a serious stare, emphasising each “very” with a soft bang on the table. “Then I started to find a new way to do business.”

Before I can venture a guess, Semoneta continues.“Tourists!” he says, triumphantly. “They want to buy gifts for their family, maybe five, 10 people to make happy, but they do not have much space in their suitcase. Gloves are very easy, very easy to carry. People started saying to people ‘Go to Sermoneta.”’And this is how I started.”

Trade picked up rapidly.

“I remember the time we didn’t even go to lunch. Starting from 9 o’clock in the morning to 8 o’clock in the evening,” he says of the early days. “No lunch.”

The waiter approaches our table with a hefty maroon coloured menu. Sermoneta waves it away and orders several plates of fresh mozzarella, tomatoes and basil and a mysterious local dish of spaghetti and pancetta, mixed in front of your eyes in a hollowed out bowl of hard parmesan.“

Do you like cheese?” He asks. I nod. He gives me an approving smile.

In his time, Sermoneta has seen many stores come and go. What is the secret to his success?

“Nobody is perfect,” he says. “Something could happen to a Mercedes, a 777 plane, anything, so we give a guarantee. Even from Rome, Japan,  Australia and we still do it. We always put our customer first.”

It probably helps that Sermoneta is an outstanding salesman. Watching him at work is a marvel. As smooth as his leather, he glances at each hand, perhaps gives one a small squeeze then burrows into the rolls of gloves tucked in the shelves behind him, barking ‘what length?’ over his shoulder. Finger gloves to elbow length, embellished or classic; with a no nonsense, experienced tone, he will cut down your options, flicking through the layers of leather hands as though they were pages of a notebook.

“The first pair of gloves you have should be black, because you can do so many things. You can go to a party, an opera, they go with everything, even if you don’t like black,” He says. “Then you can progress.”

And goodness, is there room for progress. The sheer variety is impressive. I ask Sermoneta where his ideas come from.

“Sometimes I wake up in the night, make a little sketch and go back to sleep,” he says. “I came up with the idea of the iPhone touch glove which everyone is copying. This year, I’m doing denim.”

You can see how a love for gloves can become an easy habit to slip into. Some visitors return so regularly that they become friends. When she was U.S. Secretary of State, Madeleine Albright once diverted her cavalcade simply so she could pop by to say hello.

“I was in my store in New York,” he says. “There was one lady trying on gloves while her friend smoked a cigar outside the window. I came out and started talking to her. ‘Do you like gloves?’ I asked. ‘I have a pair of gloves my father left me 30 years ago. They are so worn. No one in the world can make these gloves.’ I asked to see them and she pulled out a pair of beautiful chicory yellow gloves, so used and damaged they looked like they should be in a museum. ‘It is easy. I will make them for you, but I don’t want to be paid. Give me your name and address and I will deliver them’ ‘Annie Leibovitz.’ I didn’t realise who she was. She was so happy though.”

The most beautiful gloves you'll own

The most beautiful gloves you’ll own

Despite the variety of celebrated hands that now boast Sermoneta’s gloves, he realises that gloves are not for everyone.

“If they don’t match your personality or your dress, it is better not to wear them at all,” he says. “It is like having chocolate on a pizza. Disgusting. When you see certain people who have matched their gloves correctly you can say ‘There is a gentleman with a capital G.’”

We stroll out onto the afternoon sunset streets of Rome, Sermoneta chatting to tourists – even once bursting into Japanese – waving at shop keepers, punching the arm of a passing leather goods man.

“Now you have had a long day, I think you must have an ice-cream.” He does not, however, have gloves designed specifically for ice-cream consumption. Yet.

sermonetagloves.com

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Reading time: 6 min
Chapman1

Group Sales and Marketing Director, Alex Berry

FROM EARTHQUAKES TO UPRISINGS, FOR ONE PRIVATE JET COMPANY THE SKIES ARE NO LONGER THE SOLE DOMAIN OF ROCK STARS AND HOLLYWOOD A-LISTERS. GUY FIORITA REPORTS

Turn on the news any day of the week and, unfortunately, there is probably a story about a human tragedy taking place somewhere in the world. Usually by the time we first hear about it, relief is already on the way. We see images of it arriving by the planeload to some far-flung airstrip.  Ever stop and wonder who is behind those jumbo jets full of food and blankets? Not many would guess that it’s the same company that’s flying the hottest new boy band in ultra-luxury from one stop to another on a world tour but, from spoiling VIPs to flying relief missions, for the last 40 years Chapman Freeborn has been doing both.

Launched in 1973, Chapman Freeborn is the world’s leading jet charter company with offices in 25 countries. They have flown their share of jetsetters, royalty, oligarchs and stars and they’ve learned to provide a luxurious experience better than anyone else, but according to Alex Berry, Group Sales and Marketing Director, there is another side to the business that is a lot less glamorous but much more rewarding. “From flying humanitarian aid into areas in need, to moving people displaced by war, there hasn’t been a major international incident in the last 30 years that we were not involved in.”

When tragedy strikes, like an earthquake in Haiti or famine in Sudan, aid organizations need to move food, blankets, workers and much more, and they need to do it fast. “The airlines won’t fly on credit. Not even for organisations like the UN or Red Cross. So you need to have someone with the capacity and financial capabilities to make this work and make it work fast. Since we are privately owned and financially strong, we can meet the needs of the agency by mobilizing people and equipment without any delay.”

Some cynics say flights like these merely amount to making money out of other people’s misery. It is a claim Berry has heard before. “Do we make money out of evacuating people from war zones or bringing in relief to the needy? Yes we do, however we understand the importance of these missions and we make sure that everything is carried out as quickly, efficiently and professionally as possible. Often there are lives on the line. It is a huge responsibility and we take it very seriously.”

Chapman2

Group Sales and Marketing Director, Alex Berry

The Haitian earthquake of 2010 is a perfect example of Chapman Freeborn putting their experience and resources to work for a good cause.  After the devastating quake, relief material came pouring in from around the world but the airport had no offloading equipment to handle it all. “The first thing we did was fly in the proper gear and we immediately unloaded 10 planes. They could then fly back out to bring in more material. The Haiti tragedy happened on a Boxing Day. Our entire staff came in and worked throughout the holidays. Most of them ended up even sleeping in the office. It was tiring but very rewarding work.”

Chapman Freeborn has a product called REACT (Rescue, Evacuation and Aid Charter Team) that monitors international news sources and then, as its name suggests, reacts as quickly as possible when an aid organisation needs their help.  During the Arab Spring REACT responded to crisis situations in Egypt, Libya, Tunisia and Bahrain handling over 100 evacuation flights, flying over 20,000 passengers to safety. “Having 35 offices in 25 different countries around the world means we can deploy people from local offices to be on the ground right away. We were the first aircraft into Fukushima, Japan. We flew in a German search and rescue team with dogs and 13 tons of technical equipment from Frankfurt to Tokyo on a chartered B767 aircraft.”

In October, 2011 when St. Anthony Central Hospital in Denver closed an old facility and donated the surplus medical equipment to Hanoi’s Bach Mai Hospital, Chapman Freeborn organised the air transportation of over 50 tons of medical equipment. “The delivery was particularly poignant as it arrived on the 40th anniversary of the Bach Mai Hospital bombing in 1972 which claimed the lives of 28 hospital staff. It was very inspiring,” says Berry. And, as it turns out, just part of the job.

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Reading time: 3 min
The Matterhorn put Zermatt on the map

The Matterhorn put Zermatt on the map

DEEP BLUE SKIES, PERFECT TEMPERATURES, NO TEEMING CROWDS, EXCELLENT CUISINE, CLEAN AIR, ENVELOPED BY NATURAL BEAUTY: WHAT’S NOT TO LOVE ABOUT THE SWISS ALPS IN THE SUMMERTIME, ASKS Darius Sanai

Swiss1

Beau Rivage Palace overlooking Lac Leman

The deep midwinter is when residents of the western hemisphere traditionally make their plans for the summer holidays, and the world’s travel industry has long been shaped around these rhythms. Things are changing, as a rapidly increasing number of travellers from countries where ‘summer’ is a far less clearly defined concept (think Singapore, Hong Kong, Brazil, India) make their presence felt. And even among those for whom seasons are clearly demarcated, the tendency towards last-minute travel means booking in July, for July, is more than a temporary trend.

But still: you’ll be reading this in the traditional Western winter, and you won’t have missed the flood of television and magazine advertisements enticing you towards your next grand trip. You may well hear the howling of a winter gale outside, and you might have gritted the drive this morning ahead of the forecast snow.

All of this might go some way to explaining why a quite perfect summer holiday destination for anyone with an active family, a love of luxury, culture, cuisine and the great outdoors, rarely appears at the top of people’s list. Switzerland is associated with many great things, but intense heat and sunshine are not among them, which is a great shame because I and the family picked up the most lasting tan in years during the couple of weeks we spent touring some of this country’s most interesting Alpine destinations last summer.  Switzerland may be mountainous, but the southern half of the country is also Mediterranean – it borders Italy, makes wine, serves antipasti and pizza, and some of it even speaks Italian – so sunshine is coupled with clean air and moderate temperatures. The latter is a boon as anyone who has ever tried to take small children to Sicily in August as we did the previous year may know. Forty degrees is OK for sipping rose in the shade, but not for actually doing anything much. In the mountains, strong sun combines with temperatures in the 20s to make for perfect days.

Before I continue, a note: this article has been strung together below from a series of visits at different dates to the destinations below. However, there is no reason at all why someone might not combine some or all of them in one trip, as Switzerland is as compact as it is mountainous.

By The Shores of Leman: The Beau Rivage Palace, Ouchy

Anyone who knows Lac Leman, or Lake Geneva, from its reference in TS Eliot’s rather depressing Wasteland poem might be expecting a rather gloomy place, but arriving in Ouchy, a bijou port village appended to the city of Lausanne, the feeling is just the opposite. The streets – formerly vineyards, which still surround the village – slope steeply down to the lakeside, the pastel coloured buildings speak of Romantic architecture, and the lake itself stretches thick and blue and still, some 10km across to the spectacular mountains on the French side, and as far as the eye can see both left and right. It’s a south facing location, not so much bathed as drowned in delicious southern sunlight: the point at which northern Europe becomes southern Europe. From here, all rivers flow south, to the Mediterranean, and the North European Plain is left behind.

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Beau Rivage Palace overlooking Lac Leman

The location deserves a great hotel, and it has one, courtesy of the Belle Epoque travellers who flocked here in search of sunshine and clean air. It pays to be wary of 100 year old palace hotels in Europe, as some of them have fallen into disrepair as travellers take their money away by jet; but I was delighted to see that it was precisely the opposite with the Beau Rivage. The ceilings are high, the corridors palatial and the ballroom is a wonder, but everything has been refurbished to top global standard at what must be an absolutely eyewatering cost to the private owners. Our rooms had two balconies looking out over manicured lawns, a wood, tennis courts, a large outdoor pool and a considerable terrace area – the hotel seemed to stretch in every direction, a great relief after the cramped conditions one encounters even in the very best Mediterranean hotels. The view stretched to the Mont Blanc massif, looming opposite over the lake (Mont Blanc itself is hidden behind its siblings), and to the Upper Rhone valley to the left.

The pool turned out to be two pools, indoor and out, with diversions to tennis, table tennis, giant chess and simply meandering through the grounds as appropriate. The surrounding area is home to one of the world’s highest concentrations of Michelin-starred restaurants, but, frankly, why bother? We started in the hotel’s bar, which has been remodelled with advice from some extremely cool Londonbased consultants in a super-contemporary style that is somehow still in keeping with the location – plenty of greys and dark woods, not too many urban whites. Mojitos, alcoholic and otherwise, provided a good counterpoint to the day’s heat, and I can’t imagine there are many other places in Switzerland where you can get a Mojito as good as at Claridge’s Bar.

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Gstaad Palace’s New Lounge

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Private spa suite at Gstaad Palace

The oriental-style bar snacks were spot on, but for dinner on our first night we revisited the same spot we had lunch, where I couldn’t resist revisiting a salad of rocket, artichoke, pine nut and parmesan, whose texture still lingers delightfully in the memory. The organic salmon nigiri with yuzu lemon and oyster espuma was a sort of aristocratic sushi that makes one wonder why more Japanese restaurants in Europe are not more adventurous with their nigiri variations. The menu is constantly changing, so you will likely not have what I did, but the conceptualising and cooking were pinpoint sharp. As was the wine list: a Crozes Hermitage from Jaboulet, from the excellent 2009 vintage, accompanied beautifully (although I was later to regret not having tried one of the excellent selection of Swiss wines).

The Cafe Beau Rivage is somewhere you could eat every meal of every day, but the hotel also owns a highly popular Italian trattoria/pizzeria in the neighbouring building whose terrace is the meeting point of the young cool set of the area, and a highly regarded traditional Japanese restaurant, Miyako, in the main building.

We left feeling rather guilty that we hadn’t indulged in a private boat trip on the lake, or visits to neighbouring vineyards, but it is always best to leave something for next time. The Beau Rivage palace is that rare example of a contemporary classic that makes its destination what it is: without it, Ouchy (pronounced Ooshy) would be a pretty lakeside village like many others in Switzerland and Italy (and it does have an Italianate feel).

Gstaad and the Palace

Ouchy may have views of high mountains, but in Swiss terms it is a lowland destination, on a large lake at a mere 375 metres altitude. From now, our trip would take us ever higher into the Alps. A little way down the lake from Lausanne is the town of Montreux, known for its globally-celebrated jazz festival but a slightly humdrum place otherwise. Montreux’s railway station is the starting point of the Goldenpass, one of the Alps’ most famed train rides. The train, with a special panoramic viewing roof, makes its way not along the lake, like the main train line, but up the mountainside abutting the lake. It climbs quickly to 1000 metres, over a pass, and then descends gently into a wonderland of deep green Alpine meadow, woodland, lush valleys, streams, and chalets.  The children kept a lookout for Heidi, and I kept wondering if it was all a projection by the Switzerland Tourism, the sophisticated national tourist authority, but no: it was real. The air was cooler but still warm, the sunlight tempered by dark forest, the slopes rising to snow patches below rocky peaks.

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Train arriving in Gstaad from Montreux

Gstaad is at the end of this expanse of Alpine perfection, a little town in a bowl of big hills and small mountains, with an open view in every direction. And the Palace in Gstaad sits atop the town like a fairytale castle, with its own tennis courts, spa hewn into the rock, and permanent residence (or so it seems) of clients who have either just arrived or are just about to leave in their private jets from the nearby airstrip. The rockfaces of the mountains turn gold in the dusk sunlight as the conversations on the terrace turn to what the next generation will do with the wealth amassed by this one. Not having to worry unduly about such things, we sipped our aperitifs every evening and spent daytimes split between the hotel’s own spa and exploring the mountains.

The spa feels very Swiss, hewn out of the rockface under the hotel, with a granite-lined pool that stretches in an Lshape to a glass wall that opens fully on summer days. The treatments are perfectly thorough and correct as you would expect, my massage unclicking a joint that had been frozen for months; and the adults-only hydrotherapy pools are a fine place to spend a while amid the view. It was here that I noted another key advantage over traditional summer destinations: you are not overwhelmed by other people’s children; in fact, they are a mere footnote to the rather discerning adult clientele. The Palace is a lively place in winter with its louche nightclub Greengo, but in summer it is altogether more chilled out.

Gstaad’s mountains are not toweringly high by Swiss standards, but it’s an excellent place to start: we took a lift up to a restaurant atop one of the mid-size mountains from where the view stretched to the next range behind, and after a rustic lunch of veal (adults) and veal sausages (children) the offspring spent an enjoyable hour or two amusing themselves by seeing if there was anything in the meadow the restaurant owner’s pet goats would not eat. Branches, dandelions, weeds and wildflowers alike were consumed by the goats-with-a-view.

The people, like the goats, traditionally ate what was available locally here, which explains the surfeit of excellent veal which, being local, comes with fewer animal rights worries. And then there are the products, notably the local Gstaad cheese and the considerably more famous Gruyere from just down the valley. These combine most notably in a fondue, and on the recommendation of the local tourist office one evening we took a twenty-minute journey to Gsteig, the next village in the valley, for a fondue at Baren Gsteig.  Amid low beams and cowbells, we settled down to the freshest fondue I have experienced. It may sound odd to call a cheese fondue fresh, but I suspect the fact that all the cheese used

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Edward Whymper was the first to climb the Matterhorn

was unpasteurised hard cheese made a significant difference to both the bite and the minerality of the dish. The bread was just right too, slightly stale (one day old, we were told) crusty local sourdough – if it’s too fresh, it flops into the melted cheese. The fondue also contained a dose of the local brandy, adding more bite and fruit freshness.

Another evening we went to the oldest restaurant in Gstaad proper, at the Hotel Post, on the bijou little high street, where the steak (local, again) had a combination of metallic earthiness and butter-tenderness I haven’t encountered elsewhere.

The Palace is a most civilised place to return after such rustic outings: the lobby and bar have a chalet-like feel, but the view is all around. On our last evening, the moon lit up the glacier at the side of the far peak up the valley. We were due to visit the glacier, accessible by cable car, but this was not to be this time. Again, something for another time.

To Zermatt

If there is one place in Switzerland, or indeed the Alps, that can claim to be as important in summer as it is in winter, it is Zermatt. Skiers may know the resort for its challenging black runs, excellent apres-ski, and cosy haute-cuisine mountain dining. But Zermatt is that rare resort, where visitors and global celebrity predated going down mountains with two planks tied to your feet. Like many chi-chi Alpine villages, it was for centuries a remote and impoverished farming hamlet, but its transformation came in the 19th century when Victorian-era Britons, bent on surmounting every challenge the world held, came to conquer its iconic mountain, the Matterhorn.

In the 1860s, successive climbing parties arrived in Zermatt bent on scaling the Matterhorn (now known to anyone who eats chocolates or buys Caran d’Ache pencils) and other peaks in the amphitheatre that surrounds the valley: along with Chamonix, the French

village at the foot of Mont Blanc, Zermatt can lay claim to being the home of Alpinism, of mountaineering as we know it.

Even 150 years later, with the arrival of the big-money skiing parties and the accessibility of higher and more challenging mountain ranges in Asia and South America, Zermatt still attracts the Alpinists in summer. The Matterhorn’s most accessible ridge, first climbed by the Englishman Edward Whymper in 1865 in a tragic expedition that involved the death of four of its members and which cemented the mountain’s ominous reputation, is now more accessible. With the help of fixed ropes, a carefully mapped route, and modern equipment,

hundreds of people climb it every year. But its other aspects, and in particular its vertical North Face, remain a monumental challenge, as do a number of the 30 other 4000 metre high peaks that surround Zermatt.  Oddly, none of these other peaks, the largest collection of 4000 metre mountains in the Alps, are available as the train ascends the valley to Zermatt.

The village still bans cars, so train is the only way to arrive. Alight at the train station, in a mini urban sprawl, and you may wonder what the fuss is all about. But take a few paces over towards the river, look up, and there is the Matterhorn, as otherworldly as it ever was, rising to 4478 metres above Switzerland and Italy.

For me there was only one place to stay in Zermatt. The Monte Rosa hotel is the village’s original hotel, built in the 19th century to house those climbing parties, and gently renovated since. Its heart and soul are in Alpinism: the walls are festooned with souvenirs from climbing parties, letters of good wishes from the likes of Winston Churchill to resident climbers, some of them triumphant, some doomed.

The bar is cosy, low-ceilinged, a place to exchange stories about the day’s adventures, although today’s climbers are no longer all gentlemen of the aristocracy and many of them stay in the town’s youth hostel instead. The restaurant is a classic white tablecloth hotel dining room where you dine on the set menu and choose from the array of Swiss wines on the list, including some very interesting Pinot Noirs from the east of the country, and, my personal favourites, some rich, spicy satisfying single vineyard wines made with the local Cornalin grape in the sunny Swiss Rhone valley nearby.

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Monte Rosa, the home of Alpinism

The Monte Rosa still occupies its original site in the very heart of the village on the square, and the hotel itself attracts carefully limited numbers of tourists come to visit the original home of the Alpinists. Its sister hotel, the Mont Cervin, a couple of hundred metres away, has a large pool, spa and garden that guests can use. The view from our suite was directly to the Matterhorn’s north face, with the village church beside us. And Zermatt, you rapidly learn when you arrive there, is not about lounging about in your hotel: it is about activity. There is a cog railway station opposite the main railway station in the village, and here we boarded a narrow gauge train that inched its way through the village and up through the thick forest on the steep valley sides. So far, Zermatt had remained an enigma, the Matterhorn towering over it, but the vast amphitheatre of mountains that accompany it remaining hidden behind the steep valley sides.

As the Gornergrat train climbed, peaks started to reveal themselves on the opposite side of the valley. Like an animal revealing its sharp teeth, they emerged, pyramidal rock faces rising above the glacier and pricking the sky, and within minutes we were faced with a panorama of jagged edged 4000 metre mountains, from the Weisshorn to Dent Blanche, that climbers the world over come to conquer.

The train’s track rose above the treeline and still we carried on climbing. Another towering series of jagged peaks emerged on our side of the valley, plunging down into scree, valley, and forest. The Gornergrat mountain we were ascending flattened out, the train climbed over a ridge, and suddenly the most spectacular view of all confronted us, a huge series of snowy giants looming at us from directly across the long tongue of a glacier. This was the Monte Rosa, the highest mountain in Switzerland, and its associated peaks.

Emerging, blinking, onto the rock and summer snow patches of Gornergrat, 3100 metres up, we climbed to a rocky viewing point. There was a 360 degree view of peaks higher than 4000 metres, and very little sign of human civilisation.  Below us on one side a near vertical slope dropped to the glacier, where we could just pick out the figures of some climbers tramping their way back from an expedition.

Walking down a little from Gornergrat, trying not to get vertigo, we passed a heavenly mountain lake, surrounded on all sides by wild flowers, in which a rockpool of tadpoles swam, and where an elegant green frog sat sunning itself on a grass patch. The path picked its way through more high meadows of wildflowers, around the ridge, and to the Riffelberg train stop, where we boarded the train home.

On another day we took a lift up the neighbouring mountain, past a little green lake, and strolled down to Findeln, a little hamlet in a sainted position facing the Matterhorn across the valley. We sat on the terrace at the Findlerhof restaurant and enjoyed astonishing food: sashimi with a lime dip; beautifully cooked sea bass; veal in a gentle white wine sauce. The terrace was spacious, wooden and rustic with an astonishing view; the food was perfect urban sophistication. Apparently there are dozens of restaurants like that on Zermatt’s mountains, something the original climbing parties plainly missed.

Pontresina and the Engadine

There is a train that connects Switzerland’s two most famous resorts, Zermatt and St Moritz, directly. The Glacier Express runs several times a day in summer, and while it neither goes through a glacier (although you see plenty) or goes very fast (rather the opposite), the seven hour journey was a great way to kick back, relax and watch central Switzerland proceed slowly past.

Our destination was not St Moritz itself but its chic neighbouring resort of Pontresina, and its flagship hotel, the Kronenhof. Pontresina is a tiny Italian-feeling village on a ledge above the high Engadine valley that cuts through the mountains of eastern Switzerland, near the Austrian and Italian borders. The Kronenhof has a grand courtyard on the village’s main street and a dramatic view across the valley and up towards the glaciers of the Piz Buin.

It was remarkable and rather wonderful to find a hotel of such sophistication so deep in the mountains. The huge indoor pool has been built onto the valley side of the hotel and, surrounded by glass, gives a feeling of flying, with mountains all around. Our suite’s balcony looked down onto forest and up onto glacier, and the jazz bar, again with dramatic views, felt very F. Scott Fitzgerald.

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Pontresina’s flagship hotel, the Kronenhof

The Kronenhof is a big hotel with a panoply of distractions, including one of the region’s finest restaurants (which we have saved for next time), an extremely spacious and throrough kids club, replete with a proper children’s library, and a spa, attached to the pool, so good that it attracts the glitterati from nearby St Moritz all winter. Our room was decked in contemporary Alpine cool, plenty of blond wood, stone and grey, with generous panorama areas to look at the views, and a bathroom squarely aimed at the demanding international traveller.

One morning, leaving the hotel, we took the quaint, twoseater chairlift up through the forest to Alp Languard, a restaurant on a ridge overlooking Pontresina’s valley and the Engadine; another high mountain lunch of extraordinary quality ensued, and a hike up towards the high ridge at the top, which, eventually, defeated us. We took the chairlift down through the forest, amid the scent of pine and wildflowers.  Tea at the Kronenhof involved the magnificent sight of the mountains turning rose, as the sky at this high altitude (the village is at 1800m) turned pink then midnight blue.

Perhaps the most memorable aspect of our stay was the evening we made our way down the 10 minute walk to the bottom of the valley, to be met by a coach and two – two horses pulling an open carriage. The children were thrilled, and the horses made their way up the secret Val Roseg. It is secret because it is a nature reserve, with no cars or even mountain bikes allowed – only horses and hikers. At the end of the high valley loomed a great white dome of a mountain, above the Roseg Glacier, and it was to the edge of this glacier that we made our way, up the enchanted valley, along a river, past a family of marmots, the most elusive of Alpine creatures, who stood to attention as we rode past.

Dinner was at Alp Roseg, another spectacular mountain restaurant with a vast wine list and haute-rustic cuisine, where steak in cafe de paris sauce was consumed with so much gusto you might have thought we, and not the horses, had done the climbing. The journey back in the starlight was equally memorable.

The Waldhaus at Flims

Flims is a resort that has become something of a legend among the snowboarding community. It sits on a very sunny, south facing shelf above the Rhine valley, in eastern Switzerland, halfway between Pontresina and Zurich.  On the forested plateau adjoining Flims, in its own generous grounds, sits the Waldhaus resort, a Victorian-era grand hotel that has been developed and brought up to date.  The grounds are generous enough to incorporate forest, copious lawns, an adventure playground, and a large petting zoo where the children spent amounts of time befriending donkeys, goats and chickens – the animals were so well fed by the hotel that their attempts to feed them usually ended in failure.

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The Waldhaus resort in Flims

The hotel has a glass-encased indoor pool and interconnected outdoor pool, and, next to it, a natural swimming pool where you can swim in non-chlorinated water among frogs and small fish.

We enjoyed a memorable cocktail and canapes on the terrace of the pavillion one evening as the sun set over the mountains opposite, and a very sophisticated meal at one of the hotel’s fine dining restaurants, Rotonde, with its floor to ceiling windows looking onto the forest; those in search of even higher cuisine can venture to Epoca, which has 17 Gault Millau points.

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A trip on a chairlift took us to the Berghaus Naraus, a restaurant on a south-facing ledge with sweeping views and an excellent line in barley soup and air-dried beef – and yet another quite astonishing wine list, which we resisted, it being lunchtime. Instead

we saved ourselves for dinner at the Arena Kitchen Flims, a cool, urban bar,

club and restaurant that could have been in Vermont or Colorado, in the city centre. It was quiet in summer, but you could imagine the teeming hordes in the ski season.

And that, I think, is the way I like it: clean sunshine, pure air, astonishing views, focussed cuisine, excellent service, Europe’s best hotels, and no teeming hordes. I’ll be back to Switzerland in summer.

Beau Rivage Palace: brp.ch

Gstaad Palace: palace.ch

Monte Rosa: monterosazermatt.ch

Grand Hotel Kronenhof: kronenhof.com

Waldhaus Flims: waldhaus-flims.ch

The best way to travel around Switzerland is by train. See swissrailways.com for details

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Reading time: 21 min
Hutong, fiery food, fiery views

Hutong, fiery food, fiery views

In which our Editor-in-Chief travels from a neo-Mongolian skyscraping culinary landmark in Hong Kong to a 17th century tithe barn in Hampshire, and points between

Arriving in Hong Kong from London in the early evening, being whisked to my hotel and being checked in in-room, the call of mild has never been more powerful. A thorough room service menu, ranging from Cantonese to club sandwich, the assurance of brisk service and a half-bottle of 2009 Sauzet Puligny-Montrachet, a view from the sofa across to Kowloon, and a four-day schedule of meetings starting with no respect to jet-lag at eight the following morning: why would you venture out of your luxury hotel room?

Because… well, just because a friend who owns a tour operator had told me the Star Ferry to Kowloon is the best introductory experience to Hong Kong, and because otherwise the city would be viewed for the first time through the rose-tinted spectacles of dinners, lunches and parties with friends.

And so with pockets jangling with change for the ferry ticket machine, and the hotel doorman’s slightly perplexed ministrations that it would be much more convenient for me to take a taxi to Kowloon, uncomprehending of the fact that the journey was the destination, I headed through the tropical rain, along a latticework of walkways, past hurrying locals and the odd sauntering tourist, and took my place on a seat by the window. The churning journey across the few hundred metres to Kowloon plunges you into a valley of sea between mountain ranges of human endeavour and show, the edifices on either side; and then you are in Kowloon, and ducking into the lobby of an office skyscraper just before the downpour starts again.

Strange for a Westerner to travel to an acclaimed restaurant in the lift of an office building, but exit on the 28th floor and this is the world of Hutong, a sort of Inner Mongolian gastronomic temple (I later learned that it is designed to mimic Ancient Peking) complete with contemporary bar and ravishing guests. I sat at a table by the floor-to-ceiling window and gazed at the jumble of skyscrapers, each bigger than the last, spreading up and across and out, of Central, Hong Kong, obscured sometimes for seconds by drifting low clouds of the storm and then switched on again as the sky cleared. I toasted the view with a half-litre of draft Veltins, one of German’s finest, most aromatic lagers served icecold and surprising at Hutong. The cuisine is a meld of northern Chinese with whatever else they wish to serve, and my beef fillet with Sichuan chillis was edgy, precise and focussed.

The following evening I was taken by a friend to his new(-ish) restaurant, The Principal, in Wan Chai, a formerly sleazy, now rapidly yuppifying, area along the seafront that mixes massage parlours and ultra-cool shops in roughly equal measure. The Principal is unusual for Hong Kong, I was told, in that its entrance is on street level, which makes it very usual for where I come from. You walk through a gleaming bar area and into a restaurant room that is pared back, minimalist contemporary chic. The menu is Australian in its imagination, and quite contemporary London in its simplicity. The signature starter of baby beet, yoghurt, black quinoa and micro herbs was a quadratic equation of flavours with a very complete resolution; saltbush tenderloin of lamb with sweetbreads, aubergine, chickpeas and Moroccan ras-el-hanout was not North African so much as mid-Indian Ocean, and perplexing and delightful. My friend also owns a wine business, so the Wine Atlas, with picks of the most interesting wines from around the world, was very compelling. This sort of laid-back glamour is the new Hong Kong style, apparently, and London could rather do with some of its own.

The Principal, a culinary highlight in Hong Kong’s cool Wan Chai area

The Principal, a culinary highlight in Hong Kong’s cool Wan Chai area

Business finished at lunchtime on the last day in Hong Kong, a Sunday, so a friend who runs an auction house and I wandered down at teatime to the Captain’s Bar, a legendary institution in Central, the heart of town. In a part of the world where high floors and astronomical views are de rigueur for bars, it was arresting to be in a windowless space on a ground floor, an L-shape punctuated by glass tableaux of a chess game, low banquettes, and private jet set businesspeople of no fixed abode muttering deals to each other.

This is one of Asia’s most celebrated cocktail bars, but with a 12-hour flight ahead we weren’t in the mood for cocktails, instead finding solace in the metal tankards of extremely cold, perfectly headed Asahi lager. As the Germans and Belgians – and evidently the Hong Kongers – know, beer benefits from being served correctly as much as any wine appreciates its appropriate Riedel stemware. I had never had lager in a metal tankard before, but after two, we agreed that your own personalised, engraved tankard at the Captain’s Bar was an essential item for any gentleman of the world. My friend had auctioned off two of these for charity a year or two before, but sadly they are no longer available, so I left Hong Kong with a slight sense of yearning.

Frank Gehry-designed fish on the seafront at the Hotel Arts, Barcelona

Frank Gehry-designed fish on the seafront at the Hotel Arts, Barcelona

I have wanted to visit the Hotel Arts in Barcelona for more than a decade, but despite a number of trips to the city, never quite managed to make it. Back in 1998, the world, or Europe in any case, had seen nothing like it: a new build skyscraper devoted to showing off artworks to its guests, more six-star than five. In a city as earthy as Barcelona, it is a strange and rather liberating feeling to be hoisted 20 floors into the sky and survey the scene from above, Asian-style. My room was a paragon of contemporary comfort: silence, a perfectly-sprung bed, a bathroom with the glass walls that are essential parts of a hotel designer’s repertoire now (affording more physical space as well as a feeling of it). And if you tire of Barcelona’s rather impressive (for a big city) public beach on the doorstep, you can view what is probably Spain’s finest overall collection of contemporary art or retire to the hotel’s own pool, stretched out just below the landmark Frank Gehry fish sculpture, which could be said to have kickstarted the whole contemporary design trend in northern Spain. The pool’s architecture is such that it reminded me rather of the Villa d’Este’s pool on Lake Como, famously floating in the lake on its own pontoon, even though the Arts’ pool is very much on dry land.

Without wishing to belittle the hotel’s art offering, which is compelling and makes a stay rather like staying in a contemporary museum, my highlight was art of a different form, in the restaurant Arola. This is food with wit, taste and just enough conception: cod esqueixada with tomato pearls, very particular patatas bravas, sea cucumbers and razor clams with kalix (which reminded me of samphire) were wonderful and not overdone. The artistry of the form of the dishes was matched by their culinary execution; here is another example of modern Catalan cuisine taking its inspiration from Ferran Adrià’s now departed El Bulli but painting with its own palette, so to speak. And one of the most refreshing factors was its informality: Arola is conceived as a modern take on a tapas bar, so the service was swift and down-to-earth, not remote and Michelenic.

Home territory this summer featured a tour of the ancient hillsides of the Cotswolds, and a delve further south. I was struck a few years back when a friend who owns some of the coolest hotels in the world told me he considered Barnsley House as his favoured retreat in the now-ultra-fashionable hillsides and wooded folds between Oxford and Gloucester. England has recently been host to a number of spectacular country hotel openings, and I went expecting a grand super-Cotswold resort, only to be greeted by a bijou little property, all higgledy rooms and hidden staircases, tastefully refreshed in a contemporary style.

Our suite was in a former stable, approached along stepping stones in its own private garden – very St Tropez and perfect for a shy rock star making an escape with the wrong person’s girlfriend, in its seclusion. Inside the palette was light and contemporary, an offset to the building’s history. It was all very refreshing, although the garden and private water area could perhaps have been more organic, more easy on the eye. For those who want country without Country Life, Barnsley House is probably a perfect weekend stop.

As traditional and cosy as Barnsley House is New Gen Chic, Woodstock’s Feathers hasn’t changed much, barring the required investment in keeping everything up to date, since I used to escape there on Sunday evenings with friends while a student at Oxford in the late 1980s. This establishment fixture can accurately claim to be the Gateway to the Cotswolds; it is also on the doorstep of my favourite stately home in the area, Blenheim Palace.

The Feathers has been nurtured lovingly into the modern era, not jolted into it: fabrics and warm and autumnal, grandfather clocks still stand, history is alive, but there is a lack of fust and fuss. There is a feeling of cosiness, enhanced by the enclosed (in the best possible way) nature of its 17th century buildings. Service is friendly and country, not town, and you get the feeling that a gin and tonic, rather than a raspberry Martini, will be the favoured drink here for a century to come – although naturally they will serve you both.

Fifty kilometres is a distance that means nothing in China (unless you’re breaching the border between Hong Kong’s Special Administrative Region and China proper). In England, it takes you to a different part of the country, as a foray to Norton Park from the Cotswolds attested. Steep rolling hills are replaced by broad downs and open plains, and Norton Park makes the most of these views and its wonderful and vast 17th century tithe barn. Here is a new-style country hotel of a different perspective; the simple, well-sourced and thoughtfully cooked country cuisine tells the tale of a country whose culinary history has been jolted out of a shameful past in just the last 10 years.

Norton Park’s new building is removed by some ancient woodland from its original manor house, where we found snug ceilings, secret passages, and a lawn leading to a duckpond and an overgrown copse; ancient meeting modern.

Darius Sanai is Editor-in-Chief of Condé Nast Contract Publishing

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Reading time: 9 min
A golden glen enroute to the Lodge

A golden glen enroute to the Lodge

When your everyday car is a Rolls Royce Phantom and your back garden stretches over thousands of hectares, a drive between your properties in something completely different has its own sort of appeal. Dr Sin Chai, a Scottish-based entrepreneur, makes a tour of some of the most spectacular scenery in the Scottish Highlands in the Mercedes- Benz SLS AMG Roadster

A good friend and I try to do this at least twice a year: a road trip somewhere interesting in a ‘nice’ car. We both own a few of these, but this year we were presented with an interesting option: a Mercedes-Benz SLS AMG Roadster, the most expensive model in their portfolio and a rival for some supercars we are rather familiar with.

The next question was, where to go. We have done most wine producing regions, and then one day it hit us: the obvious answer had been there all the time. Scotland has some of the best driving roads in the world, and it’s also where I happen to live and where my company happens to have a few hotels.

The car was delivered to The Atholl, our latest hotel and Edinburgh’s most exclusive, at 9:00 am on a weekday morning. The first thing I noticed was that it was holding up the morning human traffic on the pavement very seriously. Foot traffic in Edinburgh has been considerably disrupted by the tram works, and pavements have been diverted and traffic rechanneled. People (mostly men) were slowing down and taking a second look. Whilst leaning on the car, I made the most of it; nonchalant, sunglasses on, trying to look ordinary.

It felt rather well-placed to The Atholl: a car you could arrive in, park, and then stroll into your private whisky-tasting room (we have whiskies that nobody else does) or sample some first growths and cheese from your in-room cabinet while soaking in a hot tub on your terrace.

The SLS is powered by a 6.3 litre engine handbuilt by AMG. Most cars of this caliber give out a growl whenever the accelerator pedal is touched. The SLS noise was much more civilized, a controlled purr, indicating there is plenty of reserve. It was a different pitch, more like a jet engine, and again it was turning heads as soon as we started burbling down the streets. My friend drove first, and on the open road he put it to the test. In short bursts the acceleration was phenomenal. As soon as his foot was off the pedal, the car abruptly decelerated, obviously gearing down, ready for the next surge. The driver was completely in control, and so I felt safe as the passenger. Is this what Formula 1 driving is like? Will have to ask Jenson or Lewis.

The Mercedes-Benz SLS AMG roadster

The Mercedes-Benz SLS AMG roadster

I am a more sedate driver than my friend, but I felt it was my duty to do the needful, since I was going to have to write about it. At slow speeds (70mph, legal) it felt comfortable, just like a luxury marque. It really came into its own when cornering at high speed. Twisty Scottish mountain roads are very testing, and Scottish winters are not kind to tarmac: cracked surfaces remain so all summer. Even on what the government euphemistically calls “uneven surface” (read potholes), the SLS was stable, and did not bounce around. And it shot out of corners like a rocket.

Alladale Wilderness Lodge

Alladale Wilderness Lodge

We made it, hair tousled by the wind, to Alladale, our other new hotel. Alladale Wilderness Lodge is a 23,000 acre estate in the remotest part of Scotland, the Northwest Highlands of Sutherland. Up here, you are more likely to bump into a European bison, moose, Scottish wildcat or a wild boar than a supercar, or indeed any car. Our Land Rover Defenders are rather more suited to the terrain there, but the SLS was happy ambling up the single-track lanes on the approach.

I was sad to let go of the car after two days of bliss. The very competent top opening mechanism (with the top open, at speeds over 50mph, rain is deflected by the very clever design and you don’t get wet!), the little warning flashes in the wing mirrors whenever a car (or a Highland cow!) sneaks up in the blind spots, all these made the SLS special. The superb handling one just took for granted.

Dr Sin Chai is chairman of ICMI and is not a racing driver; icmi.co.u

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Epic Tomato’s Iceland trip

Epic Tomato’s Iceland trip

Travelling to the earth’s wildest places has obsessed humans for centuries. The difference is that now, we can do it in style and little risk, as Darius Sanai explains

To travel to the ends of the earth. It’s a metaphorical concept these days, but one that has inspired travellers from Livingstone to Scott. Many of us would like to think of ourselves as modern-day explorers, setting foot where no man or woman has gone before, and there are a surprising number of experiences that can take you very close to this goal.

Staying in a mountain village in Papua New Guinea, or trekking across the Antarctic, may not be replete with the kinds of danger Stanley faced in Africa or Scott in the South Pole, but it’s certainly a change from the office grind, yacht or private jet, however privileged your lifestyle. And a new generation of travel companies has emerged to assist clients with just such demands.

Antartica exploration from Abercrombie & Kent

Antartica exploration from Abercrombie & Kent

It’s about far more than barefoot chic. “One of our clients, who is on the Forbes Billionaires list, comes from a very humble background,” says one travel company insider. “He wanted to show his children that the world is very different from their Chelsea house and Nikki Beach holidays. He asked us to organise a three month tour through South America, including being left on an Amazon tributary for a week with just the supplies on their back. They had no satellite phone, nothing: if they’d gotten ill or lost, they would have died. But they didn’t; and they had the time of their lives.” They also spent time in mountain villages in Peru where very few Westerners had gone before. Some may decry such journeys as “human safaris”, but how better to learn about the world? And if it is done with humility and empathy, there is no reason why all three sides – the traveller, the locals, and the travel company – can’t benefit.

Going over the edge with Epic Tomato’s first Guyana and Venezuela adventure

Going over the edge with Epic Tomato’s first Guyana and Venezuela adventure

One of the companies at the forefront of this style of travel is the London and New York-based outfit Black Tomato, which has recently launched an even more extreme offshoot, Epic Tomato.

“To me Epic Tomato is about meeting the needs of an experience-hungry person who wants to be challenged and get more than the easily accessible,” says Tom Marchant, the company’s young founder and CEO. “They may have the yacht, the plane and the island but to summit a never-beenclimbed mountain, or trek through jungle that no western traveller has ever set foot in, is something truly unique. “To me it is also a modern definition of luxury. Luxury these days is about providing rare access and extremely personalised services to an individual and dropping off the grid to go somewhere where few others or no one has been before is the embodiment of that.”

They may have the yacht, the plane and the island but to summit a never-been-climbed mountain, or trek through jungle that no western traveller has ever set foot in, is something truly unique

Another player in the adventure travel field is the global travel company Abercrombie & Kent. Says their UK Managing Director Justin Wateridge: “Our clients have the curiosity and confidence to learn more of the astounding diversity of this planet. Travel gives them so much – experience, empathy, perspective, understanding and such vivid memories. They come to us for inspiration. We listen to their brief and deliver an experience that is tailor-made to their needs.”

The great Victorian-era travellers were criticised in some quarters as selfish, for leaving their families and seeking personal gain from their experiences. We can be just as selfish; the difference is, we can do it with our families, and with rather less risk to life and limb. These pages are a celebration of the enduring human passion for adventure travel.

Hunting in the jungles of Guyana

Hunting in the jungles of Guyana

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