Car driving in front of a cliff
Car driving in front of a cliff

The new BMW XM is the first high-performance car from BMW M GmbH with an electrified drive system

BMW’s sporting flagship promises to be the best of its luxury SUV division, combined with the best of its racy M division. Does it deliver?

Many large SUVs are dramatically imposing, aggressive vehicles that look like they are as likely to declare war on Mars as get you to your destination. Which is fine if you are a certain type of person or in a certain mood. But not always.

The BMW XM is certainly a large SUV. It is also a kind of flagship of the company’s range, combining, in an adaptation of their own words, the best of its SUV division (X) with the best of its sports division (M).

It doesn’t need a racing driver to tell you that a huge, tall wide vehicle is not necessarily best suited to a racing purpose; and nor is a racing car mush suited to carrying several people wearing Etro and Patek Philippe and Off White around in comfort.

But in the manner of an athletic rugby forward, or a centre back, the XM carries off that blend of athleticism and muscle.

car inside

Unique exterior design twinned with luxurious interior that showcases the ‘M Lounge’ concept

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What is particularly interesting about the car is that while it looks dramatic and striking, it manages not to look aggressive. Perhaps because of its hybrid nature, it gives off an element of futuristic electric vibe.

It’s also great fun to drive, even in town. BMW have somehow managed to endow it with responsive steering, and very flat cornering, it feels astonishingly agile for a car the size of a small hotel. Like all hybrids, it is very relaxing to drive an electric mode, and when the engine kicks in, you get an overlay of sound.

The nature of the sound divided our passengers: Some thought it sounded cool and racy, others said that such a sophisticated looking car should be seen and felt rather than heard. It’s not as noisy as a Lamborghini SUV, but it’s much louder than a Bentley Bentayga or Rolls-Royce Cullinan. Happy medium or compromise? Probably in the eye of the beholder.

Read more: Porsche 911 Carrera GTS Review

What sure is that this is a magnificent long-distance vehicle. Back seat passengers get smart, detachable branded leather cushions. (even the plug-in charging cables in the boot/trunk are housed in a rather striking leather overnight bag), there is masses of legroom and a feeling of a huge amount of space and light in the car, and also that the rear seats are well designed, unlike in some of these vehicles where you end up sitting very upright. A journey between London and Oxford was devoured in one gulp without anybody noticing the in between.

Speaking of gulps, in the past an SUV of this size would have been planet-wearingly thirsty, but due to its engine efficiency and electrical assistance, the XM is remarkably frugal – more so than many cars half its size and power.

Car driving on a cliff

The high-performance Sports Activity Vehicle (SAV) is powered by a newly developed plug-in hybrid system delivering 653hp and 800Nm of torque

Criticisms? Apart from the size, which you have to be able to deal with f you are buying a car like this, the entertaining and sporty nature of the driving experience means that the ride is quite firm. Don’t expect a limousine here – for that you should look at this car’s I7 sibling. But if you can live with that, this is quite the car.

www.bmw.com

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Curator Angeliki Kim Perfetti has created a supercar-themed exhibition to match the celebrated vehicles at Kiklo Spaces, outside London. She writes for LUX of her inspirations to bring high quality art to a revered location for motoring enthusiasts

text with light installation

The exhibition features artworks by Ed Ruscha, Polly Morgan, Johan Deckmann and Nancy Cadogan among others, interspersed with some classic supercars of the last four decades

Love is a language that we all speak, and here within the exhibition di nome e di fatto:
LOVE /𝐥ʌ𝐯/, brings together an infinite collection of references to art history, visual culture and contemporary storytelling that is reflecting on and relating to the many topics of love.

red graphic text painting

Love runs through the exhibition as a fil rouge and presents eleven artists who are united in their diversity and their works forms a presentation of text, abstraction, light, figure, colour, and form.

Ultimately, LOVE /𝐥ʌ𝐯/ is a dynamic feel-good exhibition featuring an eclectic group of artists. Who are working across a variety of media from sculpture, traditional work on canvas, photography, light installation to mirror, whilst exploring the many topics of love.

Juliette Loughran, founder of Loughran Gallery, said, “We wanted to start the year on a high, uniting audiences and artists with the most powerful human emotion of all.

Love drives everything we do and this exhibition will explore its significance in art history with Dynamisk founder Angeliki Kim Perfetti, in the first of what we hope will be many collaborations.”

car in art gallery

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LOVE /lʌv/ runs 4 March – 31 May 2024 at Loughran Gallery

See More: loughrangallery.co.uk

Angeliki Kim Perfetti is the Founder of Dynamisk, Independent Curation and Art Advisory

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Reading time: 1 min
A grey car in the mountains with snow
A grey car in the mountains with snow

The Audi TT RS is the last of a line of iconic sports cars

We review the last, and most high-performance, iteration of a German design classic. Will it live up to its iconic status among motoring aficionados?

It is likely that at sometime in the midterm future, the vision of our tech rulers in Silicon Valley will come true and cars with a longer be personalised transportation, but rather another form of public transport. Your self-driving electric car will not be yours at all, but will arrive and take you to your destination, before moving on to someone else. No more streets lined with parked cars: cars will be in constant use.

There are obvious attractions to this concept, but one negative is the lack of ownership. As well as being a piece of property, a car has always been a statement about the kind of person you are. Are you functional, flashy, flamboyant, drab?

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A car has also always been a signifier of class, whether or not we want it to be. Some manufacturers’ products were aligned with the working classes (or “masses“ as Karl Marx put it). Other brands, not necessarily more expensive, might suggest you are an architect, a designer, an intellectual.

All of that will stop when our new future comes into play, just as a collection of LP records as a signifier of what kind of taste you have is irrelevant in the era of music streaming.

Which takes us to the Audi TT. Like its little cousin the VW Golf, it’s one of those cars that cross class, income and demographic boundaries. When it was first produced in the 1990s, it was an instant design classic, gathering crowds on the street, despite the fact that it was far cheaper than flashy supercars: the TT is a mid market machine accessible to most of the world is mass affluent. It was the way it looked, inside and outside, that set it apart.

The model has gone through several iterations since then, and is perhaps less of an icon than it once was, Still, it carries a vaguely universal aura. It’s a car that could be driven by a graphic designer, an influencer, or a car enthusiast – a confluence very few, if any, other cars can boast of.

But the sad news is that, technology and the world going the way they are, this will be the last iteration of this modern classic. The TT has always been known a little more for its looks and panache than for its driving brilliance, so we wondered what to expect when stepping into the most driver-focused model, the TT RS. Would it be a poor relation to the excellent range of sports cars that are available at this mid price point?

It certainly feels like a sports car to sit in, seats holding you tight, with a cool, driver focused dashboard, and interior. The engine sounds suitably responsive and growly, like a child making engine noises (something that will soon be a thing of the past).

A steering wheel and car interior in black leather

The TT RS has a snug, driver-focussed interior, perfect for two people

The positive experience continues as you set off down the road and go round the first corner. The steering feels chunky, muscular, and responsive all at the same time. Many cars these days have swapped that type of sensation for the ease of lightness, so you can drive with one finger. Not so this one. Keep your hands on the wheel, you feel exactly where you are aiming at, and it goes there.

The Audi TT RS has four-wheel-drive, which means that when you start becoming more enthusiastic, it sticks to the road, even if it is damp or slippery. However, the flipside compared to its rear wheel drive rivals is that its cornering is just a little bit less agile, more surefooted, but, or an empty road, less thrilling. So, more sensation at slow speeds due to the excellent steering, But less joy when really pushing on due to its bias towards safety. And that may suit many, on the crowded road spaces of today.

Read more: McLaren 720S Roadster Review

It’s a fast car also, and feels it, zipping up and down through the gears, with a highly efficient gearbox which you can take joy in snapping up and down with the steering-column mounted paddles, Otherwise it changes gears rapidly and efficiently for you, with no shortage of sensation – again, something that is being sacrificed on the altar of ease and efficiency otherwise.

Unlike some of its sports car competitors, there are even small back seats in the coupe version that we drive – the sharp looking convertible version does without these sadly.

Are we saying that the final iteration of the Audi TT, a reference point for contemporary design in cars, is actually a little old-fashioned? Possibly, and we think it is all the better for it. It looks cool without looking showy, it’s compact, speedy, and fun. There are better cars of its price point if you want to go on a race track or spend your time on perfect country roads all the time, but the TT RS has a charm and focus all of its own, and is a delight to drive around town as well. And it still looks cool.

Find out more: audi.co.uk

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Reading time: 4 min
Gold sports car parked in the desert
Gold sports car parked in the desert

A perfectionist car that offers precision engineering, precision steering and immense speed

Darius Sanai sets off in a McLaren that promises both rawness and refinement

Anyone buying a car like this is likely to have a number of other cars – and even other McLarens – in their stable. Perhaps they have a couple in every home, or a selection of variants of the breed in a country garage. This also means that, more likely than not, a car such as this will only see occasional use. There will be many other cars, some just for fun, others to carry out rather more mundane activities.

So the motivation for buying such a car can often come from the particular emotions that the knowledge of ownership and the driving experience – however fleeting – offers. Some supercars are all about flamboyance; others are about emotions and actions, or at least claim to be.

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In a couple of days of driving the 720S, it soon becomes clear what any owner will fall in love with about this car. Precision. The precision is there as soon as you turn the wheel, with the steering having a focused, perfectly weighted, granular feel superior to that of any of its rivals. Precision engineering is there also in its ability to smooth our bumps, which in many of its competitors are sharply transmitted to both driver and passenger.

This all translates to a feeling, when driving fast on good roads, that you are piloting a piece of exactitude that you could place to the nearest millimetre on the road, and which will respond with exactly as much performance as you need, according to how you bend your right ankle.

brown leather seats in a car with a window above the seats to see the sky

The elegantly understated interior of the McLaren 720S Roadster

Cornering in the McLaren is flat and low, but with a real sense of being connected to the road. It is not exactly raw, as there is much too much refinement and evident engineering to hand. But it is also far from being remote or too light to steer, like some competitors.

Anyone who has met McLaren’s modern founding father, Ron Dennis, will see his DNA in this car: it is in a pursuit of perfection that brooks no compromise. And that perfection is not just reflected in its performance and abilities; it is there in the comfort and refinement of a car that has every reason to have neither. Oh, and this is very, very fast – even at five times the price, a seven-figure hypercar would have difficulty shaking off a 720S.

We liked the interior, which is rather on the understated side for this type of car. It is efficient and swathed in the fake suede that high-performance car manufacturers seem to love. It is distinctive without being flamboyant in the low, quite central, seating positions – this is not a car in which you would take a passenger you dislike.

Read more: Porsche Reviews Series: 718 Cayman GTS and 718 Boxster GTS 

One question we always ask about supercars concern their looks: how crazy, or otherwise, should they be? Here, McLaren has chosen to sit firmly in the middle between the sometimes rather understated recent creations of Ferrari, and the wild-looking cars of Lamborghini.

The 720S is currently being replaced by an updated model, so, if it matters to you, you may be able to get quite a good deal on this one. It is still one of the fastest cars anywhere on the road. And, as a pinnacle of car engineering, it is a must for any collection of normal production (as opposed to limited-edition) supercars.

LUX Rating: 19/20. A contemporary classic.

mclaren.com

This article first appeared in the Autumn/Winter 2023/24 issue of LUX

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A green Porsche parked on a countryside road
A green Porsche parked on a countryside road

The Porsche 718 Cayman GTS’ mid-engine layout offers distinct handling characteristics and balance compared to other GTS models

In the second of our series on Porsche, a company with a unique place in the automotive canon, we focus on two of its mid-market cars, the 718 Cayman GTS and 718 Boxster GTS, driver-focussed versions of the company’s acclaimed entry-level two seaters. We review them as part of our series, a tribute to a brand which is synonymous with German engineering and carries with it a geeky spirit that appeals to those who might collect mechanical watches

Part two Porsche 718 Cayman GTS and 718 Boxster GTS

The 718 Cayman is a closed-roof two seater car, which in the first few years of its existence was seen as the car you would buy if you couldn’t afford the more upmarket 911 model.

For the moment we got into this car, there was no doubt that we were in something quite special in its own right.

Unlike many fast cars of today, the 718 feels small and lightweight. The controls are also light, including the steering, and – wonderfully – the manual gearstick, which is lined, like much of the interior, in Alcantara, a suede-like material that imparts extra sportiness to the company’s GTS models.

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Porsche could have done what Ferrari did 15 years ago, and banished the manual gearbox to the history books. Automatics, controlled through paddles on the steering column, are much faster and more technologically advanced. No serious racing driver today drives a manual on a racetrack.

And yet many of the heroic drivers in F1 history and those who drive manual shift cars. A gearstick gives you an extra sense of connection and control which is lacking when you know the car can do the work for you, even if you are shifting manually with paddles.

The gearshift in the 718 is light and easy to negotiate. combined with a relatively light clutch pedal with a clear bite point, it means that even in town, this is a car that you don’t mind driving and changing the gears yourself.

Out on a country road, it becomes a delight, as you can balance the agile steering, the willing engine and the gearshift – not just in order to go fast (a Tesla could do that), to feel like you are with a dance partner – your car.

Black interiors of the gear shift and wheel inside a Porsche

The interior of the 718 models are fully geared towards enjoyment and comfort for the driver

The engine also has a serious part to play here. Most new cars, if they are not electric or hybrid, are turbocharged, which increases both power and efficiency. But turbo engines by nature tend lack that dramatic buildup of power and noise as the revs rise.

So combine a manual gearbox with a non-turbo charged engine along with the 718’s delicacy of handing, and you get a car that you can keep discovering with joy, because as a particular curve taken at 45 mph feels different to the same curve taken at 50 mph, or at 40 mph in a different gear, in terms of the responsiveness of the car. There is so much to discover.

The interior is comfortable, but also as compact as you might expect for a car seating only two. Plenty of room for you, but don’t expect to take five incidental bags into the cabin with you. On the plus side, it does have a boot (trunk) both in the front and the back of the car with a surprisingly positive amount of total space, as long as you are happy to travel with numerous small bags rather than a big suitcase.

Do we have any criticisms? Not really. Perhaps the only thing we felt is that Porsche’s engineering is too brilliant, and the engineers had restrained themselves from making this car the real monster it could be. It could be louder, faster, and have even more clarity and precision and sharpness – and danger – in his handling. But then it would be a racing version of the car, and that’s a different type of Porsche all together. Meanwhile, bravo Porsche for making what is close to the perfect sports car at a price that is a positive bargain.

A red Porsche parked on the side of a road next to a field

The Porsche Boxster 718 GTS is targeted towards enthusiasts and drivers seeking a pure and engaging sports car experience with the added enjoyment of open-top driving

Closely related to the 718 Cayman is the GTS edition of the Porsche Boxster. These open and closed cars share the same excellent engine, and the interiors are very similar although our Boxster had two crucial differences: automatic gear shift, in the form of Porsche’s PDK transmission, which allows you also to shift via paddles located on the steering column, and a roof that opens to turn the car into a convertible.

The Boxster is very lively and agile, but a touch, less sharp, a little more laid-back than its closed-roof sibling. That doesn’t mean it’s less fun, because it’s so easy to lower the roof, and enjoy the smells, sights and sounds of driving in the open air. Many convertibles these days, including those offered by Ferrari, feel semi enclosed due to the architecture of the car. This feels like a full, old-fashioned convertible. Delightful.

A birds eve view of a red convertible Porsche

The Boxster’s open-top design and mid-engine layout contribute to its unique driving dynamics and handling characteristics

You would, in fact, be perfectly justified in having both: the Boxster for when you want to have fun in good weather, and on roads were, you won’t be expecting the ultimate drive. And the 718 when you know the driving has huge potential.

Read more: Porsche 911 Carrera GTS Review

Both have a likeness, and a joy about them, feeling of supercity brought on by very sophisticated engineering that hides its light smartly. They are not cheap alternatives to a more expensive 911: they are different types of car, two seats only adventure. They are both a delight.

Find out more:

porsche.com/718-cayman-gts

porsche.com/718-boxster-gts

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Reading time: 5 min
A green convertible car from above with brown leather seats
A green convertible car from above with brown leather seats

The Mercedes AMG SL 43 is a technically innovative entry-level model of the newly developed roadster icon

For decades, owning a Mercedes-Benz SL has symbolised understated wealth and style. How does the newest model, with a racier intent than its more laid-back ancestors, stack up?

To the car enthusiasts, particularly those of a certain age, the idea of a Mercedes SL conjures up images of stylish luxurious open-top motoring with a sporty edge.

To those of even older vintages, it will conjure up images of something even more glamorous, as the original SL (the words then stood for Sport Light) was the car in which the British racing driver Stirling Moss won the dauntingly challenging Mille Miglia road race back in 1955.

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The model has evolved through many generations since then: in the 1960s, it turned into a car known as the “pagoda“, losing its sportiness but gaining even more beauty.

Its 1970s and 80s iteration was a luxury cruiser, still open topped, but more in use by the housewives of Beverly Hills than any racing driver.

New iterations came in the 90s (luxurious and advanced), and 2000s (with some high performance options available again).

Times change, we pondered while contemplating the newest SL. Our one was presented in bright yellow, its tube-like shape suggesting an extreme sportiness not hinted at since the very first iteration of the car. Inside, it’s snug and driver focused, although unlike the last generations, this car does also have two small back seats in which to cram your designer children, dogs or bags. (Although we think SL customers would send their children separately with the nanny in the Cayenne).

Brown leather interiors inside a car

The Mercedes-AMG SL 43 of the R 232 series is based on a completely new vehicle architecture developed by Mercedes-AMG. The new dimensional concept allows a 2+2 seating configuration for the first time since 1989

Our first zip down the the road confirmed that these racy intentions are carried through to the handling of the car itself: this is a sports car, or it wants to be anyway – in the way of the old-fashioned, longnosed, louche roadsters of the 20th century.

Then, a first trip down the highway confirmed that this car still does what the SL is supposed to do, excellently. It settles into a cruise, nose lifting ever so slightly when you accelerate, and feels like it would be delighted to take you all the way to Portofino in a single journey. In a way that slightly belies its rapid responses at low speeds, it is a very settled and comfortable grand tourer with more refinement than rival sporting cars, such as the Porsche 911 or various Aston Martins.

Read more: Porsche 911 Carrera GTS Review

Once you get to Portofino, Tuscany, or wherever your destination is, you will want to enjoy twisting down some country roads with the roof down. Here, the SL is always willing with its responsive steering, and always fun, although it doesn’t have the ultimate sports car balance or ability to deal with rapid changes of road surface and direction with the lightness of its rivals. It can also be a little bit bouncy on a bad road surface, a trade-off, perhaps, for that handling ability. It certainly feels like it has more sporting attitude than its predecessors.

Live with the car, and you get to understand its versatility: this is not an SL reinvented as a pure sports car (as that would see it lose its languid soul), it is a car that is happy with its heritage and has decided to become something of an athlete late in its life. Great fun.

Find out more: mercedes-amg.com/mercedes-amg-sl-43

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A white car by a shed in a forest
A white car by a lake at sunset

The EQS SUV is a stylish creation by Mercedes chief designer Gorden Wagener, with none of the brashness of some rivals

Mercedes-Benz has made an electric luxury SUV quite unlike any other, and we love it

One of the fears of anyone who has been appreciative of high end automobiles the last years or decades is that electric cars, while having zero tailpipe emissions (although they still do have a carbon and environmental cost in their manufacture and sourcing of electricity) will lack an essential character.

When every car is electric, this argument goes, they will all essentially be more or less the same thing with a different brand attached – accentuated by the fact that electric vehicles also have advanced and highly developing technological interfaces, which are largely sourced from the same suppliers, like all digital technology.

We remember speaking about these matters with the legendary Mercedes-Benz designer, Gorden Wagener, a few years back; Gorden insisted that there would be as much differentiation in the design and feel of Mercedes’ electric vehicles as there has been in their conventional cars.

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The EQS is a SUV – a type of car usually associated with massive emissions. It is fully electric though, so no worries on that front, at least during its daily use. It also achieves a remarkable goal of being very big SUV that does not look either aggressive or lumpen. It is smoothly designed and seems to shrink on the road, meeting no hateful looks from the resentful brigade.

The real revelation, though, is in the way it drives. Many SUVs set out to try to emulate the driving experience of the regular saloon/sedan cousins, something made almost impossible by their high centres of gravity and inherently massive weight – most of them weigh above two tonnes and a luxury SUV can weigh close to three tonnes.

This means that not only can they not drive like sports cars, but the passengers’ experience can also be compromised, with manufacturers left in a hard place between making the ride firm and unyielding (theoretically improving the dynamic qualities) or softer, but then allowing the forces of physics to dictate something that can be quite difficult to stomach in terms of a wallowing feel, particularly in association with the rapid but silent acceleration offered by electric cars.

A black steering wheel and dashboard of a car

The Mercedes-Benz ESQ SUV has a sophisticated and contemporary driver’s environment

That’s where the EQS is unique. Shoot off in the EQS (like all electric cars, it’s fast, although the 450 model we drove is not the fastest), and you have a delicious feeling of being cosseted – this is not a car aimed at setting record track lap times. Passengers felt the same. There is a luxuriant, old school refinement to being on the move in this car: objectively that is down to a ride that absorbs bumps and bits of broken road.

There is huge refinement in terms of what car companies call NVH (noise, vibration and harshness) but also a feeling that the engineers who made this car just really understand what makes a luxury car. Step out of the EQS into any other electric vehicle and you will notice the difference on this front.

So, a point of difference and a significant one given that this is a luxury car.

The technological interface is also sophisticated and easy to use, although this is much less of a differentiator these days. And while the design feels are highly up-to-date, we wonder if Mercedes has gone a little too far or making the interior feel “contemporary“ rather than “luxurious“. It’s as if the engineers did their bit brilliantly in the way the car rides and drives, but the interior designers were a little bit wary of making it look too traditional. Shame, because no major manufacturer does interior luxury like Mercedes. Functionality is for Teslas.

Read more: Porsche Reviews Series: 911 GTS

But the most important element of a car like this is the feeling of quality, and the way it rides and drives. The EQS has one of the best electric mileage ranges of any car – although range is a technology that will constantly improve – and it is a car that you wish to sit back and luxuriate in, whether as a driver at the helm (and it really does feel like a helm, in the best luxury Mercedes, type of way) or passenger. So bravo Mercedes for having the bravery to create something that is truly – we think – what do your clients will want. Next, just add a bit of Palace of Versailles – or even Schöbrunn, if you want to keep it Germanic – to the interior for that ultimate touch of baroque ‘n’ roll.

Find out more: mercedes-benz.co.uk/suv/eqs/

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Reading time: 4 min
A blue car on a road by some trees
A blue car on a road by some trees

The Lexus NX 450 on the road

In the third part of our Great Drives series, Darius Sanai travels, in a Lexus NX 450, from the Lake Zurich, Switzerland to the Tuscany Coast, Italy, ending his trip on a bottle of Masseto 2015

What is the best vehicle for transporting a lot of clothes – the spoils of a visit and meetings in various Italian fashion houses – and a lot of wine – the result of a spontaneous drop by the vineyards of Franciacorta in northern Italy? Sitting comfortably just above the speed limit on the Italian autostrada, cruising carefully while listening to the GreenBiz 350 podcast, we were fairly sure we had the answer in our Lexus. Its full name is the NX 450h+ F Sport, but for our purposes it was the car that could just do everything.

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The interior design of cars is becoming increasingly important as we do more things in them (they are effectively 3D extensions of the internet), and driving becomes more controlled and less of a sport. And here was a car with a truly beautifully designed interior. It was light, high enough off the road to give confidence – you could see everything that needed to be seen, but not so high that you felt domineering or unstable. Controls that needed to be easily touched were within sight and within reach without any fuss. Displays were clear with excellent typography. The air conditioning was a notch above the usual in terms of its ability to separate climate zones. Like any good design, it didn’t shout about itself, and it had grown on us over the previous two weeks.

A blue car next to a mountain and lake

The journey started in a small town near Lake Zurich on the northern side of the Alps. The road rose and became increasingly winding as it made its way towards the mountains we were due to cross, and we wondered briefly if we had chosen the right car. This is a hybrid SUV, efficiently powered by both electric and petrol engines, but it is also a high car, with plenty of ground clearance, excellent for driving across fields. So would it be right for twisting mountain roads?

A beach at sunset

The beach and pine forest at the Riva del Sole hotel, Tuscany

We need not have worried. This new-generation Lexus uses technology to miraculously minimise the amount the car leans when taking corners, a key consideration when driving to the Alps, as you do not want something lurching from one side to the other like an old Range Rover. The Lexus drove flat, smooth and responsive, even over the highest points of the Julier Pass, between north and south Switzerland. Sure, it wasn’t the thrill of racing a sports car to the edge of its abilities on a sinuous mountain road, but that would not have been possible anyway, given the rest of the traffic and also the strictness of Switzerland’s traffic police. Fast enough was, well, fast enough.

A bedroom with grey and gold colouring and hints of red

The Exotik Suite

Over the border in Italy, after more mountain passes and ice cream, the Alps fell into the low, hilly meadows of Franciacorta, which is where our favourite sparkling wine from Italy is produced. At its best it is creamy, complex and refreshing, like a good champagne, but with the added joie de vivre. At the main farmers’ outlet store for all the producers (and would that there were one of these in every wine-producing region), we picked from producers and cuvées impossible to find in other countries.

A sign of a well-engineered car is that it doe snot flinch when loaded up and driven hard, and this was very much the case with the Lexus. Onwards, it seemed to say, after a couple of days in Milan, as we arrowed through straight autostradas in northern Italy towards Tuscany. Here, we spent an excellent few days enjoying this car’s other attributes: its economy (fuel stations are very hard to find in rural Tuscany), its ability to deal with rough roads and unmade tracks with no fuss, and the comfort and efficiency of its interior in a hot summer. The full-length sunroof also came in for much praise, although it was mainly open at night, when it let in views of the stars and the cries of owls. A car for all reasons, indeed.

A room with a stage and a large vase in the centre of a table

Objets d’art at the Riva del Sole

Our final destination was a place well known to a certain class of intellectual Italians, roughly the equivalent of Britain’s Cotswolds set, but without the pretentions. Castiglione della Pescaia has none of the bling that has been acquired by its fellow Tuscan resort, Forte dei Marmi, but it has nature, and culture, on its side.

A swimming pool lit up a night

The hotel swimming pools by night

There is one resort hotel to stay in at Castiglione: the Riva del Sole, a resort built in the idealistic style of the mid-20th century, when Europe was thriving and confident, and nobody flew to the Maldives or Bali. You approach along a long, straight coastal road flanked on both sides by the stone pine trees that are a feature of the Italian coastline. The hotel appears amid the pineta (pine forest) on the left, between road and sea, a low-rise 20th-century modern building (Swedish owned) that, when you enter, reveals a cavalcade of original and updated modernist designs.

A wooden divider next to a bed looking out to trees

The Coral Suite

The reception area is out of a 1960s David Niven film (duly updated, of course) and our room, while compact, had a lovely aspect across the trees towards the sea. You wander from reception, past a dramatic Italian restaurant housed in another forest building, past a little newsagent shop straight out of a Jacques Tati film (magazines, beach balls, sweets) and a boutique-chic deli. A huge outdoor pool complex – several pools, really – appears on your right, with keen sports swimmers doing their lengths from the early hours. Past a hut serving snacks and drinks (there is some excellent Franciacorta on the menu), the path rises over a dune and down onto the resort’s lengthy private beach.

A restaurant with white table cloths, green chairs and plants around the room

Modern dining at Riva del Sole, Tuscany

Part of a strip of sand that stretches for 15km in a gentle arc, it is one of Italy’s most famous private beaches. The sea is warm and shallow, and the most memorable aspect is stepping out 20 metres into the sea, your feet still standing on white sand and your chosen drink in hand, looking back at the beach. The hotel and all of Castiglione have been subsumed into the pineta, such is the attention to detail of the design. All you can see is beach, forest and the mountains rising up behind. No wonder it is a haunt of the discerning Italian intelligentsia.

A blue car on a patch of grass next to a castle with a tower and turrets

The Lexus making a pit stop at the fortress of Montalcino – ancient Tuscan hilltop village and home of the celebrated wine Brunello di Montalcino

Hidden inside the pineta, the hotel also has a sophisticated Tuscan restaurant, La Palma. Sweeping interior architecture and the forest visible through windows all around combines with a wine vault of Tuscan wines – particularly from Montalcino – that a collector would die for. We chose a Masseto 2015. All savoury power and a wealth of flowing flavours, it is one of Italy’s great wines, and comes from just up the coast from Riva del Sole. In the main hotel there is also a glamorous 1960s-style piano bar, where you sit inside or out on the terrace and are served Bellinis.

Read more: Great Drive: Jura Mountains to London via Burgundy and Champagne

This is not high luxury, but it is high class; a place where the intelligent, artistic and sophisticated go to enjoy themselves with friends. And throughout, inside and out, the interior design, a subtle 21st-century take on mid-century modernism, is both playful and gorgeous. Chapeau to designer Eva Khoury. There are hotels with grander views and bigger rooms, but very few we would want to spend more time in than the Riva del Sole.

Find out more:
lexus.co.uk
rivadelsole.it
masseto.com

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A grey sports car outside a vineyard
A grey sports car outside a vineyard

The Aston takes in the Clos de la Roche vineyards in Burgundy, France

In the second part of our Great Drives series, Darius Sanai travels, in an Aston Martin DB11 V8 Coupe, from the Jura Mountains, Switzerland to London, UK via Burgundy and Champagne, France for a quick tasting of Amour de Deutz, 2008

In the Vallée de Joux in the Jura Mountains in Switzerland, signs for watch manufactures (factories) come as thick and fast as signposts for whisky distilleries on Speyside. Tempting though it was to make a stop (we at LUX know the watch manufactures well, but they require a little planning to visit), we dropped down a gear in our xenon-grey Aston Martin DB11 and zoomed out of the valley along snaking roads through deep forests. Every mile or so, the trees dropped away to reveal a lake or another valley. We opened the windows to hear the thrumming of the Aston’s V8 engine, a low, mellow but not over-loud rumble, bouncing off the slopes on either side of the road. This was a joyous drive.

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The DB11 Coupe is a piece of automotive architecture, sculpted, so it seems, from a block of granite. It feels satisfying to drive, even if you are not moving. It is very satisfying, and not a little fun, to drive when you are. The empty French roads allowed us to accelerate a little faster and farther than perhaps we would have done in Switzerland, where we had started that morning, or back in England, our final destination. It’s not overly challenging, but it is nicely weighted to give you a sense of Aston Martins of old, which were slightly macho and brutish as well as beautiful, like Sean Connery as James Bond, or perhaps a young Marlon Brando. Fortunately, too, it does not succumb to the latest trend of making extremely fast cars too easy to drive.

the black leather interior of a car

A peek inside the Aston Martin DB11

You would not buy the DB11 if you just wanted a very fast car, we mused, as the road, having descended down through the north side of the mountains, straightened out along a plain lined with wheat fields. These days, almost any electric car – and there seems to be a new one every day – can be programmed to go as fast as a moon rocket, but where’s the fun in that? This Aston, with its masterpiece of an exterior and equally chiselled interior, and lovely waffles of leather all around inside, is an event to be in and to arrive in. The hotel we were staying at that night in Burgundy, Hostellerie Cèdre & Spa Beaune, gave it pride of place in its car park.

A car behind an arched gate

The Aston Martin DB11 V8 Coupe in the courtyard of the Deutz champagne house, France

The Cèdre is exactly the kind of place you want to arrive at when touring France. A little palace or big mansion (take your pick), on the edge of the old walled town of Beaune in the centre of Burgundy’s wine country, it has a driveway lined with very smart cars that show the measure of its clientele, who travel from all over the world to stay and taste wines here. There is a maze of a garden with ornamental ponds and seating dotted around the foliage. We sat there that evening and enjoyed a glass of poignant 2019 Château de Meursault, salty and nutty and balanced, from a small producer just a couple of miles away. The air smelled like the wine. Inside, the Cèdre is traditional and rich, like the home of a wealthy merchant. By the bar, an Enomatic machine, which preserves open bottles of wine, serves a selection of the great vintages of Burgundy – no need to visit a wine estate, just stay here and taste.

the outside of a white hotel with tables and parasols in a garden

Garden dining by night at the Hostellerie Cèdre & Spa Beaune, Burgundy

Our room was characterful and split-level, with bedroom and bathroom on one floor and a living area in a gallery above, big enough for a group of four to stretch out on the sofa and chairs, fine wines in front of them, and chat into the night. The room didn’t have a big view but it had an interesting one, across the outskirts of Beaune to the vineyard slopes creating its eponymous, and delicious, red wine. One of the world’s most ancient vineyard sites, its history can be traced back 1,000 years. This is a soulful hotel.

A massage chair with a brown towel on it surrounded by stone and glass walls

The stylish Nuxe Spa in the vaults of the Cèdre

Our focus the next day was a drive across the countryside of central France, from one of its great winegrowing regions, Burgundy, to another, Champagne. These are connected by an autoroute, and getting there can take fewer than three hours. But that would not do justice to a car like this, so we took the back roads instead. First, we wound our way up the low, but very definite ridge of the Côte-d’Or, where we saw the same Burgundy vineyards we had seen from our hotel room, and then through forests, glades and ancient villages on the Plateau de Langres. This is Charlemagne territory, one of the most historic but unexplored parts of France. In each village there were at least a few grand houses, hundreds of years old, that wanted to tell a story.

A lounge with a fireplace and leather brown chairs

A cosy ambience at the Cèdre Lounge Bar,

The Aston ambled happily through them, like a big dog strolling with its mistress, then roared down the empty byways when the countryside emptied out a little. After a couple of hours, wanting to make it to Champagne for our next meeting, we headed back towards the autoroute, joining it near Charles de Gaulle’s home village of Colombey-les-Deux-Églises. On the smooth French highway, the Aston reverted to its alter ego of relaxed grand touring car, purring quietly.

Champagne bottles lined up

The sublime tasting at the Deutz champagne house, France

Deutz is not a champagne house that is familiar to so many international wine collectors. It doesn’t market itself like the region’s more famous names. Perhaps it doesn’t need to, we reflected, as our taxi dropped us at the maison’s cobbled courtyard (the Aston having been parked safely at our hotel for the night). After a tour of the massive underground cellars, we were shown into a beautiful historical house, its decor preserved as the Deutz family created it in the late 19th century. The tasting room was really a garden room, looking out onto lawns and intricately planted borders.

A window with flowers behind it

Window views from the garden room at the Deutz champagne house

Deutz is about quality more than marketing – more than anything, we thought, as we were guided through a selection of the maison’s champagnes. The vintage rosé, 2013, was delicate, balanced, floral and beautiful. They only got better. The prestige cuvée, Cuvée William Deutz, had a power, a richness and a kind of nobility to it – the sort of champagne you would serve at the coronation of a king (a shame the French got rid of theirs), or perhaps at a dinner to mark the 200th anniversary of your watch manufacture. But it was another one of their champagnes that really got into our souls.

three wine glasses on a table

Tasting of Cuvée William Deutz and Amour de Deutz

Amour de Deutz is made from 100 per cent Chardonnay, the best picks of the white grape that the maison gets its hands on every vintage. We tasted the 2013, 2009 and 2008. They were sublime: complex nutty creaminess, a savoury edge, richness yet ethereal lightness and a kind of golden flavour. Each was more powerful than the last, yet as gentle as a butterfly. Featherlight yet eternal.

Read more: Great Drive: Santa Monica to Napa Valley, Califonia

The next day, powered by memories of the Amour de Deutz, we cruised back to the UK in the beautiful, purring Aston, a case of golden champagne treasure in its (small but adequate) luggage compartment. The perfect little grand tour in the perfect grand tourer.

Find out more:

astonmartin.com

cedrebeaune.com

champagne-deutz.com

This article was first published in the Spring/Summer 2023 issue of LUX

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Courtesy of Porsche

In the third part of our Super Powers series from the Spring/Summer 2023 issue, LUX’s car reviewer gets behind the wheel of a Porsche 911 Carrera GTS

The Porsche 911 is an example of a design that has succeeded precisely because it is wrong. No car designer would come up with this car now. It is neither a two-seater nor a four-seater, it has an engine where the boot usually goes and a strangely situated storage space between the front wheels. No one else has created anything like it and nor are they likely to. But this endearing design has been with us for 60 years, initially updated slowly, latterly more quickly.

The latest generation, introduced a few years back, still has the car’s distinctive design features, but is as technically sophisticated as any other luxury sports car. The newest iteration, also known as the 992, is remarkably quiet and refined when driven slowly around town – too much so for some, who say it has been overtamed in search of ever broadening markets.

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We at LUX count ourselves Porsche 911 fans, yet, while we are in awe of the technical abilities, design and performance of the standard 992, we also felt it could offer a little more in terms of engagement and excitement. So we were pleased to be given the keys to this GTS model. Porsche typically produces some race-oriented 911 versions for enthusiasts, but they have certain compromises, including a lack of back seats and a handling set up that, while suitable for a smooth race track, is not ideal if you live in the actual world, as you find yourself rattling over potholes and scraping over bumps.

The GTS is a halfway house between the two. It is the 911 you buy if you drive every day but crave a little edge. As such, it is really a tweak of mainstream 911 models rather than anything spectacular, but Porsche engineering means the GTS models feel more special than they should.

The Porsche 911 Carrera GTS adds a frisson of extra excitement to an already practically perfect and endearingly distinctive supercar

First impressions were of a car that is a little more tuned and willing than the standard model. Everything is incremental: the engine sounds racier and is keener to engage; the steering is more lively. When we took our first roundabout, we felt the car spoke to us in a way standard models do not. On fast country roads,
the differences amplified. Our car had manual transmission – Porsche’s automatic gearshift is smooth and easy to use, but, for engagement, we like a manual when we can find one. Infamously, Ferrari has stopped making them, so raising the values of its last manual-transmission models.

With this and the other GTS enhancements, this car is a joy along country lanes. Acceleration is immediate and rapid: turn the steering wheel a fraction and it responds a fraction; exit speedily from a corner and you feel the back of the car tighten, which lovers of all 911s will appreciate. The GTS feels like a standard 911 that has taken a Chenot detox alongside Pilates and musclebuilding, like a friend who has been working on their fitness. We found it even more fun than the faster and more expensive 911 Turbo, which is a hoot for its “Look how fast we are going!” value, but less precise and delicate than this.

Read more: Lamborghini Huracán STO Review

So, the perfect Porsche? At everyday speeds, you won’t let out a rebel yell, as you might in some of its less sophisticated but popular competitors. And you will not love the manual transmission in town – always a compromise. But for adding an edge of excitement to an already beautiful, competent and desirable car, the GTS is as good as it could be. Get yours with rear-wheel drive, a manual gearbox and Michelin Pilot Sport 4S tyres for a car true to the spirit of the model.

LUX Rating: 18.5/20

Find out more: porsche.com

This article was first published in the Spring/Summer 2023 issue of LUX

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A blue car by a lake with an orange sunset
A blue car by a lake with an orange sunset

Mercedes E53 AMG, a highly enjoyable tourer

In the first part of our Great Drives series from the Spring/Summer 2023 issue, Darius Sanai travels from Santa Monica to Napa Valley in a Mercedes E53 AMG Cabriolet, ending his trip in Napa Valley with a glass of Harlan Estate The Mascot, 2016

There is a freeway that leads from downtown LA to the ocean at Santa Monica, but we chose to take Santa Monica Boulevard, which arrows straight to the ocean. On every corner, there seemed to be a liquor store or 7-Eleven to remind us of hold-up scenes in movies. Of course, we put the roof down – you have to in LA, particularly if you are a foreigner driving a valuable car – way to go in style. In fact, our understated mid-blue AMG, with its black interior, attracted only positive attention – a couple of thumbs ups, and encouragement to rev the engine from kids on a street corner. Even in the land of the Tesla, some things never change.

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At the Pacific Ocean, we turned right. Keeping the ocean to our left, we cruised through Santa Monica, which, from the road seems just another collection of low-rise buildings and garish signs. The arc of the ocean and bay occasionally appeared on the left, culminating in mountains dropping into the sea in the distance. In time, the traffic lights became less frequent, the buildings less condensed, rocks and cacti popped up by the side of the road and the ocean lapped the left- hand carriageway. But this is not a place to put your foot down, as ubiquitous signs warn of police speed checks. Our neighbouring drivers, some in quite exotic and speedy-looking cars, travelled dutifully at the posted speed limit, too.

We didn’t mind, we were in it for the long haul. Soon, the mountains dropped directly into the sea, the road became tighter and we could feel the spray sweeping over our open roof between patches of cloud above. Signs for Santa Barbara, our first destination, started to appear. We took a spontaneous turn off at Montecito, to see if we could catch a glimpse of the world’s most famous non-reclusive, non-royal, reclusive royals.

A wooden table on a terrace overlooking vineyards

Breakfast on LUX’s private deck at Meadowood, Napa Valley

We didn’t see them, but we did find a picture-perfect clapboard high street, complete with immaculate children clutching Instagrammable ice creams, watched over benignly by immaculate parents. We stopped for a sundowner at the Rosewood Miramar Beach hotel in Montecito, whose lawns stretch out across a miniature railway line and drop down to a beach. Sailing yachts gently rocked up and down on the ocean beyond, the setting sun was weak in the haze, the air was cool and all it needed was Cary Grant to stroll over and sit next to us to complete the scene.

Santa Barbara was a fun trickle along the back roads from Montecito, which is built into a steep hillside. A couple of spontaneous turnings took us through canyons, hugging the inner edge of mountainsides, facing other mountainsides, which faced other mountainsides – a plunge into wilderness just minutes from manicured civilisation of the wealthiest kind.

The E53 AMG seemed made for this kind of journey. There are AMG models that are more powerful, more focused, more hardcore, but this isa four-seater luxury convertible that has been subtly enhanced by the manufacturer to engage on the sporting side, with plenty of thrust from its V6 hybrid engine. The relatively benign cruiser that had taken us up the coastal highway earlier that day turned into a racket with a foot flat on the floor, surging forward with a roaring buzz from the engine at front. Big tyres and four-wheel drive gave great stability around corners on the twisting roads. This is quite a big, heavy car, so we are not talking Ferrari handling, but it has plenty of security, plus the fun of roof-down motoring.

A blue lit up car parked outside a lit up grand hotel

The Mercedes posing in front of the RosewoodMiramar Beach hotel in Montecito, California

It was pretty exciting. We imagined it would have been even more so for passengers in the back seat, where, unlike many sporting convertibles, there is plenty of room to stretch out. We arrived in Santa Barbara feeling we’d had something of an adventure workout, as you should on a good drive in a sports car.

This trip was about us finding our own personal nirvana: a long drive along the Pacific Coast Highway, or Highway One. As one of the world’s most legendary roads, the map showed it to follow the exact contours of the California coast between our location and San Francisco hundreds of miles north.  Setting off again the next morning, we noted that a Sunday was probably not the ideal day to start the main part of such a drive because we were not alone. Camper vans, family vehicles, pick-up trucks and the odd vintage convertible were inching along the road in weather that more resembled northern Europe in winter than California in Spring.

Fortunately, both turned out to be ephemeral. What has seemed a dull day threatening rain cracked as the clouds fractured to show deep blue fissures above, and soon the overcast sky was revealed to be no more than seven blobs of low cloud clinging to the mountainside in the early morning, and soon dissipated. The air was so clear I was convinced we could see across the ocean to Japan. The traffic dissipated a little, too, enough for us to speed up and enjoy the ride.

A blue Mercedes with its headlights on with a sunset and palm trees behind it

The Mercedes E53 AMG on a windswept Venice Beach, California;

The scenery before us altered between rocky curves, enormous bays, tiny inlets and forests pouring down mountainsides in the sea. We stopped just off the road at a beachside food shack-expecting preprepared food, instant coffee and canned drinks at best  and asked for a white coffee. “Full fat, semi-skimmed, oat or soy?” was the response, and there was a choice between Ecuadorian, Guatemalan and Indonesian roasts. Next to a plate of homemade brownies were three bowls of multicoloured Middle Eastern-style salads, rich with beans, Mediterranean vegetables and za’atar. no ordinary roadside shack.

As we headed north along the coast, every few miles there was a sign to the right, pointing along a road heading inland up some deep valley, towards mountains that looked as uninhabited as the moon. Occasionally, there were signs for wineries to visit along the roads, over the mountains and quite far away. Tempting though the idea was, we resisted, partly because we were driving, partly because a signpost in the US west to a given location does not mean you are anywhere near that particular location, and partly because our end destination was the ne plus ultra of California wines, Napa Valley.

There was a lot of wiggling coastline between here and there, though, and we stayed overnight at a hotel set back in the hills with a distant view of the sea, offering some of the local wines (from San Luis Obispo) in its list, along with a vegan club sandwich. One glass of refreshing Chardonnay was enough that evening.

A swimming pool surrounded by trees and sunbeds

Meadowood Resort’s adults-only Cabana Pool, Napa Valley, Calfornia

The sign of a truly great touring car is one you actively look forward to getting into and driving each morning. Some cars are comfortable but dull, where you feel, as a driver, that you would just as happily be a passenger. Other cars are exciting but tiring, making you weary of the idea of another day at the wheel. The AMG was neither: each morning it welcomed us with its promise of comfort, power and responsiveness. A more powerful and muscular car would have become frustrating in the traffic, and it had enough feedback and driver involvement to keep us looking forward to the next set of curves.

Setting out again along the (now emptier) northbound route on the Monday morning, I reflected further on the car’s virtues. The interior is both functional and lavish. We liked the sweep of the dashboard, the classic-style round vents in the middle, the big wide digital instrument display. The only misgiving I had developed was over the sound of the engine. Cars these days are downsizing their engines, accompanying them with electric motors in the move towards electrification. The AMG’s engine, so created out of a combination of petrol and electric motors, was certainly powerful and responsive enough, but, though the engineers had clearly tried, it did not have the mellow, throaty voice you would expect of a big droptop car with sporting ambitions. That is not unique to AMG, though, and it is a characteristic that engine lovers will need to get used to until, in a decade or two, they are phased out completely,

After what seemed a million mountainsides curving into the sea, it was a relief to stop for coffee at the cute little seaside town of Carmel, and wander through its art stores and boutiques, and again a little later in the bigger town of Monterey, where we visited the oceanfront Monterey Bay Aquarium, having a play with manta rays in the process. This is no normal small-town aquarium: its Executive Director is Julie Packard of the Packard tech family, and, in its mission to inspire ocean conservation, it leads research into marine welfare, advocates to end plastic pollution and campaigns for, and monitors, sustainable seafood production.

A white wooden bedroom with a white bed and dark brown wooden doors and floors

Meadowood’s refined yet rustic Cottage Room with private porch, Napa Valley, California

A couple of hours later, we were navigating San Francisco’s cityscape, before hitting the roof-down button again as we approached the Golden Gate Bridge. Doing so in a droptop Mercedes with a little 1960s music playing was perfect. By that stage, we were seriously appreciating the car’s seats, which felt as if they had been created by many thousands of German engineering hours. We felt neither stiff nor uncomfortable, despite the long days on this great drive.

Napa Valley starts rather abruptly: one moment you are in an urban road system in the unprepossessing town of Napa, having left San Francisco Bay just behind you; the next, you are driving up a steep country road, hillsides either side, vineyards all around, with signs pointing to estates familiar to anybody with a passion for a fine wine. We carried on along the main highway, and, although this is no place for speed-testing, we were grateful for the rapid- fire acceleration of the car when overtaking a couple of pieces of rolling vineyard equipment in the face of oncoming traffic. Crossing the valley and the riverbed, we came to the gates of what looks like a grand residence on the hillside, surrounded by forest rather than vines.

Meadowood Resort was acquired and expanded by Napa Valley’s first family, the Harlans of Harlan Estate, as the area’s first luxury resort in 1979. Our accommodation was a wooden lodge with a large veranda up on the hillside, a big bedroom decked out in luxury country style and a little sitting room with a bottle of The Mascot, the latest wine creation from the Harlan family, as a welcome gift on the coffee table. We sat on our private veranda with a view across through the trees and out to the vineyards of Napa and enjoyed the balanced power of the wine – a vivid, rich, layered Cabernet Sauvignon.

Read more: A Tasting Of Organic Boutique California Wines From Diamond Creek

It was a short walk to the tennis courts and an almost Olympic-sized outdoor pool, where we swam despite the chilly weather that had descended. The cuisine by the pool is Napa Valley country perfection: grilled tuna, parsley, beans, a little tomato coulis, rucola. A bit further along the resort’s forest, the spa looked out over the trees and offered very natural, wholesome treatments in absolute silence, marked only by occasional birdsong. It was altogether a fitting conclusion to one of the world’s great drives.

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A blue and orange Lamborghini on a road at night with a lit up skyline behind it
A blue and orange Lamborghini on a road at night with a lit up skyline behind it

The Lamborghini Huracán STO

In the first part of our Super Powers series from the Spring/Summer 2023 issue, LUX’s car reviewer gets behind the wheel of a Lamborghini Huracán STO

In the car world, it is generally accepted that the next generations – Gen Z and younger – are not interested in cars as anything other than Uber- type appliances to get them from A to B cheaply, while they sit in the back seat making TikToks.

Evidently, someone forgot to send the memo to the summertime population of East Wittering, a village on the south coast of England. We parked the Lamborghini on the village’s beachside promenade, ready to get some good photography, and were soon swamped – not by water from the English Channel, but by people. Small boys and girls were desperate to have a look inside the car or touch the outside, as if it were an alien spaceship – which it does resemble a bit. People in their twenties told us this was their dream car and could they please have their photo taken with it. One young woman suggested her boyfriend propose to her on the occasion of having their picture taken. Another lady, with three pre-teen children, asked to lean on the car for her photo, then told us she had been a racing driver when she was younger, that her husband had left them that morning, and that this was a great tonic.

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We had expected attention of some sort, but it was notable that it was all positive. Teenage boys on bicycles stopped and gave a thumbs up. Builders in white vans honked their horns and, when we turned to see if they were cursing at us, would, without exception, give us a thumbs up, too. It was like being a celebrity everyone loves, except the celebrity was the car, not the driver.

blue and black seats in a car

A celebrity of a car with full star value, from eye-popping looks to performance to the co-starring role it allows its driver

None of this would have mattered if the car were not as good to drive as it is to look at. Lamborghinis have recently tended either to be a bit safe, with four-wheel drive making them capable but rather less wild than their looks suggest, or, in some cases, just a little ungainly for driving around English country roads. This car suffered from neither ailment. Being rear- wheel drive only and lighter than the regular Huracán, it has a connection to the driver and, in fact, relies on the driver’s ability to handle its immense power. The sound of the engine is magnificent, a real last glorious celebration of the internal combustion engine.

The car moves as well as it sounds. The V10 is old school in that, without turbochargers, it gains momentum in a dramatic but progressive way, each point in the rev range promising a difference in noise and acceleration, requiring the driver to pay attention. The joy of revving this engine to its limit is matched by few other cars.

Read more: Driving Lamborghinis to the Italian Alps

The handling is as sharp as the engine, with the steering immediate and well weighted. This is not an easy car to drive fast, unlike some competitors. It requires concentration and input – you might imagine yourself as Tom Cruise in Top Gun Maverick. But actually, that’s why we love it. It is old-fashioned in the way it demands the driver’s input, and it is so rewarding.

It is also spectacular inside, with its gorgeous, racy interior. The car will not win awards for comfort and smoothness – although it is not terrible in that respect – but then it is closer to a racing car than to other supercars.

So we salute the Lamborghini Huracán STO – not just for what it is, but for what it will likely be: the last of a breed. Its successor, probably helped by electric propulsion, is likely to be faster, smoother, better and less notable. Drive the Huracán for one of the most memorable experiences you can have, in or out of a car.

LUX Rating: 19.5/20

Find out more: lamborghini.com

This article was first published in the Spring/Summer 2023 issue of LUX

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orange suitcases and rucksack in front of a black sportscar
orange suitcases and rucksack in front of a black sportscar
Ava Doherty reports on Tumi and McLaren’s collaboration on a limited-edition luggage collection titled ‘Unpack Tomorrow’, appreciating the history of the British motorsport brand through motorcar themed designs

The quintessentially English motorsport brand, McLaren, has paired with the travel and business manufacturer Tumi to produce unique limited edition travel pieces to commemorate McLaren’s 60th anniversary.

The collection was unveiled at the final event of the brand’s Spring 2023 campaign, ‘ Unpack Tomorrow’ which championed the Tumi crew member and McLaren Formula 1 driver Lando Norris.

Lando Norris holding an orange rucksack and standing next to an orange suitacase

Tumi and McLaren’s commemorative partnership aims to combine fashion, technology and lifestyle. The brands aimed to highlight their shared ethos of functionality, modern design dialogue and a forward-facing outlook.

Goran Ozbolt, Chief Designer art McLaren Automotive commented, “This edition of luxury travel pieces also celebrates our founder Bruce McLaren’s passion for looking to the future, pushing the boundaries, and matching effortless functionality with a modern design language that reflects the ethos of both companies.”

A black suicase next to an orange car

New technology incorporated into their design process includes ultra-durable Tegris composite material, flexible CFX carbon fibre accents, and the integrated USB charger of the Velocity Backpack.

Tumi aims to further globalise its partnership with McLaren with an international content series at key Grand Prix races featuring influencers, community engagement and exclusive prizes.

Black suitcase and luggage next to a car

Tumi’s Creative Director, Victor Sanz said, “We are thrilled to have collaborated on this collection with McLaren, utilising their famous papaya colour and combining modern, lightweight materials to create luggage, bags and accessories that celebrate their 60th anniversary.”

Find out more: tumi.com/McLarenCollection

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In the fourth part of our Driving Force series from the AW 2022/23 issue, LUX’s car reviewer gets behind the wheel of the Maserati Levante Granlusso

As the car industry moves into its new phase focused on electric and, in due course, autonomous motors, presumably there will be shifts in priority for consumers. Previously, you may have chosen a car for its exciting engine noise and performance advantage over rivals. In an autonomous, electric-car future, these factors will be uniform: all cars will go at the same speed and make the same (lack of) emotive sound.

So how will they be distinguished? Or will they not be distinguished at all? Will cars become like road-going versions of train carriages, the space inside them hired out by passengers?

It would be logical to presume that personal (as opposed to shared) automotive transportation will continue for the wealthier consumer and, with differentiation in the performance stakes no longer possible, design and luxury will come more to the forefront.

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Designing a car’s interior to look striking is not as simple as creating a fashion collaboration for a sneaker, though. Like a plane’s, the interior of a car has to adhere to specific stipulations for safety, space, comfort and security. Materials also need to handle years of being sat on and scraped by (luxury) behinds. Which is why, we reflected, as we sat in the Maserati Levante Granlusso, it is rare to see an interior with this much style. The most luxury car interiors are fairly interchangeable. Not so this one.

It was designed by the Italian fashion house Ermenegildo Zegna – a special edition that is worth seeking out. There were swathes of what looked like men’s suit fabric along the seats and doors, and it had a delicious boudoir feel.

We subjected the Maserati to a longer test than usual, over a period of weeks rather than days, because this is a car designed as everyday luxury transportation, just as your Birkin is designed as an everyday luxury carrier of stuff. If you’re going to be using the car every day and will be seeing a lot of its interior, then it deserves serious consideration on this alone from anyone in the market for a mid-size luxury SUV. Everyone who experienced the car – friends, relatives and so on – commented on the interior. It’s a comfortable car under any circumstances, but the design touches give it a distinctiveness that is unique to this edition.

brown and leather and black car seats and a steering wheel

Embodying function and Italian flair, Maserati’s new mid-size luxury SUV is particularly distinctive for its fashion house-designed interior

Before we go further, let’s elaborate on the term “mid-size luxury SUV”. A few years back cars came in simple categories. Now there’s an infinite variety of what the industry calls “crossovers”: vehicles that are fluid in terms of categorisation, sometimes the better for it, too, and sometimes not, if you look at the more curious attempts at merging luxury, high-performance and bling. Fortunately, Maserati does not fall into this trap. It is a relatively simple, medium-sized (that is to say, pretty big by European standards and quite small by American standards), sporting off-road vehicle, the type seen on school runs and in luxury shopping streets globally.

Its shape is more quiet and harmonious than out-there and ostentatious, and all the better for it, unless your primary aim is to be noticed. It has a touch of Italian flair – more so than its Germanic rivals, like the Porsche Cayenne and BMW X5 – but not so much that it shouts at you. Unusually for an SUV, it attracted many compliments from people we encountered, and no inner-city anti-car hostility.

To drive, it felt a bit bigger than it is. The flowing shape means that it is hard to judge where the ends of the car are (the 360-degree camera was an advantage here). In a car with a Maserati badge, we expected something focused on performance and agility (as much as possible for a large, tall car) but, actually, the Maserati is aimed more towards the comfort end of the spectrum. This was fine most of the time, except occasionally the ride did get more lumpy than in a true luxury car, such as a Mercedes E-Class, and it was a shame not to have a bit more excitement on a twisty road. That is the essential compromise of these sport- utility vehicles – they encompass engineering challenges for the way they drive and ride. Still, it hasn’t hurt their sales and it would be a very sensitive driver or passenger who noted this.

Read more: Driving Force: Porsche Panamera 4S E-Hybrid

One thing you may notice, depending on how mechanically aware you are, is the engine. If you are part of a (now dwindling) demographic for whom an Italian car brand means a glorious, smooth and powerful engine, you will need to readjust for the diesel engine. It gets the car around effectively enough, but it’s not going to make you feel like a racing driver. It is functional, which is slightly out of kilter with the car’s flair.

And it is flair that we keep going back to. In a world of increasingly homogeneous cars notable for their efficiency, Maserati has succeeded in making a comfortable, functional, spacious everyday car with a splash of luxury. That is an attractive trait in itself, and a very nice place to be when you are sitting in everyday traffic surrounded by your Zegna-fabric interior.

Find out more: maserati.com

This article first appeared in the Autumn/Winter 2022/23 issue of LUX

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In the third part of our Driving Force series from the AW 2022/23 issue, LUX’s car reviewer gets behind the wheel of the Porsche Panamera 4S E-Hybrid

Mitteleuropa (middle Europe) is a semi-mythical territory that has always fascinated us. It is decisively not the same as central Europe, the web of countries to the east of Switzerland and to the west of Romania. Its German name suggests it incorporates a part of Germany, but it cannot include the brisk North Sea coast or the Hanseatic ports, which belong to the Baltic.

And we felt we were entering Mitteleuropa when a sign on the motorway in eastern France (that’s right, France) declared that we were in Lorraine. The signs on the motorway exit boards changed tone, as did the scenery. The place names became Germanic, and the flat fields of the Champagne region gave way to forested hills and ridges.

Follow LUX on Instagram: luxthemagazine

Here, the Porsche Panamera felt in its element, as it headed back to its homeland. The straight-line motorway that had been a feature of the route to date turned into long, beautifully engineered curves, taken at high speed in this long wheelbase, semi-electric large sports sedan. It was enormously satisfying, with subtle growls from the V8 engine upfront and the steeliness of the car’s sporting suspension making you feel like a pilot more than a chauffeur.

This is the aim of the Panamera: a comfortable, high-performance vehicle intended to be genuinely satisfying for the driver, without the compromises of a high-sided SUV.

A wheel on a red car

As we drove past one mini mountain, the clouds burst open in a Götterdämmerung of rain, which rapidly flooded the road. The four-wheel drive of the Panamera felt as if it was vacuuming up the water and spitting it out the back, wanting to go still faster, as if on a wet race track, when it would have been irresponsible to do so.

We spent the night in Phalsbourg, eating at a French restaurant on a terrace on its wide central square while being served beer brewed in the Black Forest, in neighbouring Germany, by staff who spoke French and German, as if the two territories were one.

Between Phalsbourg and the Black Forest lie the Vosges mountains. The roads here were narrow, tight, still damp and the car clung to them through the gears, the electric and petrol engines working in unison to propel us forward. The Panamera is not a sports car by any traditional definition, it is too wide, too heavy. But if you are used to driving a fast SUV and hanker after something less lumbering while still having a lot of space, this is for you.

Read more: Driving Force: Audi R8 V10 Spyder

In the Black Forest, the autobahn between Stuttgart and Lake Constance has no speed limit in many places, and its trail snakes through the mountains. At normal speed, the curves are gentle, barely noticeable, and you have the ability to admire villages pinned into the surrounding woods. But when you go much faster, on an empty road, each corner feels like a racetrack, and the car on its limit is muscular, secure, reassuring but sharp, made to maximise its capabilities on these roads not so far from its birth town of Stuttgart. At 160mph (257km/h), there is no time to admire the scenery.

We finished the day with a glass of the same beer offered to us hundreds of miles away in Phalsbourg, while sitting in a little café on Lake Constance: Switzerland, a series of green bumps across the lake in front of us; Austria, a couple of grey spikes in the distance to the left. Middle Europe, and the ideal car from which to enjoy it.

LUX Rating: 18/20

Find out more: porsche.com

This article first appeared in the Autumn/Winter 2022/23 issue of LUX

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red car driving in nature In the second part of our Driving Force series from the AW 2022/23 issue, LUX’s car reviewer gets behind the wheel of the Audi R8 V10 Spyder.

We at LUX are not engineers. We leave analysis of the technical side of motoring to our specialist colleagues in the automotive media. What we do know, though, as motoring enthusiasts, is that a mid-engined car should be fun to drive.

With only an elementary knowledge of physics, we know that placing an engine – a car’s heaviest part – behind the driver instead of in front, should make a car easier to pivot through a turn. And while LUX readers may not often do their own grocery shopping, anyone who has tried to steer a shopping trolley full of bottles of, say, Dom Pérignon, will know how much harder it is to turn corners than when the trolley is empty. The same principle should theoretically apply to a mid-engined car, where the space under the bonnet is air, not engine.

Driving through a series of sharp corners in the latest Audi R8, we were delighted to feel this theory being put into practice. The R8 is a fine-looking car, making the most of the engine placement. It has a short, aggressive-looking front end and a fat, squat rear, suggesting speed and intent. Then there is its handling. Steer into a corner and the reactions are instantaneous: there is no mass, no trolley full of Dom Pérignon to turn ahead of you. In fact, it turns so quickly you need your wits about you or you will overdo it, steering too much and aiming onto the wrong side of the road. You feel the car’s four-wheel drive getting its claws into the road as the engine shoots out of the curve, ready for the next one. It may be an Audi, but this is one hyper-responsive car, as sharp as a Ferrari or a McLaren. 

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You also have no doubt that the engine is just a few centimetres behind your head. It is a special engine. As you accelerate out of a corner, its howl grows, like the sound of a Formula One track getting closer. The revs continue to rise and the F1 track continues to increase in volume, the engine getting more and more urgent, until you hit the rev limiter at 8,700rpm. It is an exciting experience, and, combined with the concentration required to keep the hyper-responsive steering pointing in the right direction, makes for real fun and engagement.

Most sports cars today that have not turned electric or into part-electric hybrids are powered by turbocharged V8 engines. They are, by and large, very fast, and the engine response in many cases is even swifter than in this car. However, they lack the character and drama of the now old-fashioned V10 engine, as it gains revs and power mid-howl – something to treasure.

This all makes the R a brilliant car to drive. Unsurprisingly, over the years that its similar-looking predecessor was made, it was highly successful and remains highly desirable. If you feel a caveat coming, you are correct – it involves a mystery. This is an unquestionably rapid and exciting car to drive, even more thrilling on a twisty road than some of its acclaimed rivals. However, there is a slight snobbery towards it from some. Both rivals we mentioned have, we think, slightly higher status in the car-collector world, whereas the R8 V10, for all its brilliance, is considered a little more nouveau.

steering wheel of car with open roof

We can’t give a definitive answer as to why that might be. The R8 isn’t perfect, of course – a two-seater sports car rarely is. Even by the standards of this car type, though, there is very little storage space, either in the front boot or the cabin. If two of you were off for a weekend away, let’s just say that even if there were enough room for your bags, there would be none for souvenirs.

It is also true that the cabin suffers from the excellence of Audi’s corporate design. The shape of the interior is as you might expect from a low mid-engined, two-seater sports car. It is beautifully put together and clear in a Bauhaus-for-the-21st-century way, but the materials and interior design don’t feel special. It feels exactly what it is, a premium two-seater sports car from the people who bring you premium saloons and estate cars. However, the exterior shape, which we think looks better than anything else in its class, makes up for the lack of interior flair. 

If you did need further storage space, the Porsche is more practical and spacious, with small back seats that are suitable for humans over short distances. But these are not supposed to be practical cars and, as a racy weekend machine, the R8 is superb. It manages what some much more expensive supercars don’t: it is reactive and lively at low speeds, and you don’t have the feeling – common in some over-capable supercars – that the car is taking everything in its stride and not giving much fun or feedback. 

Read more: Ionic cars are transforming classic cars for an electric future

In the R8 you have the best engine in its class, combined with handling that lets you know you are in a supercar, while keeping you hyper-alert. The steering could have more feel, although that is a common complaint in this era of electrically assisted steering and giant tyres. Importantly, the R8 is the last of its kind. With emissions regulations, Audi will not make another V10. We recommend it, and, for extra fun, opt for the Spyder over the coupé, so you can open the roof and hear the engine even more.

LUX rating: 19/20

Find out more: audi.co.uk

This article first appeared in the Autumn/Winter 2022/23 issue of LUX

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yellow bentley
yellow bentley

The Bentley Continental GT Speed

In the first part of our Driving Force series from the AW 2022/23 issue, LUX’s car reviewer gets behind the wheel of Bentley Continental GT Speed.

In this era of speed cameras and efficiency, the idea of a 12-cylinder car expressly made for two people touring the continent and called Speed, seems so impossibly incorrect that we had to try it. Our Bentley Continental GT Speed came in Damson, a rather tasteful purple close to black. The interior was also a deep purple, not of the heavy-metal kind but more what you might expect in the drawing room of the mildly wayward youngest son of an Italian count.

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Considering it is one of the faster models in a powerful car range beloved of footballers, as well as a wealth of a variety of other types, the Speed is remarkably un-blingy and understated. The engine hums: a tuneful moderate hum around town, a more purposeful hum on the highway and a “tuning up at the opera” hum when accelerating hard, when it is accompanied by a tasteful “whoosh”. It never makes any other noises, though; that would be out of keeping.

The standard Bentley Continental GT is such a good car of the type – comfortable, beautiful, powerful, fast and exclusive in feel – you need a good reason to choose the Speed, with its extra horsepower, instead. Driving around town, the difference is marginal. It picks up with a tad more vigour and turns corners more sharply, but this is a heavy luxury car and you can’t throw it around little bends as if it were a go-kart.

 The Speed’s significance becomes apparent on long stretches of empty rural roads. Here, if another car is impudently driving in front of you, shoot past by twitching the gas pedal: the car surges forward, stable whatever the road surface or weather conditions, due to its four-wheel-drive, to obtain its rightful place at the head of the traffic. For more drama when overtaking a line of cars, put the accelerator to the floor and it storms past, attaining a three-figure speed.

clock in a car

The Bentley Continental GT Speed combines all the understated elegance you might expect with the assurance that the driver is truly in the driving seat of the ride

It does all this with an air no other car, even its siblings, can quite achieve: effortless and muscular, yet the right side of involving. Bentley’s engineers have made sure that you, the driver, are not a passenger, as you are in some fast luxury cars. A Bentley driver likes to drive.

The quality of materials in the interior is as good or better than anything else on the road, perhaps barring Bugatti and Rolls-Royce. Even the Alcantara, the man-made suede stitched on the dashboard to give a sportier feel, seems of a lusher, thicker grade than in supercars. The controls feel as if they have been personally machined for you and have haptics familiar to owners of expensive watches.

Read more: LUX Car Review: Ferrari F8 Tributo and F8 Spider

Crucially, the Speed is easy to drive. If you wanted to drive it around Mayfair or Beverly Hills, it would be no problem. Visibility is good, the controls are light and straightforward, and you can get in and out easily. The seats are comfortable in the front, although with limited room for rear-seat passengers, in GT style. If you want a Bentley for four, there are other models in the range – less sexy, but more practical.

Is there anything missing? Objectively, no. Subjectively, while the car offers all the speed you would expect, we think there is room for a Bentley that offers an even more sporty driving experience, even at the expense of some comfort. When that comes, we will certainly want one.

LUX rating: 18.5/20

Find out more: bentleymotors.com

This article first appeared in the Autumn/Winter 2022/23 issue of LUX

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Red car driving on road
Red car driving on road

The latest Porsche Panamera, a comfortable, high-performance SUV, is less lumbering than other fast SUVs and provides genuine driver satisfaction

In the fourth part of our supercar review series, LUX gets behind the wheel of the Porsche Panamera 4S E-Hybrid

Mitteleuropa (middle Europe) is a semi-mythical territory that has always fascinated us. It is, decisively not the same as central Europe, the web of countries to the east of Switzerland and to the west of Romania. Its German name suggests it incorporates a part of Germany, but it cannot include the brisk North Sea coast or the Hanseatic ports, which belong to the Baltic. And we felt we were entering Mitteleuropa when a sign on the motorway in eastern France (that’s right, France) declared that we were in Lorraine. The signs on the motorway exit boards changed tone, as did the scenery. The place names became Germanic, and the flat fields of the Champagne region gave way to forested hills and ridges.

Follow LUX on Instagram: luxthemagazine

Here, the Porsche Panamera felt in its element, as it headed back to its homeland. The straight-line motorway that had been a feature of the route to date turned into long, beautifully engineered curves, taken at high speed in this long wheelbase, semi-electric, large sports sedan. It was enormously satisfying, with subtle growls from the V8 engine upfront and the steeliness of the car’s sporting suspension making you feel like a pilot more than a chauffeur.

front black seats of car

This is the aim of the Panamera: a comfortable, high-performance vehicle intended to be genuinely satisfying for the driver, without the compromises of a high-sided SUV. As we drove past one mini mountain, the clouds burst open in a Götterdämmerung of rain, which rapidly flooded the road. The four-wheel-drive of the Panamera felt as if it was vacuuming up the water and spitting it out the back, wanting still to go faster, as if on a wet race track, when it would have been irresponsible to do so.

wheel of a car

We spent the night in Phalsbourg, eating at a French restaurant on a terrace on its wide central square while being served beer brewed in the Black Forest, in neighbouring Germany, by staff who spoke French and German, as if the two territories were one.

Between Phalsbourg and the Black Forest lie the Vosges mountains. The roads here were narrow, tight, still damp and the car clung to them through the gears, the electric and petrol engines working in unison to propel us forward. The Panamera is not a sports car by any traditional definition, it is too wide, too heavy. But if you’re used to driving a fast SUV and hanker after something less lumbering, while still having a lot of space, this is for you.

Read More: Style And Substance: Bentley Bentayga Hybrid

In the Black Forest the autobahn between Stuttgart and Lake Constance has no speed limit in many places, and its trail snakes through the mountains. At normal speed, the curves are gentle, barely noticeable, and you have the ability to admire villages pinned into the surrounding woods. But when you go much faster, on an empty road, each corner feels like a racetrack, and the car on its limit is muscular, secure, reassuring but sharp, made to maximise its capabilities on these roads not so far from its birth town of Stuttgart. At 160mph (257km/h), there is no time to admire the scenery.
We finished the day with a glass of the same local beer offered to us hundreds of miles away in Phalsbourg, while sitting in a little café on Lake Constance, Switzerland, a series of green bumps across the lake in front of us, Austria a couple of grey spikes in the distance to the left. Middle Europe, and the ideal car to conquer it.

LUX Rating: 18/20

Find out more: porsche.com

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bentley car driving amid mountains
bentley car driving amid mountains

The new Bentley Bentayga Hybrid is a lighter-feel luxury SUV that’s a wonderful mix of refinement and muscle

In the third part of our supercar review series, LUX gets behind the wheel of the Bentley Bentayga Hybrid

If you need an example of how the attributes of heritage luxury car brands have to change in the new world of sustainability and electrification, look no further than Bentley. This is a company that has been making cars that are primarily distinguished by their immensely powerful and vocal petrol engines for more than 100 years. Taking the petrol engines out of Bentleys would be like taking the leather out of a Chesterfield.

This latest model we drove is not electrically powered, but it’s a halfway point. The company’s luxury SUV is typically distinguished by its massive 12-cylinder engine (although there are models available with a V8). Here we have a hybrid version, with a six-cylinder petrol engine accompanied by an electric motor.

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Does it work? That depends: if you’re listening for that V12 ‘whoof’, and expecting the distinctive power characteristics – speed and responsiveness to increase in tandem – you may be disappointed at first. In fact, the sound is the most notable characteristic of this car, as going from a Bentley V12 to this is rather like going from wild to farmed beluga. Still good, but not what you’re used to. But, given that in a few short years no engine will make any sound at all apart from a faint hum, this is really a moot point.

Bentley beige car interior

One other characteristic a traditionalist will welcome is the lighter feel: there is less engine in the nose of the car. It feels quite alive around corners on country lanes on the way to one’s architect-redesigned Oxfordshire manor house.

Black car dashboard

That is the kind of lifestyle this car is aimed at and it does an excellent job. The interior feels like sitting in a well-appointed bank vault with windows onto which the outside world is projected. Unlike some very powerful SUVs, it doesn’t feel like it wants to race every car from the traffic lights. It’s not exactly serene – it’s a Bentley after all – but it’s a wonderful mix of refinement and muscle. If you’re an enthusiastic driver, you won’t complain about the relatively agile handling, excellent roadholding and responsiveness at speed. You may wish for a little more feedback and involvement, though, as this car is set up more at the luxury end of things.

Read more: Why You Should Get Your New Car Ceramic Coated

Your passengers will enjoy the crafted feel of the interior, which really does feel a cut above almost any rival. It may not feel as passionate as the SUV offerings from Lamborghini or the Mercedes G 63, but it aims to do a slightly different job, rather more grown-up. It is also a car you could get in to drive from the Cotswolds to ski in St Moritz in one day, and arrive refreshed and ready for the slopes. And the fuel savings from the new electric-petrol engine will pay for a couple of drinks at Pavarotti’s.

LUX rating: 17.5/20

Find out more: bentleymotors.com

This article appears in the Summer 2022 issue of LUX

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A black McLaren GT on top of a mountain
A black McLaren GT on top of a mountain

For a balanced supercar life, look no further that the new Mclaren GT

In the second part of our supercar review series, LUX gets behind the wheel of the McLaren GT

A GT car, traditionally, was a good compromise. Powerful and exciting to drive, but also comfortable and relatively quiet, in order to fulfil ‘grand touring’ duties, typically between Monaco and Zürich, or Munich and the Amalfi coast, or any two points between which the wealthy of the mid to late 20th century wished to drive.

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This is a relatively challenging brief, because the most exciting cars are, by definition, highly responsive and therefore tend to be exhausting when driven in straight lines on the motorway. Similarly, cars that are relaxing to drive in a straight line are not always exciting on the last series of twisty curves leading up to your Eagle’s Nest villa. The cars that succeeded in combining these qualities, such as Ferrari’s 275 GTB/4, the Aston Martin DB5 and Jaguar E-type, are historic masterpieces and play a valuable part in automotive history.

interior black seats and wheel with a red stitching in a McLaren GT

This two-seater is fantastically accomplished, offering sports car thrills and comfort

McLaren absolutely excels at making cars that are exciting on a tightly curved country road. And here is a McLaren that looks pretty similar to those models, but is instead badged a GT and aimed at buyers who want a balanced supercar life.

The first thing we established, on a series of tight curves and roundabouts in rural Britain, is that this car handles like a McLaren and not like some kind of soft-luxury saloon. It’s sharp, responds dynamically to the throttle, brakes brilliantly, shoots over mid-corner bumps as if they are not there and generally feels like you are driving a supercar. If McLaren didn’t make its non-GT series of cars, you would be perfectly happy with this as your two-seater sports car.

A black car driving on a road with mountains in the distance

Exterior of the McLaren GT

The interior is snug and comfortable while you are in there – like all McLarens, it can take a bit of focus to get in and out, particularly for larger and taller people.

And how does it perform as a GT? Its massive power means it achieves cruising velocity swiftly
and effortlessly. The suspension engineering and aerodynamics give it superb straight-line
stability. Always willing and responsive, it never feels nervous. It’s also relatively quiet, in terms of both engine and road noise, compared with a proper supercar, and rides well – you never feel the car is fighting the road.

Read more: The Style And Substance Series: Porsche 911 Targa 4S Heritage Design Edition

All in all, a brilliant, fantastically accomplished two-seater car. If you were to buy one, instead of a two-seater Ferrari or Lamborghini, for pure sports car thrills, no one would say you had made the wrong choice.

a red and black interior of a McLaren GT with mountains through the windscreen

Interior of the McLaren GT

But is it a GT? That’s a $200,000 (more or less, depending on which country you’re buying the car in) question. While it will perform long-distance duties with aplomb, it doesn’t quite have the je ne sais quoi of the great GT cars. And that’s no real criticism, because even Ferrari and Aston Martin, the traditional holders of the GT crown, find it hard to balance the engineering required to keep a super high-performance car on the road, and the laid-back qualities needed for a great GT. The McLaren is a great car, but is it a great GT? Not quite. But we’re not sure anything made in the past 15 years or so is.

LUX Rating 18.5/20

Find out more: mclaren.com

This article appears in the Summer 2022 issue of LUX

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An old green Lamborghini in front of palm trees on a roof
red and white leather interior of an old classic Ferrari

Interior of the 1955 Ferrari 250 Europa GT Coupé

Maarten Ten Holder, Managing Director of Bonhams Motoring, tells LUX his top picks at Bonhams Quail Auction in California, ahead of the sale on Friday 19th August 2022. A sale which features cars being sold up to $3,400,000.

It may not be winter, but the West Coast is calling and the classic car world is gathering in Northern California for Monterey Car Week. This Mecca for serious car collectors includes the world-famous Pebble Beach Concours. Bonhams Quail Auction takes place in tandem with the equally glamorous Quail Motorsports gathering garden party this Friday (19 August). Our 25th silver anniversary sale offers a host of precious metal.

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1963 Jaguar E-Type Lightweight Competition, estimate on request

An old white car with the number 14 on the side on a track

1963 Jaguar E-Type Lightweight Competition

Owned by that giant of US motor racing, (and Americas Cup winner) Briggs Cunningham, and driven at Le Mans no less, this is one of the most important early racing Jaguars.

It’s a rare beast too – one of only 12 Competition cars, built with aluminium bodies and hard top and alloy 3.8-litre engine (hence it’s Lightweight label), sold exclusively to Jaguar’s preferred customers.

Significantly restored in the 1980s yet retaining its original bodywork and matching-numbers engine, this E-Type is eligible for the world’s most prestigious concours and historic races.

1938 Type 57C Atalante, estimate $2.8 – 3.4 million

black and yellow classic car in front of a garage

1938 Type 57C Atalante

This supercharged art deco masterpiece, designed by Jean Bugatti, was the supercar of the golden age, reaching a top speed of 120mph, when most cars aimed for 50 mph.

One of only five aluminium 57Cs, the Bugatti was the 1938 Paris Salon display car but has largely been under wraps for much of its life, firstly hidden during the Second World War, then kept for many years without turning a wheel in the garage of a later keeper’s chateau.

1969 Lamborghini P400S Miura, estimate $1,75 – 2,25 million

An old green Lamborghini in front of palm trees on a roof

1969 Lamborghini P400S Miura

Eternally young, the Lamborghini Miura was the car that put Lamborghini on the map and is often called the most beautiful car of its age. Gandini’s svelte design for Bertone is complemented by the evocative soundtrack from its Lamborghini’s brilliant V12 engine, placed behind the driver. landmark in the history of Italian sports cars. This 1969 P400S Miura, estimated at $1,750,000-2,250,000 and offered with no reserve.

1955 Ferrari 250 Europa GT Coupe, estimate $2.25 – 2.75 million

A white car driving on a road

1955 Ferrari 250 Europa Coupé

The great rival to Lamborghini is represented by seven models at Quail, including a trio of early cars led by the very last Ferrari 250 Europa GT built. This landmark model is regarded as the first of the iconic Ferrari GTs.

Styled and built by Pinin Farina, this car was first exhibited at the 1956 Brussels Motor Show and raced in period at Spa Francorchamps. In the late 2000s, the matching numbers car was the subject of a superb, factory-correct restoration, while retaining its original bodywork and chassis and is Ferrari Classiche ‘Red Book’ Certified.

1956 Mercedes-Benz 300SL Gullwing Coupé, estimate $1.4 – 1.7 million

a red car with the doors opening over the roof

1956 Mercedes-Benz 300SL Gullwing Coupé

Instantly recognisable – not just to car enthusiasts – the 300SL is considered the greatest sports car of the 1950s, with famous successes at Le Mans, Targa Florio and of course the 1955 Mille Miglia, won by Stirling Moss and Denis Jenkinson at a record average speed of just under 100mph.

Read more: The Style And Substance Series: Porsche 911 Targa 4S Heritage Design Edition

This superb example has been kept by the same family from new, originally used as a daily driver by its first owner, Greek shipping magnate George C. Makris, then latterly stored by his children in a climate-controlled environment. Superbly restored while retaining its original engine, bodywork, desirable Rudge wheels and original Becker Mexico radio, the 300SL has covered under 22,000 miles over its lifetime.

Ex-Steve McQueen 1971 Husqvarna 400 Cross, estimate $130,000 – 180,000

a red and black motorbike

Ex-Steve McQueen 1971 Husqvarna 400 Cross

The King of Cool was a known petrolhead (think of his passion project film ‘Le Mans’) and a motorcycle enthusiast, famously riding on screen in The Great Escape and On Any Sunday, the bike movie in which Husqvarnas featured heavily.

This ‘Husky’ was one of McQueen’s favourite off-road bikes and was kept by the actor until his death in 1980. The lovingly preserved, authentic machines offered in “as last ridden by McQueen” condition and still scarred with all the dents and dings from his regular rides.

Bonham’s Quail Auction will begin at 11am PDT/ 7pm BST on Friday 19th August

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a red convertible Porsche parked in front of a green field
a red convertible Porsche parked in front of a green field

This special Heritage Design Edition of Porsche’s 911 Targa 4S is the perfect compromise between a fixed-roof and a convertible- but your hair may still get messed up

In the first part of our supercar review series, LUX gets behind the wheel of the Porsche 911 Targa 4S Heritage Design Edition

One of the most important decision-making factors for anyone contemplating any sports car is hair. As in, “Will my hair get messed up when I ride in that?”. Get the decision wrong, and you could be in for a world of pain, and many stressful driving experiences.

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In a convertible car, where the roof lowers completely and leaves the passengers exposed behind the windscreen, forget any ideas you may have about looking like Grace Kelly or Leonardo DiCaprio. Any expensive hairstyle turns into a kind of 1980s plugged-into-the- socket-style frizz.

White leather seats and red hardware in a car

The alternative is to buy a car with a fixed roof, which are also more highly regarded by car geeks as they tend to be better to drive. But since when were geeks ever correct about any matter of style?

The 911 Targa 4S is Porsche’s answer to this pressing question. Press a button and the (hard) rooftop section lifts itself up, while the rear windscreen also lifts and swivels backward rather alarmingly. The top section disappears into the middle of the car, and the rear windscreen comes back and fixes itself to the ‘Targa hoops’ that encircle the top of the car.

The net effect is that when the roof is open you are surrounded on three sides by glass, the area above your head, where the roof would be, open to the sky. That stops wind blowing in sideways and should, in theory, keep all hairstyles and wigs as perfect as the day they left the salon.

a red convertible Porsche with a white circle on the side of the car, driving by a green field

The motorway north out of Basel into this car’s native Germany is wide, flat and has no speed limit. Taking these factors to their logical conclusion, we can report back that, at a road speed of more than 150mph (255km per hour), even someone with a closely cropped cut of their own hair will end up with a 1980s plugged-into-the-socket-style frizz. So don’t be fooled. If you want perfect hair, take your Bombardier.

In other respects, this is a stylish and satisfying car. The extra roof engineering makes the car notably heavier than its lightweight sports car Porsche 911 stablemates. For most driving experiences, that doesn’t matter at all. What does matter is a modern, technical- looking and practical interior, which we think looks best in the lighter colours of the Heritage Design Edition model we tested here (a limited edition that is no longer available, but the regular 911 Targa 4S is the same car aside from the design detail).

white leather car seats

Being in a sports car usually both works ways and it is particularly the case here. Your journey will be notably noisier and less relaxed then if you had taken the same route in a luxury sedan. But on the right roads, you will have more fun: the latest Porsche 911 is a fast, exciting car when pushed hard, and more practical to live with than a Ferrari or Aston.

Read more: Philanthropy: Nathalie Guiot, The Culture Booster

You will feel more alive than in an SUV or a sedan, and with the roof on you feel as secure as you do in a fixed-head (coupé) car. With the Targa roof off, you have the opportunity to get a suntan, show off a bit and your hairstyle will be – well, we can’t lie – messed up.

LUX rating: 18/20

Find out more: porsche.com

This article appears in the Summer 2022 issue of LUX

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Two cars
Art

Original digital art by Mercedes-Benz at Design Essentials IV: The Art of Creating Desire

LUX stops off at the Mercedes-Benz Design Centre in Nice to hear about its latest projects – from EVs to NFTs, and everything in between 

Few places can evoke desire like the Cote d’Azur. Home to the world’s superelite and their superyachts, it is where the most exclusive communities migrate in summertime – and where the aspirational go to see them.

All of which made it a fitting backdrop for Mercedes-Benz’s latest Design Essentials instalment, ‘The Art of Creating Desire’. Presented between their Design Centre in Nice – a cylindrical, spaceship-like structure hidden in the pine forest of France’s tech hub – and the newly-opened Maybourne Riviera, the showcase featured the marque’s latest projects and outlooks on the future of luxury.

Building

The Mercedes-Benz Design Centre in Nice

‘We aspire to design the most desirable cars in the world. With Design Essentials, we illustrate how we approach this privilege in concrete terms,’ explained Chief Design Officer Gorden Wagener. ‘The venue – our Design Centre in Nice – plays a central role in this. I see it as a creative melting pot where we forge ideas for the luxury cars of the future.’

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That future, according to Mercedes-Benz, is digital. The marque has joined as the fifth and final founding member of the Aura Blockchain Consortium – a non-profit association of luxury brands investing in blockchain solutions for the industry – alongside LVMH, Prada Group, OTB Group, and Cartier, part of Richemont.

Car interior

Mercedes-Benz is expanding into in-car digital art experiences

‘Every product going forward will have a digital twin,’ explained Daniela Ott, General Secretary of Aura. ‘This is for all the use cases you can imagine, from traceability and provenance to resale and second-hand, NFTs and using the physical products you own in the metaverse’. In Mercedes’ case – the first and only premium automotive manufacturer to have joined the consortium – this means providing new digital art experiences both in-car and beyond.

Elsewhere, the marque is strengthening its commitment to the global fashion scene with the concept Mercedes-Maybach Haute Voiture, an S-Class reimagined through an haute couture lens. The car, which is expected to appear in 2023 in a limited release of 150 units, features a two-tone midnight blue and champagne exterior, and a nappa leather interior with bouclé fabric and gold trim.

Car interior

The limited edition Mercedes-Maybach Haute Voiture

We also had a sneak peek of the new Limited Edition Mercedes-Maybach. Soon to be available in a 150-unit run, the model was borne out of Project MAYBACH, the off-road EV concept created in collaboration with the late artist and fashion designer Virgil Abloh, which was presented at the Rubell Museum during Miami Art Week. The limited edition model marks the third and final collaboration with Abloh, whose Project Geländewagen set a benchmark for fashion and automotive collaborations in 2020.

Two cars

The Mercedes-Maybach by Virgil Abloh (left) and Project MAYBACH (right)

The grand finale took place over aperitifs at the Maybourne, where we were introduced to the Vision AMG, Mercedes’ new, all-electric sports car concept, slated for release in 2025. The car offers a preview of the all-electric future of Mercedes’ performance brand, having embarked on an electrification plan which will see electrified alternatives in every segment by the end of 2022, and an all-electric fleet by 2030.

Read more: Octopus Energy Founder Greg Jackson On The Green Revolution

Car

The Mercedes-Benz Vision AMG

Speaking of the formal aspect of the Vision AMG, Wagener said, ‘it continues to write the history of the VISION EQXX and raises it to a completely new level’.

If the future really is electric, we want to do it in the Vision AMG.

Find out more: mercedes-benz.com

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red classic car by a lake
A palace in the mountains with trees around it

Gstaad Palace

Maarten Ten Holder, Managing Director of Bonhams Motoring, tells LUX his top picks for The Gstaad Sale in Switzerland ahead of the sale on 3rd July 2022. The sale features cars being sold up to £1,900,000

When you handle some of the world’s rarest, most exotic and most valuable collector cars, it makes sense to sell them in the most beautiful locations. Bonhams is fortunate to have salerooms at the Grand Palais in Paris, overlooking the Grand Prix circuit in Monaco and on the lawns of the world-famous Monterey Car Week. To this glittering roster, we have added the chic Alpine resort of Gstaad where we will be hosting our eponymous sale on Sunday 3 July.

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The venue for this boutique sale is the Gstaad Palace, celebrity haunt for the likes of Elizabeth Taylor, Grace Kelly, Roger Moore, and the perfect backdrop for the automotive art we will be presenting – what is more, the general manager is a classic car enthusiast, so we will be in good company!

silver 2010 Lamborghini Reventon Roadster 6 with a pile of orange stones behind it and mountains in the background

2010 Lamborghini Reventon Roadster

Rather fittingly for our jet-set audience, our sale is led by a jet-inspired hypercar – a 2010 Lamborghini Reventon supercar (estimate CHF 1,850,000-2,200,000). This was the most extreme Lamborghini to date when unveiled in the late Noughties. Its aeronautic styling is matched by blistering performance thanks to its 6.5-litre V12 engine. It has a top speed of 205mph and accelerates from 0-100km/h in 3.4 seconds and even has a G-force meter for that ‘Top Gun’ moment. This Reventon is as new, having had only two owners, the second, the vendor, never having driven it!

A red 1991 Ferrari F40 on a track with grass

1991 Ferrari F40

Lamborghini’s great rival, Ferrari, also features in this sale, with no less than six supercars and grand tourers offered. Looming in the Reventon’s rear-view mirror is a 1991 Ferrari F40 (estimate CHF 1,600,000 – 2,000,000), considered one of the last great ‘analogue’ supercars.

Red Ferrari on a road with stones by it

1972 Ferrari 365 GTB:4 ‘Daytona’ Berlinetta

Introduced to celebrate Enzo Ferrari’s 40 years as a motor manufacturer, the F40 was the last model to be personally overseen by ‘the old man’ before he died in 1988. A thinly disguised racing car, with its panels of carbon fibre and that unmistakable high rear aerofoil, the F40 was the first production passenger car to have a top speed of more than 200 mph. It’s no wonder that F40s have been owned by the great and the good from Formula 1 champions such as Nigel Mansell and Alain Prost to Il Maestro, Luciano Pavarotti.

Black and white 2020 Porsche 911 GT2 RS Clubsport with green mountains and clouds in the background

2020 Porsche 911 GT2 RS Clubsport

Another racing-derived car is a 2020 Porsche 911 GT2 RS Clubsport, (estimate CHF 390,000 – 500,000). The high-performance version of the evergreen 911 was produced to meet the regulations for GT2 sports car racing. Th even more powerful RS version set a new lap record at the infamous Nürburgring last year.

This one-owner example has covered fewer than 300 kms and has never been raced, although it is fully-equipped for motorsport with its ‘Clubsport’ package including FIA rollcage, Recaro racing seat and racing dampers.

Read more: Switzerland, our top pick for summer

Classic models from the motoring world’s most prestigious marques, such as Aston Martin, Mercedes-Benz, Rolls-Royce and Bentley, will also be gracing the Gstaad Palace this weekend.

A black Monteverdi 1969 in front of a green garage

1969 Monteverdi 375S Coupe

However also lining up is a less familiar name: Monteverdi, a Swiss marque of the 1960s and 1970s – the brainchild of BMW dealer Peter Monteverdi. Wanting to produce a Swiss rival to Ferrari, he matched American power with European styling and luxurious interiors. Two of these rarities will be offered, including the 1969 Geneva Salon show car, a 1969 575S Coupé.

red classic car by a lake

1956 Alfa Romeo 1900C Super Sprint Barchetta

And there are more Swiss-made cars. The country may be more famous for watchmaking but has had a thriving coachbuilding industry in the 20th century, Representing its golden age is a 1956 Alfa Romeo 1900C Super Sprint Barchetta (CHF 300,000 – 400,000), its Ghia Aigle coachwork designed along the lines of a Riva speedboat with wraparound windscreen. Apparently, the Ghia was ‘banished’ into storage for 30 years by its first owner’s wife when she discovered the car had been bought for his mistress.

A black Renault 1981 on a pavement

1981 Renault 5 Turbo

My final highlight is a seemingly humbler car – a 1981 Renault 5, at one point France’s best-selling model and the first car for many. However, this special and increasingly sought-after high performance Turbo version has had only one owner from new, Catherine Larson, widow of Formula 1 driver Didier Pironi. The 5 has an estimate of CHF 130,000 – 150,000, making it one of the most valuable to be offered but surely one of the most perfect for tackling the twisting mountain roads!

The preview for the Gstaad Sale will be held at the Gstaad Palace Hotel from 1 to 3 July, with the sale from 15.00 on Sunday 1 July.

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Mercedes in black
Mercedes in blackProper ceramic coating, after a thorough paintwork correction, is the only way to make your new car look properly new, as LUX discovers with its recently purchased high-performance convertible

When you’re choosing a new car, there are many questions to ponder. Electric, hybrid or petrol? (The eco-friendly answer requires some research in each case.) Which brand? Exterior colour, interior colour, options? Which wheels? Did you think about tyre brand (a whole other world)? Are there any extras that will help with resale? (The short answer: you won’t get the extra couple of thousand you pay for the head-up display or the carbon fibre steering wheel back, but the right options make it easier to sell).

Very few people ponder one fundamental issue. Your brand new car is likely to be delivered with paintwork that is scratched and pitted, and it will only get worse unless you do something about it.

This is not due to some plot by manufacturers. But whether you buy a Ferrari or a Cinquecento, a Tesla or a Lamborghini, from the point it is painted at the factory, your car will spend weeks or months being transported to you, during which point it will (hopefully) not receive any plainly-visible scratches or marks. But it will be wiped, cleaned, dried and “valeted” on various occasions, and those actions, done in a hurry with the best of intentions, leave swirls and scratches on your paint, clearly visible on close inspection. And without further protection, that will only get dramatically worse during your ownership.

That’s where a proper ceramic coat comes in. Ceramic coating is to old-fashioned polishing and waxing what an iPhone 12 is to a Nokia, and here LUX hands over to Ahmed Al-Wajih, director of 1080, who was responsible for the shine on our Mercedes C63S Cabriolet Brabus 600 in these photographs, courtesy of products by market-leader G-Techniq.

red white and silver paint bottles

LUX: What happens to unprotected paint on a car under normal circumstances (without ceramic coating)?
Ahmed Al-Wajih: Unprotected paint is exposed to elements in our environment, such as oxidation from the sun, contamination from pollen tree sap and bird droppings. These can be very harmful to your vehicle’s paintwork if not addressed immediately and safely. An unprotected surface has a much faster wear rate than a protected surface.

LUX: Can you describe the science of paint – that what most people think is a scratch in paint is actually in a clear coat?
Ahmed Al-Wajih: Traditionally vehicles had a single stage paint, which was oil based and was just paint onto of the panel. Today we have three-layer paints on most panels, if not all. It consists of primer, base coat and the clear coat. The base coat is the actual colour that you see and the clear coat is a transparent layer that adds the final finish to the paint. The clear coat also provides a layer of protection to the base coat. Therefore the swirls, holograms, dullness in the paint are typically imperfections on the clear coat and not the base coat. Deep scratches that can be felt by your fingernail usually mean that the damage has gone beyond the clear coat and into the base coat or primer.

LUX: What does ceramic coating (and the other protection you supply) do?
Ahmed Al-Wajih: A ceramic coating for the paintwork is designed to protect the vehicle’s surfaces. The main purpose of a ceramic coating is to bond with the clear coat to make it harder, therefore more resistant to swirls and light scratches, as well as to provide protection against oxidation. It also provides high levels of gloss and hydrophobic qualities.

For the interior, chemicals were used to protect the floor mats and carpets. The purpose of this is to protect the carpets from stains caused by liquids and dirt that can become imbedded into the fibres. A sealant was used to protect the leather from dye transfer and to help clean the leather much quicker.

LUX: What is the difference between ceramic coating and traditional wax?
Ahmed Al-Wajih: The main difference between ceramic and wax to the paintwork is durability. A ceramic coating is a long-lasting coating that bonds within the clear coat particles. For example Gtechniq’s flagship ceramic, the Crystal Serum Ultra, is warranted for nine years. It will not wear away with aggressive washing chemicals, or even machine polishing, the only way to remove it is by sanding down the panel. A wax coating on the other hand may be topped up by layers, however an aggressive chemical will take the wax of the surface.

Tape and paint tools hanging on a wall

LUX: What exactly did you do in the process of coating our car?.
Ahmed Al-Wajih: First step in our process is to decontaminate the vehicle and strip off any sealants that are on the vehicle. This is a crucial part of the process as we need to ensure that the paintwork is clean and without any contaminates before we can move onto the next stage. Once the vehicle has been decontaminated and dried, we worked on the interior, again ensuring that all surfaces were clean.

The vehicle was then put on our ramp and we safely raised the car and removed the wheels. The wheels were then taken to our wash bay to be cleaned once again. The wheel arches were also cleaned again. Once the wheels were dried, they were protected using Gtechniq C5 wheel armour. The callipers were also protected using the C5 wheel armour. The interior was then protected using Gtechniq’s L1 leather guard for the leather surfaces and I1 Smart fabric for the carpets, alcantara and floor mats. The I1 Smart fabric was also used on the soft top.

We then inspected the vehicles paintwork and identified specific areas that needed extra attention and correction. We masked the vehicle and began our correction of those areas. Once this was complete we gave the vehicle a one stage enhancement process with the aim to further enhance the depth of the Obsidian black and ensure that the paintwork is in the best possible condition.

Once this process was complete we began prepping the paintwork using a panel wipe. The purpose of this process is to clean the panels and ensure that they are free from anything that may contaminate the application of the ceramic coating. Once this process was complete we began applying the Crystal Serum Ultra. Once we completed this process we left the ceramic to cure overnight. The following morning we inspected the paintwork to ensure that the ceramic had bonded properly. We then applied C2 Crystal laquer which acts as a top up coating for the ceramic. We also protected the glass using Gtechniq’s Smart Glass. Once we were happy that the ceramic to the wheels, body, interior and glass had cured we safely put the wheels back onto the vehicle and ensure that the wheels were torqued back up to the manufacturer’s specification.

Once again the vehicle was moved to our final inspection bay [with all round flourescent lighting] and we gave the vehicle a final inspection to ensure that it met our standards.

interior of a mercedes

LUX: Why use Gtechniq products?
Ahmed Al-Wajih: Gtechniq is a leader in the world of ceramic coatings. They put a lot of research and development into their products and stand by them. There are many different brands for ceramic coatings but there are very few that have the same international recognition.

LUX: There are detailers offering clients mobile ceramic coating in hours. Your process takes three days. What is the difference?
Ahmed Al-Wajih: There are different levels of ceramic coating, There is a liquid ceramic coating which is very easily applied, you spray it on and wipe it off. There are also ceramic coatings which are not semi-permanent which can also be applied without the risk of causing much damage as removing the coating is easy.

Once you get to the semi permanent coatings such as the five year or nine year coatings, you need the paintwork to be perfect before you apply the coating as any imperfection will be locked in for the duration of the ceramic coating. It is not impossible, however it puts the person applying the coating at a big disadvantage.

We have a studio where we are able to control the lighting, temperature, and positioning of the vehicle. All of this helps us to produce incredible and consistent results.It would be a big disadvantage trying to correct a car with poor light and bad weather conditions.

LUX: People buying a brand new car may not believe their car needs paint correction (ahead of protection). Tell us what you find on brand new cars.
Ahmed Al-Wajih: Believe it or not I have yet too come across a brand new car that is without imperfections. To the untrained eye the car may be glossy and shiny but to a trained eye, there are swirls, light scratches from where the vehicle has been valeting prior to delivery. The vehicle may have been in transport and exposed to the elements. causing etchings on the paintwork Many people do not see the imperfections and are happy to live with it, but if you are going to project your vehicle, you would really need to perfect the paintwork, because if you see it over the coating, there is not much that can be done.

A man in a black uniform working in a car paint shop

LUX: Why choose a ceramic coat over a clear paint protection film wrap?
Ahmed Al-Wajih: If you are after protection, then the best form of protection is PPF (paint protection film). It protects the paintwork far better than ceramic. However PPF is costly and can cost more per panel than if you were just to have that panel painted. Also the level of shine and depth does not match that of a ceramic coating, although having said that, technology in PPF has come a long way and the quality is getting better.

LUX: For classic cars, you may still suggest a wax instead of a ceramic coat. Why?
Ahmed Al-Wajih: When recommending a product, we try to identify the purpose of why your vehicle is with us and what it is that you are trying to achieve. If you have a classic car that is garaged most days in the year and sees the odd outing to an event, chances are that the vehicle would not be exposed to a lot of contaminants. In addition tot his the paint may be very thin from previous years and a correction would not be suitable. A carnauba wax finish in this instance would be more suitable. The vehicle would still have protection, the paintwork would still have gloss and depth in the colour and more layers can be added on. If that same vehicle was to be parked on the street and driven daily thence would suggest a ceramic coating.

Portrait and product photography by Isabella Sheherazade Sanai

1080london.com

gtechniq.co.uk

 

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Reading time: 9 min
green and black car
old yellow car

1938 Bugatti Type 57 C Stelvio Cabriolet

Maarten Ten Holder, Managing Director of Bonhams Motoring, tells LUX his top picks at Les Grandes Marques du Monde in Paris, ahead of the sale on Thursday 3rd February 2022. A sale which features cars being sold up to £2,100,000
a man standing by a black car

Maarten Ten Holden

Les Grandes Marques à Paris, Bonhams’ European season-opener is an event I look forward to every year. Traditionally held at the Grand Palais, located between the Champs-Elysees and the Seine, this venue is one of the more spectacular settings for our many international car auctions.

This year, the sale has relocated to the Grand Palais 2.0, le Grand Palais Éphémère, a stunning temporary building which is serving as the city’s exhibition space during the restoration of the original. Located on the Champs-the-Mars, right at the foot of the Eiffel tower, this modular, sustainable structure is not only environmentally friendly, but through its design and location, might even outshine its historical sibling.

But there is more: inspired by the glamour of Éphémère, we decided to add a new luxury sale of more than 125 watches to our series of sales in Paris, which is the perfect complement to our regular line up.

We will present more than 100 of the most exquisite collectors’ cars, from the pioneers to contemporary supercars. Creating a shortlist has proven a tricky task, but here are just a few of my top picks…

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1964 Porsche 904 GTS, estimate €1,300,000 – 1,600,000
One of the biggest racing stars of the 1960S, the mid-engined Porsche 904 GTS sportscar was owned by a star: the Hollywood great, Robert Redford, who drove it for nearly a decade. The model was called the ‘giant killer’ for its success in such famous events as the Monte Carlo Rally.

A green car

Robert Redford’s Porsche 904 GTS

2015 Ferrari LaFerrari, estimate €2,000,000 – 2,500,000
The F1-inspired hybrid hypercar was described by Ferrari as its most ambitious car, with its electric motor and V12 petrol engines combining to create a staggering power output of 950bhp. This rare yellow example has only driven 930km from new.

A yellow ferrari in the snow

2015 Ferrari LaFerrari Coupé

‘Le Patron’ 1938 Type 57C Special Coupé, €1,600,000 – 2,000,000
The Paris sale always showcases the finest French cars; and this Art Deco beauty is truly special. Known as ‘Le Patron’ it was named after and used by company founder Ettore Bugatti himself and its bespoke coachwork is believed to be the final design created by his son Jean.

green and black car

‘Le Patron’,1936 Bugatti 57C

1996 Bugatti EB110, estimate €1,100,000 – 1,300,000
The most modern of the five Bugattis offered in Paris, the record-setting EB110 supercar was the brainchild of Italian businessman Roman Artioli who revived the brand. The era’s fastest series production sports car has a top speed of 340km/h thanks to its turbocharged V12 engine. This example is one of only 95 GTs produced.

A blue Bugatti by the sea

1996 Bugatti EB110 GT Coupé

1902 Panhard & Levassor Type A2 7HP Tonneau à entrée par l’arrière, estimate €300,000 – 360,000

From the dawn of motoring, this is a remarkably authentic example and one of the best survivors of its genre. It has retained its original engine, coachwork and even leather trim. This car also has successfully completed the famous London-to- Brighton Veteran Car Run with its owner.

an old style black car

1902 Panhard & Levassor Type A2 7HP tonneau à entrée par l’arrière

Read more: ADMO: Alain Ducasse & Dom Pérignon’s Ephemeral Dining Experience

Michael Schumacher’s 2010 Mercedes-Benz C63 AMG Estate, estimate €50,000 – 100,000 (No Reserve)
This was the daily driver of a true motorsport legend, seven times Formula 1 World Champion Michael Schumacher. It was his company car when he joined the newly formed Mercedes GP Petronas Formula 1 Team in 2010. Not surprisingly, this top of the range C63 was equipped with €20,000 in luxury options.

A black Mercedes-Benz

Michael Schumacher’s 2010 Mercedes-Benz C63 AMG Estate

A preview of Les Grandes Marques du Monde will be taking place on Wednesday 2nd February 2022 and the auction will be held on Thursday 3rd February 2022.

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