ARCHITECTS, DESIGNERS, ENGINEERS, AS DISCIPLINES MERGE, EVERYTHING IS BLENDING INTO ONE CREATIVE-SCIENTIFIC PARTY. Karys Webber SCOURS THE WORLD FOR SOME OF THE MOST EXCITING CREATIVES IN ARCHITECTURE AND DESIGN

Studio Weave’s The Longest Bench

STUDIO WEAVE – LONDON

Despite only recently gaining their registrations as architects, duo Je Ahn and Maria Smith founded Studio Weave back in 2006 and completed a number of projects as humble students. With a fun and quirky style, they tend to concentrate on public space improvements; one of their more renowned projects is The Longest Bench in Littlehampton, West Sussex. Made from reclaimed timber interspersed with the odd colourful stainless steel bar, the wiggly bench can seat up to 300 people and was inspired by a charm bracelet.

studioweave.com

KRAUS SCHOENBERG – HAMBURG

Spatial experience and coherence between external and internal spaces is the design focus for German architecture practice Kraus Schoenberg, something they clearly demonstrate in the sustainable housing projects that they are best known for: Haus W and H27D. Clean and contemporary in design, Haus W is a prefabricated, low energy house in Hamburg designed as one big connected space created by rooms of various heights corresponding to their individual function. H27D, a five-storey apartment building in Constance, isn’t much to look at from the outside but was designed this way to match the look and feel of the historic city centre where it lies. The highly engineered building can be recycled to achieve zero waste.

kraus-schoenberg.com

BIG’s cultural arts centre in Bordeaux

BIG – COPENHAGEN

Danish architects BIG have designed an enormous new cultural arts centre in Bordeaux alongside French studio, FREAKS freearchitects. Scheduled to open in 2015, MÉCA (Maison de l’Économie Créative et de la Culture en Aquitaine) will become the new combined home of arts organizations the FRAC, the OARA and the ECLA, situated on the Garonne waterfront. The striking design for the 12,000 sq m building features a central rectangular hollow which will be used as a huge stage and exhibition space.

big.dk

AMPHIBIANARC – CALIFORNIA

An ambitious, shape-shifting, ‘transformer building’ has been designed by Californian architects, amphibianArc, for the headquarters of Zoomlion, a Chinese industrial vehicle manufacturer in Changsha, Hunan province. Each end of the proposed building will have a transforming façade made of hinged steel and glass plates designed to mimic the movement of eagles, butterflies and frogs. amphibianArc claim that their goal is to ‘create buildings that not only reshape the lived reality but also inspire minds that will invent the future’.

amphibianarc.com

Polifactory’s Hous.E+ generates energy from a lake on its roof

POLIFACTORY – SHANGHAI

Shanghai-based architects Polifactory have designed Hous.E+, a self-sustaining rammed earth house designed for a rural site in Vancouver, Canada that generates energy from a lake on its roof. The concept house is designed to produce more energy than it consumes; turbines embedded in the walls produce electricity from water being pumped through a system of pipes and the walls would act like a breathing structure, allowing air exchange without significant heat loss.

polifactory.com

Coca-Cola Beatbox, Asif Kahn

ASIF KHAN – LONDON

Despite not technically being an architect (he never quite got round to sitting his final exams), Asif Khan has received impressive acclaim for his experimental work across architecture, products and design. He was awarded Designer of the Future award in 2011 after showing his unique Cloud installation at Art Basel Miami. More recently, Khan teamed up with Pernilla Ohrstedt for the London Olympics project, Coca-Cola Beatbox; a striking red and white sculpture doubling up as an enormous musical instrument.

asif-khan.com

RAW EDGES – LONDON

Tel Aviv-born twosome Yael Mer and Shay Alkalay formed London-based design studio Raw Edges following their graduation from the Royal College of Art in 2006, where they met and teamed up. They have since won a string of highly respected awards for their innovative and striking products for the home which blur the line between art and furniture. Their work can be found within the permanent collection at MoMA in New York and Stella McCartney commissioned the duo to create the floor for her Rome store after spotting their installation at Art Basel.

raw-edges.com

MISCHER’TRAXLER – VIENNA

Vienna-based design studio Mischer’Traxler is made up of partners in both their professional and personal lives, Katharina Mischer and Thomas Traxler. The pair design experimental products, furniture and installations, characterized by conceptual thinking and the use of unexpected materials. Their complex project ‘The Idea of a Tree’ combines natural input with a mechanical process, driven by solar energy, which translates the intensity of the sun into one object a day. The outcome is a unique product that reflects the various sunshine conditions that occur during that day and becomes a three-dimensional recording of its process and time of creation. This kind of innovative thinking won the duo the accolade of Designers of the Future at Design Miami/Basel in 2011.

mischertraxler.com

Hamilton Scotts, Singapore features ensuite sky garages

HAMILTON SCOTTS – SINGAPORE

In Singapore, luxury high-rise residential building Hamilton Scotts, project of real estate developer KOP Properties, have come up with a novel alternative to underground parking: en suite sky garages. Residents need simply to drive their car into a designated spot outside the building and, after a quick biometric thumb scan, their car is whizzed straight up to their apartment via a special lift. By the time the owner reaches their apartment, the car is displayed behind a glass wall off the living room, ready to be admired.

hamiltonscotts.com

COOP HIMMELB(L)AU – VIENNA

Austrian architecture firm Coop Himmelb(l)au have completed work on the enormous Busan Cinema Centre in South Korea. The impressive building boasts a 4000-seat outdoor cinema covered by a seemingly gravity defying cantilevered roof (the world’s largest at 85 metres from end to end), the ceiling of which is illuminated by thousands of LED lights to create a kind of virtual sky. The building will be the new home of the Busan International Film Festival and is Coop Himmelb(l)au’s first project in Korea.

coop-himmelblau.at

DCPP Arquitectos’ 20-storey building porposal for Lima, Peru

DCPP ARQUITECTOS – MEXICO

A luxury 20-storey apartment block featuring individual swimming pools that teeter out over the city like diving boards has been proposed by Mexican architects DCPP Arquitectos to be built in Lima, Peru. The building has been designed with a transparent façade for a location in the east of the city overlooking a golf course. DCPP say the idea behind the design is to ‘incorporate the exterior space to the interior life of the apartments and create a new relation between public and private areas’.

dcpparquitectos.com

YVONNE WENG – LONDON

For her graduation proposal, Architectural Association student, Yvonne Weng, designed The 6^th Layer: Explorative Canopy Trail, a non-invasive, airborne system that would allow scientists to live in the treetops of the Amazon rainforest whilst carrying out research, without the risk of damaging the forest’s fragile eco-system. The incredible design imagines a series of super strong webs made of synthetic fibres and suspended teardrop shaped pods where scientists could study and harvest medicinal plants. The concept won Weng acclaim from scientists and architects alike and the 2012 Foster + Partners Prize for excellence in sustainability and infrastructure.

Bamboo Courtyard from HWCD Associates

HWCD ASSOCIATES – SHANGHAI

The Bamboo Courtyard, a floating teahouse in Yangzhou, northwest of Shanghai, has been created by architects HWCD Associates. Organised in asymetric cubes on a lake, brick rooms are connected and encased by tall rows of bamboo arranged to create depth and interesting visual effects, further intensified by the atmospheric glow from lights inset into the door frames. The architects say ‘the simple form illustrates the harmonious blending of architecture with nature’.

h-w-c-d.com

Lee Sehoon’s Anitya range features a collection of all black funiture

LEE SHOON – KOREA

Korean designer, Lee Sehoon uses the process of heating vinyl to create his dramatic, all black furniture range, Anitya.  The idea behind the collections is to create an illusion of perpetual and dynamic movement, achieved by the vinyl expanding when heated and contracting when cooled which results in unexpected and unique shapes. More recently, Sehoon designed Squaring, a clever bookcase design made up of hinged boxes that can be spun around to create numerous shapes and designs.

leesehoon.com

WANG SHU – CHINA

Chinese architect Wang Shu may run a practice called Amateur Architecture alongside his wife, Lu Wenyu, but don’t be fooled, his work is anything but. Shu, also a professor, recently won the extremely prestigious 2012 Pritzker Prize (generally regarded as the Nobel prize for architecture), for work representing consistent and significant contribution to humanity. Shu has completed five major projects in China including three college campuses and the Ningbo History Museum. His style typically combines modern design with traditional, often recycled, materials.

Additional research by Rebecca Stanczyk

Group Sales and Marketing Director, Alex Berry

FROM EARTHQUAKES TO UPRISINGS, FOR ONE PRIVATE JET COMPANY THE SKIES ARE NO LONGER THE SOLE DOMAIN OF ROCK STARS AND HOLLYWOOD A-LISTERS. GUY FIORITA REPORTS

Turn on the news any day of the week and, unfortunately, there is probably a story about a human tragedy taking place somewhere in the world. Usually by the time we first hear about it, relief is already on the way. We see images of it arriving by the planeload to some far-flung airstrip.  Ever stop and wonder who is behind those jumbo jets full of food and blankets? Not many would guess that it’s the same company that’s flying the hottest new boy band in ultra-luxury from one stop to another on a world tour but, from spoiling VIPs to flying relief missions, for the last 40 years Chapman Freeborn has been doing both.

Launched in 1973, Chapman Freeborn is the world’s leading jet charter company with offices in 25 countries. They have flown their share of jetsetters, royalty, oligarchs and stars and they’ve learned to provide a luxurious experience better than anyone else, but according to Alex Berry, Group Sales and Marketing Director, there is another side to the business that is a lot less glamorous but much more rewarding. “From flying humanitarian aid into areas in need, to moving people displaced by war, there hasn’t been a major international incident in the last 30 years that we were not involved in.”

When tragedy strikes, like an earthquake in Haiti or famine in Sudan, aid organizations need to move food, blankets, workers and much more, and they need to do it fast. “The airlines won’t fly on credit. Not even for organisations like the UN or Red Cross. So you need to have someone with the capacity and financial capabilities to make this work and make it work fast. Since we are privately owned and financially strong, we can meet the needs of the agency by mobilizing people and equipment without any delay.”

Some cynics say flights like these merely amount to making money out of other people’s misery. It is a claim Berry has heard before. “Do we make money out of evacuating people from war zones or bringing in relief to the needy? Yes we do, however we understand the importance of these missions and we make sure that everything is carried out as quickly, efficiently and professionally as possible. Often there are lives on the line. It is a huge responsibility and we take it very seriously.”

Group Sales and Marketing Director, Alex Berry

The Haitian earthquake of 2010 is a perfect example of Chapman Freeborn putting their experience and resources to work for a good cause.  After the devastating quake, relief material came pouring in from around the world but the airport had no offloading equipment to handle it all. “The first thing we did was fly in the proper gear and we immediately unloaded 10 planes. They could then fly back out to bring in more material. The Haiti tragedy happened on a Boxing Day. Our entire staff came in and worked throughout the holidays. Most of them ended up even sleeping in the office. It was tiring but very rewarding work.”

Chapman Freeborn has a product called REACT (Rescue, Evacuation and Aid Charter Team) that monitors international news sources and then, as its name suggests, reacts as quickly as possible when an aid organisation needs their help.  During the Arab Spring REACT responded to crisis situations in Egypt, Libya, Tunisia and Bahrain handling over 100 evacuation flights, flying over 20,000 passengers to safety. “Having 35 offices in 25 different countries around the world means we can deploy people from local offices to be on the ground right away. We were the first aircraft into Fukushima, Japan. We flew in a German search and rescue team with dogs and 13 tons of technical equipment from Frankfurt to Tokyo on a chartered B767 aircraft.”

In October, 2011 when St. Anthony Central Hospital in Denver closed an old facility and donated the surplus medical equipment to Hanoi’s Bach Mai Hospital, Chapman Freeborn organised the air transportation of over 50 tons of medical equipment. “The delivery was particularly poignant as it arrived on the 40^th anniversary of the Bach Mai Hospital bombing in 1972 which claimed the lives of 28 hospital staff. It was very inspiring,” says Berry. And, as it turns out, just part of the job.

RECENT WINNER OF SINGAPORE’S URA ARCHITECTURAL HERITAGE AWARDS, SPACE FURNITURE’S NEW HOME JOINS TWO HISTORIC BUILDINGS WITH A MODERN GLASS STRUCTURE TO FORM A 40,000 SQ FT MULTIPLEX THAT IS A TRIUMPH OF DESIGN. LEAD ARCHITECT Chan Ee Mun, SENIOR ASSOCIATE OF WOHA, WALKS US THROUGH THE PROJECT

We’d known about these buildings ever since they received Heritage status and I d admired them from the outside but had never been inside. The space was stifling, dark and closed. The previous owners had it very compartmentalized in order to maximize on rental. It was not at all compatible with SPACE.  From the onset we decided that we wanted to recapture the charm of the original building with as much authenticity as possible. At the same time we needed to create a voluminous interior. We also had to take into account the fact that the neighbouring buildings were at least 12 stories tall so we had to find a way to make the building stand out in its own way and, of course we had to do so within the confines of some very strict zoning laws that mandate how we could use the space.

Whenever you work with an existing structure you have to deal with the constraints of the building as well as with your budget constraints. Demolition is expensive and there are obvious disadvantages. It was our job to enhance rather than rebuild. One of the problems we faced was that there was not enough height between the floors. To make this work for SPACE we needed much higher ceilings, so we had to reconfigure the floors without interrupting the original structure too much.

Even the glass building in the centre of the project is built over the original building. We had to readjust and strip the internal floor plates and relocate them to new floors. It was a complex procedure. It also had to look right since the internal structure would be exposed by the use of glass.

The fact that it’s a sales site means that there are very specific requirements. The main challenge was designing the middle unit because although modern it had to get along with its neighbours, the two older buildings. We wanted to expose the showroom/furniture and we were trying to figure out how to best accomplish that. The law at the time stated that if a building had Conservation status then the exteriors must not be altered. We had to work with the authorities to change that rule to allow us to give it a more modern and urban look.  Inside, we needed to find the best way to design a showroom that would work well with lots of different brands, many of which are in competition with each other. They needed to be separate but at the same time there has to be a connection between them all. SPACE carried 13 major brands and each had a different design philosophy. In the end it was SPACE that determined the location of each brand and how much floor space to allocate to each and it was our job to make that possible.

SPACE was very adamant about creating an experience for their clients. They were very particular about the lighting and for the music they installed a Bang & Olufsen sound system. To complete the picture, they even customized their own scent for The . Every detail was taken into consideration to enhance the shopping experience in a homely setting, so that the customer can understand the pieces and the environment.

spacefurniture.com.sg