A white hotel building with an outdoor pool surrounded by grass and trees
A white hotel building with an outdoor pool surrounded by grass and trees
LUX check in to a spectacularly remastered resort hotel on the edge of Zurich, with a rich rock music history and a deliciously gastronomic and partying present

Sometimes first impressions are wrong. I arrived at the FIVE hotel and resort in Zurich, and walked into the brightly lit, modernist lobby with brown pillars and a wooden island of sofas and magazines in the middle of its white floor, with young black clad staff behind the desk. I sensed I had arrived at a US-style designer hotel, where cool matters more than function, and staff are more interested in their next screen test or modelling job than guests.

Follow LUX on Instagram: luxthemagazine

But this is Switzerland, not LA, and I was wrong – in the best possible way. The reception staff were young and informal, but also highly efficient, trained and motivated. That extended to everyone, from the spa receptionist to the bar staff and brilliant teams in the restaurants, who were swift, helpful, chatty, and remembered requests and ideas the next day, without being formal or tiring.

A restaurant with red tables and white chairs

But let’s not get ahead of ourselves. The FIVE is a new iteration of a historic hotel, in 20th century terms anyway, the Atlantis, which hosted most of the 20th century’s major names in pop and rock. Behind the Reception desk is a tribute in the form of album covers: ABBA, Grace Jones, Stevie Wonder, Michael Jackson.

The latest reimagination of this hotel, on a hillside on the very edge of Zurich (to one side there is deep woodland, with the city starting below a public park on the other side) blends funky, contemporary vibes with a thick dash of 70s and 80s nostalgia.

A bedroom with a view of a city and beige headboard and throw on the bed

Our room had a huge view over the city, to the lake on one side, and forested hills beyond. The hotel brands itself as the hottest hotel and nightlife destination in Zurich, which could be a mixed blessing; thankfully some bass thumping from a rooftop party, during the day on the Sunday we arrived, stopped in the early evening and never reoccurred. There was a small balcony, a huge bed, more than 2 metres across, a big contemporary bathroom and a generally very relaxed vibe – there is not a car or street sound to be heard at the FIVE.

One of the hotel’s showcases is its outdoor pool, 25 metres long with a huge jacuzzi to match; apparently there is quite a party scene there every weekend, but unusually rainy weather for the duration of our stay meant we couldn’t experience it. There is a chic indoor pool, with a water feature outside the picture window the lines it, and a smaller jacuzzi.

A swimming pool surrounded by chairs and grass

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An undoubted, and slightly unexpected, highlight, of the FIVE is its cuisine. There are four restaurants, most of them situated on a single mezzanine floor with a picture window view across the city and a vast terrace outside. Inside, the decor for each is quite different even though they are effectively in one big open plan space; outside the huge terrace area was sadly out of bounds during the rainstorms of our visit.

I tried the Chinese restaurant, Maiden Shanghai, on my first night,. The decor was a bit bright – Chinese restaurants should be dark, but this is the same place they serve breakfast, and dual-use always leads to compromises. I was a little sceptical about Chinese food on the edge of Zurich but – wow. The hot and sour chicken soup was vivid, vibrating with flavour, no glutinousness, the chicken pure, the spicing zingy. Over many years of travelling Hong Kong and neighbouring provinces of China, this is possibly the best example of this soup I have tasted – perhaps a bit Europeanised in terms of leanness and no fat, but brilliant.

chinese food in a black bowl

The “hand folded mushroom dim sum” had a sweetness to its parcel, and an intensity and umami to its fungi, that again suggested a detail and quality freak was in charge of the kitchen. Meanwhile the quality of ingredients in the sea bass broth main course, including the fleshy and firm fish and wonderful trumpet mushrooms, was superb, as was the flavouring, but there was a layer of oil (perhaps from the fish itself) that slightly marred the purity.

Read more: Great Drive: Lake Zurich, Switzerland to the Tuscany Coast, Italy

On my second night, over to the Vault Wine Bar, just a few metres along the same floor, which has better (darker) lighting and comfortable armchair seating. From the iPad based menu I chose a minestrone, an “insalata” (salad) and the grilled baby chicken main course, Straightforward comfort food to accompany some cocktails, or so I thought, The minestrone was a light, intense tomato broth into which there had been infused some beautifully diced and cooked vegetables: once again, the flavour was beautiful, intense. The “insalata” could have been a standard mixed salad, again, the quality of ingredients – avocado of wondrous flavour, herbs from a nearby hillside, black Italian tomatoes and a splash of balsamic vinaigrette – made it superb. The chicken was as good as the poulet de bresse in a three Michelin starred restaurant I visited recently.

A lounge with green and red chars and dim lighting

FIVE Zurich is a rare place, where the food far exceeds the expectations set by the descriptions on the menus.

My bar meal was accompanied by some Moscow Mules with intense fresh ginger, served in the correct copper mug, and highly flavoursome limes. It’s as if no average ingredient can make it through the door of the FIVE.

All of this, and FIVE is on the edge of one of Europe’s premier art cities (and Zurich also has an excellent array of bars and clubs); a 20 minute Uber from the centre of town (it’s too far to walk), yet on the edge of a forest. You could go during a business trip or for a holiday – and my superb experience even excluded all the extensive outdoor areas because of the weather. Quite special.

Find out more: zurich.fivehotelsandresorts.com

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The back of a metal watch
The back of a metal watch

Every watch collector knows you can’t just walk into a luxury boutique and expect to buy an in-demand timepiece, any more than you can walk into a gallery and pick up the latest Richard Prince. The space between demand and supply can be acute, and some watches acquire a status beyond value or taste. Here are six of the best compiled by James Gurney

 

A metal watch with a red face

An icon returns: Demand for Zenith’s heritage re-issues such as this Defy Revival is intense. It’s easy to see why. The faceted octagonal case and 14-sided bezel combined with the steel ladder bracelet, gives the £6,100 Defy a character as unique today as it was radical at its 1969 launch.

zenith-watches.com

A black watch with a tech style silver face

Go faster: If ever a watchmaker could adopt the ad slogan “reassuringly expensive”, it is motor-racing favourite Richard Mille. The 1.75mm RM UP-01 Ferrari, created with Ferrari, is the thinnest watch ever designed. All 150 watches to be made are reportedly reserved, at £1.88m.

richard-mille.com

a blue watch with a blue face and strap

Blue blood: François-Paul Journe set up as a watchmaker nearly 25 years ago, after restoring antique clocks. That tradition, combined with a modern aesthetic, has collectors content to wait for years, even for the simplest creations such as the Chronomètre Bleu, which retails for just under $40K, but resells for upwards of $50K.

fpjourne.com

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A blue strap watch with a silver face with a hint of blue

What is the world: Greubel Forsey raises watchmaking to an art form by preserving and reviving craft skills. That the brand is looking to bring prices down to below £200,000 (the covetable GMT Balancier Convexe is around $400,000) and reduce waiting times to under two years tells you all about demand.

greubelforsey.com

A silver metal watch with three black dots in the face

Classic cool: The value of the most sought-after vintage Rolex watches can reach absurd extremes. With others, such as the 1971 pandadial Daytona, the perfection of the design was enough to justify an estimate of up to €500,000 euros at Sotheby’s March 2023 Fine Watches sale.

rolex.com

A silver watch with a blue square face

Dreaming on: Demand for key Patek Philippe designs exceeds supply, reaches fever pitch for Nautilus variations and is beyond reason ($6.5m in 2021) for the Tiffany blue-dialled 5711/1A-018. For a white gold 5811/1G (£58,391), you might have a chance in a few generations.

patek.com

This article was first published in the Spring/Summer 2023 issue of LUX

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shops with brand flags over the entrances on bond street
shops with brand flags  over the entrances on bond street

Bond Street’s finest. Photo by Gary Knight

LUX selects the best fine – and high – jewellery pieces that are as big on style as they are on bling. Compiled by James Gurney

gold and black sunglasses

Eyes on you: An alfresco lunch meeting demands a soupçon of city cool, and bejewelled sunglasses edge up the glamour. From Cartier to Boucheron to Pomellato, luxury houses offer divine takes on summer shades. Designed around house motifs and with the artistry of the main collections, the crystal-embellished Divas’ Dream by Bulgari are a glittering example.

bulgari.com

a rose gold friendship bracelet with a ladybird and flower on it

Good natured: It takes a jewellery maison with the cultural heft of Van Cleef & Arpels to credibly give way to whimsy, as the Lucky Spring collection demonstrates. Exquisitely crafted, designs include plum blossom, ladybird and lily of the valley rendered in precious metals and stones. This five-motif bracelet is in rose gold, white mother of pearl, carnelian and onyx.

vancleefarpels.com

A heart shaped rose gold ring

Lines of beauty: What constitutes modern romance? Paris-based Italian jewellery house Repossi has a fair idea. This year marks the tenth anniversary of its signature Antifer collection, whose Antifer Heart ring creates a contemporary-classic form. The occasion sees the new Antifer Heart necklace and two hoop earrings, all featuring that iconic sharp tip.

repossi.com

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A gold ring with a pearl in the centre

Linked In: Japanese jewellery house Tasaki celebrates the never-ending possibilities of gold, pearls and diamonds with new additions to its Fine Links collection. Across seven pieces by Thakoon Panichgul, Akoya pearls rest on yellow- gold and diamond link shapes. Two rings, two pendants, two pairs of earrings and an ear cuff offer plenty of modern styling options.

tasaki.co.uk

A rose gold wavy bracelet

Stem subject: Christian Dior’s passion for roses is reflected in additions to the Bois de Rose collection that includes bracelets, rings and this modern ear cuff, all by Victoire de Castellane. Symbolising attachment, the abstract stem design comes in white, pink and yellow gold, with or without diamonds, and wraps organically skin, solo or stacked.

dior.com

gold cufflinks with the Louis Vuitton logo on a box with coloured logo symbols on a black surface

Ear candy: Earphones become jewellery at Louis Vuitton. Part of the Horizon Light Up collection, the wireless earphones come in a charging case featuring a Connected monogram that animates via LED backlighting. The silhouette of earphones and case are inspired by the Tambour watch case, and the earphones have a polished sapphire top disc. In five colours.

louisvuitton.com

This article was first published in the Spring/Summer 2023 issue of LUX

 
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The spacious garden and pool at the St Regis Mardavall, Mallorca

In the fifth installment of our luxury travel views columns, LUX’s Editor-in-Chief Darius Sanai checks in at the St Regis Mardavall in Mallorca

What drew us there?

A huge rolling lawn, two swimming pools, trees and flowerbeds, beyond which stretches more thick grass, the cliff edge and the sea. Face inland and beyond the pools there is a graceful low-rise building, and mountaintops beyond. It’s not what you expect of a hotel in Mallorca, which, by folklore has been split into crowded coastal regions and beautiful but isolated inland areas. Yet here we were, by the sea in the southwest, with as much space as you could imagine. The space between sun loungers could be measured in tens of metres, rather than centimetres, as in many Mediterranean resorts in midsummer. We could have popped a champagne cork from our sun loungers, watched it fly and descend, and still not meet guests on the nearest loungers. You can get that and more in a villa, but few villas have the facilities of a luxury hotel to hand, and, anyway, we rather like seeing elegant strangers at a distance, rather than just our own wonderful guests.

The indoor-outdoor terrace with its endless view

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How was the stay?

You can, of course, enjoy delightful isolation at the Mardavall. This was amplified in our rooms: we had a suite at garden level with its own private pool, separated from the rest of the grounds by a floral hedge. The private pool was situated in our own private garden, with outdoor dining table, sofa, chairs and loungers – and a similar setup inside in case of bad weather (very rare here). If one of the definitions of luxury is unexpected peace, then this was luxury. The Mardavall is also beautifully located. It’s a few steps from the beach, and fewer than 15 minutes drive from Palma, the island’s capital, which has transformed in recent years from a slightly down-at-heel port with a rich history to a rather beautifully preserved historic city: Barcelona without the tourists. We made the foray into Palma a couple of nights, but, in the main, one could be very happy just at the resort. Es Fum, its one Michelin-starred restaurant, is an extremely elegant place to enjoy a lingering dinner, and we also liked the beach vibe and food of the Pool Bar Sa Badia. It’s not a Mykonos beach club, and that’s precisely why to go.

The relaxing St Regis bar

Read more: Royal Riviera, Côte d’Azur Review

Anything else?

Med-hotel beach shops vary in quality, but the little boutique here is quite magnificent for its selection of hard-to-find boutique brands. Not what you’d expect and kudos to its manager. The Mardavall is the kind of place you miss all winter and look forward to returning to in the summer.

Find out more: www.marriott.com

This article was first published in the Spring/Summer 2023 issue of LUX

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Alessia Caruso Fendi in Rome
Alessia Caruso Fendi in Rome

Alessia Caruso Fendi

The doyenne of the Rome fashion family Alessia Fendi speaks to LUX about Cleopatra, Mick Jagger, her insider tips, and her latest venture in the city

Why Rome is the eternal city

It is in an eternal renaissance, always evolving. Rome has everything visitors could want, from beauty and romance to food, history and culture.

Who I’d take on a tour

Cleopatra and Mickey Mouse. The Queen of Egypt was the lover of two of Rome’s most powerful men, and when she first came here in 46 BC there was the largest procession the city had seen. I’d take her through the winding streets of bohemian Trastavere, full of people, restaurants and bars, and home of the Horti di Cesare. I’d show Mickey Mouse how a Disney character would fit perfectly into the frenzy of the city. I’m sure he would speed on a scooter to reach Minnie!

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My favourite place here

Rhinoceros Roma is a place like no other in the city. It was founded by my mother, Alda Fendi, in 2018. The gallery shows works by artists from Michelangelo to Picasso, and there are 25 luxurious apartments for guests. It was designed by French architect Jean Nouvel and has a vibe where new meets old, luxury meets state-of-the-art tech. It’s a special haven near many of the city’s most beloved historic sites.

Rhinoceros Rome gallery

Rhinoceros apud Saepta by Raffaele Curi in the Rhinoceros Roma gallery

My ideal dinner guests

I’d host Barbara Jatta, Director of the Vatican Museums, and Mick Jagger for dinner at Rhinoceros Roma’s new rooftop restaurant, Entr’acte. It combines breathtaking views over Rome’s red rooftops with delicious cuisine.

My favourite Roman dish

Coratella is a typical dish that dates back to ancient times. It is a combination of lamb offal, artichokes, white wine, garlic, olive oil, rosemary, salt and black pepper.

The Entr’acte terrace in Rome at dusk

The Entr’acte terrace at dusk

Michaelangelo or Leonardo?

I’d have to say Michelangelo. He is one of the city’s most prominent artists and there are many examples of his genius here, from the Sistine Chapel and the Pietà in St Peter’s, to the Piazza del Campidoglio.

If you have one afternoon in Rome…

Go to the Baths of Caracalla – you will be amazed by the Roman architecture. Then dash to the Colosseum, Circus Maximus and relax at the Palatine Hill. Rome is very romantic The perfect place to propose is Giardino degli Aranci. The park has wonderful views across the city. Then celebrate with a meal at Entr’acte.

Old meets new in a sitting area in a Rhinoceros Roma apartment

My dream collaboration

I wish I’d worked with Issey Miyake to glorify his mix of craft, materials and technology through colours and geometries. I’d love to show his collections at Rhinoceros Roma. Italian artists I am looking at now I admire Pietro Ruffo, for his intricate pieces into which he incorporates ethical issues, with symbols such as dragonflies. I love Alessandro Piangiamore, whose beautiful works imprint flowers and leaves on concrete slabs. Alberto Di Fabio’s huge representations of the cosmos and the natural world are awe-inspiring.

Read more: Fausto Puglisi Interview: Refashioning Roberto Cavalli

One place I’d love to visit

Porquerolles, an island in the Parc National de Port-Cros in the Mediterranean. It’s been on my list for ages for its beauty and serenity. Coming from Rome, I am always on the lookout for quiet places to recharge in.

Find out more: rhinocerusroma.com

This article was first published in the Spring/Summer 2023 issue of LUX

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A blue car on a road by some trees
A blue car on a road by some trees

The Lexus NX 450 on the road

In the third part of our Great Drives series, Darius Sanai travels, in a Lexus NX 450, from the Lake Zurich, Switzerland to the Tuscany Coast, Italy, ending his trip on a bottle of Masseto 2015

What is the best vehicle for transporting a lot of clothes – the spoils of a visit and meetings in various Italian fashion houses – and a lot of wine – the result of a spontaneous drop by the vineyards of Franciacorta in northern Italy? Sitting comfortably just above the speed limit on the Italian autostrada, cruising carefully while listening to the GreenBiz 350 podcast, we were fairly sure we had the answer in our Lexus. Its full name is the NX 450h+ F Sport, but for our purposes it was the car that could just do everything.

Follow LUX on Instagram: luxthemagazine

The interior design of cars is becoming increasingly important as we do more things in them (they are effectively 3D extensions of the internet), and driving becomes more controlled and less of a sport. And here was a car with a truly beautifully designed interior. It was light, high enough off the road to give confidence – you could see everything that needed to be seen, but not so high that you felt domineering or unstable. Controls that needed to be easily touched were within sight and within reach without any fuss. Displays were clear with excellent typography. The air conditioning was a notch above the usual in terms of its ability to separate climate zones. Like any good design, it didn’t shout about itself, and it had grown on us over the previous two weeks.

A blue car next to a mountain and lake

The journey started in a small town near Lake Zurich on the northern side of the Alps. The road rose and became increasingly winding as it made its way towards the mountains we were due to cross, and we wondered briefly if we had chosen the right car. This is a hybrid SUV, efficiently powered by both electric and petrol engines, but it is also a high car, with plenty of ground clearance, excellent for driving across fields. So would it be right for twisting mountain roads?

A beach at sunset

The beach and pine forest at the Riva del Sole hotel, Tuscany

We need not have worried. This new-generation Lexus uses technology to miraculously minimise the amount the car leans when taking corners, a key consideration when driving to the Alps, as you do not want something lurching from one side to the other like an old Range Rover. The Lexus drove flat, smooth and responsive, even over the highest points of the Julier Pass, between north and south Switzerland. Sure, it wasn’t the thrill of racing a sports car to the edge of its abilities on a sinuous mountain road, but that would not have been possible anyway, given the rest of the traffic and also the strictness of Switzerland’s traffic police. Fast enough was, well, fast enough.

A bedroom with grey and gold colouring and hints of red

The Exotik Suite

Over the border in Italy, after more mountain passes and ice cream, the Alps fell into the low, hilly meadows of Franciacorta, which is where our favourite sparkling wine from Italy is produced. At its best it is creamy, complex and refreshing, like a good champagne, but with the added joie de vivre. At the main farmers’ outlet store for all the producers (and would that there were one of these in every wine-producing region), we picked from producers and cuvées impossible to find in other countries.

A sign of a well-engineered car is that it doe snot flinch when loaded up and driven hard, and this was very much the case with the Lexus. Onwards, it seemed to say, after a couple of days in Milan, as we arrowed through straight autostradas in northern Italy towards Tuscany. Here, we spent an excellent few days enjoying this car’s other attributes: its economy (fuel stations are very hard to find in rural Tuscany), its ability to deal with rough roads and unmade tracks with no fuss, and the comfort and efficiency of its interior in a hot summer. The full-length sunroof also came in for much praise, although it was mainly open at night, when it let in views of the stars and the cries of owls. A car for all reasons, indeed.

A room with a stage and a large vase in the centre of a table

Objets d’art at the Riva del Sole

Our final destination was a place well known to a certain class of intellectual Italians, roughly the equivalent of Britain’s Cotswolds set, but without the pretentions. Castiglione della Pescaia has none of the bling that has been acquired by its fellow Tuscan resort, Forte dei Marmi, but it has nature, and culture, on its side.

A swimming pool lit up a night

The hotel swimming pools by night

There is one resort hotel to stay in at Castiglione: the Riva del Sole, a resort built in the idealistic style of the mid-20th century, when Europe was thriving and confident, and nobody flew to the Maldives or Bali. You approach along a long, straight coastal road flanked on both sides by the stone pine trees that are a feature of the Italian coastline. The hotel appears amid the pineta (pine forest) on the left, between road and sea, a low-rise 20th-century modern building (Swedish owned) that, when you enter, reveals a cavalcade of original and updated modernist designs.

A wooden divider next to a bed looking out to trees

The Coral Suite

The reception area is out of a 1960s David Niven film (duly updated, of course) and our room, while compact, had a lovely aspect across the trees towards the sea. You wander from reception, past a dramatic Italian restaurant housed in another forest building, past a little newsagent shop straight out of a Jacques Tati film (magazines, beach balls, sweets) and a boutique-chic deli. A huge outdoor pool complex – several pools, really – appears on your right, with keen sports swimmers doing their lengths from the early hours. Past a hut serving snacks and drinks (there is some excellent Franciacorta on the menu), the path rises over a dune and down onto the resort’s lengthy private beach.

A restaurant with white table cloths, green chairs and plants around the room

Modern dining at Riva del Sole, Tuscany

Part of a strip of sand that stretches for 15km in a gentle arc, it is one of Italy’s most famous private beaches. The sea is warm and shallow, and the most memorable aspect is stepping out 20 metres into the sea, your feet still standing on white sand and your chosen drink in hand, looking back at the beach. The hotel and all of Castiglione have been subsumed into the pineta, such is the attention to detail of the design. All you can see is beach, forest and the mountains rising up behind. No wonder it is a haunt of the discerning Italian intelligentsia.

A blue car on a patch of grass next to a castle with a tower and turrets

The Lexus making a pit stop at the fortress of Montalcino – ancient Tuscan hilltop village and home of the celebrated wine Brunello di Montalcino

Hidden inside the pineta, the hotel also has a sophisticated Tuscan restaurant, La Palma. Sweeping interior architecture and the forest visible through windows all around combines with a wine vault of Tuscan wines – particularly from Montalcino – that a collector would die for. We chose a Masseto 2015. All savoury power and a wealth of flowing flavours, it is one of Italy’s great wines, and comes from just up the coast from Riva del Sole. In the main hotel there is also a glamorous 1960s-style piano bar, where you sit inside or out on the terrace and are served Bellinis.

Read more: Great Drive: Jura Mountains to London via Burgundy and Champagne

This is not high luxury, but it is high class; a place where the intelligent, artistic and sophisticated go to enjoy themselves with friends. And throughout, inside and out, the interior design, a subtle 21st-century take on mid-century modernism, is both playful and gorgeous. Chapeau to designer Eva Khoury. There are hotels with grander views and bigger rooms, but very few we would want to spend more time in than the Riva del Sole.

Find out more:
lexus.co.uk
rivadelsole.it
masseto.com

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A pool surrounded by grass from a bird's eye view
A pool with deckchairs by the sea

The Mandarin Oriental, Costa Navarino is the first of the hotel group’s properties in Greece

Looking to extend your summer in the sun? Getting weary of your guests on your yacht? Drop by the brand new Mandarin Oriental, Costa Navarino in Greece, opened this month

A sunset and a hotel overlooking the sea

Mandarin Oriental collaborated with TEMES, a leading developer known for their commitment to sustainability, to develop the resort

A pool surrounded by grass from a bird's eye view

The hotel has an 18-hole golf course on the property designed by premier golf course architect, Robert Trent Jones II

Follow LUX on Instagram: luxthemagazine

A deck chair and parasol with mountains and see in the distance with a sunset

Mandarin Oriental, Costa Navarino is located next to the recently opened Navarino Agora, a marketplace with curated retail, dining venues, artisanal street food and an open-air cinema

A beige bedroom with a floor to ceiling window sliding door to a terrace overlooking the sea

The hotel has 99 suites designed by Tombazis & Associates Architects and K-Studio, the team behind the renowned Scorpios beach club in Mykonos

A terrace with beige and wooden chairs and a pool overlooking the sea

The hotel used locally sourced materials to create its bioclimatic design, drawing inspiration from local agricultural traditions and the region’s heritage

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A swimming pool surrounded by a hotel trees and hills and fields
A swimming pool surrounded by a hotel trees and hills and fields

Glorious exteriors at the Como Castello del Nero, Tuscany

In the fourth part of our luxury travel views column from the Spring/Summer 2023 issue, LUX’s Editor-in-Chief Darius Sanai checks in at the Como Castello del Nero, Tuscany

What drew us there?

What didn’t draw us there would be the more pertinent question. This 12th-century castle hotel is on a ridge overlooking half of Tuscany. In the far distance to the north, you can see the domes and spires of Florence; on another ridge to the south, the terracotta shapes of Siena. Both are a short drive away. In between are hilltop villages, and what seems like an endless expanse of forest, vineyard, field and wild boar.

How was the stay?

Our favourite spot was at the northeast corner of the extensive outdoor pool. It is on a terrace that drops away to fields and villages below. At the pool edge is a huge old oak tree, and we set our sun loungers to its left for a view of the hotel, the pool or the Tuscan wilderness, depending on how we turned our heads by a few degrees. The breakfast terrace, relatively newly created in a refurbishment by Como Hotels and Resorts, is a few metres away and has a similar view.

Follow LUX on Instagram: luxthemagazine

Or perhaps our favourite spot was above the pool on the higher terrace leading to the hotel. This is a huge space, with sofas, chairs, planters and shrubs. The panorama stretches outwards and upwards, as this is an excellent observation station for shooting stars in summer.

A beige bedroom with white curtains around windows

The ancient-meets-modern elegance of the Loft Suite

The Castello has a couple of different wings that feature stylish and softly pared-back rooms and suites. Ours was in a corner on the ground floor, with views out and down the slopes.

A decision on whether or not to leave the hotel each day was a question of one irresistible urge meeting a countervailing irresistible urge. We resisted the temptation to visit Florence, but did drop by Siena, a pleasant 25-minute drive away. We enjoyed being back at the hotel for champagne as daylight disappeared.

Read more: The Ritz-Carlton Millenia Singapore, Review

There are innumerable wineries to visit in the surrounding Chianti region: you feel you could jump into them from the terrace. Of course, that would be too much effort and the option we preferred was to sit and enjoy the magical views and order wines to come to us. The hotel has decided not to mess around with the food.

A table and chairs in a wine cellar

Atmospheric dining in the Wine Cellar

Some of the best ingredients in the world, from olive oil to meat, cheese and fruits, speak for themselves at breakfast, lunch and dinner. At the Michelin-starred La Torre, guests can dine on the terrace in summer, while Pavilion offers all-day alfresco summer dining.

Anything else?

Italy is full of ancient buildings that have been converted to hotels with views. But there is nothing quite like the Como Castello del Nero.

Find out more: comohotels.com/tuscany/como-castello-del-nero

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case-study-01

Advisory / blog

LUX x Deutsche Bank

As global content and marketing partner for Deutsche Bank, we create content, virtual and real life events, business, academic, institutional and individual introductions, and collaborate on ESG strategy.

andy-mann

Photo by Andy Mann

ben-thourad

Photo by Ben Thourad

Case Study

strip

Deutsche Bank x LUX ESG Strategy

The Mission

To help Deutsche Bank position themselves as the lead banking institution to be pioneering ocean conservation and the blue economy.

Execution

Sourcing and securing key leaders to participate in events and conferences around sustainability and in particular ocean conservation and the blue economy.


Thought leadership content streams created for Deutsche Bank over multiple channels.


16 page section in LUX magazine and online featuring leaders in the ocean economy, investors and philanthropists developed over several years with a special edition dedicated to the conference.


Introductions to partners who can enhance Deutsche Bank’s involvement in the ocean conservation space.


Direct Introductions to potential clients who are interested in investing in the blue economy or philanthropically towards the Deutsche Bank Ocean Resilience Philanthropy Fund.

Result

Created high engaging, original and successful events conference connecting ideas, entrepreneurs, thinkers and leaders.


Formed long term-partners and clients in the ocean conservation space.


Produced content for the intended audience showing Deutsche Bank’s commitment to ocean conservation.

Case Study

strip

Deutsche Bank x LUX ESG Strategy

The Mission

To help Deutsche Bank position themselves as the lead banking institution to be pioneering ocean conservation and the blue economy.

Execution

Sourcing and securing key leaders to participate in events and conferences around sustainability and in particular ocean conservation and the blue economy.


Thought leadership content streams created for Deutsche Bank over multiple channels.


16 page section in LUX magazine and online featuring leaders in the ocean economy, investors and philanthropists developed over several years with a special edition dedicated to the conference.


Introductions to partners who can enhance Deutsche Bank’s involvement in the ocean conservation space.


Direct Introductions to potential clients who are interested in investing in the blue economy or philanthropically towards the Deutsche Bank Ocean Resilience Philanthropy Fund.

Result

Created high engaging, original and successful events conference connecting ideas, entrepreneurs, thinkers and leaders.


Formed long term-partners and clients in the ocean conservation space.


Produced content for the intended audience showing Deutsche Bank’s commitment to ocean conservation.

ben-thourad-02b(1)

Photo by Ben Thourad

ben-thourad-02

Photo by Ben Thourad

ben-thourad-02a

Photo by Ben Thourad

Case Study

strip

Deutsche Bank x Frieze Art Fair x LUX

The Mission

Amplified Deutsche Bank’s leadership role as a bank in the art world, produced content for the intended audience showing Deutsche Bank’s commitment to art, and formed partnerships and client relationships.

Execution

Year round content creation and coverage in print, online, social media
and video.


Introductions to collectors and artists.


Exclusive events at Deutsche Bank, Frieze lounge and collectors’ homes.


Interviews and interactions with artists and collectors.


Special issues of LUX devoted to Deutsche Bank x Frieze.

Result

Amplified Deutsche Bank’s leadership role as a bank in the art world.


Produced content for the intended audience showing Deutsche Bank’s commitment to art.


Formed partnerships and client relationships.

Case Study

strip

Deutsche Bank x Frieze Art Fair x LUX

The Mission

Amplified Deutsche Bank’s leadership role as a bank in the art world, produced content for the intended audience showing Deutsche Bank’s commitment to art, and formed partnerships and client relationships.

Execution

Year round content creation and coverage in print, online, social media
and video.


Introductions to collectors and artists.


Exclusive events at Deutsche Bank, Frieze lounge and collectors’ homes.


Interviews and interactions with artists and collectors.


Special issues of LUX devoted to Deutsche Bank x Frieze.

Result

Amplified Deutsche Bank’s leadership role as a bank in the art world.


Produced content for the intended audience showing Deutsche Bank’s commitment to art.


Formed partnerships and client relationships.

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Read Deutsche Bank
special edition

mag--image 20

Read Deutsche Bank
special edition

Contact us

For partnership, event and advertising enquiries
please contact
[email protected]

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please contact
[email protected]

Follows us on Instagram

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Reading time: 19 min
A grey sports car outside a vineyard
A grey sports car outside a vineyard

The Aston takes in the Clos de la Roche vineyards in Burgundy, France

In the second part of our Great Drives series, Darius Sanai travels, in an Aston Martin DB11 V8 Coupe, from the Jura Mountains, Switzerland to London, UK via Burgundy and Champagne, France for a quick tasting of Amour de Deutz, 2008

In the Vallée de Joux in the Jura Mountains in Switzerland, signs for watch manufactures (factories) come as thick and fast as signposts for whisky distilleries on Speyside. Tempting though it was to make a stop (we at LUX know the watch manufactures well, but they require a little planning to visit), we dropped down a gear in our xenon-grey Aston Martin DB11 and zoomed out of the valley along snaking roads through deep forests. Every mile or so, the trees dropped away to reveal a lake or another valley. We opened the windows to hear the thrumming of the Aston’s V8 engine, a low, mellow but not over-loud rumble, bouncing off the slopes on either side of the road. This was a joyous drive.

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The DB11 Coupe is a piece of automotive architecture, sculpted, so it seems, from a block of granite. It feels satisfying to drive, even if you are not moving. It is very satisfying, and not a little fun, to drive when you are. The empty French roads allowed us to accelerate a little faster and farther than perhaps we would have done in Switzerland, where we had started that morning, or back in England, our final destination. It’s not overly challenging, but it is nicely weighted to give you a sense of Aston Martins of old, which were slightly macho and brutish as well as beautiful, like Sean Connery as James Bond, or perhaps a young Marlon Brando. Fortunately, too, it does not succumb to the latest trend of making extremely fast cars too easy to drive.

the black leather interior of a car

A peek inside the Aston Martin DB11

You would not buy the DB11 if you just wanted a very fast car, we mused, as the road, having descended down through the north side of the mountains, straightened out along a plain lined with wheat fields. These days, almost any electric car – and there seems to be a new one every day – can be programmed to go as fast as a moon rocket, but where’s the fun in that? This Aston, with its masterpiece of an exterior and equally chiselled interior, and lovely waffles of leather all around inside, is an event to be in and to arrive in. The hotel we were staying at that night in Burgundy, Hostellerie Cèdre & Spa Beaune, gave it pride of place in its car park.

A car behind an arched gate

The Aston Martin DB11 V8 Coupe in the courtyard of the Deutz champagne house, France

The Cèdre is exactly the kind of place you want to arrive at when touring France. A little palace or big mansion (take your pick), on the edge of the old walled town of Beaune in the centre of Burgundy’s wine country, it has a driveway lined with very smart cars that show the measure of its clientele, who travel from all over the world to stay and taste wines here. There is a maze of a garden with ornamental ponds and seating dotted around the foliage. We sat there that evening and enjoyed a glass of poignant 2019 Château de Meursault, salty and nutty and balanced, from a small producer just a couple of miles away. The air smelled like the wine. Inside, the Cèdre is traditional and rich, like the home of a wealthy merchant. By the bar, an Enomatic machine, which preserves open bottles of wine, serves a selection of the great vintages of Burgundy – no need to visit a wine estate, just stay here and taste.

the outside of a white hotel with tables and parasols in a garden

Garden dining by night at the Hostellerie Cèdre & Spa Beaune, Burgundy

Our room was characterful and split-level, with bedroom and bathroom on one floor and a living area in a gallery above, big enough for a group of four to stretch out on the sofa and chairs, fine wines in front of them, and chat into the night. The room didn’t have a big view but it had an interesting one, across the outskirts of Beaune to the vineyard slopes creating its eponymous, and delicious, red wine. One of the world’s most ancient vineyard sites, its history can be traced back 1,000 years. This is a soulful hotel.

A massage chair with a brown towel on it surrounded by stone and glass walls

The stylish Nuxe Spa in the vaults of the Cèdre

Our focus the next day was a drive across the countryside of central France, from one of its great winegrowing regions, Burgundy, to another, Champagne. These are connected by an autoroute, and getting there can take fewer than three hours. But that would not do justice to a car like this, so we took the back roads instead. First, we wound our way up the low, but very definite ridge of the Côte-d’Or, where we saw the same Burgundy vineyards we had seen from our hotel room, and then through forests, glades and ancient villages on the Plateau de Langres. This is Charlemagne territory, one of the most historic but unexplored parts of France. In each village there were at least a few grand houses, hundreds of years old, that wanted to tell a story.

A lounge with a fireplace and leather brown chairs

A cosy ambience at the Cèdre Lounge Bar,

The Aston ambled happily through them, like a big dog strolling with its mistress, then roared down the empty byways when the countryside emptied out a little. After a couple of hours, wanting to make it to Champagne for our next meeting, we headed back towards the autoroute, joining it near Charles de Gaulle’s home village of Colombey-les-Deux-Églises. On the smooth French highway, the Aston reverted to its alter ego of relaxed grand touring car, purring quietly.

Champagne bottles lined up

The sublime tasting at the Deutz champagne house, France

Deutz is not a champagne house that is familiar to so many international wine collectors. It doesn’t market itself like the region’s more famous names. Perhaps it doesn’t need to, we reflected, as our taxi dropped us at the maison’s cobbled courtyard (the Aston having been parked safely at our hotel for the night). After a tour of the massive underground cellars, we were shown into a beautiful historical house, its decor preserved as the Deutz family created it in the late 19th century. The tasting room was really a garden room, looking out onto lawns and intricately planted borders.

A window with flowers behind it

Window views from the garden room at the Deutz champagne house

Deutz is about quality more than marketing – more than anything, we thought, as we were guided through a selection of the maison’s champagnes. The vintage rosé, 2013, was delicate, balanced, floral and beautiful. They only got better. The prestige cuvée, Cuvée William Deutz, had a power, a richness and a kind of nobility to it – the sort of champagne you would serve at the coronation of a king (a shame the French got rid of theirs), or perhaps at a dinner to mark the 200th anniversary of your watch manufacture. But it was another one of their champagnes that really got into our souls.

three wine glasses on a table

Tasting of Cuvée William Deutz and Amour de Deutz

Amour de Deutz is made from 100 per cent Chardonnay, the best picks of the white grape that the maison gets its hands on every vintage. We tasted the 2013, 2009 and 2008. They were sublime: complex nutty creaminess, a savoury edge, richness yet ethereal lightness and a kind of golden flavour. Each was more powerful than the last, yet as gentle as a butterfly. Featherlight yet eternal.

Read more: Great Drive: Santa Monica to Napa Valley, Califonia

The next day, powered by memories of the Amour de Deutz, we cruised back to the UK in the beautiful, purring Aston, a case of golden champagne treasure in its (small but adequate) luggage compartment. The perfect little grand tour in the perfect grand tourer.

Find out more:

astonmartin.com

cedrebeaune.com

champagne-deutz.com

This article was first published in the Spring/Summer 2023 issue of LUX

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Reading time: 7 min