Carl Gerges. Photograph by Charbel Abou Zeidan
The Lebanese architect and co-founder of the country’s biggest indie rock band Mashrou’ Leila on his beautiful homeland and what it’s like to be on the receiving end of state censorship and a ban for ‘blasphemy’
The best place to listen to live music in Beirut…
Metro Al Madina, an ancient underground theatre turned into an eclectic cabaret with a tiny stage and a charming bar.
What I love most about Lebanon…
The invincible determination of Lebanon’s citizens not to have their spirit broken.
The advice I would give to my younger self…
Don’t invest too much emotion in impossible situations, but you must never lose faith or the drive to fight.
My favourite building in Beirut…
The triple-arched house or central hall house built during the 18th and 19th century. It is the Lebanese house par excellence and by far the most elegant and most refined building typology that we were able to build.
And my favourite building outside Beirut…
The Raja Saab Chalet in Ouzai. Shaped like a flying saucer, it was built on the Acapulco beach in the early 1950s.
My happiest memory…
Standing on stage in Cairo alongside my bandmates in front of an audience of 35,000 people singing along so loudly that we couldn’t hear ourselves play. It’s also one of the saddest memories because it was the last concert we did before being banned from Egypt [the band’s lead singer is openly gay].
My favourite local dish…
Desserts with orange blossom.
My favourite musician…
Impossible to choose. I love Mac Miller, Anderson Paak, The Beatles, Quincy Jones, Britney, Beyoncé, Serge Gainsbourg.
What I would like to achieve next…
My dream project would be to design a museum or thermal baths.
One thing I wish my country had more of…
Respect and protection for its heritage, whether natural, cultural or architectural.
My materialistic weakness is…
Furniture. I cannot resist collecting it even though my apartment is already full.
Interview by Candice Tucker
Find out more: mashrouleila.com; carlgerges.com
This article was originally published in the Summer 2021 issue.
