Portraits hanging on red painted wall of a gallery
Portraits hanging on red painted wall of a gallery

Exhibition view, Tim Walker: Wonderful People, Michael Hoppen Gallery (London, 2019–2020). Photo and © Michael Hoppen Gallery, London

Tim Walker’s photographs are usually found on the glossy covers and pages of high-end fashion magazines, but his work holds a different power in a gallery setting as this latest exhibition at Michael Hoppen Gallery shows. The exhibition, entitled Wonderful People, focuses on the British photographer’s portraits of celebrities, and runs alongside the V&A‘s current retrospective show.

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The display includes over sixty portraits, spanning his entire career, and featuring the likes of Margaret Atwood, Adwoa Aboah, Tilda Swinton (Walker’s long-term muse), Helena Bonham Carter, Claire Foy and Emma Watson. As with all of his works, these individuals are cast into surreal dreamscapes, often set against otherworldly backdrops, wearing striking costumes or holding unusual props.

Writer Margaret Atwood in oversized coat

Margaret Atwood, Tim Walker for The Sunday Times (London, 2019). © Tim Walker Studio, Courtesy Michael Hoppen Gallery

Actress Tilda Swinton in large collar

Tilda Swinton in exaggerated collar, Tim Walker (Reykjavik, Iceland 2011). Fashion: Giorgio Armani. © Tim Walker Studio, Courtesy Michael Hoppen Gallery

For Walker, photography is less about capturing what can already be seen, and more about enlivening the imagination. Whilst most of the faces are instantly recognisable, they appear strange, and somehow distant through Walker’s lens. The work, of course, is fantastical, deliberately playful, and yet, something more sinister seems to be lurking beneath.

Read more: Champagne Bollinger celebrates 40-year James Bond partnership

Standing in front of prize-winning writer Margaret Atwood poised as a witch-like figure holding a long feather quill, one can’t help but wonder whether we’re being asked to contemplate the bizarre realm of celebrity alongside the beauty of the image, to wonder at the power of our imagination whilst recognising the myths it creates.

Surreal photograph of man jumping into a picture frame with woman inside

Jordan Robson & Emma Watson, Tim Walker (London, 2016). Fashion: Maison Francesco Scognamlgllo © Tim Walker Studio, Courtesy Michael Hoppen Gallery

Tim Walker: Wonderful People runs until 25 January 2025 at Michael Hoppen Gallery, London.

 

 

 

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Guggenheim museum Bilbao at night
Guggenheim museum Bilbao at night

The Guggenheim Museum Bilbao. Image by Niclas Dehmel

This month, our columnist and Abercrombie & Kent’s founder Geoffrey Kent focuses in on Spain’s diverse offering of cultural itineraries

As an art lover, dabbling collector – I particularly like Joan Miró – and founder and co-chairman of a travel company that caters to a clientele made up of ultra-high-net-worth individuals and connoisseurs of many persuasions, these kinds of topics come up frequently. For a cultural odyssey which takes in some of the world’s great art houses, my current top tip is: take a Spanish sojourn.

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Spain’s contribution to the world of art packs an impressive punch – and has done for centuries. This year, the country’s great treasure trove of art is celebrating its 200th anniversary, so right now is the perfect time to experience this cultural hothouse, as viewed through its famous art institutions: among them the Prado, Museu Picasso, and Guggenheim Museum Bilbao.

Madrid

city of Madrid at sunset with aerial view

Image by Florian Wehde

Museo del Prado

The Prado is undeniably one of the most important art museums in the world – and one of the planet’s most visited tourist attractions. It houses an outstanding display of works by Spain’s three greatest painters: Goya, Velázquez, and El Greco, together with famous pieces by Flemish, Italian, and other European masters. Together, its collection is considered among the finest ever assembled, spanning the 12th to early 20th centuries, numbering in the thousands, and containing not just paintings and sculpture, but also historic documents, prints, and drawings. Founded in 1819, this year it celebrates its bicentenary as Spain’s premier gallery. For a deeper understanding of the works on display, A&K offers guests the privilege of enjoying the Prado’s collection and temporary exhibitions privately after hours, guided by specialist art historians.

Museo Nacional Thyssen-Bornemisza

Located near the Prado, the magnificent Thyssen-Bornemisza boasts one of the most important privately assembled art collections in the world. It offers art lovers an experience that is nothing short of extraordinary. The museum’s permanent collection spans eight centuries of European painting, as well as a display of 18th- and 19th-century North American paintings. Until 26 January 2020, the temporary exhibition will be exposing the relationship between the Impressionists and the art of photography.

Read more: Champagne Bollinger celebrates 40-year James Bond partnership

Museo Sorolla

Off the beaten track for most visitors to Madrid, you won’t be overrun by tourists as you wander the Sorolla’s light-filled spaces. Originally the house and studio of Spain’s greatest late 19th- and early 20th-century painter, this museum is dedicated to the life and work of Joaquín Sorolla (1863-1923) – known as the ‘Spanish Master of Light’. It houses an eclectic collection, including paintings by family members, his daughter Elena among them. Although his work is sometimes compared to that of Sargent, Sorolla does not belong to any specific school, and the house also contains pieces by the old masters who inspired him. The galleries also host special exhibitions by current artists. As a result, Museo Sorolla presents a fascinating journey through Spain’s history of art.

Where to stay: The Westin Palace, which is steps from both the Prado and the Thyssen-Bornemisza museums.

Barcelona

Aerial view of a city

Image by Alfons Taekema

Casa Vicens

One of the world’s first Art Nouveau buildings, this house designed by Antoni Gaudí (1852-1926) for Manuel Vicens i Montaner is rightly considered a masterpiece and is a UNESCO World Heritage Site. Standing in the tranquil neighbourhood of Gràcia, it is an oasis of calm covered in striking green and white tiles. Inside you can learn about Gaudí and his significance within the Modernism movement. Guests of A&K get the opportunity to beat the morning crowds with a private before-hours visit to Casa Vicens, or a sunset tour.

Museu Picasso

Set on Montcada Street in La Ribera neighbourhood (once home to Barcelona’s great and good), Museu Picasso lies in the heart of the city’s cultural, commercial, and tourist district, surrounded by centuries of history and art. The museum itself is housed in five medieval palaces, architecturally as impressive as the artistic treasures within. Containing 4,251 works by one of Spain’s – and history’s – most influential artists, it is the largest gallery dedicated to Pablo Picasso (1881-1973), and the only one established during his lifetime. It is the ideal place to study the artist’s formative years, containing many early works, and illustrating his enduring relationship with Barcelona.

Read more: One&Only opens a second luxury resort in Rwanda

Fundació Joan Miró

For me, a trip to Barcelona wouldn’t be complete without paying homage to this great Catalan artist. Miró was born in the city in 1893 and he established the Joan Miró Foundation in 1975. Located on the Montjuïc Hill, this art space in one of Barcelona’s most popular museums. It houses more than 10,000 pieces of Miró’s art from his first sketches to final paintings, including many seminal works. It also contains ‘Espai 13’, which promotes the work of young experimental artists.

Luxurious rooftop pool

Views from Mandarin Oriental Barcelona’s rooftop

Where to stay: I particularly like Mandarin Oriental hotels, and the one in Barcelona is located on the glorious Passeig de Gràcia, mere moments from Gaudí’s Casa Batlló.

Bilbao

Landscape image of Bilbao city

Image by Yves Alarie

Guggenheim Museum Bilbao

With its sweeping curves of glittering metal and glass, the Guggenheim Museum Bilbao building itself needs no introduction – the scale and futuristic beauty of Frank Gehry’s 1990s titanium structure leaves a lasting impression. It was built to showcase art works such as Jeff Koons’ sculpture Puppy, Richard Serra’s unique sculptures and Mark Rothko paintings. Next to the museum’s permanent collection, the regular rotation of temporary exhibitions across different periods – not always Modern – draws art enthusiasts back time and again.

Museo de Bellas Artes de Bilbao

The city is also home to the wonderful Museo de Bellas Artes de Bilbao, which houses paintings from the 12th century to the present day and is considered one of the finest art museums outside Madrid.

Where to stay: The just-renovated Gran Hotel Domine – it boasts the best views of the Guggenheim.

For more information visit: abercrombiekent.co.uk

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Cliffside hotel with view of the ocean
Luxury outdoor hotel swimming pool

L’Hotel Marrakech is one of Voyager Club’s Hidden Gems in Morocco

Sophie Caulcutt is the co-founder of luxury travel and fashion concierge company Voyager Club, which connects travellers with unique hotels, provides lifestyle services and curates personalised vacation wardrobes. Here, we speak to the 28-year-old entrepreneur about luxury experiences, fashion, and the hottest destinations for 2020

Portrait of young woman in a white dress

Sophie Caulcutt

1. How did Voyager Club go from an idea to a reality?

My background is in fashion and my other passion has always been travel. My co-founder, Ashley Barras, (who is also an avid traveller) and I couldn’t understand why no one was connecting the dots between the two, where you were going and what you put in your suitcase…so we had a vision to create a travel and lifestyle company that would be the first company to do just that. Voyager Club was launched in September 2018.

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As well as offering clients a vacation wardrobe service, #MyVacationStylist, that curates bespoke wardrobes for every traveller wherever they are going, partnering with MatchesFashion – Voyager Club also works with Hidden Gem hotels and exclusive privately villas around the world. We do the 360 for clients, from travel to concierge to the vacation wardrobe but all our services are also à la carte.

2. What kinds of experiences can the lifestyle concierge organise?

We strive on offering the most personalised experiences so every trip is bespoke to each client. Anything from insider itineraries and off the radar experiences to curating the perfect holiday wardrobe. With our little black book, Voyager Club can also organise the money can’t buy experiences around the world such as access to exclusive global events with MatchesFashion and their favourite designers to renting a house or yacht that would not usually be for rent. We also offer what we call ‘super brand’ concierge, helping brands make the impossible possible from events, pop-ups and experiences in beautiful destinations.

Cliffside hotel with view of the ocean

Another of Voyager Club’s Hidden Gems: Monastero Santa Rosa on the Almalfi Coast

3. How do you tailor a holiday wardrobe to an individual’s preferences?

If a client chooses the #MyVacationStylist service, they will be paired with an expert stylist for an in-person or phone consultation and asked questions about favourite designers, colours as well as the vacation itinerary. Our vacation stylists will then create an edit based on the client’s preferences and ship them to their hotel, villa, yacht or chalet in time for their trip. The best part is you only pay for what you keep.

Read more: Why you should invest in a wine storage cabinet

Layout of holiday clothing

Voyager Club’s #MyVacationStylist service is a personalised shopping service, tailored to fit with the client’s itinerary

Suitcase filled with luxury clothing

4. Favourite brand right now?

I have a few…This season La Double J which are amazingly versatile in a suitcase, Ulla Johnson and Gioia Bini for vacation mode and my favourite new discovery are Métier bags, which are a work of art.

5. Where do you predict will be the hottest holiday destinations next year?

Eco-retreats in South America as our commitment to sustainability grows and Comporta [in Portugal] for summer escapes with its bohemian beauty.

6. What are your travel essentials?

Noise cancelling headphones, vitamins, a great swimsuit and always a pair of great flats (I always pack a pair of Le Monde Beryl mules). I never travel without my own beauty products which I decant into miniatures from Muji and always keep in my wash bag ready to go!

To find out more, visit: voyagerclub.co

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Gorilla with a baby in the forest
Mountainous landscape with blue skies

One&Only Gorilla’s Nest Rwanda overlooks the Virunga Mountain Valley

One&Only Gorilla’s Nest is the luxury brand’s second resort to open in Rwanda, offering guests the opportunity to trek after mountain gorillas and relax within a secluded setting. LUX takes a look inside the newly opened property

Located two and a half hours from Kigali International Airport and five minutes from the entrance of Volcanoes National park, One&Only’s newly opened Gorilla’s Nest resort offers guests a luxurious base from which to explore northwest Rwanda’s extraordinary ecosystem. The park, which takes its name from its five dormant volcanoes, is home to the highest number of mountain gorillas, which guests can trek after through the rainforest.

Luxurious hotel bedroom with large windows overlooking forest

The Silverback Suite with a private swimming pool

Alongside safari expeditions, the resort also offers a variety of experiences including tasting locally farmed coffees, learning photography, traditional dance and basket weaving.

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The camp itself is comprised of 21 elegant rooms, each designed to blend into the natural landscape with cosy in-room fireplaces, private viewing decks and outdoor bathtubs built high-up amongst the trees. The aesthetic is contemporary with a focus on natural materials, whilst paying homage to the colours and patterns of African culture. Our favourite is the Silverback Suite with its own private pool and unparalleled views of the surrounding forest provided by the floor-to-ceiling windows in the bedroom.

Gorilla with a baby in the forest

Luxurious private living room

The Virunga Suite features a spacious living room

When it comes dining, the main restaurant, Nest, utilises locally sourced produce as well as home-grown ingredients from the Chef’s Garden. Or else, guests can choose to dine at the Pool Bar or in a secluded location within the camp’s grounds.

There’s also a small, beautifully designed spa, with two treatment rooms, an open-air heated pool, plunge pool and Fitness Centre with a stream room and sauna. The therapies on offer are all holistic and use plant-based African ingredients, such as coffee and coconut.

Terrace restaurant of a hotel with fireplace

The terrace of the Nest restaurant

Relaxation room inside a luxury spa

The spa’s relaxation room

For more information visit: oneandonlygorillasnest.com

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Cinematic still featuring a bottle of champagne
Bollinger event with men in suits

Michael G. Wilson & Etienne Bizot from the Bollinger Family at Hotel de Crillon, Paris

Last week, Champagne Bollinger celebrated the 40th anniversary of its partnership with James Bond with a special event in Paris and a new limited-edition release

On Thursday evening last week, Champagne Bollinger welcomed the producer of the James Bond films Michael G. Wilson as guest of honour in Paris to celebrate the brand’s 40-year partnership with the legendary film series. Hôtel de Crillon played host to an exclusive list of invitees in celebration of the partnership, which dates back to 1979, when Bollinger became the official champagne of 007 upon the release of Moonraker.

Cinematic still featuring a bottle of champagne

The character Jaws opening a bottle of Bollinger R.D.1969 in Moonraker

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Champagne gift set with luxury silver box

The Moonraker Luxury Limited Edition by Champagne Bollinger with a gift box designed by Eric Berthes

Following a speech by Bollinger’s chairman Étienne Bizot, the brand launched its latest release ‘The Moonraker Luxury Limited Edition’ complete with a space-shuttle shaped gift box designed by Eric Berthes and inspired by the shuttle originally created by production and set designer Ken Adam. Guests enjoyed a first taste of this 2007 vintage against a backdrop of design sketches and stills from the Moonraker film.

Find out more: champagne-bollinger.com

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Grand facade of luxury five star hotel
Grand facade of luxury five star hotel

The newly opened Fullerton Hotel Sydney, located in the city’s historic General Post Office

Earlier this month, the opening of the Fullerton Hotel Sydney marked the Singapore-based brand’s first expansion overseas. LUX takes a look inside the heritage property

The latest opening by Singapore-based brand Fullerton Hotel & Resorts offers guests more than just luxury hotel. Housed in Sydney’s historic General Post Office, the hotel is the result of a careful restoration project which involved building 416 guest rooms and cleaning the sweeping sandstone façade.

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Luxurious hotel bedroom with city views

One of the hotel’s luxurious suites

Grand staircase inside luxury hotel

The grand staircase at the Fullerton Hotel Sydney

During its former life, the GPO was known as a gateway to the world, functioning as the centre of NSW’s telephone and mail communication for many years, and Sydney’s postal headquarters until 1996. Designed by colonial architect James Barnet and built in 1866, the building was and still is regarded as one of the city’s major landmarks.

Vintage photograph of worker typing in office

Vintage photographs of workers inside post office

Here and above: Archive images from the Telegraph Section at the G.P.O., November 1953

The hotel’s programme of complimentary heritage tours aims to introduce guests and members of the public to the building’s history with a 90-minute walk involving unique anecdotes and insights.

For more information visit: fullertonhotels.com/fullerton-hotel-sydney

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Woman standing on cliff

graphic banner in red, white and blue reading Charlie Newman's model of the month

Middle aged woman posing in studio setting

British model and founder of Wilder Botanics Rachel Boss. Image by Aaron Hurley

LUX contributing editor and model at Models 1, Charlie Newman continues her online exclusive series, interviewing her peers about their creative pursuits, passions and politics

colour headshot of blond girl laughing with hand against face wearing multiple rings

Charlie Newman

THIS MONTH: British model Rachel Boss has had a longer career than most, shooting with industry legends including the late Peter Lindbergh as well as appearing in all the Vogues, the Pirelli calendar and numerous fashion brand campaigns. Alongside her husband, she recently founded her own brand Wilder Botanics, which specialises in holistic products created from organic, wild ingredients. Here, Rachel opens up about the tough side of modelling, becoming an entrepreneur and her aspirations for the future.

Charlie Newman: Let’s start at the beginning. What was your childhood like?
Rachel Boss: I grew up just outside of Manchester. I had the perfect mix of countryside and being on this great music city’s doorstep back in the late eighties early nineties, so I was constantly going to gigs when I could. We lived in this beautiful old farm, not that we used it, but my mum only ever cooked using home grown vegetables. I went to a convent which wasn’t great! I went there from 3 to 18 years old as a day pupil. Looking back it had a huge effect on me with the guilt that comes from Catholicism. It was awful, it was heaven and hell, it was retribution. My mum stuck up for us by not letting us do confession: what 7 year old has anything to confess? That’s why I had my confirmation much later because you can’t get confirmed without having confessed. I haven’t been to church in a long time now but it’s still in there. I remember going to school and seeing these propaganda posters and being so appalled by these extreme elitist views, but in reaction to this quite a few of us were rebellious. The young nuns were slightly more liberal singing Kumbaya with us, whilst the elder ones were just dreadful. The only two male teachers were science teachers which meant that we really weren’t pushed to do science – things have changed hugely since then. Safe to say, I would never send my children to a convent, in fact I went the complete opposite and sent them to a school where they call the teachers by their first name!

Follow LUX on Instagram: luxthemagazine

Charlie Newman: How did fashion come into your life?
Rachel Boss: I can remember always being taller than my peers and everyone telling me I could be a model but I never even considered it because modelling wasn’t a career back then. I saw fashion as my escape, it was my ticket out of Manchester. Interestingly, people from Manchester generally always stay there, they don’t often move. I don’t know whether that’s typical of most towns but I couldn’t wait to get away. University was never on the cards for me, it wasn’t even something I wanted to do and I don’t know why because later on I went to study off my own back. Even though I didn’t go to university straight after school, I still want my children to because I hate the idea of them being out in the world without a purpose. When I left school that’s exactly how I felt, so when I got asked to be a model I took the chance. I was staying at a friends house in Dublin and then somebody asked me to do a show for John Rocha. From that show an agent picked me up, it’s not a very glamorous story! In that first season I worked for John Rocha, Katharine Hamnett and a few other Irish designers. After that, I came back to Manchester and then moved to London at 19 years old so I was a late starter for a model.

Model pictured standing on cliff edge

Charlie Newman: What were your early experiences of modelling like?
Rachel Boss: Once I signed with an agency I was whisked straight away off to Tokyo, and I didn’t really like it. Whenever I see friends who were also models at the time we look back now and realise that actually we really weren’t treated right as teenagers. Thank goodness for the way my mum brought me up else I would have ended up in some compromising positions. People were always saying to me, ‘Why don’t you relax? Why don’t you go to that club? Why don’t you go out for dinner with them?’ But I wasn’t having any of it which meant that I was spending a lot of time on my own. My first trip was to Tokyo for 4 weeks which was a real eye opener, it was like a cattle market. We weren’t marketed as human beings, never having time to eat or break. Then at night we had to go to club openings which was just not my thing. I left Tokyo with not very fond memories and from there went onto Paris after a brief stint at home in between.

Read more: Artistic visions of Louis Roederer’s Brut Nature 2012

Charlie Newman: Paris is the centre of old school fashion houses, and with it often comes an old school mentality. Did you come across this and how did you deal with it?
Rachel Boss:  I really struggled in Paris because the French bookers were always the toughest. We’d be staying in a model apartment 25 years ago for 600 euros a month and it would be a mattress on the floor, with no light bulbs, nothing in the kitchen and with 6 other girls in the flat, it was completely wrong. Even though I was a tiny bit older than my peers, I felt a lot younger because most of my friends within the industry were from cities so were a lot more streetwise than me. They were in the right crowds immediately, whereas I was very far from it. I must have been really hard to manage because I was forever saying, ‘Sorry but I’m going home now!’ I realise now that I was suffering with anxiety without even realising it because anxiety disorders weren’t discussed then. I remember berating myself thinking, ‘What’s the problem? All you have to do is get on that plane, go to the hotel, get up and go to the job.’ I remember forever talking myself through it and every time on the plane home I’d congratulate myself. So it wasn’t an enjoyable period for me but then again I did have a couple of years which were just incredible. That was when everything changed.

Woman standing in white studio

Image by Aaron Hurley

Charlie Newman: What changed exactly?
Rachel Boss: I moved to New York in 1991 where I stayed for a year, and then I moved back there at the age of 25 which was just fantastic because there was a real resurgence of health in fashion. The heroin chic look was out and the more healthy, robust girl was in. People were waking up to the benefits of nutrition and that really opened my eyes to what I wanted to do. I went to an amazing Ashram in upstate near Woodstock, where I learnt the teachings and philosophies of yoga and meditation. I had the time to really read and expand my knowledge whilst I was in New York purely because all of my work was based there and I didn’t have to catch a flight all the time. But by the age of 26 I was moved to the ‘Classic’ table and was told I was past it. That had a real effect on me mentally because I suddenly woke up to the idea that I was a woman and I needed to have a family. I was being portrayed as a 46 year old woman at 26 which I wish I hadn’t agreed to. Afterwards, I just tucked myself away and studied and studied at the Holistic Health college. I was studying to be a Naturopath alongside Nutrition, Homeopathy and Iridology which is recognising genetic traits through Iris formations. I love it because it’s one of those subjects where you’re forever learning.

Charlie Newman: You published Super Herbs: The best adaptogens to reduce stress and improve health, beauty and wellness in 2017. How did that come about?
Rachel Boss: I was approached by The Little Brown publishing house after having just given birth. I remember being so incredibly exhausted at the time and without thinking I went along to the meeting. I remember thinking in the meeting at this really smart office, ‘What the hell am I doing here? I am so tired, and here I am saying that I can write a book!’ I think it must have been the endorphins that come with breast feeding! I wrote it like a job, or studying, so I was really strict with deadlines. I so enjoyed writing it. The book focuses on the history of the herb. It’s a really easy read and helps direct you on how to slot herbs into your life and make you feel better. When you have a chronic illness quite often you get used to it (unless it’s acute) and you end up ignoring it, like chronic digestive issues for example, but in my book I explain how herbs can help you. I also highly recommend reading Rosemary Gladstone and Christopher Hedley’s books. Christopher was my tutor and is simply amazing.

Read more: Designer Philipp Plein on mixing business with pleasure

Charlie Newman: You’ve had such a long and diverse career in an industry that is notoriously short. How has your career developed as you get older?
Rachel Boss: I was more editorial at the beginning, but then I really pushed for it to become a money earner. When I came back to London I was doing the likes of John Lewis, Marks & Spencer and Next, which was great money! There was a time when I was doing everything in London and it was just fantastic, I could drive to work, I absolutely loved it. But then of course they move on as they always do and have to. I’m also very aware that I’m extremely tall to be doing commercial work. I’m just over 6 foot so I’m extremely grateful to them for being so kind to me, most of the other models were 5’9. However, the other day I did my first editorial shoot for a while with the wonderful Renaissance magazine. I met this amazing guy who was Turkish but brought up in Sweden, the hair and make up was from Tokyo and the stylist from America – we all just couldn’t stop talking! I’ve always loved that part of fashion, every shoot has a real mix of people from all over the world. Perhaps it’s because I’m older and more confident, but I feel as though I’m no longer seen as an object that has to be moulded to other peoples desires. I am my own person whilst modelling now.

Charlie Newman: Looking back at your career now, what do you wish you had done differently?
Rachel Boss: My career has forever been in flux between forcing myself to do the job and then retreating. Even when it was French Vogue or shooting with Peter Lindbergh, it was terrible because in my head I just wanted to run for the hills. I look back now and wish I just got on with it for four years and then left. But instead I dragged it out over decades! Often when I left a city I would leave an agency too because then I felt like I could always start again and have a fresh start. The agencies were always very damning of my opinion when really it should have been a joint decision, but luckily I had one wonderful agent who understood that when I said no, I meant no. I became very good at saying no because for years I’d forever been a yes man. As a result, I had a reputation for being difficult. It’s been an interesting journey. Talking and reading about the past now amongst friends and colleagues makes you realise how intense it is as a job.

Charlie Newman: What advice would you give to young models now starting out?
Rachel Boss: Please enjoy it and don’t take it too seriously. I was forever being told that I was ungrateful because I didn’t want to do the jobs, but really there’s alway someone else who will do the job. If it’s not your route or desired path don’t do it.

Charlie Newman: What has been a career highlight for you?
Rachel Boss: I think it’s got to be living in all the cities. I loved working in New York and Morocco and even though living in Paris was hell, I’m so pleased I did it. Now I know all the areas and I met Yves Saint Laurent and so many other incredible people. I was lucky enough to have a good wage so wherever I was, I did whatever I wanted. If there was some restaurant I wanted to go to, I’d try it, if there was anywhere I wanted to go to, off I went. I was very, very happy with my own company, which was hugely beneficial for me because I’d got into such a huge state of panic before where I felt as though I always needed to be with someone, so that was a huge turn around for me. It’s so important to have times in your life, especially when you’re young, to go off and do your own thing because you’ll probably never have that time again. Even if you do get the opportunity to do it when you’re older, your mind is constantly elsewhere and wanting to be with your children. So for me to have had that time was something I really relished. It’s so important as a human being to sit by yourself and be happy.

Man and woman portrait in living room

Rachel and her husband Charlie co-run Wilder Organics, doing everything from the making of products to the selling.

Charlie Newman: What made you decide to start your own company?
Rachel Boss: The company was talked about for years. I was so aware that herbs were still seen as something a bit odd or witchy or something that only people wearing linen and blankets could prescribe to and I didn’t like that! It was the same with when I went to my lectures too. It was all too intense and I wanted to prove that you could be interested in Naturopathy, whilst also enjoying a glass of wine with a steak. The whole idea for Wilder Organics was about bringing herbs into the contemporary lifestyle and fitting it into the everyday. Before it was only really Neal’s Yard, but within the past 5 years I’ve seen a huge surge in interest.

Read more: Island paradise at the Ritz-Carlton Abama resort in Tenerife

Interiors of a cosmetics shop

The Wilder Botanics boutique, Broadway Market

Charlie Newman: How did you make Wilder Organics a reality?
Rachel Boss: It started with me creating a herb infused body oil and two teas. I asked my friend Lerryn Korda, who is a beautiful illustrator of children’s books, to design the beautiful labels for me. Each type of herb has a different illustration because I really wanted to draw people back to nature and get them to recognise what they’re actually drinking, and maybe even encourage them to go and pick the leaves themselves. This was back in October 2017. I had a little stand at this wonderful sale that supports creatives called The Hand Sale in Kensington and everything sold! I didn’t know what the whole worth was of my product so that’s when my husband swooped in, and he’s totally immersed in it now. It’s just us two and one other person who comes in every so often. We do everything, from the making to the selling to the wholesaling. Everything is biodegradable and recyclable nationwide, it can even be put into your compost. All of our products are recyclable grade 7 which means all councils recycling systems will accept it, which sadly isn’t the case for a lot of other products out there.

Charlie Newman: Where would you like to see Wilder Organics in the future?
Rachel Boss: We would really love to see our beauty products in Liberty because we’re obsessed with everything in there! We have endless ideas for the future, but I’m particularly excited about delving more into women’s health. Alongside our 10 stockists, we’d also like to be stocked worldwide, but without ever losing the core values of our company.

Charlie Newman: And finally, who is your role model of the month?
Rachel Boss: It’s got to be women for me, I love women in every form. If I had to pick one individual it would probably be Julianne Moore, I think she’s just heavenly. My friend works with her who’s a make up artist and said she’s the real deal, she’s true to her persona, so kind and brilliant. I was listening to Zadie Smith on Radio 4 yesterday and I thought she was just amazing, partly because she doesn’t appear to be a people pleaser. I grew up in a generation where everything was about being liked, fitting in and not being a burden. I really rock boats with that even now. I hope my children are like that, I tell my children all the time, just because someone’s an adult it doesn’t mean they are right.

Discover Wilder Botanics’ range of products: wilderbotanics.com

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Reading time: 15 min
Vintage photograph of race track with Tag Heuer branding
Actor Steve McQueen wearing racing gear

Actor Steve McQueen wearing TAG Heuer’s first Monaco timepiece in the 1971 film Le Mans

TAG Heuer is celebrating the anniversary of its Monaco timepiece with a series of limited editions. Chloe Frost-Smith takes a closer look at the collection

Originally debuted as the world’s first water-resistant square cased chronograph in 1969 and made famous by Steve McQueen in the 1971 film Le Mans, the TAG Heuer Monaco celebrates its 50th anniversary this year with a series of five limited editions each alluding to a different decade in the iconic watch’s history as well as two additional timepieces featuring an entirely new in-house movement.

The 1969-1979 edition

Each timepiece is engraved with the brand’s original logo and features the Calibre 11, a modernised version of the first Monaco’s innovative self-winding chronograph movement, alongside a perforated leather strap which creates an automotive look and feel. The seventies edition, however, is the only watch in the collection to feature a brown leather strap, with a textured green Côtes de Genève dial accented with brown and amber touches.

Luxury Tag Heuer timepiece in a box

TAG Heuer Monaco 1969-1979 edition with a brown leather strap

The 1979-1989 edition

The 1980s-inspired timepiece is instantly recognisable for its racing red on the watch face and stitching, strikingly set against black and silver detailing. It’s a classic colour combination for motorsport aficionados.

Luxurious watch with red face and black strap

The 1979-1989 edition with a racing red watch face

The 1989-1999 edition

More traditionally Heuer Monaco in appearance, navy and red dominate the overall design of this timepiece whilst the grained, rhodium-plated silver-grey dial adds a contemporary edge.

Luxurious timepiece with blue strap and square clock face

The 1989-1999 edition follows TAH Heuer’s traditional Monaco colour palette

The 1999-2009 edition

Finished in an understated monochromatic scheme with flashes of red on the hands and markers, the 2000s edition is distinguishable by the white circular index which stands out against the black watch face, complemented by the black strap with white lining.

Luxury timepiece with monochrome detailing

The monochrome 1999-2009 edition

The 2009-2019 edition

The latest watch in the series is simple yet sleek with a minimalistic approach to the most recent decade, incorporating an unconventional sandblasted stainless-steel case and polished pushers. The charcoal-coloured sun-ray dial is adorned with black-gold-plated indexes, in keeping with the black lining and grey stitching on the strap.

Black watch with square clock face

The sleek and contemporary 2009-2019 edition

The 02 edition

Sporting a blue sun-ray brushed dial, silver opaline counters, and a navy blue alligator strap, this edition is set apart from the rest of the series as the first Heuer Monaco timepiece to feature the Swiss brand’s most advanced calibre movement.

Cut out image of blue watch with square face

The 02 edition features an advanced calibre movement

The Calibre 12 Final edition

Completing the collection with a classic palette of black, white, and red, the final edition features a unique brushed ruthenium dial which allows the watch face to change colour in different lights.

Cut out image of a black watch with square face

The Calibre 12 Final edition changes colour according to the light

 

For more information visit: tagheuer.com

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Reading time: 2 min
Contemporary kitchen interiors with wine storage cabinet
Contemporary kitchen interiors with wine storage cabinet

Eurocave’s wine storage cabinets can be built into kitchen interiors, such as this cabinet from the Inspiration range

LUX Editor-in-Chief Darius Sanai shares his experiences of storing and spoiling wine, and explains why Eurocave cabinets offer the optimum storage conditions

Wine is a subject that can engage a vast cast of humans in discussion, from friends wondering what to drink on their terrace in St Tropez next summer that won’t give them a headache, to full-on geek discussions about the grape picking dates in the grand cru vineyards of Gevrey-Chambertin in 2017, via speculation on which wines will be the next to jump in price and provide a payoff for speculators.

But storing wine? I can’t remember the last time I spoke to anyone outside the wine trade about that. You buy it, you store it somewhere not too hot until it’s ready, then you drink it. What’s there to discuss?

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Quite a lot, as it happens, as how you store wine is an essential element not just of ownership, but of the point of the stuff, which is how much you enjoy drinking it. There is an old adage that there is no such thing as a great wine, just a great bottle of a wine, and much of the truth in this emanates from the extreme sensitivity of wine – any wine – to how it is stored. Wine is fermented fruit juice, and some of the finest wines contain minimal amounts of (natural) preservative, so rely almost entirely on a natural process to improve in the bottle, and also not to spoil, like any other foodstuff.

The first rule of buying wine – any wine, whether it’s a case of Domaine de la Romanee Conti, or a bottle over dinner – is provenance, which means being as sure as you can that it has been stored correctly to date. A single morning in a hot warehouse, or lying on a wharf in direct sunlight on an August day in the Mediterranean, is enough to ruin a wine, permanently. Sometimes there may be telltale signs, like the cork pushing out through the capsule, or rivers of dried wine, escaped from the bottle when the liquid expanded as it heated. Often, though, there are no signs, which means you need to trust your consignor, or know you are taking a gamble with your money.

Read more: Why responsible travel means authenticity

If provenance is what has happened to a wine until you lay hands on it, storage is what happens to a wine after you buy it. If you happen to live in a country pile with a deep, windowless cellar, or have a professional cellar in your house – congratulations, there’s no need to read on. (But even you have a proper cellar in your main home, you may not have one in every place in which you serve wine.) If not, and you plan on keeping any wine or champagne in your house more than 24 hours, ask yourself if you would store any other perishable foodstuff in a rack by your oven, in a spare room, or in a garage.

Large standalone wine cabinet

Eurocave’s Royale cabinet can store up 122 traditional Bordeaux bottles or up to 50 magnums

My own enlightenment on wine storage came after many years, and many false starts, and thousands of pounds’ worth of spoiled wines, after trying almost every alternative to spending money on the highest quality storage cabinets for wine. Here’s what happened to me and why (actually, I present those two in reverse order for reasons I hope will become evident) – hopefully this will allow you to travel a smoother route to enjoying your wines as they were made to be enjoyed:

1. Heat kills wine.

And so does direct sunlight. Once, I took up a friend’s offer to store my wine collection in his country house basement. What could possibly go wrong in damp, cool England? I was horrified to discover, on paying a social call, that the dark, damp basement I had deposited the wines in during January became a bright, hot basement in July, as its high-level windows caught the summer sun and created a greenhouse effect. The result was a lot of French wine vinegar.

2. Even if it’s dark and never hot, temperature variation kills wine.

After the country house episode, I bit the bullet and bought some wine cabinets. Declining to buy expensive “restaurant” type cabinets, I purchased small, attractive and cheap wine cabinets from a fashionable homeware store. Six months later, every bottle I opened from these cabinets was nasty. Extensive investigation revealed that these cabinets only imposed a temperature ceiling, through cooling – they had no heat facility. They were placed next to a draughty French window at home, which, in winter, when winds came from the east, let in icy air. When the wind changed, the area of the house was the same temperature as the rest of home. A 15 degree variation, often in a single day. More vinegar. (Cold conditions by themselves can also damage wine, as the liquid contracts and the resulting vacuum can suck in oxidising air).

Read more: How Hong Kong’s M+ museum will transform Asia’s art scene

3. Sunlight kills wine.

Extensive laboratory testing has proven that even a few minutes of direct sunlight can irrevocably damage a wine. That few minutes can be the sun shining onto your meticulously installed home shelving for half an hour a day during a certain month, while you’re at work and unaware. This resulted in some very rank champagnes.

Finally, a few years ago, having spent years making significant investments in wine, only to see a fair amount of that destroyed by the above, I made an investment that changed my wine life. I bought the best specification wine cabinets I could find, and since have housed every bottle I own in them. Eurocave make the fridge-sized cabinets you see in restaurants and hotels.

Wine storage cabinet shown in living room

The Eurocave Tête à Tête wine cabinet stores up to 12 bottles

Eurocave cabinets work because:

a) unlike many other species of wine cabinet, they are made to both cool and warm the air inside them, allowing a constant temperature no matter what happens outside (mine are in a garage) – this is enormously important, per point 2 above, and buying a wine cabinet which can’t do this is like buying a chocolate teapot.

b) they are extremely well insulated. This means that the effect of any outside temperature variations, or a power cut, is minimised. A lot of wine cabinets have a metal wall between inside and outside – metal is an excellent thermal conductor, meaning it is a terrible insulator.

c) they have either solid or UV-tinted doors, meaning no spoilage due to light is possible.

Within the range, there is an enormous amount of choice in terms of size, capacity and function – you can have sliding shelves for individual bottles, or fixed shelves for piles of bottles of cases. They aren’t cheap, but nor are the wines I store in them. So until you buy the country pile, or install a full cellar room (Eurocave do those) in your house, buy one. Your wines, and your future self, will thank you.

Find out more: eurocave.co.uk

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Reading time: 6 min
Abstract painting with geometric patterns
Abstract painting with pink and black

Punta Norte (2008), Ruben Alterio

Argentinian artist Ruben Alterio is known for his large-scale abstract paintings, created in his Parisian studio, two floors up from the one once inhabited by Pierre-Auguste Renoir. We speak to the artist ahead of his upcoming exhibition at the Argentine Ambassador’s Residence in London
Artist portrait

Artist Ruben Alterio

1. Do you need a particular atmosphere or environment in which to create?

Yes, I do. To work properly, I need to be in my studio in Paris. I have been working there for decades now and have created, over these years, an atmosphere that allows my mind to fully focused, a set up that inspires me a lot.

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2. What inspires you to start a new painting?

My working space is filled with objects, sculptures, photographs, paintings, images that I have created or gathered. I get my inspiration from these shapes and colours that surround me. I must have created that environment with that intention I guess…I collect these images and artefacts because they bear some formal and historical aspects that I can use in my paintings.

Artist studio filled with artefacts and paintings

Alterio’s studio is located in the same building that Renoir once worked from

3. Can you tell us about the concept for your upcoming exhibition?

It is the gallery, the space in itself that gave me the idea for the exhibition. I wanted to create a crowd of paintings, a group of 21 paintings to be precise. This is to be seen as an installation, a stage occupied by 21 painted-beings welcoming the viewer into their personal journey.

Read more: Why responsible travel means authenticity

4. As well as painting, you’ve worked on set and costume design, and collaborated with major fashion brands. How does your creative process change when you’re making commercial work?

I’ve had the chance to collaborate with amazing, creative people all along my career. It has always been a pleasure to share and work with such people that trust you and your vision. My creative process doesn’t change that much, it’s mainly a matter of adaptation. Whether it’s in my personal work or in collaboration, the goal is always to create a window for me, and I hope the viewers, [through which] to escape.

 

Abstract artwork

Flores (2016), Ruben Alterio

5. How often do you throw away works?

I throw sometimes, yes, but I usually prefer to consider these works as part of a work in progress, which, as a matter of fact they are. I keep them because it’s always interesting to let time do its magic and look at them [again] after a while. Time can bring many surprising elements to my work.

6. Which artists from the past or present do you admire the most?

Velázquez, Piero Della Francesca, Picasso and Francis Bacon.

Ruben Alterio’s exhibition at the Argentine Ambassador’s Residence runs from 4-8 November 2019, 49 Belgrave Square, SW1X 8QZ. Entrance by appointment only. rubenalterio.com

Ruben Alterio is represented in the UK by Laurence Bet-Mansour of Art in Style. For all enquiries, please contact: [email protected]

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Reading time: 2 min