Luxury Corum watch shown on a man's wrist with rectangular watch-face
Luxury Corum watch shown on a man's wrist with rectangular watch-face

The Heritage Corum Lab 01

Luxury Swiss watch brand Corum is known for its boundary-pushing designs and adaptability. Following the relaunch of the iconic Golden Bridge collection with a brand new all-black aesthetic, we asked the brand’s CEO Jérôme Biard six questions.

Luxury watchbrand Corum's CEO Jérôme Biard

Jérôme Biard

1. What comes first innovation or heritage?

Innovation comes first as it becomes very quickly heritage: time is flying. We need innovation to go forward.

2. How does Corum capture and hold the attention of millennials?

We like to play with our Bubble collection and artistic partnerships. We are also coming out with disruptive collections like our new Corum Lab 01.

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3. Are women becoming more influential in the luxury watch market?

Women represent 50% of the population on earth which means that we have the potential to expand. Also, watches are more and more used as fashion accessories and specifically created for women, they do not make a man’s watch into a woman’s watch. This is the reason why, we recently launched the Eleganza, the epitome of classic female elegance and subtly. We also launched during Baselworld our new Golden Bridge Round Jewellery. Beside, we have Elisabetta Fantone, Canadian pop artist + Juliette Jourdain, French photographer as ambassadors since 2016.

Luxury women's watch collection by Corum

The Eleganza collection by Corum

Corum watches Golden Bridge luxury timepiece with brown leather strap and gold detailing

The Golden Bridge, Corum’s iconic timepiece

4. Is there such thing as a unique design?

We launched the Bubble collection in 2000 to push our customers limits and introduce them to the quirkiest designs on the market. At 52mm, the statement Bubble is instantly recognizable due to its size and weight. On the other end of the scale, we recently launched the Bubble Mini, a 17mm cocktail watch that can be stacked or worn alone.

Our in-line baguette movement set in our Golden Bridge has been unique on the market since its launch in 1980, and there is still nothing else like it.

Read more: Why Lake Como’s appealing to a new generation of travellers

5. Will smartwatches take over?

I don’t think that classic watches are in competition with smartwatches. I believe that people will always desire hand-crafted pieces made from luxury materials and know-how. The style, the craftsmanship exceed the function.

6. What’s your favourite Corum watch and why?

It’s difficult to choose only one. Golden Bridge + Admiral Legend 42 mm blue bracelet and blue dial. We recently launched the Admiral Legend 42 Cabinet de Curiosités de l’Hotel de Crillon par Thomas Erber, beautiful!

Discover Corum’s collections: corum-watches.com

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Alpine village of Andermatt in winter
Alpine village of Andermatt in winter
Up next in the exciting new development of Andermatt Swiss Alps? A state-of-the-art concert hall and artworks by a Swiss graffiti artist

At first glance, it might not seem like the most likely pairing: hip, Swiss graffiti artist Ata Bozaci with Andermatt Swiss Alps, the mountain village south of Zurich that over the past nine years has been gradually developed into a world-class, year-round destination resort. Yet Bozaci (who is known for working under the pseudonym ‘Toast’ and counts the late, legendary German photographer Gunter Sachs among his collectors) has been tasked with putting his artistic spin on Eisvogel, the latest apartment house currently under construction in the resort’s Holiday Village Andermatt Reuss.

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The house (which is due for completion in 2019) will be split into a series of smart studios aimed at younger urbanites. Smaller units are planned in a way that makes use of every square metre of space, plus residents can relax in the spa, socialise at the in-house bar and hang out in the communal kitchen, dining and chill-out zone – which is where Bozaci’s distinctive graphics come in. Similarly to the other apartment houses in the holiday village, owners here can also benefit from a specially developed rental concept that encourages them to generate income (and keep the place feeling lively) when they are away.

From the outset, Holiday Village Andermatt Reuss has been at the heart of this £1.3billion development project, encompassing around 500 apartments, 28 exclusive chalets and a handful of hotels including five-star, Jean Michel Gathy-designed, The Chedi Andermatt. An international architectural competition led to 30 global architects (including Kurt Aellen, Itten+Brechbühl and Soliman Zurkirchen) being selected to design the 42 apartment houses and hotels. Of those already sold, 50% have been snapped up by international buyers – many of them British, German and Italians – making the most of the exemption from both the Swiss Second Home Law and the Lex Koller legislation, which restricts the acquisition of real estate by non-Swiss residents.

Some, such as apartment house Alpenrose (due for completion this winter) are set around the main Piazza Gottardo, with its high-end restaurants, cafés and boutiques (other apartment houses are positioned just behind the square). Cleverly combining an alpine-inspired facade that integrates harmoniously into a traditional Swiss village with contemporary interiors, Alpenrose houses 20 apartments, from 50 square metres up to 146. Many have a glazed corner bay that provides excellent views of the surroundings, while maisonettes on the top floors come with their own sauna.

Developments in the swiss village of Andermatt

Render of ski chalet in Andermatt in the Swiss Alps

Andermatt’s redevelopment includes new apartment houses, hotels and chalets

Another important addition when it opens this season will be the Gotthard Residences: around 100 apartments, each with the added bonus of hotel services provided by Radisson Blu. Owners of the apartments, ranging from one-bedroom residential units to spacious multi-bedroom apartments and luxurious penthouses, will have complimentary access to the Radisson Blu fitness and wellness centre for the first three years, plus use of a ski locker in the hotel’s fully equipped ski room as well as a concierge on hand 24 hours a day. The Radisson Blu itself will also have six meeting rooms and a conference hall for more than 500 guests – making it an appealing venue for businesses throughout the year.

The process of realising Holiday Village Andermatt Reuss continues to have a positive impact on the local economy, with a 65 percent upswing in construction industry employment (this looks set to continue, with growth predicted in the hospitality, trade and service sectors). The number of overnight stays in the Urseren Valley has also increased massively: in 2016, the numbers reached 100,000 for the first time, and are expecting to hit 260,000 by 2022. This would place Andermatt at the scale of destinations such as Flims-Laax; with further expansion steps, the scale of Engelberg, Arosa or Grindelwald could be reached.

Of course, buyers are flocking here for the stunning natural beauty of the place. From blossoming pastures in summer for hiking and biking to the snow-blanketed mountains in winter, Andermatt Swiss Alps offers something for anyone who appreciates the appeal of fresh air and rural landscapes. Adventurous hardcore skiers come for the excellent powder, black runs and off-piste challenges of the Gemsstock Mountain; others make the most of ice-climbing at Göschenen and the ice-rink in Andermatt.

Read more: Photographer Hossein Amirsadeghi’s book launches at Hatchard’s

Now though, there is a handful of new sporting and cultural additions designed to draw in even more crowds. For starters, there’s the Andermatt Swiss Alps Golf Course (named Swiss Golf Course of the Year in 2017 for the second year in a row). Ranked among the Top 100 Golf Courses of the World with a rating of five stars, the Scottish-flavoured course, designed by the renowned German golf course architect Kurt Rossknecht, is over six kilometres long and meets international tournament standards. It comes with a modern clubhouse, The Swiss House, which doubles up as a hub for cross-country skiers in winter.

Not to mention a busy events calendar featuring the annual Bike Festival Andermatt (watch Olympians and world champions race in the PROFFIX Swiss Bike Cup), Andermatt Swiss Alps Classics (a classical music festival where concerts take place in various locations such as The Chedi Andermatt and the newly opened gondola station Nätschen) and Woldmanndli (based on an ancient custom where a procession of men enter the village to protect the forest below the Gurschen).

There’s also the much-anticipated Andermatt Concert Hall, a renovation of a former convention venue by Studio Seilern, due to open early next year. With an extended roof and covered plaza, it will adhere to the acoustic requirements of a state-of-the-art concert hall and be large enough to accommodate the Berlin Philharmonic Orchestra as well as host gala dinners and lectures.

Render of the Studio Seilern-designed concert hall in Andermatt Switzerland

The Studio Seilern-designed concert hall

As part of the ongoing Andermatt Swiss Alps project, there has also recently been a fresh focus on the gastronomy on offer within the resort. Multi-award-winning chef Dietmar Sawyere, who has been executive chef at The Chedi Andermatt since May 2015, has assumed overall responsibility for gastronomy. Currently the top choices for eating out in the resort are the restaurants at The Chedi Andermatt, which include one-Michelin-star The Japanese Restaurant (the five- to 10-course Kaiseki menu is a speciality), a wine and cigar library and the main restaurant, which has a noteworthy cheese cellar. Over the next few years, these offerings will be joined by half a dozen new restaurants in the village of Andermatt and on the surrounding mountains.

It’s all a far cry from when the Swiss Army was garrisoned near to Andermatt after World War II (prior to that it was a chic mountain resort on a par with Verbier and Zermatt). In 2003, the artillery range was closed, effectively reducing the population and the village’s major source of income at the same time. It wasn’t until Samih Sawiris, founder of Orascom Development, visited nearly 20 years ago that everything changed. Inspired by the picture-postcard Urseren Valley and untouched alpine countryside, he had an ambitious vision to turn the fortunes of the village around.

After collaboration with residents, government and tourism organisations, the people of Andermatt voted with an overwhelming 96 percent majority in favour of the development. Construction on the Andermatt Swiss Alps project began in 2009, the Chedi Andermatt opened in 2013 and to date, £687 million has been invested £131 million in 2017 alone).

Key to the master plan has always been merging the Andermatt and Sedrun ski regions into SkiArena Andermatt-Sedrun, the largest ski area in Central Switzerland – something which is coming to fruition this winter and by 2022, is expected to attract around 580,000 skiers over the course of a single season. There are also plans to invest another £305 million in the further expansion of Holiday Village Andermatt Reuss and the train station, cementing the area as a major destination for winter-sport enthusiasts.

The future for Andermatt Swiss Alps looks very bright indeed.

SkiArena Andermatt-Sedrun

This winter’s ski season marks the full opening of the new SkiArena Andermatt-Sedrun: more than 120km of pistes connected by the Oberalppass-Schneehüenerstock gondola cableway which can carry up to 2,400 people an hour from Andermatt to Gütsch mountain station. This huge development project has involved the construction of 14 lifts (some new, some replacements) and creating snow-making systems. Work on several new mountain restaurants is also underway. The result? For the first time ever, it is now possible to ski from Andermatt to Sedrun and back – what a thrill.

For more information visit: andermatt-swissalps.ch 

This article originally appeared in the Autumn 2018 issue, to view more content click here: The Beauty Issue

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Reading time: 7 min
Book launch at Hatchard's London with Christmas decorations and guests chatting
Book cover of Equine Journeys by Hossein Amirsadeghi

“Equine Journeys: The British Horse World” by Hossein Amirsadeghi, published by TransGlobe Publishing

Last week saw the launch of author and photographer Hossein Amirsadeghi’s latest book Equine Journeys: The British Horse World at Hatchard’s bookshop in London. LUX recalls the evening’s celebrations

On the top floor of historic Piccadilly bookshop Hatchard’s, artists, photographers and friends gathered to celebrate the launch of Equine Journeys: The British Horse World, the latest photography book by Hossein Amirsadeghi, best known for his international bestseller The Arabian Horse.

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Equine Journeys is the result of a year long road-trip around Great Britain and features photographs of renowned equine figures such as Sir Mark Prescott, Mary King MBE and John Whitaker MBE as well as a collection of essays and interviews. “It’s as much a celebration of Britishness as it is of horses,” the photographer told LUX. The book also includes five photographs by LUX contributing editor and artist Maryam Eisler

For more information and to order the book online visit: tgpublishingltd.com/products/equine-journeys

Book launch at Hatchard's London with Christmas decorations and guests chatting

Guests gather to celebrate the launch of “Equine Journeys”

a horse racing on grass gallops

A race horse on the gallops at historic yard Seven Barrows

Horse trainer Nicky Henderson picture with a horse kissing his nose

Horse trainer Nicky Henderson. Image by Hossein Amirsadeghi

Dartmoor mare and foal pictured grazing in the wild

Dartmoor ponies. Image by Image by Hossein Amirsadeghi

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Watercolour drawing of a nude woman in bridge pose by French artist and sculptor Rodin
Watercolour nude drawing by French sculptor Rodin

Vulcain. Courtesy Musée Rodin. Photo by Jean de Calan

Auguste Rodin is best known for his sensual, turbulent sculptures, but he was one of those rare artists, like Picasso, who transcended category or definition. He created tirelessly, favouring realist depictions of the human body, which celebrated individuality and emotion – a distinct departure from dominant traditions of decorative, thematic artworks.

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The latest exhibition at Musée Rodin in Paris presents a collection of the artist’s cut-outs and drawings, providing a glimpse into Rodin’s experiments and artistic processes. On display are some 250 drawings (the museum retains over 7,500), 90 of which contain cut-out silhouettes.

Drawing of two female nude figures by French sculptor Rodin

Deux femmes nues de profil dont l’une est agenouillée. Courtesy Musée Rodin. Photo by Jean de Calan

In Rodin’s own words, his drawings are,  “the key to my work”, but whether or not they provide an enlightened perspective on his sculptures, they are powerful, energised artworks in their own right. Figures appear twisted, contorted, writhing against watery red backgrounds, whilst elsewhere paint seems to leave a ghostly trail of movements from the past.

Watercolour drawing of a nude woman in bridge pose by French artist and sculptor Rodin

Ariane. Courtesy Musée Rodin. Photo by Jean de Calan

Sculptural painting of a winged figure standing on a stone with arms reaching upwards by artist Rodin

La prière s’élève de l’âme du croyant, 1883-1889. Courtesy of Musée Rodin. Photo by Jean de Calan

“Rodin: Draw, Cut” runs until 24 February 2019. For more information visit: musee-rodin.fr

 

 

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A lone traveller wearing a backpack staring into a jungle landscape

Whilst the sharing economy has made travelling more convenient and affordable, consumers need to be wary of companies that are cutting corners to get ahead, says Abercrombie and Kent Founder and LUX columnist Geoffrey Kent

Looking back over my 56 years in the travel industry and I can think of very few concepts that have revolutionised the way we holiday in the same way the rise of the sharing economy has. Uber, Lyft, Airbnb and other examples of ‘collaborative consumption’ companies have changed the way we visit destinations and how we interact with them while there – where we stay and how we move around.

No longer a fad, PricewaterhouseCooper declared the sharing economy here to stay back in 2015. Figures that are sure to have increased since PWC’s survey was conducted, but then 19 per cent of the total US adult population had engaged in a sharing economy transaction, and amongst those familiar with the sharing economy, the vast majority perceived benefits like convenience, efficiency and affordability.

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The service that Uber and Airbnb provide is undoubtedly something people want – testament to the success they have seen globally in their short lifespans. For me, gone are the days of waiting for a cab in the rain in London – an Uber driver can be with you quickly wherever you need it. And Airbnb answers a need for beds – opening up new destinations to tourists worldwide at a price that suits them. These are both amazing services – taking something people need and making it easily available and accessible from their most prized possession: their mobile phone.

Map with plotted travel route, camera, money and watch

Geoffrey Kent advises travellers to be smart about which companies they use to book trips

The successes enjoyed by these companies have shown regulatory gaps. As is often the case, the law scrambles to keep up with technology. It’s not plain sailing for these companies – nor should it be. The success of the travel industry is based on people doing what they say they will – ensuring holidays happen, or taxis turn up. This is vital to consumer trust. It’s an accepted truth that consumers should always book a holiday with an ATOL-accredited company or an ABTA member. It means you, your money and your holiday are safe.

But convenience often wins over common sense. These smaller, more nimble, and now very available companies are gaining a huge share of the market – they’re not bound by the same licensing rules or health and safety standards.

Read more: Why Lake Como’s appealing to a new generation of travellers

As a result, drivers who have spent years perfecting city road knowledge, have hours of professional driving experience and are committed to being bound by licensing regulations are being undercut. Licensed hotel operators, in an already tough economy, are being squeezed in the marketplace. This is the obvious downside of a sharing economy. Evolution and innovation in any industry is inevitable and vital to ensuring quality and choice improve but all parties should be subject to the same rules and regulations.

We, as consumers, and we, as part of the travel industry, need to know there are clear rules governing how all companies operate. Travel operators adhere to stringent oversight and health and safety regulations providing safe and trouble-free holidays for travellers. Consumers should be able to rightly assume the same levels of care, safety and service from all providers. With this level playing field then established, it will truly be up to the consumer to decide when, where and, most importantly, how travel and experience a destination.

Geoffrey Kent is the founder of luxury travel tour company Abercrombie & Kent, to view their itineraries visit: abercrombiekent.com

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Reading time: 3 min
Young woman wearing jeans and white top poses lying on the ground

graphic banner in red, white and blue reading Charlie Newman's model of the month

Portrait of Thai English model Olivia Graham

Model and entrepreneur, Lydia Graham. Image courtesy Models 1

LUX contributing editor and model at Models 1, Charlie Newman continues her online exclusive series, interviewing her peers about their creative pursuits, passions and politics

colour headshot of blond girl laughing with hand against face wearing multiple rings

Charlie Newman

THIS MONTH: At 16, Lydia Graham applied to an online modelling competition at the now defunct teen magazine, Sugar. She didn’t win but still got signed by Models 1. Now 22, she’s already shot for the likes of Burberry and Kenzo, signed a beauty and perfume contract with Yves Rocher and is set to launch her own brand, Oh Lydia, early next year. Charlie speaks to Lydia about the fashion industry, Victoria’s Secret and versatility.

Charlie Newman: You’re half British and half Thai – what was your upbringing like?
Lydia Graham: I was born in Bangkok, so I’m a Thai citizen, but I’m the furthest thing from being Thai because I don’t speak Thai and I don’t understand it either! I moved to Hertfordshire in England when I was two years old, then onto East Sussex and now I live in Whitechapel.

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Charlie Newman: From when you first started modelling, how do you think the industry has changed?
Lydia Graham: I guess it’s more diverse. I enjoy it better now because I have the choice of saying no, not that I necessarily need to, but for example I’m getting stronger at not letting people cut my hair whichever way they like on set. Still I’ve had the dodgiest haircuts in my time!

Charlie Newman: Are there still things you think could be improved in the industry?
Lydia Graham: For me, the modelling side of things has got so much better, including plus sized girls, shorter girls, it’s much more street cast nowadays. Where I would like to see the industry change is with payment. Even though I get paid quite well as a model, a lot of my friends are stylists or photographers or artists and they work so hard yet don’t get paid. Sometimes I feel bad because I know how much I’m getting whilst I know half of the people on set are doing it for free. I think if everyone got paid then it would just set the standard. It would also prevent the snobbery between commercial and editorial jobs within the industry. The cheaper the brand the higher they pay, whilst the high end brands believe that whoever shoots for them should feel privileged, hence why the pay is so little. But then again, you can’t put the commercial jobs in your portfolio, it’s the editorial shoots that the clients want to see. At the end of the day, it should never be acceptable to work for free, it should all be fair.

Young woman wearing jeans and white top poses lying on the ground

Image courtesy Models 1

Charlie Newman: You’ve been really smart with changing your ‘look’ over the years which I think elongates your career and makes you more versatile. What’s been your favourite look so far?
Lydia Graham: Probably the mullet but I just couldn’t style it myself and I think my hair was too thick for it, I just ended up looking like Dot Cotton! My hairdresser’s amazing but my hair just wasn’t quite right for it. At the moment I’d like my hair to be longer but with a short fringe or maybe go peroxide blonde one day and then get a pixie cut after. But obviously I haven’t spoken to Models 1 about it yet!

Charlie Newman: Within a world where the beauty standard is so narrow, have you found your uniqueness to be an advantage or disadvantage?
Lydia Graham: A bit of both. Even though I’m not a full Asian, sometimes I’m used as the token Asian, which I’m happy to represent so in that example it’s been good. But other times I get backhanded compliments like “Oh you just look so normal, the clothes fit you so good, normally we have to pin them to other models” or “You just look like anyone walking down the street”, I’m like cheers for that! If I wasn’t in the right headspace that could have a bad effect on me, but I obviously don’t give a shit.

Read more: New luxury hotel Chais Monnet opens near Bordeaux

Charlie Newman: You’ve got effortless style. If money was no object, who would you choose to wear?
Lydia Graham: I used to really love Gucci but now I just think the designs are too mad. I don’t really have a favourite brand right now, but I love the stylist Mimi Cuttrell, she nails every outfit! She doesn’t just put the same look on all her girls, she styles them all individually, my favourite being Bella Hadid, she always looks sick!

Charlie Newman: What’s been your favourite job thus far?
Lydia Graham: My favourite would have to be for the shoe brand Call it Spring that I shot with my boyfriend Josh. It’s not particularly high fashion but they were just amazing trips. The team were so cool, we would have the best time in the evenings all together. We’ve been to Palm Springs, Lisbon and Berlin – it was the whole experience! My favourite high fashion shoot would have to be with Burberry. I knew everyone on set, the shoot for me is more about the team and the experience than the images that come out of it. In other words, didn’t care about either of those jobs running overtime basically, I didn’t want to rap at 5 like I normally do!

Burberry campaign starring model Lydia Graham

Lydia for Burberry. Instagram: @ohlydiagraham

Charlie Newman: You’re currently embarking on creating your own brand called Oh Lydia. Please tell us more about it.
Lydia Graham: It first started because I was getting a bit depressed. I was either working too hard or not enough and was really struggling with the imbalance of my life. If I’m not busy then I’ve got the time for my mind to wander. I was feeling a bit lost but Josh, bless him, was always encouraging me to do more, saying that I had so much more to offer than just modelling. So I thought fuck it, why not run my own business, even if it doesn’t make a profit I want to give it a go.

Underwear is such a big thing for me, I love nothing more than wearing something sexy but comfy – I’m a big advocate for comfort! I remember when Josh and I first started dating and I’d go to Agent Provocateur and buy a nice set of underwear and I’ve only worn it once! Now I see it in the drawer and try it on but take it off immediately because it’s just not me. Then I thought, why can’t I have date night underwear but still be able to wear a sanitary towel? I’m not calling myself a designer, so I’ve decided to just stick with pants and tank tops for now before I get the experience to do more. I’m using a lot of small businesses to help me get to where I want to be because at the end of the day, I’m only a little person in this world! Ultimately, Oh Lydia came about through a mixture of boredom and entrepreneurial spirit. Most importantly it makes me feel happier!

Read more: Artist Maryam Eisler on East London’s creative characters

Charlie Newman: What sort of image are you hoping for?
Lydia Graham: The comfort of M&S underwear but in a colourful, 90s aesthetic although I’m making the colours more modern, it’s not just a vintage remake.

Charlie Newman: You’re clearly very interested in underwear and as the Victoria’s Secret show came out only last weekend, I just wondered what your attitude was to their whole brand and their values?
Lydia Graham: I don’t really rate them as a brand. All the girls look beautiful but that doesn’t mean I want to actually go out and buy the clothes. I can appreciate that Candice Swanepoel is so fit, but it all just seems so far out of my reach. I don’t even think ‘Oh I could never look like that’, my brain just completely switches off. But of course I understand it really opens up the girls career and changes their lives. I always hear the girls refer to VS as their ‘family’ but within fashion I just don’t think that exists because however much of a relationship you have with a client, they’ll always need new girls, you’re only ever just a number. I would always call my agency Models 1 my family though, as they’ve been there right from the beginning.

Charlie Newman: Who would be your role model of the month?
Lydia Graham: It would have to be my little 20 year old sister. She’s a carer and earns barely anything considering she works her fucking arse off. She’s such a grafter, always working extra shifts. If she can do it then we all can do it!

Follow Lydia Graham on Instagram: @ohlydiagraham

 

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Reading time: 7 min
Fashion collection on display within a stately ballroom
Fashion collection on display within a stately ballroom

An Emilio Pucci collection on display at Palazzo Pucci, the family’s ancestral home in Florence.

Florentine aristocrat Emilio Pucci founded his eponymous label in post-war Italy; now the fashion house is internationally renowned for its vibrant geometric patterns and wearable glamour. We ask Emilio’s daughter, Laudomia Pucci, the brand’s Image Director and former CEO, 6 questions.

Colour portrait of Laudomia Pucci, the fashion brand's Image Director

Laudomia Pucci. Image by Juan Aldabaldetrecu

1. Describe the modern Pucci woman.

The Pucci women is a very international woman. She travels, she is self-assured, she loves femininity and enjoys beauty and fun. She is not afraid of colour and enjoys life.

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2. How do you innovate whilst still staying true to the iconic Pucci aesthetic?

The innovation comes from the fabric and what women want. Mixing a more fluid day look also with sneakers, for example, blurring day and evening, adding more knitwear and changing proportions as well as making sure we are always true to the brand codes…

Model on catwalk wearing a purple puffer jacket and colourful skirt

A look from the Fall/Winter 2018-19 collection

3. What were some of the inspirations behind the new collection?

The inspiration was the glamour of Marilyn Monroe, mixing it with the sporty chic feel of Los Angeles, the colours the shapes, the body-con effect. I think it’s very modern and glamorous at the same time.

4. What comes first functionality or style?

In fashion I think you need to try and serve both. Than it depends on the woman’s taste how she wants to live.

Model on catwalk wearing a colourful summer dress

A look from the Emilio Pucci Spring/Summer 2019 collection

5. Earlier this year you collaborated with artist Mouna Rebeiz, creating a piggy bank as part of a charity auction. Do you see fashion as an art form?

We have always enjoyed collaborations and we delighted to participate to Mouna’s project. I’m not sure fashion is art, however they do sometimes cross paths and we have done that in the past with some very special brands. However I do believe my father could have loved being an artist and his prints are just as perfect and recognisable as art pieces, classical in their longevity. He also did lithographs and I have had some contact with artists too on the interpretation of the brand.

6. What’s the best city in the world for shopping?

Dubai – the gold market, the BURJ Khalifa, the mall of the Emirates. Just the quantities of possibilities for shopping are totally incredible there! Also I love Hong Kong for shopping – Hollywood road for the antique shops, Lane Crawford department store and all the shopping areas around Ocean Center.

Discover Emilio Pucci’s latest collections: emiliopucci.com

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Aerial image of Menaggio village on Lake Como, Italy
Landscape image of Lake Como in Italy with a pretty village on the lake's banks

View across the lake of Bellagio dubbed ‘The Pearl of Lake Como’

Emma Love discovers a slew of fresh restaurant openings and exciting events attracting a cool new crowd to one of Italy’s favourite destinations

When the hotly anticipated Michelin Guide 2018 was launched, it came as no surprise that Ristorante Berton al Lago, part of Il Sereno hotel on the shores of Lake Como, was awarded a Michelin star within one year of opening. The restaurant, which is headed up by Milan-based restaurateur and chef Andrea Berton (he is already a heavyweight on the Milan dining scene with four Michelin stars across three restaurants) and executive chef Raffaele Lenzi,excels at Italian dishes with a modern twist, using seasonal ingredients from northern Italy. Paired with interiors by renowned architect and designer Patricia Urquiola and a terrace with a prime position right on the lake, it was always going to be a winning combination.

Detail shot of lakeside villages with picturesque houses right on the banks of the water

The lake is lined with picturesque villages

Yet this restaurant is simply the latest addition to Lake Como’s buzzing foodie scene. While once the region was mostly renowned for grand stately hotels and historic villas, now a bunch of game-changing openings are appealing to a new generation of jet-set visitors. Smartly dressed Milanese are still flocking here each weekend during the summer (it is only an hour outside the city) to nip between the pretty shoreside villages on sleek wooden boats and sip negronis at Harry’s Bar in Cernobbio, but these days they are also snapping up tables at the new wave of talked-about restaurants.

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“With the opening of Il Sereno and the new life that has been instilled in the Grand Hotel Tremezzo by owner Valentina de Santis, Lake Como feels ‘cool’ again,” says Emily Fitzroy, who founded Bellini Travel almost 20 years ago, and is a leading expert on Italy. “With Milan in easy reach – 20 minutes by helicopter – Como feels more accessible than ever, which makes it all the more attractive for younger visitors who tend to be time poor and adventure seeking. The lake has become a place of pilgrimage for hikers and cyclists, who come to experience some of the most important cycle routes in all of Italy.”

Another hot spot causing a stir since it opened in 2016 is Ristorante Materia (also in Cernobbio). At the helm is young chef Davide Caranchini (named in this year’s Forbes 30 Under 30 Europe list) whose radical offering goes against the meat-rich norm by featuring an inspired five-course ‘green power’ vegetarian tasting menu (think dishes such as poached egg, spring legumes and tomato tea, or goat’s cheese ravioli with black cabbage and Sarawak black pepper juice) with ingredients grown in the restaurant’s own greenhouse. His signature dessert is called Banksy: a paper-thin layer of smoked yoghurt and chamomile cream stencilled in the shape of one of the street artist’s iconic images.

Detail image of a white bowl with vibrant purple vegetarian dish at the centre

Ristorante Materia is known for its vegetarian tasting menu

Equally as exciting as what’s served up on the plate are the developments in the drinks industry. While Italy might be renowned for its wines (and lagers such as Birra Moretti and Peroni), for the past few years there has also been a growing craft-beer movement. Small local brewery Birrificio Italiano produces a complex dark wheat beer called Vudù, while brew pub Il Birrificio di Como in Como’s city centre is the place to try a selection of malt beers. There are also a number of cocktail bars upping the ante and attracting the hip crowd, including street-food restaurant and bar 100 Lire and the Fresco Cocktail Shop in Como, with its 1940s-themed interiors, jazzy soundtrack and waistcoat-wearing mixologists who will shake up drinks made with citrus fruits grown nearby.

Read more: Founder of Corinthia Hotels Alfred Pisani on going global

Of course, as you might expect from such a holidaymaker’s honeypot, a packed programme of events takes place throughout the year, from the annual Lake Como International Music Festival (during the summer season) to the historic car show at Villa d’Este (every May) and a series of ‘Night at the Park’ evenings where funky live bands play in Park Teresio in Tremezzo. By far the most-anticipated happening this year was Dolce & Gabbana’s Alta Moda couture presentation (the Italian couture line is presented via a series of special events around the world), consisting of a men’s show at Villa Carlotta Park and women’s runway at Teresio Olivelli, both in Tremezzina. “The fact that the lake played host to the Dolce & Gabbana couture show ensures that it’s now firmly on the fashionista’s Grand Tour,” says Fitzroy. “It was a big moment for Como.”

The picturesque town of Lecco on Lake Como pictured at sunset

Image of traditional Italian restaurant at night with tables underneath a mauve awning

A popular aperitivo spot Harry’s Bar in Cernobbio. Above: Lecco at Sunset.

Another new happening that drew a very different crowd was the inaugural Lake Como Comic Art Festival at Villa Erba in Cernobbio (it was a huge success and takes place again in May 2019). Bestselling cult comic-book artists such as Americans Neal Adams and Greg Capullo (between them, they are best known for creating some of the imagery of the DC Comics characters Batman and Green Arrow) were among the guest appearances.

Boat site-seeing trips on Lake Como, Italy

The best way to see Como is by boat

With so much on the calendar, it’s no wonder Lake Como has long proved to be a favourite destination for second home owners. “Its central position in Europe and the beauty of the mountains means it’s ideal for a quick vacation, suitable for both domestic and international buyers,” says Lodovico Pignatti Morano, managing partner of Italy Sotheby’s International Realty, a company that sells lake-front detached properties with a starting point of €4.5million. “Although jet-setters have always visited Lake Como, it is becoming increasingly popular as more people become aware of the area’s unique offering.”

Read more: New luxury hotel Chais Monnet opens near Bordeaux

Savvy shoppers come to Lake Como for the regular markets, scooping up antique finds in Como’s San Fedele Square (on the first Saturday of each month) and anything from original bespoke handmade furniture to locally made gifts and fashion accessories at Mercato dell’ Artigianato, an artisan crafts market held at the end of October in Lecco. Also top of the shopping list is the region’s most famous export – silk. Two of the best-known brands are Mantero and Ratti, suppliers to major fashion houses such as Saint Laurent, Nina Ricci and Trussardi. Beautiful scarves and neck ties can be bought at the Mantero outlet shop in Grandate, while the little-known Fondazione Antonio Ratti is a textiles museum in 18th-century Villa Sucota, which displays fabrics collected by Antonio Ratti throughout his life.

Aerial image of Menaggio village on Lake Como, Italy

A traditional village jetty with mountains in the background

The pretty village of Menaggio on the Western side of the lake and its jetty

Other under-the-radar gems on Lake Como include the quirky La Ca di Radio Vecc museum in Bellano, where you can lust after the kind of groovy old radios and gramophones that are making a comeback, and the lido in Menaggio. A 15-minute walk from the harbour, it is surely the town’s best-kept secret and with two swimming pools, a sandy beach and a deck that stretches out over the water – the perfect place to spend a lazy afternoon in the sun. Across the water, the lido in Bellagio is another beach hangout by day and turns into a nightclub after dark (Friday dinner parties begin with aperitivo at 7.30pm and end at 4am).

The best way to explore is still by getting out on the water or up in the air. Bellagio Water Sports offers kayaking and stand-up paddle-board tours, while the AeroClub Como specialises in private seaplane flights and lessons. And despite all that’s new, Lake Como’s timeless, sophisticated charms remain – and are now being enjoyed by the next generation.

Six must-book restaurants on Lake Como

La Mistral, Bellagio
This Michelin star restaurant has a superb terrace overlooking the lake. Expect inventive, molecular cuisine.
ristorante-mistral.com

Locanda la Tirlindana, Sala Comacina
Set in a pretty waterfront square with fantastic views of Isola Comacina. The lemon ravioli is the stand-out dish.
latirlindana.it

I Tigli in Theoria, Como
A Michelin star restaurant and art gallery set in a restored 15th-century palazzo.
theoriagallery.it

Feel, Como
Farm-to-table food with a focus on local ingredients, served in a contemporary setting.
feelcomo.com

La Punta, Bellagio
Its menu features lake fish caught by the owners, the wine list has more than 300 Italian and French labels, views are stunning.
ristorantelapunta.it

Momi, Blevio
Michelin star food served in a simple, charming restaurant by the jetty. The homemade desserts are especially delicious.
ristorantemomi.it

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Grand hotel entrance with british flag flying at the doorway, a car parked outside and lights glowing from the windows
Grand hotel entrance with british flag flying at the doorway, a car parked outside and lights glowing from the windows

The entrance to the Corinthia Hotel in Westminster, London

Under the leadership of Alfred Pisani, Corinthia Hotels has grown from a single family-owned banquet hall in Malta to a global luxury brand with properties in 9 destinations and forthcoming openings in Dubai and Brussels. LUX speaks to the Maltese businessman about the challenges he’s faced, his guiding principles and the importance of creating a strong employee culture
Portrait of Maltese businessman and Corinthia Hotels founder Alfred Pisani

Founder & Chairman of Corinthia Hotels, Alfred Pisani

LUX: You developed one of the first deluxe hotels in Malta on your family’s estate. Can you tell us about that story?
Alfred Pisani: It’s a long story but I’ll try and abbreviate. Basically, I was not planning to become a hotelier. My interests when I was at college were mathematics and science; a very logical style of thinking, which I think is very important to our life anyway. My father had just bought a beautiful, majestic villa with some 20,000 square metres of land and wasn’t quite sure whether we were going to live in it or he was going to do business in it. Unfortunately, he passed away four months later, and suddenly, together with my brothers, I had the responsibility of deciding what to do with this property. The place had not been lived in for a number of years and obviously deterioration had taken place, so our first step was to try and put that right. I went to the bank and got a loan, which my uncle supported me with in terms of security, and we first started using this magnificent hall for receptions and weddings, parties and so on.

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Then one day someone came along and said, ‘Why don’t you provide the catering as well?’ so we brought in an outside caterer to help us with that request. After that, we organised a proper kitchen, and then we opened our own restaurant. Two years down the line, there was a big drive from the government to give incentives to entrepreneurs, as the country was changing the economy from  one totally dependent on a naval and military base (as the English were pulling out), to one where we would have industry and tourism, to create a new economy. So I applied, and I went with my own drawing of a forty-room hotel to the appropriate ministry, but we were told we wouldn’t qualify unless we had a minimum 150 rooms.

Vintage photograph from the opening of Corinthia Palace in Malta

The opening of Corinthia Palace in Malta, 1968

A few weeks later, I went back with an elongated hotel with 156 rooms. And the guy said to me, ‘So you have money for 40 rooms, but do you have room for 156?’ I said, ‘Well, no, but the bank does. They’re going to give us the money.’ He was amused, but I still went through the motions. I went to one bank, and then another, and then another, and eventually I found one large enough to handle the job. The same question was asked about our equity, and I told them the equity was the building, the ground and our effort. We got 100% funding, and this is something I’m still proud of today. That was unheard of then. But I assume the timing was part of the whole success; there was a tremendous push to bring in foreign currency and to create a new industry.

Then when I came to build the hotel, I found the local contractors were very busy and too expensive, so I decided I’d be the contractor. I actually employed people from the street – literally. And I’ve never built a hotel as fast as that. Never. Today I keep saying to everybody, ‘We do so many drawings that we’d have enough paper to build a hotel out of it.’ But obviously things have become very much more complicated with all the electronics and everything. It’s quite remarkable, though, what one can do when one is determined. I remember buying a second-hand mixer to do the concrete, and we would throw in the aggregate, the sand and the cement and I’d hold a pipe and I’d look it and say, ‘Hmm, yes, the consistency looks right, let’s pour.’

Read more: New luxury hotel Chais Monnet opens near Bordeaux

You know, it’s remarkable with what you can do with nothing. We would work from 6 o’clock in the morning until about 11 o’clock at night, day in, day out, for around two years. And then we opened and it was successful. Again, there were coincidences that helped us along the road and we took the opportunities. Some decisions were very difficult to make in terms of bringing in new partners and going from one playing field to a more advanced one with new shareholders and new standards. And you have to remember that we didn’t have a home market. The banks couldn’t come aboard with us, because they just didn’t have the capital to do that. So, each time we went to an outside destination we’d have to talk to banks who didn’t know us. That didn’t make it easy. You really had to prove yourself. And you had to appoint new architects too. This was what I found most difficult. If you got your first step outside your island wrong, it would just knock you out. So you couldn’t afford to get it wrong. At that time, I didn’t think like that: I just went and went and went. I never had a doubt in my mind. I suppose that’s the beauty of youth, when you are full of enthusiasm and determination but you are limited in your expertise and experience: that combination worked well for us.

Vintage photograph of woman sunbathing by a hotel pool

Ladies enjoying the pool at Corinthia Palace, Malta in 1968

We have always focused on trying to achieve the best. I don’t think in the early days we gave more importance to visibility as to the quality. I have a strong conviction that quality will win the day. You have to get every step right and then the results will be right. I had a natural tendency to focus on the details and trying to get everything right with the strong belief that that was ultimately what would produce the results I wanted. We don’t have a real measure. I used to say, ‘If I sow one hundred seeds, ninety-five will grow, because that’s part of nature.’ So as long as you move with the current of nature, the results are going to be further growth. There were these very strong principles from a very early stage, and I was constantly trying to share my beliefs and direction with everybody else.

LUX: What do you think sets the Corinthia apart?
Alfred Pisani: Well, today, after so many years of growing a hotel out of a very small country, we have brought another element into our consideration. Not only do we believe in ‘doing it right’ in order to generate a positive return, but we’ve gone one step further by saying we want to “uplift lives”. It will probably take a long time to appreciate what I’m trying to say; I didn’t think like this when I was younger, but it’s something people get to eventually. If you want a more productive outcome from your colleagues – I don’t like to call them employees – you must identify a sense of caring. If you share your knowledge, give a helping hand and show respect, this creates a more committed work force, where everybody is aligning the energy. It’s just like in a magnet: when you align all the atoms instead of having them in disarray, you create a magnet. Simply by infusing a sense of discipline and purpose, you can align everyone’s energies to think in the same direction. You create an energy where, like a magnet, though you can’t see it, you can sense it.

So, from being totally focused on wanting perfection, it has translated itself over the years into saying how can you make everyone within the family more successful as an individual? You must sleep well, eat well, socialise – work is just another aspect of this holistic responsibility. If you can get your engine to be firing correctly on all cylinders, you just get your efficiency a bit higher; you fine tune it. That’s what I think sets Corinthia apart. We have a very close interaction with our personnel. We call it the family. I truly say this with all sincerity: people who have come to the company, and even those who leave the company, will always remain Corinthians. They will always show respect. I say this with a lot of conviction and satisfaction.

Luxury hotel bedroom with a double bed and open plan bathroom decorated in stylish neutral tones

A suite at the Corinthia Hotel in London

LUX: We’ve been discussing your properties in Malta – is that your biggest market?
Alfred Pisani: If we go back to when I opened my first hotel in 1968, at that time, with Malta still having a semi-colonial relationship with Britain, all we knew was the UK. We bought everything from the UK, right down to the smallest screw. Our tourism came from the UK, I would say 99%. There was no corporate business because there was no business. People came mainly in summer. Their stays would be long stays – one or two weeks – and it was all handled by tour operators, who distributed the brochures and displayed the hotel across the UK. They would come over in August and agree the rates for the following year. Everything was agreed a year in advance.

Read more: Luxury watch designer Richard Mille on creativity and supercars

Over the years the government and hoteliers realised that it was necessary to diversify for the future and effort was put into marketing it in Europe. And this has, over the years, mainly succeeded, because now we have visitors from all over. Possibly Britain is still number 1. I think it’s a healthy situation to arrive at. When we came to open in London, we knew what the story was. In the five-star business, you had the home market and the United States. So we made a big effort in the United States to win our share of the five star business coming to London, competing against all the other well-known brands, who have been there for a very long time. I think we did very well in penetrating the market in the space of two or three years.

Luxury indoor swimming pool with soft lighting and blue tiles

The Pool at ESPA, Corinthia London

LUX: What’s the biggest challenge in investing in other countries?
Alfred Pisani: As I said earlier our bankers, our lawyers, our everything could not move with us. We had to look for destination  where their business had a similarity to us such as resort businesses, holiday businesses, and where it was not too expensive that we could not afford it. I couldn’t dream of coming to London or New York so to begin we built five hotels in Turkey and because I didn’t feel confident enough I looked for Turkish partner.

After 1990 when there was the dissolution of the Soviet Union, tremendous opportunities were available in Russia and all the Eastern European countries came by cheaply. Now, we were, I think, even ahead of the banks! We went into St Petersburg and Budapest and so on and they were good opportunities. We visited every single east European country that had now opened, but what I didn’t have, because I don’t think we were wise yet or we didn’t have the reputation yet, was funding and support from a consult team of banks and institutions which was somewhat of a handicap because the opportunities I met were tremendous.

Read more: The Secret Diary of an Oxford Undergraduate

LUX: And you’ve got properties opening in Brussels and Dubai?
Alfred Pisani: We bought the property in Brussels so that belongs to us, but in Dubai we are purely in management. We will run our flag on one of the most beautiful hotels to be built in Dubai and it will be Corinthia, but we are not the owners. We have supported it in the designs – it will be stunning and it’s set to open in 2020.

In the meantime, we have been operating two other properties on behalf of the same company, the Meydan Group. They have the Meydan Hotel which has big horse racing track and all of the bedrooms overlook the track. It’s a very successful property and we have seen tremendous increase in the bottom line since we took over, together with another hotel which they own in the desert called Bab Al Shams. So, apart from investing in our own properties I think now we have a brand that is visible enough and that is providing good enough standards to also offer it to third party owners and hopefully expand our brand in many more hotels without necessarily putting in capital.

Luxury restaurant interiors with a sculpture of a man in a suit, dark green walls and plush red sofa seating

The restaurant at Corinthia London, headed by Michelin-starred chef Tom Kerridge

LUX: What’s the hardest lesson you’ve had to learn?
Alfred Pisani: I think the lesson I learnt was a confirmation of the conviction I already had to do everything properly and that by doing everything properly, you stood a much bigger chance of success, as opposed to taking shortcuts. We kept to this principal and we would never get involved with political parties in countries. What I realise today, which I didn’t realise at the time, is that I think we were right  in the way we negotiated and I don’t think I would change it if I had to do it all over again. My advice to those who are still starting is keep on the straight.

LUX: Do you see a difference in what younger and older travellers expect from luxury?
Alfred Pisani: Yes, there has been a change of expectations from the customers in terms of the hardware, for example, bathrooms. However, the basic ingredients that they look for haven’t changed. Are you welcomed with a smile that is genuine and not plastic? Do you truly, collectively, radiate an energy of positiveness, which makes the customer feel good even though he cannot put his finger on it? Those elements haven’t really changed that much. I don’t know whether in a number of years to come whether we will be interacting with one another in a deeper way by the development of our intellect, the telepathy, the ability to feel and sense each other in a stronger way with the support of electronics… That’s the future.

LUX: And what about the future of Corinthia Hotels?
Alfred Pisani: Growth. I am sure that the principles that we have worked with will be maintained and the new phrase that was created recently in our last general managers’ meeting in Brussels: “uplifting lives”. That phrases encompasses how we want to continue helping our colleagues to grow and become better people.

Discover Corinthia hotels: corinthia.com

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Chais Monnet is a luxury country hotel in southwest France with striking contemporary architecture
Chais Monnet is a luxury country hotel in southwest France with striking contemporary architecture

Chais Monnet is a luxury country and spa hotel near Bordeaux

Last week saw the official opening of the most swanky hotel in southwest France, by Anglo-Iranian entrepreneur Javad Marandi, owner of the beyond cool Soho Farmhouse in Oxfordshire, England.

A very welcome addition to the luxury hotel scene near Bordeaux, Chais Monnet is a converted former Cognac warehouse transformed into a very lavish hotel, spa, and conference centre with some breathtaking architecture by Didier Poignant. The interior design is contemporary-luxe auberge, if you can allow yourself to imagine such a thing, and the cuisine has a lightness of touch and umami influence from Sebastien Broda, who earned a Michelin star at his former employer in Cannes.

Luxury Hotel Chais Monnet resides in a former Cognac warehouse, transformed into striking contemporary architecture

The hotel was built out of a former Cognac warehouse by architect Didier Poignant

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Chais Monnet offers riding holidays, picnics in the sun-dappled vineyards of Cognac in classic cars (guests can just jump into the hotel’s vintage Citroen and drive away), wine and cognac tastings and tours of the local Cognac houses such as Hennessy, Martell and Rémy Martin, as well as visits to the great Chateaux of Bordeaux, and a spa and full-sized indoor-outdoor pool.

Dancers perform with flaming torches at opening celebration of luxury country hotel Chais Monnet

A local troupe performs a fire dance at the opening of the luxury Chais Monnet hotel

Read more: An exclusive preview inside Hôtel Chais Monnet

At the launch event last week, we were content to sip Cognac cocktails (and some very refreshing local Chenin Blanc) while indulging in the festivities and a feast inside the old chais, or cellar, surrounded by ancient ageing vats. Oh, and then we partied away to a jazz band in the extremely cool converted barn-bar. A new reference for this part of France.

Panel of speakers standing on a stage at the inauguration of luxury hotel near bordeaux Chais Monnet

From left to right: Cognac Mayor Michel Gourinchas, architect Didier Poignant, Daniel Theron of ACPH, Xavier Arm from Vinci construction, and hotel General Manager Arnaud Bamvens

Owner Javad Marandi attends opening of hotel Chais Monnet in southwestern France along with Cognac Mayor and the hotel manager

Owner Javad Marandi, Cognac Mayor Michel Gourinchas and hotel manager Arnaud Bamvens

Making of an oak barrique at the opening ceremony of Chais Monnet

The making of an oak barrique, part of the display at the opening of Chais Monnet in southwest France

Book your stay: chaismonnethotel.com
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