Two Point Two AW20 collection

Anvita Sharma

Anvita Sharma founded her Delhi-based fashion label Two Point Two to celebrate individuality through genderless collections that reject all forms of stereotyping and categorisation. Following the launch of the brand’s latest collection at London Fashion Week, Abigail Hodges speaks to the designer about the concept of beauty, self-expression and acceptance

1. Can you tell us about the historical events that inspired your AW20 collection?

Every collection that we have done so far has had a multicultural reference to it. Maybe it’s because I have lived in such different countries as well as among such different nationalities that amalgamation of these different/opposing or similar things comes very naturally to me. As a creative person, I try to challenge myself with every season. To do something that Two Point Two has not done before, may it be in relation to colours, silhouettes or embroideries.

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With this collection we wanted to take a step forward, and mix art and comfort. ‘The Self’ embodies a reconceptualisation of genderless clothing, aspiring to refashion a world that breaks down the boundaries of gender and illuminating the very fluidity of it. It speaks about self-confidence despite flaws and quirks. It is about finding perfection in the imperfections; about embracing one’s uniqueness and weirdness because that is what sets you apart from the rest. It is a synthesis of the masculine and feminine energies of the universe in one body which are depicted in our inspiration of the embroideries – “Ardhanareshwara”, an androgynous form of Lord Shiva and Parvati. We made our artwork using the tantric symbols of these deities mixing it with the Japanese character Enso as well as some genderless faces.

A look from ‘The Self’ collection by Two Point Two, which launched at London Fashion Week 2020. Photo by Gio Staiano

2. How is your brand philosophy reflected in the models that are chosen to showcase the pieces?

We celebrate individuality, confidence and diversity. [Our philosophy] aims to create an “agender” identity, which has characters from maybe both the binaries or maybe neither. It strongly stands against stereotyping and categorisation of anything. Two Point Two believes that beauty exists in every soul and it’s all about accepting and endorsing it as your own. We focus on the individual and not their gender, culture, race or size and support them to express their individuality through clothing even if it’s something unusual. Being ‘Typically Atypical’ is our motto. We chose models who we thought have very strong personalities and character to them. We were very pleased to have all of them in our show as each and every one of them represented Two Point Two’s brand philosophy of inclusivity and individuality to the core. As we did not have any particular category or guidelines as to what type of faces we need, we saw so many interesting people at the casting and instantly fell in love with so many of them that it became difficult to choose.

Two Point Two AW20 collection

3. Do you face any institutional obstructions when working to showcase a genderless collection?

The world has started going in a direction of all-inclusivity. It’s becoming very welcoming and embracing everyone’s individuality day by day. Self-expression is easier now than 10-20 years ago. And it’s only getting better. However, since the norms/criteria or categories still exist, there will always be stereotyping among things. Whether a particular look is too feminine or too masculine. Beauty is connected to a particular idea that the society creates. Sexiness is connected to a particular image or type of looks. Idolising that concept of beauty sometimes feels like an obstacle to who we, you and I are. The constant justification required as to why genderless fashion and people adorning it are also sexy/beautiful is something which we face and have no problem reminding everyone about it multiple times.

Read more: Founder of Nila House Lady Carole Bamford’s guide to Jaipur

I was very self-conscious about my looks while growing up. Still sometimes, very rarely, I fall in that vicious cycle of idolising the perfect beauty. So, for me, the concept of Two Point Two and the celebration of individuality and self-confidence it stands for, as well as rebelling against giving any sort of justifications for who you are, is the main goal while working on genderless collections. Also, the gender disparity and the problems the LGBTQIA community faces in India is something I strongly stand against and this is a way to support their community as well as any individual who feels that they don’t “belong”.

4. Which are your favourite pieces from this latest collection?

Oh, it’s very difficult to choose. They are so different yet so similar to each other. I poured my heart and soul to each garment and each detail. But if I have to choose I’ll have to say the monochrome olive-green look. It was very unexpected as the decision of changing its combination happened moments before the runway, so I was very pleasantly surprised by it myself. This is what fashion is to me. Fast paced, maddening and yet very satisfying.

Anvita Sharma’s favourite look from ‘The Self’ collection by Two Point Two. Image by Gio Staiano

5. How has your design process evolved over the recent years?

I think there is a massive growth in terms of design aesthetic as well as the process that we follow. With every season, I learn from my mistakes and evolve and grow making sure that those mistakes are not repeated again. We are of course more organised and clear now as compared to our first collection. Although, our brand ethos, philosophy and belief remains as strong as when we started the brand. And, we still work on a ‘go with the flow’ basis and let the inspiration take over when it has to instead of actively looking for one. Like mentioned earlier, my favourite look was very last minute and unexpected, so these things happen very spontaneously and I strongly believe that the energies of the universe guide you and take you where you are meant to go.

6. What’s your five year vision for the brand?

I want Two Point Two to have a global audience and impact in the coming years as the brand is non-demographic and all-inclusive and can be appropriate for any market and any customer in the world. We also like to be working with more handloom and handwoven fabrics which we are already exploring and used in some collections at the moment and planning to get more involved in it. Also, we would like to support the local artisans and their dying crafts from different regions of India, so we are exploring certain tribes and clusters of various parts in India and getting to know their stories, their histories and cultures as well as helping them economically and incorporating their crafts in Two Point Two and give them an international audience in the coming season.

View the collections: twopointtwostudio.com

French designer Philippe Starck. Image by JB Mondino.

Legendary French designer Philippe Starck gives Mark C. O’Flaherty his radical vision of the future: a time when designers won’t be needed – and maybe even chairs

“I’m not interested in aesthetics anymore,” says Philippe Starck, sipping on a glass of mineral water in the Royal Academy in London. “I am interested only in our evolution, and how the intelligent craft of human production is going to be rerun by dematerialisation. We are working on making things disappear.” As Starck speaks, I notice the periodic flashing of a red LED from beneath the skin on a fingertip of his left hand. It’s extraordinary. I ask him what it does – is it connected somehow to his laptop, perhaps? “Ah, it’s magic!” he says, cryptically, before steering the conversation to his ongoing project with the Roederer champagne house: “I never wanted to just design a bottle, I wanted to share in the making of what was inside. And it was about creating something that had less in it, nothing added, no sugar.”

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We are at the Royal Academy for the launch of the new Roederer-Starck 2012 rosé champagne, where he is judging a competition between 13 artists at the Academy’s Schools to interpret the taste of the champagne through their art. His choice of winner – a white-on-white embossed spiral on paper called Cycles, by Sofía Clausse – is apposite for his ongoing philosophy of design: “It was the most accessible piece,” he says, “It was simple. It captured the spirit of champagne, which to me isn’t a wine, or a reality, but an idea.”

Starck’s AI Chair for Kartell

When the world first caught sight of Philippe Starck’s work in the 1980s, the Parisian-born designer had been creating products for a new way of living. He was changing the vocabulary of interiors, rephrasing the language with futuristic accents on everyday items. His choice of materials was aggressively different from the tradition of French design – he selected transparent plastics, metallics and pop colours. He was as New Wave as the cinema of Luc Besson and Jean-Jacques Beineix and of the architecture of Jean Nouvel. Today, at 70, he is one of the most prolific designers who has ever lived, having created literally (his studio can offer no official number) countless products from clocks to yachts. Today, he still works on an average of 200 projects a year. And yet, as he tells me, he believes that “fifteen years from now, thanks to technology, every material obligation will have disappeared.”

Read more: Chaumet’s CEO Jean-Marc Mansvelt on historic innovations

How does a designer who has been apocryphally credited with 10,000 products balance his current view of a future with nothing in it, with his business model? “The business element will shift,” he says. “We debuted the AI chair with Kartell at Salone del Mobile in Milan this year, and it was the first of its kind ever to be created with artificial intelligence. AI is going to create a new freedom in design. With AI, we can now ask any question, but it’s all about knowing the right question.” He also sees a time beyond furniture. “Design as we know it will be dead,” he says. “There will be better solutions to sitting down than a chair. I think a chair has always put you physically in a bad position. We can do better than a chair.”

The entrance to the Starck-designed L’Avenue restaurant at Saks Fifth Avenue, New York, with stained glass by his daughter Ara

Starck has always been radical. In 1984 he created the interior for Café Costes in Les Halles. With its theatrical blue staircase and oversized minimal clock, it was as much a postmodern landmark leisure-time interior as Ben Kelly’s Haçienda in Manchester, and Arata Isozaki’s Palladium in New York City. All were created in the same decade, but Starck’s project was notably more dramatic because of its location. This was Paris, a city still stuck in Belle Époque aspic. French design was frozen in curlicues and froth. Starck was an iconoclast.

Entries to the Brut Nature competition from Royal Academy students, with (top) The Philosophers’ Reserve by Max Prus, and (here) Tidally locked by Olu Ogunnaike

After a series of successful Paris interiors, he was aligned for a long period with Ian Schrager’s fantastical hotel projects, bringing some of the eccentric visual flair that Schrager and his late business partner Steve Rubell brought to Manhattan nightlife with Studio 54. There was a fairytale, supersized element to much of what he did, from elevated swimming pools to triple-height billowing curtains. From the Royalton in Times Square in 1988 onwards, their partnership helped take Starck’s name and distinctive, witty style to the world.

Read more: Founder of Nila House Lady Carole Bamford’s guide to Jaipur

While his peers, including Marc Newson – who currently holds the record for a design object at auction after one of his Lockheed Lounge chairs sold for over £2 million in 2015 – focused on rarefied edition pieces, Starck focused on mass production. A rare blue glass Illusion Table sold for $50,000 a decade ago, but Starck is known more for his alien-looking Juicy Salif lemon squeezer – which first appeared in 1990 – and continues to be one of Alessi’s best-selling products of all time. At one point, the company produced 10,000 gold-plated versions, purely for display in the home (lemon juice discolours the surface). His transparent plastic chairs for Kartell – the La Marie, which launched in 1999, and the Louis Ghost armchair, which debuted three years later – are as instantly recognisable as any piece of furniture ever made. They brought avant-garde design to the mass market. But when plastics are being demonised, do his polycarbonate objects belong to the past? Starck remains a passionate cheerleader for the material. “For me, it’s the only way to achieve the quality product I want,” he says. “There is a great difference between single-use plastic and a chair that you can keep for a century or more. The media has created great confusion. I prefer to work with fossil energy than to cut down trees and I would rather use vinyl for upholstery than kill cows.”

Two further entries from Royal Academy of Arts students to the inaugural Brut Nature competition judged by Philippe Starck, with (top) Self-portrait as a Champagne Fountain (2019) by Clara Halstrup and (here) Sun on the coast of the moon by Richie Moment

One area in which he, and indeed most of us, remain guilty in terms of the unfolding climate crisis is in carbon emissions from flying. But Starck is one of the busiest designers on the planet, and for someone who still uses pen and paper and tactile models to create (“If you create using a computer, you are just creating within the frame of the guy who created the software!”), he needs to appear in person for projects. The day after we meet, he has to get up at 4am to catch a plane to Milan where he’ll be for a few hours before flying off again, heading further south. “It’s fine – I am so used to it,” he shrugs. “I once went to Seoul from Paris for three hours.” At 70, he shows no signs of slowing down, but when he takes time out, it’s the most understated resort he has ever designed that he likes to head to. “I like lots of places I have been involved with,” he says, “but the one I really love is La Co(o)rniche in the Bay of Arcachon near Bordeaux. It’s really just a few cabanas on top of the Dune de Pilat, the highest sand dune in Europe. You are there looking at the waves and the sunset and it feels like the best place in the world.”

The choice of a fairly rustic, nay, Zen destination ties in with his world view right now, and his intention to both continue democratising design and make it vanish. Just as he believes the future is chair-free, so he believes our everyday tools and indeed all of our furniture will go. “Designers won’t dictate the aesthetic in the future,” he says, “it will be down to your coach and dietician, because telephones and computers will disappear and everything we use will be incorporated within the body. We will be naked in an empty room, and we will be able to conjure flowers or whatever we want from nothing.” As Starck gesticulates, the red LED flashes on his finger tip again. “So, come on, tell me…,” I ask, “is that part of the new cyborg tech you are talking about?” He smiles. “Oh, this? I got it from the Harrods toy department. Fun isn’t it!?”

Louis Roederer and Philippe Starck

The recent launch of the 2012 Roederer and Starck rosé champagne marks 13 years of the designer’s collaboration with the French family-owned champagne house and maker of Cristal. Starck has been involved in each step of the production, including, of course, the champagne’s packaging. From the first brut-nature product in 2006, the champagne has been created sugar-free, with zero dosage. As Jean-Baptiste Lécaillon, Roederer’s chef de cave  says: “We have used nature as our collaborator as much as anything with our work with Philippe – it is organic, with minimal intervention and a focus on the real taste of champagne. This came from our discussions with him.” The presentation attempts to democratise the luxury product – it looks more like a chic bottle of olive oil than a grand cru. The hand-lettering on the label and box and the rough line of fluorescent pen creating the edging makes it look effortless. As Frédéric Rouzaud, president and family scion of Louis Roederer says: “It represents spontaneity. He wanted a simple paper for the label, and just wrote by hand what the product is. He wanted it to be approachable, to speak to everyone.”

Find out more: louis-roederer.com & starck.com

This article was originally published in the Spring 2020 Issue.

Supported by the Lady Bamford Foundation as a centre for craft and sustainable design, Nila House occupies a 1940s residence in Jaipur restored by Indian architect Bijoy Jain of Studio Mumbai. Image by James Houston

Lady Carole Bamford, the founder of Daylesford Organic, beauty brand Bamford and numerous charitable foundations including Nila House gives us a guide to her spiritual home, Jaipur

Lady Carole Bamford

Where I hunt for treasures…

I always look forward to visiting the government khadi shops. I find myself spending hours there, lost in the piles of beautiful hand-spun fabric. Handwoven in villages across the country, the simple white cloth with all its imperfections is my idea of the ultimate luxury item.

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Cultural immersion…

The riot of colour and sound of the markets is extraordinary, and the old city has some of the best textiles and jewellery. I recently met a family of hand-block carvers who have been creating intricate wooden blocks for generations. Such artisans have a wealth of knowledge that we at Nila House, our new centre for preserving these traditions, believe should be shared with a broader audience so that it can be carried on into the future.

Image by James Houston

My perfect day in the city…

I always start my day with a puja prayer ritual followed by yoga and meditation. Then I will head out with my design team to visit our suppliers. I love visiting the workshops; I always learn so much, watching the dedication and meditativeness of their work. In the afternoon I might explore antique textiles at Rajasthani Arts to see if there is anything for our archives.

Read more: Hôtel Chais Monnet & the beauty of southwest France

Best dining spot…

47 Jobner Bagh is my favourite place to escape the crowds and noise. This charming family-run hotel has the best home-cooked Indian food. My favourite is a bowl of dal makhani, mopped up with a hot naan bread.

The building features a shop and studio spaces for local artisans. Images by James Houston

Home away from home…

We always stay at the The Oberoi Rajvilas. It is our home in Jaipur and the wonderful staff look after us like family.

Worth a detour…

I love visiting the paper factories in Sanganeer, just outside Jaipur. They have some of the most beautiful paper you can find, all handmade from natural materials – from cotton rag and banana fibre to the beautiful textured seed paper that we use for all of our packaging [at Nila House].

Nila House is a cultural centre dedicated to preserving traditional craft methods and supporting artisans across India; it is part of the Lady Bamford Foundation. Find out more: carolebamford.com

This article was originally published in the Spring 2020 Issue.

Traveljar guests can enjoy unique wildlife experiences such as morning walks with the orphaned elephants in Zambia. Imag by Andrew White

Traveljar designs luxurious travel itineraries tailored to guests’ interests and led by industry experts such as scientists, Olympic medalists and award-winning photographers. Chloe Frost-Smith speaks to Libby White, Director of Experiences, and Andrew White, Director of Conservation, about responsible travel, wildlife encounters, and far-flung destinations

1. Conservation is at the heart of your business. What are your top tips on how to travel more sustainably?

Libby: We really try to help our guests to become responsible travellers and learn how their trips can benefit conservation, communities and the environment. My number one tip would be to think about what kind of impact you want to leave behind from your travels. At Traveljar, we have partnered with suppliers who provide ethical and sustainable destinations so our guests are having a positive impact no matter where they choose to stay.

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Another top tip is to get involved! We love to help our guests find meaningful ways to give back during their trip. We can arrange a day of learning about rhino conservation in South Africa, visit an elephant orphanage in Zambia, spend the day reading to kids in a rural school in Zambia at our library project or take a tour around your accommodation and the local community to learn more about the sustainable practices that are in place to benefit the area. Traveljar also donates to one of our four NGO partners for every trip booked with us and all of our itineraries show guests how their trip is giving back.

Wilderness Safari, Chitabe Camp in Botswana where guests can stay in sustainable luxury as the camp is 100% solar powered.

2. Where would you send travellers asking for the most off-the-beaten-track destinations?

Andrew: Two places immediately come to mind for me, the first one being Busanga Plains in Zambia. Located in the northern part of the Kafue National Park, this grassy seasonal floodplain is known for some of the best lion viewings in Africa. Because there are only a few lodges operating here and less visitors, you will get a more intimate safari experience, giving you a true remote bush safari away from the crowds.

Lion on the Busanga Plains. Image by Andrew White

The other destination I would recommend is Virunga National Park in the eastern part of the Democratic Republic of the Congo. This is one of only three places in the world to see mountain gorillas and is very much off the beaten track when it comes to a holiday. Responsible tourism has the chance to make a difference to the communities living here. As well as support the conservation efforts in the park like the Senkwekwe Centre for orphaned gorillas and their ranger program which has over 700 male and female rangers who are protecting the park’s wildlife. For the adventurous, you can hike up Mount Nyiragongo, an active volcano, to one of the world’s largest lava lakes.

Mountain Gorilla. Image by Nelis Wolmarans

3. What has been your most memorable wildlife encounter to date?

Libby: Without a doubt for me it was seeing my very first rhino in Pilanesberg National Park (in South Africa) and then taking to the air in a helicopter for an anti-poaching patrol with our partner, Rhino 911. Seeing these gentle giants in their natural habitat for the first time was incredible but then to also get the chance to learn more about the dangers facing rhinos and the people try to protect them, made the experience one I will never forget. It has made me even more committed to doing what I can through Traveljar to try and help Rhino 911 in saving this endangered species.

Andrew: There is something very exciting about getting the opportunity to watch animal behaviour on a safari. One of my most memorable wildlife moments was in South Luangwa National park with two clients, both of whom had never seen African Wild Dogs before. After picking up their tracks, we found the pack sleeping in the long grass. Wild dogs are very playful and social and we got to watch them splashing around in the pools of water. Strengthening social bonds and listening to the chatter between them highlights their intelligence and our guests were amazed by their actions. That afternoon we followed the pack as they moved along the river in search of Impala and watched with interest as the dogs chased the impala across the plans, using incredible teamwork in the diminishing light.

Libby & Andrew White with Rhino 911 in South Africa

4. How do you define experiential travel, and do you have a favourite moment from one of your expeditions?

Libby: For us, experiential travel is travelling with purpose and the ability to show our guest that you can combine a relaxing, luxury holiday while giving back. We believe that when people travel with purpose, that they have the potential to positively impact the communities and wildlife they encounter along their travels, as well as to come home feeling inspired themselves.

My favourite moment so far has been taking guests to help set up a library in a rural school in Zambia as part of our community engagement commitment. It was amazing to be able to watch my clients read and interact with the kids, to see the positive impact it was having on them as well and to know that, together, we had all been a part of providing books for over 600 children to continue developing their reading skills for their future.

Children reading with books donated from Traveljar’s library project in Mfuwe, Zambia. Image by Andrew White

Andrew: My favourite moment from our expeditions is always the chance to take clients on a morning walk with the orphaned elephants at the Lilayi Elephant Orphanage in Zambia. I have personally been involved with Game Rangers International for the last 10 years and being able to help others learn about the work this incredible NGO is doing to rescue, rehabilitate and release these elephants back to the wild is always very special to me.

5. What makes your itineraries ‘once-in-a-lifetime’ trips?

Libby: All of our itineraries are 100% bespoke, making them completely tailored to the client’s travel wishes. We decided to do our trips this way because we felt like what equals the “perfect” trip for one person is not the same for the next. We take the time to really get to know our clients and understand what they are hoping for from their trip. Guests can choose every aspect of their adventure, along with our expert guidance, from the type of accommodation they stay in, to the activities they participate in, down to which partner we make a donation to from their trip. In planning a trip this way, we can create the “perfect” and “once-in-a-lifetime” adventure for each individual.

Elephant at sunset in Botswana’s Chobe National Park by Barbara Eidel

6. What is your favourite image from your photographic safari masterclasses and why?

Andrew: For me, the photographic masterclass is all about helping our clients get their dream photo. By travelling with Nelis Wolmarans or myself, our guests will visit beautiful destinations with incredible wildlife, leading to a number of opportunities to either learn more about wildlife photography for the first time or to work on perfecting their skills or trying out new techniques. One of my favourite pictures from a photographic masterclass trip was a beautiful elephant at sunset photo by our client Barbara Eidel, taken in the Chobe National Park. I had the chance to take her on her first African safari last summer and help her in developing her wildlife photography skills, building confidence and creativity in her work . Having a client at the end of the trip enthusiastically share their photos with you and ask when the next trip is going to be, makes it a very memorable adventure together.

Find out more: travel-jar.com

The creations of quintessentially Parisian jewellery maker Chaumet may have been fit for an empress in the late 18th century when the company was founded. But the jeweller aspires to be equally at home with the modern woman around the world. CEO Jean-Marc Mansvelt tells Irene Bellucci how they make the new out of the old

Jean-Marc Mansvelt

“For me, luxury is about craftsmanship and excellence. But it’s more than functionality – it’s also about emotion. And luxury transcends fashion, too; it takes time to invent, create and make.

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“Chaumet’s founder Marie-Etienne Nitot trained under the jeweller to Marie Antoinette, and after the Revolution became Napoleon Bonaparte’s official jeweller in 1805. This led to numerous commissions from the great and the good, including jewels for Empress Joséphine, after whom one of our most iconic collections is named. The brand’s tiaras went on to be worn by queens and rulers across the globe.

Laurel Leaf Tiara by Joseph Chaumet (1920)

“Yet, our history isn’t enough to sustain us in the 21st century; consumers’ tastes have changed as has the function of jewellery itself. Nowadays, a tiara is not really worn beyond special and rare occasions, so in 2010 we reinvented them by moving them from head to finger for our Joséphine ring collection. Once they were crowns expressing power, but now we have brought them into the modern era in a more delicate and wearable form.

“But not all of our pieces are reinventions. We try to mix tradition and contemporary art; we also like to look to the world of music for ideas. In referring just to the past, the risk is that we will repeat ourselves – we need to inject new elements into the process.”

View the collections: chaumet.com

This article was originally published in the Spring 2020 Issue

The Garonne river runs through the heart of southwest France

The recent opening of the spectacular Chais Monnet country hotel in Cognac has put southwest
France on the touring map. Jenny Southan outlines the wonders of a region which stretches from Bordeaux to the idyllic Ile de Ré, with Cognac and its new luxury destination hotel at its gastronomic heart

With environmental activists calling for 2020 to be a no-fly year, this is a good time to swap long-haul holidays for road and rail trips across the continent. And with the future relationship of the UK and Europe changing, heading to the home of the founding father of the European Union, Jean Monnet, in Cognac, France, feels apt. The Monnet family have lived in Cognac since the 19th century, and in 2018, their former mansion and distillery was turned into a luxury hotel – the first for the region.

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Hôtel Chais Monnet has proved one of the most expensive hotel developments in the country in recent times, and has consequently become a destination in itself. The two-hectare former industrial site – comprising cognac cellars, warehouses and barrel cooperage – was transformed thanks to €60 million of investment from British businessman and property developer Javad Marandi, who has also put money into Soho Farmhouse in Oxfordshire (the hotel embodies much of the look and feel of this high-end British retreat from the Soho House Group).

Positioned on the banks of the Charente river in a town famous for its double-distilled brandy, the 92-room Hôtel Chais Monnet has become a lively retreat for both visitors and locals who come for hedonistic brunches, live music and cognac-infused mille-feuille. Both beautiful and striking, with a mix of renovations and new-build structures, the property has been reimagined and expanded by French architect Didier Poignant, who also worked on Le Royal Monceau and Hôtel de Crillon in Paris.

Classic and contemporary collide to stunning effect at Chais Monnet

A spa and heated swimming pool are in a glass pavilion and an ultra-modern glass building covered in iron latticework houses the majority of the rooms as well as 13 apartments with kitchens for those looking to stay three nights or more. A 2019 addition is Les Foudres, a gourmet restaurant in the old cognac-ageing cellars, a cathedral-like space that incorporates giant barrels into the architecture of the entrance hall. A rooftop bar, modern art gallery, concept store, cinema, kids’ club and patisserie have also been added. At night, each building is connected by illuminated walkways.

The hotel’s outdoor swimming pool

One of the many charming features of Hôtel Chais Monnet is its partnerships with local craftspeople, who have been recruited for their skills and to share their wares with guests. Some of the staff wear traditional Charentaise shoes from nearby Angoulême; handmade leather travel trunks are brought to the rooms containing croissants, yoghurt and fruit for breakfast; minibars stocked with Charente craft beer; and oak parquet flooring laid by expert carpenters. Meanwhile, the wooden beams in the La Distillerie brasserie have been brought back to life by local cabinetmakers, and diners even get their choice of locally made cutlery.

Les Foudres restaurant.

Guests checking in will be guided up to elegant, homely rooms decked out in light oak furniture (those in the old building also have original oak beams), fauteuil armchairs, Nespresso machines, Fragonard bathing amenities and free Wi-Fi. Some also have sun terraces. The Jean Gabriel Monnet suite (named after the French political economist, diplomat and founding father of the European Union), is the largest at 180sq m, and has a lounge, butler service, a treatment room for massages and a marble bathroom.

Read more: Inside The Garrison Club at Chelsea Barracks, Belgravia

Once you have unpacked, a trip down to the Angélique Café for afternoon tea or Le 1838 bar are de rigueur. Located in the Monnets’ original cooperage – where barrels used to be made – the latter lists more than 400 types of cognac (famous houses such as Hennessy, Rémy Martin and Courvoisier are all close by), and also regularly hosts jazz and blues bands. Champagne is also on the menu, of course, as are a variety of innovative cocktails such as The Road Jack, which is made from Cognac VS, local aperitif Pineau des Charentes, dry white wine, lime juice, lemon thyme syrup, honey and sparkling water. For those who don’t like brandy, there is also Grey Goose vodka, which is served in nightclubs across the planet but rarely acknowledged as being from Cognac.

The Phare des Baleines lighthouse at Ile de Ré, and the region surrounding Cognac

A stop on the Santiago de Compostela pilgrimage route, Cognac is a small town of approximately 20,000 people, surrounded by six different vineyard areas within the appellation d’origine contrôlée. The spirit has become famous for its blend of eau de vie made from grapes from different locations, although the best use Petite and Grande Champagne grapes. Once the colourless alcohol has been distilled in copper pots, it is poured into oak barrels to mature (the wood imparts colour and flavour). With a history of exports to the UK, the makers typically label the bottles with English acronyms, depending on how long it has aged – VS (very special), VSOP (very superior) and XO (extra old, meaning at least six years in the barrel).

Le 1838 cognac bar

If you’re in Cognac, it’s a prerequisite to do some tastings, and some of the production houses have welcome centres where you taste samples. Next door to Hôtel Chais Monnet is Martell, which has a contemporary art foundation and rooftop bar, while the Royal Château de Baron Cognac, birthplace of King François I, offers tours of its cellars. The hotel itself can also arrange experiences for guests – from bike rides, horse riding and vineyard tours in its vintage Citroen 2CVs, to truffle hunting, golf and half-day excursions through the countryside in a luxury sports car. There is also a lake within the Grande Champagne vineyards where you can go waterskiing. In July, there is the annual Cognac Festival with live bands and fisherman’s huts.

Although there is plenty to do within Cognac itself, it is also well worth doing a bit of exploring. About an hour’s drive south-east is Champagne, while Bordeaux, which makes an excellent day trip, is 1.5 hours south. Being one of the best wine-producing regions in the world, with renowned vineyards such as Château Smith Haut Lafitte, tastings should undoubtedly be part of any itinerary. However, the city itself is worthy of time, too, with its beautiful neoclassical architecture, buzzing central market (hawking oysters, cheese and baked goods) and pedestrian quays that run alongside the Garonne river. The maritime Musée Mer Marine opened in 2019 by the former docks; and there is also the futuristic, snail-shaped wine museum, La Cité du Vin, which was designed by XTU Architects.

The legendary vineyard town of Saint-Émilion, home to Château Cheval Blanc, is a quick day trip from Cognac

Not far from Bordeaux is the picturesque medieval town of Saint-Émilion, which has in excess of 800 wine producers, some of the most famous Grand Cru estates being Châteaux Cheval Blanc, Angélus and Figeac. Another, Château Clarisse, has more than 20 hectares of vineyards growing merlot, cabernet franc and carménère grapes. In 2019 it produced its first organic vintage after switching to a more environmentally respectful viticulture.

Read more: Sea2See recycles marine plastic to create fashionable eyewear

Further afield are the Dordogne’s famous Lascaux caves. Discovered in 1940 by a group of teenagers, the UNESCO World Heritage Site encompasses prehistoric caverns stretching 235m, and decorated with hundreds of Palaeolithic paintings of animals and plants native to the region 20,000 years ago. They are considered to be the work of many generations of humans living in the Old Stone Age. The Hall of Bulls stands out for its images of bulls, horses, stags and a bear, which can be clearly seen on the walls of the ancient rock chamber. However, visitors will have to make do with seeing facsimiles in Lascaux II, as the real caves have been closed off since 1963.

The hotel spa swimming pool

Following the road an hour and a half north of Cognac to the Atlantic, is Ile de Ré. As well as sweeping dunes, golden beaches and sweet-smelling pine forests, this chic little hideaway boasts delectable, cheap seafood (mussels and oysters are a staple here) while sea salt is collected in pans by the marshes. The island also has miles of cycle paths allowing you to navigate its 30km-by-5km area on two wheels in a couple of hours. Plage de Gros Jonc is the place to head for surf lessons, and the capital of Saint-Martin-de-Ré, behind its 17th-century walls, has inviting cafés and restaurants.

Hôtel Chais Monnet is the perfect base to return to at the end of a day’s excursion. Passing through its gates in the evening, guests will find buildings connected with illuminated walkways, freshly turned-down beds and platefuls of lobster risotto waiting for them at La Distillerie. For those with aching limbs after a day’s exploring, the spa is open until 9pm for restorative ‘Back from the vineyards’ foot massages. Although many years have passed since its days as a functioning cognac distillery, at Chais Monnet, enjoying the fruits of this endeavour while reclining on a Chesterfield sofa by the fire, is surely the only way to round off the night. Sante!

Find out more: chaismonnethotel.com

This article was originally published in the Spring 2020 Issue.

Visitors to The Garrison Club at Chelsea Barracks are greeted by the art-deco inspired lobby

Chelsea Barracks in Belgravia is one of the most spectacular luxury developments in the world. And at its heart is the semi-secret Garrison Club, a discreet private space where an all-star team of concierges look after their residents every need, as Anna Tyzack discovers

It’s a typical Belgravia street scene – majestic townhouses, gleaming black railings, sausage dogs, cyclists and shoppers. Yet behind the pale stone buildings of Chelsea Barracks is a secret organisation, working 24/7 to ensure the residents of London’s newest neighbourhood want for nothing. “Anything’s possible,” explains André Bremermann, general manager of Chelsea Barracks. “From private jets to movie screenings, from business meetings to introductions to prep schools – we have the relationships in place to make these things happen.”

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The Garrison Club is not dissimilar to the Society of the Crossed Keys in Wes Anderson’s 2014 film The Grand Budapest Hotel – it’s formed of leading concierge staff from five-star hotels, as well as prime developments such as One Hyde Park and 199 Knightsbridge. Never before has a service on this scale been available to an entire community – every resident in the 5-hectare Chelsea Barracks development is automatically a member. “What we’re doing here is unique,” Bremermann says. “Chelsea Barracks is not a gated community, it’s a new and exciting part of Belgravia – yet residents can enjoy the security and services of a five-star hotel.”

The Chelsea Barracks townhouses

An average Belgravia townhouse, according to luxury staffing agency, Greycoat Lumleys, has a staff of five or six; residents in 8 Whistler Square, which is just one building within Chelsea Barracks, have access to a team of more than 38 people. This is what makes The Garrison Club so ground-breaking, says Bremermann: residents enjoy the same freedom and anonymity as any Londoner yet with a powerful support network at their fingertips. “They can contact us via the Chelsea Barracks Residents app or on the phone,” he explains. “It’s the modern equivalent of bygone Belgravia when households had footmen, valets, butlers and housekeepers.” Indeed, there’s even a Garrison Club Rolls Royce parked up by the main entrance, ready to whisk residents to Harrods or anywhere else they want to go within a two-mile radius. “You see cars like this at the world’s finest hotels but never private residences,” Bremermann says.

Read more: Sea2See recycles marine plastic to create fashionable eyewear

His team are well aware that true luxury is time – and this, he says, is The Garrison Club’s main consideration when responding to their members. Residents at 8 Whistler Square are greeted by the same faces each day, who will offer to help with their shopping, ask if there is anything they can organise, without ever being intrusive. “It’s about having the right presence and being intuitive enough to read people,”

Bremermann says, “Never a long conversation but always an acknowledgement.” The Garrison Club runs the communal parts of the development, which so far include a Technogym, Elemis spa and 20m pool, connected to the residences and townhouses via lifts and underground walkways. With the app, residents can book training rooms or a Pilates studio, or treatment suites in the Elemis spa. “We know leading personal trainers and beauty therapists and can put our members in touch with them,” Bremermann says.

Residents of the new townhouses at Chelsea Barracks are able to use the facilities of The Garrison Club, such as the spa and pool (above)

His team also runs the private cinema, which has tiered seating for 16, blankets and a popcorn and drinks bar, and the games room with private drinks cabinets for residents and a billiard table. “We can arrange food and drinks at any hour of the day,” he says. “We’ll get to know the residents and make sure we have what they want to hand.”

Read more: Introducing the next generation of filmmakers

The private business suite, with lounge area and two boardrooms, is a surprise hit with residents, who are opting to work from home rather than travel into the office. The Garrison Club staff are on hand to provide tea and coffee and help with the video conferencing and other technology. “If lunch is required, we can arrange for it to be delivered from Daylesford Organic up the road within an hour,” Bremermann says. “We enable our residents to be flexible – which is another luxury in today’s world.”

Residents can make use
of the business centre

For families, the fact that The Garrison Club has relationships with top private schools including Garden House and Eaton House is reassuring, as are its links with leading staffing agencies who can source nannies, housekeepers and drivers. The club can help organise events such as 21st birthdays and christening parties in the opulent Residents Lounge, which can be booked for a relaxed dinner for friends or larger celebrations. “Residents can bring their private chef or we can find them caterers,” Bremermann says. His team also has a close relationship with entertainers Sharky & George, who host some of London’s most elaborate children’s parties. “We can transform the Residents Lounge into a jungle with real crocodiles, Komodo dragons and meerkats as well as aerial acrobatics,” says George Whitefield, co-founder of Sharky & George. “Or an Alice in Wonderland UV disco with edible bubbles, karaoke and 60mph candyfloss.” Bremermann also anticipates helping organise private events in the communal pool and in the spas at the 13 newly completed townhouses, all of which have pools.

The Billiards Room at The Garrison Club

It’s The Garrison Club’s all-seeing eye that Bremermann expects residents will be most grateful for, though. Chelsea Barracks will evolve into a lively neighbourhood with cafés, an art gallery, restaurant and an NHS health centre, but the club’s job is to make sure its members are safe and secure at all times. “It seems free and open here but there are many discreet cameras and everybody working for The Garrison Club is also part of the security team,” Bremermann says. “We know who goes for a run every morning; we know who is familiar and who isn’t. We look after Chelsea Barracks like it’s our own home.” For residents with older children who are studying in London, this support is reassuring, he continues. “We’ve employed people who really care. This is our residents’ London home and it’s our job to make it feel that way.”

The residents’ lounge

As more townhouses and residences are complete, and more residents move into the neighbourhood, The Garrison Club will grow and evolve too, Bremermann says. “We’ll listen to the residents and react to their needs – even if eventually we have to use a golf buggy to respond to their calls.” He sees the moving-in process as a key part of The Garrison Club’s role – so far his colleagues have arranged state-of-the-art machinery to transport valuable artworks and pianos through upper-floor windows and have overseen snagging lists for overseas residents making internal changes to their properties. “There are always glitches when you move into a new home – we are here to smooth things out.”

The Garrison Club is causing quite a stir in Belgravia. One resident is investing in a residence in Chelsea Barracks in order to gain membership, while those who would previously have bought up the period townhouses on Eaton Square are opting for penthouses in the development. “I can see why they’re making that choice,” Bremermann says. “In Belgravia, you’re buying a legacy; at Chelsea Barracks you’re buying a legacy and also a lifestyle.”

For members only

A private jet to Paris
Garrison Club has links with VistaJet, and can also book you lunch at the Le Grand Véfour.

Supervise your shopping
Staff are on hand to receive deliveries and will unpack your groceries.

Plan your birthday party
Complete with private chef, professional tablescapes and entertainment for the little ones by Sharky & George.

Find you a dog walker
Or a leading personal trainer, beauty therapist, nutritionist. Or a hairdresser, to come to the private salon in the spa.

Find a school place
The club has links to leading local private schools and can also find you a nanny and baby-sitter while they’re at it.

Find out more: chelseabarracks.com

This story was originally published in the Spring 2020 Issue.

Sea2See turns discarded plastic fishing nets into high-fashion eyewear

François van den Abeele had a dream – to turn discarded plastic fishing nets into high-fashion, hand-finished eyewear. People once laughed at him, but now, as he leads a swell of eco-entrepreneurs, his products are in increasing demand around the world. He tells LUX how he created an ecosystem around his brand, Sea2See

François van den Abeele

“My love of water sports nurtured a passion for the ocean and brought me to focus on the problem of plastic contamination in our seas. I had spent a lot of time reading about the degradation of our oceans, the problems surrounding marine plastic, and about the brands trying to implement circular economy in the way they produce.

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“I began to investigate ways of using plastic waste as a raw material to produce something that people would use and potentially wear. Sustainability is non-existent in the optical world; the main raw material used is plastic and 40 per cent of the population wears glasses. It was a perfect win, win, win.

“All this, along with a personal motivation to change my profession and do something positive with a sustainable impact culminated in the creation of Sea2See Eyewear.

“We have agreements with 27 ports in Spain, six in France and now we are starting in Ghana. We collect on average half a ton of plastic waste per day that we recycle to produce all of our optical frames in Italy.

“The market is changing, and consumers are more and more worried about the future we will leave to our kids. The proof is that in three years we are being sold in more than 2,500 optical stores across Europe and North America, and the numbers are growing.

Read more: Highlights from the 3rd edition of NOMAD St. Moritz

“People laughed at me four years ago when I had the idea of producing glasses with recycled marine plastic. Today we get calls daily from stores or brands that want our product or to collaborate with us.

“There is a global awareness that we must treat our planet better and consume differently, and Sea2See, thanks to its customers, is doing its part. Sustainable glasses will not change the world. People that wear them will.”

Discover the collections: sea2see.org

This article was originally published in the Spring 2020 Issue.

Ellerman House’s art collection features nearly 1,000 works

Hotels have long housed art collections, and now many are opening their own gallery spaces alongside art-focused programmes to offer guests unique cultural experiences. In his latest column for LUX, Abercrombie & Kent’s Founder Geoffrey Kent handpicks his favourite art hotels across the globe

Ellerman House, Cape Town, South Africa

Art lovers will delight in staying at this landmark hotel on Cape Town’s coast. Within the elegant Edwardian mansion of Ellerman House, close to 1,000 works of art reflect the changes in South Africa’s social and geographical landscape since the 1930s. Artists in the collection include John Meyer, Erik Laubscher, Jan Volschenk, Cathcart William Methven, and Pieter Wenning to name but a few. Guests can take a self-guided art tour with an electronic tablet providing insight into each piece. If you prefer, the in-house guide is on hand to take you around the extensive collection and beyond – guests can request guided excursions to the city’s local galleries, enjoying behind-the-scenes access and unmatched insight.

ellerman.co.za

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The bathroom of the Royal Suite at The Silo, Cape Town

The Silo, Cape Town, South Africa

A disused grain silo may seem an unlikely candidate for a museum and an art hotel. Yet, this imposing building on Cape Town’s V&A Waterfront has been transformed in recent years into a bastion for the African arts. The lower portion of the building is now my friend Jochen Zeitz’s eponymous Museum of Contemporary Art Africa. It’s home to the continent’s most extensive collection of contemporary African art. I’m proud to be one of its founding members and to support its primary aim of encouraging intercultural understanding. It’s a fantastic collection in an extraordinary building. Above, the museum is the beautiful Silo hotel in which I stayed for a few days before departing for the South Pole on one of my Inspiring Expeditions. The six storeys of luxury accommodation are brimming with curated artwork. The Silo’s owner, Liz Biden of The Royal Portfolio, has used the space to display her collection of African pieces. There are works by upcoming artists as well as more established names, such as Nandipha Mntambo, Cyrus Kabiru, and Mohau Modisakeng. The hotel even features its boutique gallery The Vault.

theroyalportfolio.com/the-silo

Hotel B is Lima’s first and only art hotel

Hotel B, Lima, Peru

For those of us who travel often, firsts are increasingly hard to come by, yet Hotel B is that rarest of things. Lima’s first – and only – art hotel is aptly situated in the city’s most bohemian district amid galleries and fashion boutiques. The building itself is brimming with character, converted as it is from a 1920s colonial mansion. Stay in this restored ‘grand dame’ to admire its private collection of more than 200 artworks, proudly displayed across the landings. Hotel B’s close relationship with nearby Lucia de la Puente Gallery allows guests to request private viewings easily; the gallery offers a fantastic insight into the world of contemporary Peruvian art.

hotelb.pe

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‘Crouching Spider’ sculpture by Louise Bourgeois at Villa La Coste in Provence

Villa la Coste, Provence, France

The pastoral landscape of Provence is impossible to upstage, so the owners of Villa La Coste have sought instead to adorn it with dazzling flourishes of creativity. Throughout the biodynamic vineyard of Château La Coste and art hotel, sculptures are tucked amid verdant woodland, hills, and lawns – including works by acclaimed artists Ai Weiwei and Tracey Emin. You can enjoy a two-hour private art and architecture walk with the curator, learning all about the eclectic collection while taking in the beautiful Provençal countryside. Also, the hotel is home to its very own arts centre and hosts temporary exhibitions throughout the year. Stay here, and you’ll never be short of art to admire (nor home-grown wine to sip as you do).

villalacoste.com

MONA Tasmania offers visitors the chance to stay on the museum grounds in a contemporary pavilion

MONA, Tasmania, Australia

Set on the banks of the River Derwent, the Museum of Old and New Art (MONA) is Australia’s largest privately owned gallery and museum. It was masterminded by gambler and mathematician David Walsh and exhibits his diverse taste in art – from Ancient Egyptian relics to quirky dioramas. Whilst the museum isn’t strictly a hotel, visitors have the opportunity to stay in one of eight contemporary pavilions, each with its own unique character. As well as access to an enclosed lap pool, sauna, and gym, you’ll have a museum chock-full of eclectic and eccentric artwork right on your doorstep. Enjoy unfettered access to MONA’s permanent collection, and utilise its ‘O’ device during self-guided wanders to learn more about the art.

mona.net.au

Find out more: abercrombiekent.co.uk

Italian design studio Draga & Aurel’s ‘Mimetic Dialogues’ took inspiration from the Alpine setting of St. Moritz

Earlier this month, the invitation-only design fair NOMAD returned to St. Moritz for its third edition, showcasing collectible objects and furniture in the grand setting of Chesa Planta mansion. Rebecca Anne Proctor shares her highlights from the fair

Giustini/Stagetti Rome

Roberto Giustini and Stefano Stagetti’s gallery favoured a minimalist aesthetic to showcase pieces from Italian design masters such as Gio Ponti, Franco Albini and Gino Sarfatti alongside a selection of international contemporary designers. Andrea Anastasio‘s collection of glazed ceramic ‘blossoming’ white vases, Giacomo Moor‘s ash and olive wood desk, and Paolo Tilche‘s wicker chair were amongst our favourites.

Giustini/Stagetti Rome at Nomad St. Moritz

The Masters by Au Départ + Mazzoleni

Founded in 1934 as one of four original Parisian luxury trunk makers, Au Départ was reborn in 2019 with a fresh collection of products designed for the contemporary globetrotter. The NOMAD exhibition showcased the company’s collaboration with Mazzoleni art gallery, displaying a new line of bags alongside exclusive carpets by Illulian Design Studio that have shaped Au Départ’s physical environments since its launch. On the walls, were striking works by Italian post-war artists such as Agostino Bonalumi, Alberto Burri, Enrico Castellani and Lucio Fontana.

Draga & Aurel’s display featured resin-topped furnishings

Mimetic Dialogues by Draga & Aurel

Multi-disciplinary Italian design studio Draga & Aurel’s presented a unique display of sculpture pieces made especially for Nomad and inspired by the Alpine setting. We loved the glassy resin-topped stools and benches set on industrial cement bases.

Volumnia at Nomad St. Moritz

Volumnia

Gallerist Enrica de Micheli‘s newly opened art and design platform Volumnia presented a selection of renowned Italian design objects including a rare coffee table and lamp by Max Ingrand for Fontana Arte, Lady armchairs by Marco Zanuso for Arflex and a sofa by Federico Munari, alongside contemporary pieces such as a Mongolian fur carpet by Pier Francesco Cravel and Marcello Bonvini, and a chandelier by Simone Crestani and Davide Groppi.

Mercado Moderno at Nomad St. Moritz

Mercado Moderno

Rio de Janeiro-based Mercado Moderno presented voluptuous and earthy interiors from the likes of the Mameluca Studio, Gisela Simas, Gustavo Bittencourt and Inês Schertel. The most striking piece on display was the Cafofo Shelf by Mameluca Studio, which was custom-made for the exhibition space. Inspired by Brazilian natural diversity, the shelf offers an alluring multi-level assembly in various woods.

Find out more: nomad-circle.com