Wide glassy river bank surrounded by trees below a twilight sky

Camp Xakanaxa, on the Khwai River bank

Ella Johnson travels through Botswana on an eco-safari, where the highlight is encountering more hippos than humans – in a landscape owned by wild creatures and where humans are just fleeting visitors

Arriving at Botswana’s Makgadikgadi salt pans in the dry season feels like landing on the moon. Travel westwards by helicopter from Leroo La Tau and watch the dense African bush melt into spacescape. Step out of the aircraft onto a vast flat plain: besides the grey earth cracking underfoot, a total absence of sound predominates.

It is an extraordinary place to be on the final leg of an ultimate safari tour through northern Botswana’s Okavango Delta and beyond. A designated UNESCO World Heritage Site, the Okavango is a vital wetland region teeming with biodiverse wildlife and habitats, and is the chief stomping ground of Desert & Delta Safaris, one of Botswana’s foremost tour operators. We have been touring with Desert & Delta for the past seven days, encountering creatures and terrains of encyclopaedic variety – and now this most surprising, lunar-like landscape.

Elephant viewing from one of the EVs at Chobe Game Lodge

We had started out at Chobe Game Lodge, in the Southern African country’s northeast. It is the only permanent game lodge inside Chobe National Park (so named after the Chobe River that intersects it), and we encountered 33 elephants at the waterfront before checking in. We also get an hour’s head start over neighbouring lodges on the morning game drive: for us, the difference between a rendezvous with three lion cubs and their vanishing as other trucks piled in.

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The government’s “high-value, low volume” tourism strategy finds full expression at Chobe. The lodge, managed by locals, was the first in Africa to hire an all-female guiding team (the Chobe Angels) and the first in Botswana to electrify its safari fleet – the solar-powered boats and EVs were a game-changer when it came to proximity with the Big Five.

Chobe is as upmarket as it is eco-conscious. It is run on biogas and has its own recycling plant, where waste plastic and glass are repurposed as decking. It is also where Elizabeth Taylor and Richard Burton celebrated honeymoon number two in 1975, and their very private suite has an infinity plunge pool. Our own room featured a roll-top bath and objets d’art from Zimbabwe, Morocco and Egypt; colours were vibrant and textures natural. Our favourite hangout was the cave-like bar, to which we headed at aperitivo hour for Amarula (Botswana’s answer to Baileys) before a meal on our private terrace.

the Honeymoon Suite patio at Chobe Game Lodge

Next came perfect isolation at our next stop, Nxamaseri Island Lodge, at the uppermost point, or Panhandle, of the Okavango. We reached it from Chobe via a short plane journey west and a boat ride through the Delta’s permanent, papyrus-lined floodwaters. The lodge occupies its own side channel, meaning we encountered more hippos than humans there. Our lodging – one of nine, connected via boardwalks through the overgrowth – was comfortable, albeit with fewer bells and whistles than Chobe. Evening meals were communal and hearty. Wi-Fi was intermittent.

The Nxamaseri region is home to around 325 of Botswana’s 500 native bird species, and we soon became adept at naming slate-coloured boubou, malachite kingfisher and Pel’s fishing owl from the comfort of our evening river cruise, G&Ts in hand. We had a more sobering experience in the mokoro, traditional wooden canoes that brought us nose to nose with crocodiles (perfectly safe, our guide testified).

We therefore welcomed the land-based trip to the Tsodilo Hills, another UNESCO World Heritage Site nearby, with cave paintings by bushmen including the San and Bantu, from 800 to 1300AD, and some reputedly far older. Although their meanings have become less intuitive over time, these paintings have been well shielded from the elements by way ofrocky overhang and ancient baobab. It is also, perhaps, the Botswana we had come to find. From our guide, Metal, we had already learnt that elephants have ten different vocalisations; that the Vogelkop bowerbird likes to decorate its nest with shiny things; that it is possible to deduce, from a pair of erratic footprints, that a guineafowl has recently met its end with a cheetah. So, too, as we studied the Tsodilo paintings more closely, rich patterns emerged.

Outdoor dining at the glass-fronted Leroo La Tau

Another short flight east across the floodwaters brought us to Camp Xakanaxa, on the banks of the Khwai River, in the arid Moremi Game Reserve. Here is a sense of drama: petrified trees dot the horizon; the fragrance of wild sage hangs heavy. Fitting, then, that our guide, TS, would race us out to catch sight of two evasive cheetahs after hours (they slinked across our path unexpectedly, our wheels kicking up dust as we screeched to a halt). Or that we’d have a close shave with Oscar, a battle-scarred hippo who loiters in Xakanaxa’s communal areas, after. Thank goodness, then, for Xakanaxa’s selection of South African reds (Saxenburg, Leopard’s Leap) to decompress after the action.

The kaleidoscope shifted again at Leroo La Tau, our final stop, in the Makgadikgadi Pans National Park. This is an ever-changing, aqueous environment – viewable from one of 12 glassfronted thatched suites hovering ten metres above the Boteti River, where we spent an entire afternoon watching zebras rove in their hundreds.

Read more: Ocean Fantasy: the Ritz Carlton Maldives, Fari Islands

Desert & Delta offers a salt-pan sleep-out for guests staying at Leroo for three nights or longer, but take our advice and pay upfront for a helicopter ride to beat the five-hour drive through the desert. On touching down, our personal chefs cooked a three-course meal for us on the flats; our bed was as if transposed from a Four Seasons, king-sized with crisp, white sheets – and unmediated views of the Milky Way. At roughly the size of Belgium, the Makgadikgadi salt pans are the biggest in the world: to sleep on them, tentless, was to experience darkness and solitude for the first time.

Flying back to Leroo, the moonscape slid back to more familiar bush territory. It is paradoxical, perhaps, that the highlight of our safari was a place devoid of life altogether. Yet it speaks directly to the appeal of a country whose ancient landscape continues to yield up the new and unexpected. In tapping into its extremities, Desert & Delta Safaris takes an old classic and offers a highly original take.

An otherworldly sleepout at Makgadikgadi salt pans

Getting there

We travelled to Botswana via Doha with Qatar Airways. The airline’s signature Qsuites in business class have sliding-door partitions to lose visibility of fellow passengers and bring an extra element of privacy (the partitions reach to chest height, so it’s not quite like having a full suite). On boarding we were greeted with a glass of Charles Heidsieck Rose Millesime and Diptyque amenities and an on-demand dining service with a broad choice (we went for cheese and port followed by a warming Karak Chai). More sociable passengers stopped by the Sky Bar, in its own section of the plane, for a negroni mid-flight. On our layover at Doha, we stopped in the Al Mourjan Business Lounge for sushi and more champagne. Its galactic art installation and water feature made it easy to pretend we were in a five-star hotel.

Find out more: qatarairways.com

Our hosts

Chobe Game Lodge, Nxamaseri Island Lodge, Camp Xakanaxa and Leroo La Tau are among nine Botswana safari locations owned by Desert & Delta Safaris and located within Botswana’s wildlife destinations.

Find out more: desertdelta.com

This article was first published in the Spring/Summer 2023 issue of LUX

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Two cars
Art

Original digital art by Mercedes-Benz at Design Essentials IV: The Art of Creating Desire

LUX stops off at the Mercedes-Benz Design Centre in Nice to hear about its latest projects – from EVs to NFTs, and everything in between 

Few places can evoke desire like the Cote d’Azur. Home to the world’s superelite and their superyachts, it is where the most exclusive communities migrate in summertime – and where the aspirational go to see them.

All of which made it a fitting backdrop for Mercedes-Benz’s latest Design Essentials instalment, ‘The Art of Creating Desire’. Presented between their Design Centre in Nice – a cylindrical, spaceship-like structure hidden in the pine forest of France’s tech hub – and the newly-opened Maybourne Riviera, the showcase featured the marque’s latest projects and outlooks on the future of luxury.

Building

The Mercedes-Benz Design Centre in Nice

‘We aspire to design the most desirable cars in the world. With Design Essentials, we illustrate how we approach this privilege in concrete terms,’ explained Chief Design Officer Gorden Wagener. ‘The venue – our Design Centre in Nice – plays a central role in this. I see it as a creative melting pot where we forge ideas for the luxury cars of the future.’

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That future, according to Mercedes-Benz, is digital. The marque has joined as the fifth and final founding member of the Aura Blockchain Consortium – a non-profit association of luxury brands investing in blockchain solutions for the industry – alongside LVMH, Prada Group, OTB Group, and Cartier, part of Richemont.

Car interior

Mercedes-Benz is expanding into in-car digital art experiences

‘Every product going forward will have a digital twin,’ explained Daniela Ott, General Secretary of Aura. ‘This is for all the use cases you can imagine, from traceability and provenance to resale and second-hand, NFTs and using the physical products you own in the metaverse’. In Mercedes’ case – the first and only premium automotive manufacturer to have joined the consortium – this means providing new digital art experiences both in-car and beyond.

Elsewhere, the marque is strengthening its commitment to the global fashion scene with the concept Mercedes-Maybach Haute Voiture, an S-Class reimagined through an haute couture lens. The car, which is expected to appear in 2023 in a limited release of 150 units, features a two-tone midnight blue and champagne exterior, and a nappa leather interior with bouclé fabric and gold trim.

Car interior

The limited edition Mercedes-Maybach Haute Voiture

We also had a sneak peek of the new Limited Edition Mercedes-Maybach. Soon to be available in a 150-unit run, the model was borne out of Project MAYBACH, the off-road EV concept created in collaboration with the late artist and fashion designer Virgil Abloh, which was presented at the Rubell Museum during Miami Art Week. The limited edition model marks the third and final collaboration with Abloh, whose Project Geländewagen set a benchmark for fashion and automotive collaborations in 2020.

Two cars

The Mercedes-Maybach by Virgil Abloh (left) and Project MAYBACH (right)

The grand finale took place over aperitifs at the Maybourne, where we were introduced to the Vision AMG, Mercedes’ new, all-electric sports car concept, slated for release in 2025. The car offers a preview of the all-electric future of Mercedes’ performance brand, having embarked on an electrification plan which will see electrified alternatives in every segment by the end of 2022, and an all-electric fleet by 2030.

Read more: Octopus Energy Founder Greg Jackson On The Green Revolution

Car

The Mercedes-Benz Vision AMG

Speaking of the formal aspect of the Vision AMG, Wagener said, ‘it continues to write the history of the VISION EQXX and raises it to a completely new level’.

If the future really is electric, we want to do it in the Vision AMG.

Find out more: mercedes-benz.com

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