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“Living in Beiruit has significantly influenced and enriched my creative journey, especially during the cosmopolitna era of the 1970s”

Elie Saab’s self-made fashion empire has spawned a world of luxury beloved by many of the world’s wealthiest and most discerning women. LUX speaks to the Lebanese couturier and entrepreneur

Elie Saab has achieved the supposedly unachievable. The designer has built his independent fashion brand, which has its origins in his home country of Lebanon, into a multimillion-dollar lifestyle business. At its heart is luxurious clothing desired by some of the world’s wealthiest, and most discriminating, women – indeed, Saab was the star of a recent Paris Haute Couture week.

He speaks to LUX Editor-in-Chief Darius Sanai about how he overcame cultural and commercial challenges to thrive in this most challenging of industries, by focusing on simply creating beauty.

LUX: Your family had to leave your home when you were a child during the civil war in Lebanon. Did this devastation and disruption affect who you are professionally today?

Elie Saab: I was in Lebanon throughout the war. We left Damour, a southern area, for Beirut because it wasn’t safe any more. My family lost their homes and jobs, and that forced me to take on responsibilities early in life and work to support my family. This led me to discover my passion, which eventually became my career.

Woman in a pink sequin dress walking down a runway

Elie Saab began his career by designing intricate bridal gowns, gradually expanding his business on an international scale.

LUX: How do you weave the story of Lebanon, a country of beauty, history and tragedy, into your designs?

ES: Our culture and heritage shape who we are and I draw constant inspiration from them. Living in Beirut has significantly influenced and enriched my creative journey, especially during the cosmopolitan era of the 1970s. The elegance of Lebanese women during that time has strongly influenced my designs. I blend Lebanon’s essence with the charm of the Mediterranean in my creations.

LUX: You focus on femininity, beauty and celebrating royalty, even though these have gone in and out of fashion. Do you consider trends or prefer to do what you like?

ES: When I create, I think of a dress that is timeless; a dress that can be passed down from mother to daughter. The ultimate goals are for a woman who tries on my dress to feel confident and to highlight her femininity. I always want her to feel sublime.

Sketch of a pink dress

Sketch for LUX by Elie Saab.

LUX: How important was the invitation by the Chambre Syndicale de la Haute Couture to join it in 2003?

ES: I would say the first milestone was in 1997 when I was invited to showcase my work in Rome at the Camera Nazionale della Moda, as the only non-Italian designer. After that, I decided to present my work in Paris and that is when I received the invitation of the Chambre Syndicale de la Haute Couture. This shift was another milestone for my career; I became one of the earliest non-French designers to receive such an invitation, following in the footsteps of Valentino, Armani and Versace. This major step enabled me to expand my business and step into a bigger spotlight.

Follow LUX on Instagram: @luxthemagazine

LUX: Fashion is a tough business and many talented designers have failed commercially. What does it take to succeed?

ES: This field is becoming more and more challenging. You have to distinguish yourself from the competition with a unique product. I aim to highlight the beauty of women. What we offer is wearable and classic pieces. Reaching that stage was not easy. Elie Saab has evolved into a lifestyle brand, catering to a diverse audience with different lines ranging from haute couture to ready-to-wear, perfumes and Elie Saab Maison, an entity of its own.

Woman in a silver sequin dress with a black background

Beyoncé wearing an Elie Saab Haute Couture Autumn/Winter 2023 gown during her Renaissance world tour, 2023.

LUX: What have been your greatest challenges? What was the worst time?

ES: We always face challenges, they’re part of the journey to success. With no challenges come no rewards. The important thing is to learn from them. I don’t dwell on the past. I choose to take lessons from it and move forward.

LUX: How much has social media and online shopping changed the fashion business, both commercially and aesthetically?

ES: It has definitely made a big difference. I think social media is a powerful tool to promote your business. It gives you so much visibility and exposure in such a short time, which wasn’t possible before. It opens up amazing opportunities, especially giving a platform to young and emerging designers who are working hard to make their way into this industry. Yet social media can be tricky, and it is important not to confuse virtuality with reality. In a day you can go viral, so it’s important to stay consistent and true to yourself.

Read more: Two key players in British fashion raise the game for personal shopping

LUX: You looked delighted at your recent haute couture show in Paris, after the rapturous reception for Jennifer Lopez. How important are reactions to what you do?

ES: The amount of positive feedback from the press, social media and clients was, of course, very important. It reaffirmed the importance of the collection itself and how well it resonated with our audience. J.Lo was stunning as always and chose a look from the runway. The level of stress remains constant, regardless of the number of shows, until I receive reviews from clients, audience and the press. Positive feedback always boosts motivation to do more.

Woman in a flower dress with an orange background

Jennifer Lopez at the Elie Saab Haute Couture SS24 show wearing a floor-length feathered Elie Saab cape.

LUX: You have said you were born with a vision of beauty. What would you have been if you had not been a designer?

ES: I would have become an architect. I love designing and creating. This passion expanded in 2020 when we launched Elie Saab Maison and real-estate projects, aiming to reach a wider audience and evolve into a lifestyle brand.

LUX: What’s next in the evolution of Elie Saab?

ES: We are on a roll to keep expanding, whether it’s in different house lines or in undertakings such as real estate. In 2024, we have various projects in the pipeline, such as expanding our boutiques, network and lines. There is always something to look forward to.

eliesaab.com

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A woman standing on a small white stage wearing a leopard print dress
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Fausto Puglisi, Creative Director of Roberto Cavalli

Fausto Puglisi, Creative Director of Roberto Cavalli, has revitalised the Italian fashion house, which found high-octane fame in the 2000s, turning it into a hot-ticket brand for Gen-Z. Puglisi talks to LUX about glamour, passion and reimagining Cavalli for a more inclusive age

LUX: You have always had strong links to the Roberto Cavalli brand. What made you join it fully in 2020?
Fausto Puglisi: Roberto Cavalli is a brand I am totally comfortable with. It has always been a brand linked to women’s freedom, to seduction. The seduction that Roberto Cavalli represents today for women is not to please anyone but herself. It is, above all, linked to freedom, empowerment and dynamism. The Cavalli woman is sexy and glamorous- she owns her own body. I love seeing my Cavalli far away from any ideas of misogyny, closure and armouring. These do not reflect my woman, who is free and always advocates for freedom.

Follow LUX on Instagram: luxthemagazine

LUX: Roberto Cavalli has a particular place in fashion history in dressing music stars. Is this a legacy you with to continue?
FP: Everything began with music in my career. My biggest supporters have always been music stars and I will continue to support them with Roberto Cavalli. The brand represents a continuous bond with music and so it will remain in the future. It comes to me spontaneously and naturally.

A sketch of Jennifer Lopez wearing a zebra print dress with comments around it

Sketch for a custom-made pieces by Roberto Cavalli, with Puglisi’s comments for Jennifer Lopez in 2022

LUX: How is Cavalli best worn- as a prize piece or as a full outfit?
FP: Cavalli can be both a full outfit and a prize piece. I think of different women and aesthetics when I imagine the pieces I develop for my collections. I am thinking of women who could wear a Cavalli total look, but also of those who could be defined as “not for Cavalli”, but who would be able to wear a beautiful pair of Roberto Cavalli trousers – perhaps combined with vintage knitwear pieces for their parents, or even a Cavalli biker jacket with a splendid skirt by another famous brand.

LUX: What are your favourite pieces from the SS23 collection>?
FP: I love all of them. In particular, the slip dresses in the Wild Leda print, which I wanted to name in honour of Cavalli’s wild heritage. Also from the new collection I love all the flat folds on the clothes that recall old Hollywood, a sort of Babylon in Puglisi Sauce.

LUX: Any print you are particularly fond of?
FP: I love the Wild Leda print. Roberto Cavalli started out as a painter, and, as he transitioned into fashion, he continued to design his prints by looking at art and historical paintings, and interpreting them in his own way. Wild Leda is a celebration of beauty as a female superpower. It is a celebration of spontaneous sensuality, of pleasure in nature, à la Cavalli.

A woman standing on a small white stage wearing a leopard print dress

An image from the Roberto Cavalli SS23 campaign

LUX: Who are the ultimate Cavalli women to you today?
FP: For sure, I would say J.LO, Miley Cyrus and Taylor Swift.

LUX: Do you feel that the Y2K trend has been good for the brand?
FP: Absolutely. The kids who grew up with Roberto Cavalli are now about 25 years old and experience the brand as a beautiful memory linked to Britney Spears, Destiny’s Child, Beyoncé of the early 2000s and Jennifer Lopez. There is certainly a very strong bond between the new generations and that of Roberto Cavalli in the early 2000s.

LUX: How do you feel about revisiting iconic eras, such as the 2000s, through clothes?
FP: I love it. I was living in the US in the early 2000s when Roberto Cavalli was the big superbrand. First I live in NY, then I moved to LA. Roberto Cavalli was Hollywood, the maximum glamour possible. It was blaring music, a supercar that races tirelessly.

A sketch of Taylor Siwft wearing a sparkly purple long sleeve crop top and maxi skirt with comments around it

Sketch for a custom-made pieces by Roberto Cavalli, with Puglisi’s comments for Taylor Swift in 2023

LUX: What are your thoughts on consumerism in fashion?
FP: I believe in everything that is done with the heart and with passion. Therefore, I do not believe in unbridled consumerism for its own sake.

Read more: Donatella Versace Interview: Doing It Her Way

LUX: Do you like the idea of passing clothes down from generation to generation?
FP: I believe in quality and emotion. Fashion must convey an emotion, so it is right that if a garment is beautiful, well made and able to excite and last over time, it can be worn through various generations. Our latest collection has an example of this in the kaftan, which recalls the famous ones worn by Marta Marzotto. The piece was reworked and adapted to modern times. It represents an ideal, inclusive piece that can be worn by one woman, and then reworn by her daughter or granddaughter who uses it to go dancing in Ibiza. The cuts and shapes of the dress change slightly with the times, but the attitude is the same.

Find out more: robertocavalli.com

This article was first published in the Spring/Summer 2023 issue of LUX

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