A group of people
A group of people

Left to right: Catherine Lampert, Kate Gordon, Idris Khan, Georgina Cohen & Gregor Muir. Bottom: Sigrid Kirk & Maryam Eisler

LUX’s Chief Contributing Editor Maryam Eisler’s latest photographic series entitled Once Upon A Turquoise Past brings together memories of her homeland, Iran, and formative years spent in Europe and New York in the 1980s and 90s. Presented in an exhibition curated by Carrie Scott at Linley Belgravia, the dreamlike photographs reference writings of Persian writers such as Rumi, Hafez and Attar, as well as Charles Baudelaire’s Invitation to the Voyage set against the grand backdrop of Leighton House, the Victorian Kensington home of Orientalist Lord Leighton. LUX invited a number of guests to the opening of the show.
two women and a man standing by some steps

Left to right: David Linley, Maryam Eisler & Isabelle de la Bruyere

A woman and two men taking a selfie

Left to right: Maryam Eisler, Darius Sanai & Idris Khan

A woman in Turquoise feather dress next to a woman in a black leather coat

Left to right: Sarah Lovegrove & Lydia Connell

A painting on a wall by a table

Rise Up and Play by Maryam Eisler

women standing in front of photograph

Maryam Eisler & Meihui Liu

A man in a suit and a woman in a bleu dress standing on steps

Mark-Francis Vandelli & Marie Moatti

three women and a man standing for a photograph

Left to right: David Linley, Carrie Scott, Maryam Eisler & Katy Wickremesinghe

A painting on a wall by a table

Afshin Naghouni & Silvana Maragliulo

three women posing for a photo

Left to right: Emma Samuel, Donna Younis & Clare Schifano

abstract portrait photograph

Collective Memories by Maryam Eisler

three pictures above a table

Top Image: Wanderlust by Maryam Eisler

Bottom Left Image: There’s A Crack In Everything. That’s How The Light Gets In by Maryam Eisler

Bottom Right Image: Shadowplay by Maryam Eisler

Maryam Eisler: Once Upon a Turquoise Past runs until 28 November 2021 at LINLEY Belgravia. For more information, visit: davidlinley.com

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Reading time: 6 min
Vibrant abstract painting
Vibrant abstract painting

Red Extremis (2019), Sassan Behnam-Bakhtiar

Last week saw the opening of Franco-Iranian artist Sassan Behnam-Bakhtiar’s latest solo exhibition Extremis at the Setareh Gallery in Düsseldorf

A glamorous collection of international guests filled Setareh Gallery in Düsseldorf for the opening party of Sassan Behnam-Bakhtiar’s latest exhibition, which included an exclusive candlelit dinner amidst the paintings. Amongst those admiring the bold new artworks were model Jodie Kidd, singer Pixie Lott with her fiancé Oliver Cheshire and actress Millie Brady.

Follow LUX on Instagram: luxthemagazine

Dinner party in an art gallery

Dinner guests at art gallery

Sassan Behnam-Bakhtiar with model Jodie Kidd (right) and Amber Le Bon (left)

The exhibition’s title Extremis comes from the latin phrase in extremis, meaning in ‘an extremely difficult situation’ or ‘at the moment of death’, an apt name for this collection of paintings that delve into a turbulent period in the artist’s life in post-revolution Iran.

Artist standing amongst work in art gallery

Sassan Behnam-Bakhtiar standing amidst his artworks

Guests admiring artworks in gallery opening

Guests admiring the paintings in detail

Read more: How Hong Kong’s M+ museum will transform Asia’s art scene

As with all of his works, the paintings were created through the artist’s signature method which involves scrapping away the upper layers of paint away to leave the under layers exposed. Each work takes several months or even years to complete as the artist progresses from bright and vivid colours to darker tones creating a unique sense of multi-dimensionality and movement.

Private view at an art gallery

Vivid blue abstract painting

Sky is the Limit (2019), Sassan Behnam-Bakhtiar

Vivid abstract pink painting

Passage of Life (2019), Sassan Behnam-Bakhtiar

‘Extremis’ runs until 23 November 2019 at Setareh Gallery, Düsseldorf. For more information visit: setareh-gallery.com

 

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Dom perignon dinner london

Superstars from fashion, design and media gathered at an uber-exclusive dinner in Vincent Square, central London, last week to celebrate the launch of Dom Pérignon‘s Plénitude Deuxième 2000 champagne.

Sarah Ann Macklin and Rosanna Falconer

Whitney Bromberg Hawkings, Peter Hawkings and Emilia Wickstead

Paco Sanchez and Richard Geoffroy

Louise Galvin and Charlie Bracken

The cuisine and champagne were made even more glorious by the short speeches from Richard Geoffroy, Chef de Cave at Dom Pérignon, which themselves blended the deconstruction of Jacques Derrida with the poetry of Charles Baudelaire. As to the Plénitude Deuxième (P2 for short): released 17 years after the vintage, it’s a sumptuous, complex drink, rich and open as many of the 2000 vintage champagnes were.

Nadja Swarovski and Rupert Adams

Lady Ashley Adjaye and Tamara Rojo

Farhad Heydari and Darius Sanai

Melinda Stevens

The extra time it has spent maturing in the Dom Pérignon caves in France have given it a soulfulness which determines that it will never be sprayed around over over half-naked waitresses in St Tropez nightclubs, as lesser version of prestige champagnes sadly continue to be. Instead, it is a champagne to enjoy with your soul mate, perhaps at a three Michelin-starred restaurant over a proposal. It should be contemplated as I did, wandering outside after the dinner and looking over at Westminster School‘s cricket pitch on Vincent Square, some decades after I last played there, as a desperate last-minute addition to the school Z team, never imagining I would be back 32 years later to sip a drink made 15 years in the future – and why would one, unless one were Baudelaire?

Darius Sanai
Images by Richard Young
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Reading time: 8 min
Broomhall House

For the first time since its construction in 1702, the ancestral home of the Bruce family (the Earls of Elgin and Kincardine) is open as an exclusive venue for private events, in collaboration with Wild Thyme and Hickory luxury catering, chauffeur service Little’s and The Balmoral Hotel in Edinburgh. Charlotte Davies journeys to the Kingdom of Fife, Scotland to dine with Lord Bruce surrounded by the portraits and antiques of his ancestors.

Entering Broomhall House rivals walking into the British Museum; casts of the Elgin marbles line the walls of the entrance hall, a Roman sarcophagus stands by the fireplace and flanking the doorway are a pair of 4th-century marble columns thought to be from Diocletian’s Palace in Split, Croatia – the Bruces certainly know how to make a memorable first impression.

What sets Broomhall House apart from other stately homes offering private events is that it is still very much a family home. It feels lived in, as it has been, Lord Bruce proudly informs me, by thirteen generations of Bruces. Over 70 children have been born and brought up within the historic walls.

Walking from entrance hall to drawing room, Lord Bruce recounts the first hundred years of the family’s history, illustrating the heroic lives behind the portraits that adorn the walls: the family first settled in Britain in 1066 during the Norman invasion, and in 1314, Robert the Bruce successfully defended Scottish independence against the English and the family held the throne for two generations. We are later shown King Robert’s sword, which after a certain politician’s mishandling (we’ll name no names), is now kept safely behind glass in the dining room

Passing through the elegant ballroom we learn of Edward Bruce who in 1598 negotiated the succession of James VI to the English throne and arranged the new constitutional entity of Great Britain, and the 8th Earl of Elgin who established political unity in Canada. Whilst the old schoolroom, now a small museum displays some of the gifts the 9th Earl, Victor Alexander, received as viceroy of India in the 1890s. The list of family accolades is quite overwhelming.

Our tour ends in the dining room (which like the rest of the house, is reassuringly more cosy than grand and imposing), where dinner is served round a large oak table. Here we have a moment to appreciate the beauty of the artworks and antiques that surround us; a spectacular mantelpiece that was reconstituted from the marriage bed of James VI and Anne of Denmark and the birth-bed of Charles I and his two sisters, and the pièce de résistance: a 19th-century silver statuette of Queen Victoria (commissioned by the Queen as a reminder of her omnipresence in India). Under the glow of the chandelier and flickering candlelight, we dine on a three-course meal of four types of salmon, beef and a selection of small cakes. The evening passes all too quickly; while sipping wine from nineteenth-century silverware, we discuss a wide variety of subjects from the state of the art market and role of portraiture to the family’s collection of classic cars, which include a 1920s Rolls-Royce Silver Ghost and a 1912 Napier.

broomhallhouse.com

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Cile Marinkovic with his family

Auctioning ROKSANDA dresses from super-hot designer Roksanada Ilincic and works by Serbian artist Cile Marinkovic was always going to raise some hands. This week, LUX joined a select audience of eager bidders at the Lifeline charity auction in Mayfair, London. The charity was started by Her Royal Highness Crown Princess Katherine of Serbia in 1993 to raise awareness and aid the treatment of children with disabilities in Serbia.

Read next: Kering’s siren call on sustainability

Alongside Marinkovic and Ilincic, the event was attended by Serbian Ambassador to the United Kingdom HE Mr. Ognjen Pribicevic and numerous of the country’s great and good. Serbian born pianists Nikola Avramovic and Aleksandar Pavlovic, who both now study at the Royal College of Music, filled the room with their mastery.

lifelineaid.org

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