Life coach Simon Hodges. Photograph by Matt Porteous

This Christmas LUX is partnering with transformational life coach Simon Hodges for a high value giveaway

Life coach Simon Hodges has worked with billionaires, their families, royalty and industry leaders to help them transform their lives and reach their full potential. This December, alongside his monthly column for LUX, he is offering the opportunity for one lucky LUX reader to win two one-to-one 60 minute coaching sessions, worth £3,000.

All you have to do is answer the following question:

In one sentence, how do you want to change your life in 2021?

Entries via simonhodges.com/competitions/lux-winter-2020

We will be announcing the winner on Monday 21st December via Instagram. Make sure you’re following us at @luxthemagazine

LUX does not take any responsibility for content or offers on third-party websites. Simon Hodges’ content and offers are managed by Simon Hodges and his team, all queries should be directed appropriately to simonhodges.com

Triumph of Death (1562), Pietr Bruegl the Elder

In the second edition of her monthly column for LUX, artnet’s Vice President of Strategic Partnerships Sophie Neuendorf looks back on the emergence of the Renaissance following the Black Plague, and towards a more positive and creative future

We can all agree that this year has been one of the toughest we’ve experienced during our life time. It certainly was for me. The consequences of an unprecedented global pandemic have been, and still are horrifying and in many ways, unbelievable. But, the question is: how will generations to come analyse and learn from this particular moment in time?

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Let’s look back at another pandemic, which was arguably much worse: the Black Plague, which struck Asia and Europe during the mid-1300s. It arrived in Europe during October 1347, when 12 ships from the Black Sea docked at the Sicilian port of Messina. Most sailors aboard those ships were dead, and those still alive were dangerously ill.

Over the next five years, the Black Death – a terrifyingly efficient disease – would kill more than 20 million people in Europe, about a third of the population. At the time, no-one knew exactly how the disease was transmitted, or how to prevent and treat it. A grim sequence of events unfolded for which, in the middle of the 14th century, there was no rational explanation.

Self Portrait after Spanish Influenza (1919), Edvard Munch

Today, however, we know that the Black Death attacks the lymphatic system, causing swelling in the lymph nodes. Left untreated, it can spread to the blood or lungs and is highly contagious.

Following the Black Plague, a preventative method was developed in Italy, which we saw repeated this year: quarantine. In order to slow the spread of the disease, returning sailors were mandated to stay on their ships for 40 days ‘quarantine’, relying on isolation to slow the spread of the disease.

Read more: Life coach Simon Hodges’ tips on breaking free from destructive behaviour

Following the end of the Black Plague, a new era unfolded in Europe, known as the Renaissance (or rebirth). The impact of the Black Death had been profound, resulting in wide-ranging social, economic, cultural, and religious changes. These changes, directly and indirectly, led to the emergence of the Renaissance, which was one of the greatest epochs for art, architecture, and literature in human history.

The Birth of Venus (1484), Sandro Botticelli

After a period of pessimism, introspection and recovery, a time of enlightenment and renewal began. The arts especially flourished, as artists documented this time of change and upheaval. Through their creativity, artists wrestled with questions such as the fragility of life, religion, spiritualism, and the pleasures of living. Artists such as Leonardo da Vinci, Raphael, Michelangelo, Titian, and Albrecht Dürer dominated what’s known now as the humanistic high Renaissance period. The prevailing theme was the seizing of life, driven by positive change, knowledge and nature.

Read more: Richard Mille’s collaboration with Benjamin Millepied & Thomas Roussel

How will we respond to the pandemic we’re facing now? Will the development of a vaccine result in a period of introspection, creativity, and change? Will we – having faced an invisible, deadly enemy – emerge more tolerant, grateful, and accepting of change?

La Primavera (1477), Sandro Botticelli

A near-death experience usually results in a renewed zest for life, happiness and gratitude. Within the art world, many of the archaic norms have already been replaced during the course of the year. As artistic expression and culture define us, not only as individual nations, but in terms of humanity, we should ensure that this moment in history is not a missed opportunity.

Covid-19 has forced us to profoundly rethink the way we live, the values we have, and world we’ll leave for our children. Covid-19 has also forced us to trust in digitalisation and to rethink the way we experience and trade art. For context, while the art market declined by 58% in the first half of this year, online art sales increased by nearly 500% during the same period. There has been a flurry of creativity and inspiration, from artists doubling down in their studios to document the zeitgeist, to museum and galleries embracing VR and making their inventory accessible online. Let us embrace these changes and welcome an opportunity for a more transparent, accessible, and tolerant art world.

Browse artnet’s current auctions via artnet.com/auctions