Tetsujiro Ogata at Megu, the head chef of the top Asian restaurant in Switzerland and home to the country’s largest sake collection

Haute cuisine in the high Alps: anyone passing through Gstaad this summer had the choice of not one but two culinary legends next to each other on one of the most scenic terraces in Europe, with a contemporary cool vibe unmatched anywhere else in the mountains

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The crispy green asparagus crumbed with kaki no tane and lemon. That’s what lingers in the memory from Megu. And that’s despite an array of superstar dishes that came afterwards, each at the pinnacle of the culinary experience.

‘Many Japanese restaurants in Europe have the quality of cuisine but not the vibe; Megu has both’

But the asparagus… First, there was the asparagus itself, which tasted as if it had been lovingly hand-reared in one of the impossibly green meadows rising up the mountainsides all around. It tasted of chlorophyll and crunch, the essence of what the colour green should taste of. Then the crunchy crumbs surrounding it, nutty, dry, peppery, toasty, and with a hint of tartness. A dish for all times.

We were sitting outside on the terrace at Megu, Bossa Nova singer warbling away in the background, the green and blue mountain dusk turning to night as smells of the meadows rose up all around.

The impossibly elegant lobby of The Alpina Gstaad

This is a chi-chi and boutique Japanese restaurant in the impossibly contemporary elegant Alpina Gstaad hotel above Gstaad, in Switzerland. The vibe is chilled, fun, and of the highest level.

Read more: Il Salviatino, Savoy Florence and Portrait Florence review

The menu continued with delicate, delicious maki and nigiri – with the scallop and seabass standouts – and climaxed with silver cod marinated in saikyo miso. A more delicate, lightly savoury, almost herbal alternative to its more common black cod sister, this was Japanese cuisine at its most refined and enchanting. Many Japanese restaurants in Europe have the quality of cuisine but not the vibe; Megu has both.

The Sant Ambroeus pop up restaurant at the Alpina Gstaad, offering the highest-level Milanese cuisine amongst the Alps

The Alpina Gstaad has always sought to redefine cuisine and the dining experience in the Alps since it opened just over a decade ago. On the next terrace to us at Megu was Sant Ambroeus, a pop up of the Milanese legend, which has its outposts already in New York, the Hamptons, Palm Beach and Aspen. Sant Ambroeus (Alps edition) was rocking. And within the space of around 50 metres on a magical terrace that seems to float above the Gstaad countryside, The Alpina created a kind of culinary heaven.

thealpinagstaad.ch/megu

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An inflatable white structure that says 'Zero Nukes' in Times Square

María Berrío, ‘Anemochory’, 2019

New York City is a buzzing city known for its love and support of art and culture. The city is now making up for lost time since the pandemic and celebrating life and the endurance of the human spirit. As the 10th Edition of Frieze New York opens today, Sophie Neuendorf tells us what she’s most looking forward to this week

Having lived in New York for most of my life, I have a soft spot for Frieze Art Fair. In fact, the entire “Frieze Week” is always an eye-opening, immersive experience. There’s even more energy in the city than usual, and it really heralds the beginning of Spring art season.

Opening on May 18, Frieze Art Fair will welcome visitors to The Shed on West 30th for the second year. It’s also Frieze NY’s 10th anniversary edition and the first under the stewardship of new director, Christine Messineo.

Performance shot of Aphrodite Navab from The Homeling, ‘Ink and Lipstick on Paper’, 2017. Aphrodite Navab is represented by A.I.R.

What I particularly enjoy about Frieze New York is its meticulous programming and marvellous events, with well-curated shows, gallery openings, and spotlights on up-and-coming artists. This year, in a touching tribute, Frieze is celebrating New York-based non-profit organisations that have also seen significant anniversaries over the past year. These include A.I.R., Artists Space, Electronic Arts Intermix and Printed Matter, Inc. Frieze New York will highlight and honour each organisation and celebrate their continued contribution to the New York cultural landscape.

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In an especially poignant tribute to current events, A.I.R., the nation’s first all-female artists co-op gallery, will respond to the seemingly imminent overthrow of the landmark court case Roe v. Wade with Trigger Planting, a map of U.S. states where abortion will likely be outlawed. Interestingly, it will be made with herbs traditionally linked to fertility and reproduction.

A woman hanging upside down on a rock climbing wall and a braid hanging from a ceiling

Baseera Khan, ‘Braidrage’, 2017-ongoing. Performance, duration variable. Photograph documenting performance at Participant Inc., New York, 2017. Courtesy of the artist and Simone Subal Gallery, New York. © Baseera Khan. Photo by Maxim Ryazansky

According to Messineo, the participating organisations’ “support of emerging visual and performing artists, especially women, Black, and LGBTQ practitioners, reflects the spirit of many of the artists exhibited at this year’s fair.” Continuing that, “The mission of these organisations remains as urgent as when they were founded in the 1970s, and Frieze New York pays tribute to their creative lives.”

A picture of a tree with branches and pink blocks put together with numbers on them

Charles Gaines, ‘Numbers and Trees: London Series 2, Tree #1, Blomfield Street 2022’. Courtesy of Hauser & Wirth

With 65 galleries showing at the fair this year, it’s going to be tricky to select favourites. However, a few of my must-sees are Alice Neel and Tracey Emin at Xavier Hufkens; Maria Berrio at Victoria Miro (the proceeds of this work will support Unicef’s humanitarian response in Ukraine!); Luiz Roque and Solange Pessoa at Mendes Wood Gallery (both artists are showing at Biennale); and Charles Gaines at Hauser & Wirth.

Read more: Sophie Neuendorf’s Inside Guide To The Venice Biennale

One of my favourite fairs, Volta, is finally returning to New York after a few tumultuous years. Opening with 49 international galleries, it will now take over 548 West 22nd Street, most recently home to Hauser and Wirth but best-known as the longtime home of the Dia Foundation. In contrast to the blue-chip heavy-weights showing at Frieze, Volta caters to a middle market. I’m particularly looking forward to seeing their eclectic mix of galleries and artists, from Istanbul to Tokyo, Berlin and Lebanon.

two people looking at abstract art on the wall

VOLTA Art Fair. New York City. Photo: David Willems

Also returning after a three year hiatus, 1-54 Contemporary African Art Fair is opening with presentations from 25 galleries. In a surprising departure from the usual locations they were previously in the west village and red hook), the fair is moving to Harlem this year, the city’s historic African American enclave. This is perhaps a tribute from a fair dedicated to art from Africa and the African diaspora. Look out for one of their special projects, an NFT collaboration with Christie’s.

An inflatable white structure that says 'Zero Nukes' in Times Square

Amnesia Atómica, ‘Zero Nukes’

From an inflatable mushroom to the celebration of 20 chefs at the Brooklyn Museum, there’s a lot going outside the fairs. Apart from the Frick Collection, which is always worth a visit, not only for the collection but as an oasis of tranquility, I’ll be rushing to these exhibitions:

1. Amnesia Atómica NYC: Zero Nukes, at Times Square. This oversized, inflatable mushroom cloud sculpture by Mexican artist Pedro Reyes will spend the week in the heart of Times Square as part of an effort to raise awareness of the anti-nuclear movement.

2. Barbara Kruger: Thinking of You. I Mean Me. I Mean You. at MoMA, because Barbara Kruger is an icon and one of the most important artists of our time.

An artwork that has writing on it

Barbara Kruger, ‘Thinking of You. I Mean Me. I Mean You.’

3. Baseera Khan: I Am an Archive at the Brooklyn Museum, which explores the lived experiences of people at the intersections of Muslim and American identities, both today and throughout history.

In this year’s Frieze Week, the art world seems especially sensitive to current events and taking the time to highlight internationally important socio-political issues, maximising the soft power of art and culture to affect positive change. In turbulent times, the art world can be a beacon of hope and strength.

An orange awning with white writing

Sant Ambroeus restaurant, New York

For those looking for lighter entertainment to mix it up, London-based luxury fashion retailer Matches, who’ve collaborated with Frieze London on several occasions, opened a pop up shop on 160 East 83rd Street. Take a break and browse the latest high-fashion summer collections as they celebrate Frieze Week in the city. Relax at Sant Ambreous in between and above all, enjoy the New York City energy.

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