The lounge at the W Hotel in Edinburgh, where you can enjoy 360 degree views of the city

We review the W Hotel Edinburgh, the Balmoral Edinburgh, Rusacks St Andrews, the Fairmont St Andrews, the Caledonian Edinburgh, and Crossbasket Castle, near Glasgow. They are all highlights of any itinerary in Scotland

W Hotel Edinburgh Review

Edinburgh, Scotland’s capital, is a historic city. Traditionally, when you wanted to stay in style, you stayed in a historic hotel.

So how refreshing it was to check in into the W Hotel Edinburgh. Located in New Town, the historic heart of the city, the new build looks like a spaceship has landed – or at least it has been transplanted from a futuristic city like Astana or Shenzhen.

This is no bad thing as the architecture is stunning, sympathetic, and well thought through. The hotel connects internally with the city’s best luxury shopping mall, and externally it is a few steps away from Princes Street, and a few minutes walk from the Royal Mile, the castle and other sites.

‘The new build looks like a spaceship has landed – or at least it has been transplanted from a futuristic city like Astana or Shenzhen’

Whizz up to the rooftop and you can wander around in a full circle, having a never-seen-before view in 360 degrees around the city. To one side, Arthur’s Seat, the rugged mountainside that impinges into the city itself; to the other the castle on its hill. The rest of the city spreads out to the west with the highlands in the far distance and the Firth of Forth (the sea) shortly before. The restaurant and bar on this floor – the W Lounge – is unmatched for beauty and the modern Scottish cuisine is vibrant, searingly focused, confident, and unfussy.

Read more: Maryam Eisler interviews ‘Not For Them’ artist Marcarson

LUX had one of the suites in the hotel which feature a huge living area and an even bigger terrace balcony on which you could hold a party for 80 people – not that we did, but on those long summer evenings it would be quite a location.

A luxury studio suite at the W Hotel Edinburgh

Inside we loved the dramatic views from the living area, separated by a partition wall from the sleeping area, separated by another partition wall from the huge wet room bathroom, with the same glass wall to the exterior wrapped around all of them. This is a completely new take on Edinburgh.

Being a W, service is slick, international, and efficient. Room service whizzed up and down with a beaming smile and none of the gritted teeth reluctance you occasionally still get in this former Empire city. From the outside, the W is an architectural beacon, albeit a controversial one, given the contrast with its surroundings – although we love the architecture ourselves.

But from the inside, its use of glass and its curves integrates into the city beautifully. Just make sure you have a couple of cocktails in the rooftop speakeasy, hidden away, before heading for dinner. 

whoteledinburgh.com

The view of Balmoral hotel from nearby in Princes St Gardens

The Balmoral Hotel, Edinburgh Review

There is no hotel in Britain quite like the Balmoral. On the one hand, its convenience to Edinburgh’s main train station – it is essentially part of the British Empire building complex – makes it feel almost too easy to get to. But this is a grand hotel that has held its glories for more than 100 years, currently under the custodianship of Sir Rocco Forte and his eponymous hotel group, which creates some of the most thoughtfully luxurious hotels in Europe.

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Everything inside is tastefully modernised, without being in-your-face contemporary. We were greeted warmly and formally in the high-ceilinged lobby area and taken up to our suite, which was on the corner with perhaps the most dramatic historic view in Scotland, facing the castle on its hill, lit up almost eerily at night.

The J.K. Rowling Suite at Balmoral

You could just sit at the dining table in the corner sipping tea or single malt and not need any other tour of Edinburgh. The bedroom, meanwhile, was cosy and quiet – many city centre hotels are not – and the bathroom, laced with marble, set up for an evening’s indulgence after a hard day pounding the pavements and looking at the Scotland’s capital.

You stay at the Balmoral because of the name and the history, but it also delivers. It might be unusual to write about breakfast before reviewing a dinner, but the breakfast at the Balmoral does not just pay lip service to the traditional Scottish breakfast (generally considered to be the peak of what may be known internationally as a full English), it takes it to a different level.

Dining at the Balmoral Number One

Our particular favourite was different varieties of salmon, hot smoked, gravadlax, traditional smoked, freshly carved from their respective sides, with a variety of breads, including the obligatory soda bread, sitting hopefully beside them.

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You could choose from many other dishes as well, including another Scottish and British Empire staple, kedgeree, and kippers. People write about the bounties of breakfast in luxury hotels in Asia, but this is a cuisine just as distinctive (for breakfast anyway) and just as bountiful. If we were passing through Edinburgh, we would stop over for breakfast.

The bar at Balmoral features an extensive scotch and whiskey selection

This should not take away from our experience the previous evening, where we had Negronis in the very slick and contemporary bar followed by a dinner at Brasserie Prince – highlights included wild garlic saucisson with celeriac remoulade, Scottish oysters with Champagne gel and crabe aux agrumes.

Rocco Forte built this new hotel group  after the much bigger group set up by his father was wrested from his control in the 1990s. Rocco once told LUX he intended to create a distinctive luxurious, and individualistic collection of hotels, each with the character of the place they were situated in. Charles Forte, Rocco’s father, came to Britain from Southern Italy and he set up his first businesses in Scotland: from the pride and sense of place, it feels that the Balmoral is more than simply hotel, it is a proud trophy and sort of homecoming. We raise a glass to that.

thebalmoralhotel.com

Rusacks hotel in St Andrews, known as the home of golf

Rusacks, St Andrews Review

For anyone interested in golf, we are told the most iconic view in the world is that of the Swilcan bridge between the first and 18th fairways at the Old Course in St Andrews, Scotland, known as the home of golf.  

And there is just one hotel from which you can see this clearly and crisply from your room, and we were sitting in it, gazing out over the course, the clubhouse, and the sea beyond. 

The Rusacks St Andrews hotel has a unique and utterly desirable location. Overlooking the legendary part (the world’s most celebrated golf course) it is also perfectly positioned for a little stroll into the town – St Andrews is technically a city but you would be forgiven for thinking it was a village, so boutique and ancient it is – and so suits golfers and non-golfers alike. 

You enter the Rusacks from the land side, so to speak, greeted by a classical contemporary high ceilinged reception and lobby area.

A king bedroom in Rusack’s classic yet tasteful style

We were then taken up to our room in a new wing of the hotel, seamlessly joined to the old wing. From there the big windows afford views over the golf course, yes, but also over to the beaches of West Sands, made famous by the movie Chariots of Fire, the sea and beyond to the Scottish Highlands. It’s a pretty spectacular place. 

The rooms have been perfectly judged with hints of Scottish tradition combined with real contemporary style, so you don’t feel hidebound. 

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St Andrews is a place of paradox really: on the one hand, it is a tiny place at the end of the road on the East Coast of Scotland. On the other hand, it is an international centre of culture and learning, attracting top level students from around the world. It was also where Britain’s Prince William met his bride to be Kate Middleton, and its golf courses attract the creme de la creme of those passionate about the sport from around the world. So there are a few very attractive bars and restaurants to frequent, all with real character.  

The dining room at Rusacks hotel in St Andrews

But, you would be forgiven for instead repairing every evening upstairs at the hotel rooftop restaurant and bar. In the summer months you can set or stand on a terrace open to the views and the sea. But even in the dark months of winter, this glass enclosed space feels airy and attractive, where you can have top level cocktails in the bar before sliding along to the contemporary Scottish steak and fish restaurant, 18, where we had an utterly superb and very local feeling meal. The standout feature was a locally-sourced Angus sirloin, cooked to perfection at high temperatures and rare inside. 

What we also enjoyed about the Rusacks is it relative intimacy. It’s not a massive hotel, but big enough to have its different zones, the rooftop, and extensive downstairs lobby area, and the new wing where our room was located.  

It feels personal without feeling too boutique, and the combination of rooms, dining, bar, service, view and location are really quite unmatched. The LUX party staying at the hotel are not golfers and yet we enjoyed it immensely – if you do play, or are simply interested in watching players from your ringside view, there can be no better place. 

rusacksstandrews.com

The sprawling lawns of Fairmont Hotel, St Andrews

Fairmont St Andrews Review

Scotland is one of the world’s top destinations for discerning visitors with good reason: it has spectacular scenery, clean air, huge history and culture, and a wealth of ingredients for great cuisine – as well as whisky and golf.

What is perhaps less known is that it also has an international standard resort hotel of the type you would find in Asia or the Caribbean, in which you can combine all of these elements into a single experience.

The Fairmont St Andrews is not quite in the town of St Andrews, on Scotland’s East Coast, and is all the better for it. It sits on a cliff top around a five minutes drive out of town, just above the East Coast Fife Coastal Path which for good reason attracts people from around the world for its combination of savage beauty and wild flowers and plants.

You access the Fairmont along a driveway through extensive lawns, the other side of which sits its own, internationally celebrated golf course, part of the circuit that devoted golfers around the world come here to visit. The resort itself has the spectacular grandeur you would expect from a North American hotel group: a multifloor lobby atrium around which are arranged shops, restaurants and bars.

A deluxe suite at the Fairmont Hotel in St Andrews

Our suite was accessed at the end of a corridor leading off from this atrium, and looked out over lush lawns, copses of woodland, and the edge of the golf course. Before dinner, we wandered out and quickly found ourselves on a lushly vegetated hillside edge leading down to the coastal path, overlooking the stony beaches and the sea. It is a spectacular, end of the world type of feeling.

Double back inside, though, and you are in the midst of a cocoon of luxury. Our dinner at the lively restaurant, The Squire, in the heart of the atrium, was vibrant and busy. We were surrounded by golf parties delighted to have finished their day and local family groups.

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The next morning, two of our party were given a golf lesson on the edge of the celebrated course by an extremely patient pro who happily tolerated various swings and roundabouts until a few drives were sweetly hit.

To be given a golf lesson at the home of golf is like learning tennis at Wimbledon, and the views and the sea matched the quality of the tuition. The Fairmont is above the sea, so a bracing walk at lunchtime involves touring the grounds with views cropping up in every direction, both inland towards the Scottish Highlands and out down the coastal path and the sea.

The fireside lobby at the Fairmont gives a warm welcome to guests

After lunch we took a walk down the path itself. Keen walkers can continue all the way to the artistic cluster of villages around Crail, home to painters for many decades, and the hotel will organise a car to pick you up and take you back. The luxury is to be able to walk along the coastal path for as long or little as you wish, although it should be noted that this is a proper wild walk and you will need real equipment.

And once you have done all that, it is just a five minute drive in the hotel car to St Andrews where you can visit the castle, the ruins of the historic abbey, the cute streets teeming with international students, an excellent bookshop, superb wine shops and whisky emporia. If you walk back, beware: on the winding coastal path, what was a five minute drive takes more than an hour with plenty of ups and downs and scrambling.

Fairmont is as much of a resort destination as anything we can think of. And a reminder that St Andrews is on the drier East Coast of Scotland rather than the even wilder and wetter West Coast, so you may well be in luck with the weather. And even if not, there is the extensive indoor pool and spa area to check out. Good health. 

fairmontstandrews.com

A street view of Edinburgh’s luxury hotel The Caledonian

The Caledonian, Edinburgh Review

Princes Street is the celebrated and unique road at the heart of Edinburgh, unlike any other street in the world. To one side are the formidable Empire Era buildings at the edge of New Town, the city’s wealthiest historic district. On the other side, the land falls into a long set of gardens lining the street, and then rises up dramatically, in a rocky bluff topped by Edinburgh’s famous castle. Walk the length of Princes Street from east to west, and one building marks the end of the gardens, on a corner overlooking both castle and greenery.

Read more: Binith Shah and Maria Sukkar on UMŌ’s ultimate luxury 

This is the Caledonian hotel, affectionately known by locals as the Caley, a landmark that has stood since the times when the Scots helped the English build the Empire on which the sun never set. 

The lobby of The Caledonian, where ‘its grandeur and scale have been skilfully reset for the modern era’

The Caley has no imperial ambitions now, but its grandeur and scale have been skilfully reset for the modern era: a bubbly and efficient receptionist and concierge got us to our room overlooking the castle, almost face-to-face with it, so we could peer inside and wonder if there were any stray princesses locked up for turning down the advances of a visiting royal from France or Aragon. (We couldn’t see any).

But the real attraction of the Caledonian, apart from its peerless location, is the restaurant bar experience, in a huge conservatory built between the two wings of the hotel, where some excellent early evening Negronis merged into a pre-dinner glass of champagne, and then a dinner of baked crapadaune beetroot followed by roast cod loin with pancetta, white bean, lime and Jerusalem artichoke. 

It was enchanting watching daytime turn to evening and evening to night as this place, so evidently the social heart of the area, hosted more locals than tourists – always a positive sign that a hotel is alive and real, rather than just catering for visitors. 

The Sir Walter Scott Room at The Caledonian

And a special mention to the concierge who were knowledgeable not just about the tourist attractions of the city, as one would expect them to be, but also how different parts of Edinburgh have emerged from relative poverty to become edgy and artistic zones, guiding us to creative spots in each.  

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Real local knowledge, as suits an institution in the heart of the city. The Caledonian feels like a place you could treat as a home in Edinburgh, as much as just visit as a tourist. To achieve that kind of comfort within the context of a five-star hotel with international standards is quite something, and we applaud it.   

thecaledonianhotel.com 

The bar at Trocadero’s, Crossbasket’s cabaret restaurant and bar

Crossbasket Castle, Glasgow Review

Standing in the lush grounds of Crossbasket Castle, overlooking monkey puzzle trees, cherry trees, Scots pines and a variety of other plantations, you are transported straight back to baronial times. While you feel you are really in the middle of the wilderness, you have to tap yourself on the shoulder to remember that this place is not quite what it seems: it is rather more than that.

For one, it is just outside the edge of Glasgow city limits, 20 minutes from both the airport and the main train station, despite its pastoral setting and the drama of the river gorge that runs directly through the middle of the property. You may walk along the gorge and sniff the wild chives and marvel at the moss and general wilderness, but you haven’t had to endure a massive journey to get here. 

And the grand old castle house is just part of the offering; look across the ground and you will see a tasteful and contemporary low rise set of buildings housing the new rooms, restaurants, and a spa opening later this year.

A deluxe double suite at Crossbasket Castle

The surprises don’t finish there. You are greeted by service of the highest international standard – by which we mean not the slightly grumpy demeanour you get in some Scottish baronial hotels, but the service offered by Inverlochy Castle Management International, which owns the celebrated Highland hotel of the same name and manages this property.  

They are used to Asian and American billionaires, and your service here is a match for anything you might find in Switzerland or the South of France. 

All well and good, but the real surprise happens behind reception, where the hotel’s main restaurant, Trocadero’s, turns out to be not just another nice newly built contemporary restaurant but a proper cabaret restaurant and bar. By proper, we mean you walk in and are wowed by the contemporary take on 20th century Modern and Art Deco design, with perfect lighting and a buzzing bar. You are then wafted down a small set of steps to the main floor where jazz and soul bands perform every day, and dancers who look like they have just been transplanted from the Lido in Paris perform around the tables.  

It’s quite something, given the baronial quietude of the grounds you might have been walking around earlier.  

A cabaret performer at Trocadero’s

But don’t think that the cabaret vibe provides an excuse for low standards of cuisine: the oysters, fresh in from near Oban three times a week, are both superbly sourced and dressed, and our ribeye steak with local greens was beautiful.   

This group is used to operating Michelin starred restaurants in its other locations, and the physically huge menus, an Art Deco style, offer an array of dishes and, more importantly, ingredients to delight you. The desert trolley was a welcome hawk back to jazzier times. 

Meanwhile, you can enjoy the theatre of cocktails at the bar, facing the stage, or order from an original and thoughtful wine list, again matching the gastronomic standards for which this group is known. We enjoyed a balanced California Chardonnay, excellent Serbian Merlot and a focused red Burgundy by the glass. 

Our suite, meanwhile, in the new part of the hotel, was beautifully finished with the highest quality wood and brass; it had a big terrace with a view out over the woods, and plenty of thoughtful details. When the spa opens later this year this may well be the hottest hotel in Scotland.  

You heard it here first.

crossbasketcastle.com

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Reading time: 18 min
A bedroom
A bedroom

Castle View Bedroom

Why should I go now?

The Scottish capital is at its most glorious in late spring, bathed in light for 18 hours a day. The student population gives it extra life, and the big tourist crowds of high summer are not yet here. The Sheraton Grand is in a perfect location: many rooms have views to Edinburgh Castle, a forbidding looking edifice on a hilltop across the gardens from the hotel, and it’s at the end of Prince’s Street, the main drag.

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What’s the lowdown?

There are Sheratons and Sheratons, and LUX would like you to understand that this one is grand in both name and nature. It’s a relatively modern building with a light, airy restaurant and bar, casual chic in style and contemporary in feel. And the jewel in the crown is its spa facilities, unrivalled in urban Scotland: a huge indoor pool, and extensive rooftop vitality pool area.

A bronze tiled sauna space with white towels

Hammam at One Spa ©2018 Matthew Shaw

Too often, rooftop pools in cities are tiny things; in this case the vitality pool is vast, and has sweeping views for you to take in while breathing the clear air gurgling down from the nearby Highlands. There’s an indoor vitality pool also, in case the weather gets really bad, though the outdoor pool is well heated so we can’t see why we wouldn’t use it.

An outdoor rooftop pool with steam coming out of it

The outdoor hydropool at One Spa

Getting Horizontal

Our bedroom had big windows and a big view over to the Castle; to its left, people wandered up and down Prince’s Street Gardens; to its right, a sheer rock face more redolent of the Highlands than a city. There was an overarching sense of space and light, so much so that for one dinner we decided to dine in-room, enjoying a very long summertime twilight and some excellent quality, simple cuisine done well: a salmon salad and green vegetables, some local ale. Furnishings were soft and quite masculine.

Read more:Switzerland, our top pick for summer

A lounge with a window ceiling

The Club Lounge ©Matthew Shaw

Flipside

The hotel is modern, spacious and comfortable, although if you’re looking for a historic interior, you won’t find it here. We loved the efficiency and comfort, and there are plenty of historic buildings to visit in Edinburgh.

A living room with cream chairs and a blue sofa

The Grand Suite Living Room

Rates: From £321 average per night (approx. €380/$400)

Book your stay: marriott.com/hotels/sheraton-grand-hotel-and-spa-edinburgh

Darius Sanai

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Reading time: 2 min
Remote village of Glencoe in Scotland
Remote village of Glencoe in Scotland

Glencoe, Scotland. Image by Max Hermansson

Scotland was recently crowned the most beautiful country in the world; it conjures up images of wild northern mountain rises, plunging cliffs and bottomless lochs.  The combination of Scotland’s bustling cultural hubs with its raw, breath-taking landscapes makes it seem only natural that artists and poets would gravitate towards this northern haunt. Rhiannon Williams turns the spotlight on Scotland’s best poetry nights and slams, and speaks to The Loud Poets collective about the poet’s role in contemporary society.

In both Glasgow and Edinburgh today there is a veritable traffic jam of poetry nights, collectives and slams all fuelled by furious creation. These include the regular Illicit Ink showcases which like to focus upon ‘the sinister, the witty and the weird’, or collective Inky Fingers who run writers’ workshops as well as incredibly cool performance nights in Edinburgh at the popular Fringe venue Summerhall.

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Poets and the poetry community alike meet to learn from each other, share ideas, and of course laugh and enjoy themselves – Edinburgh is not the capital of comedy for nothing, and a lot of the poems performed will jump over into being stand-up sets too. This is the case with Neu! Reekie! which often set up at the quirky Monkey Barrel Comedy club.  Whilst, Growing Underground at the Forest Café in Edinburgh is as unique as it gets. The radical arts hub hosts monthly nights, serves organic hot food, and has a basement gallery and venue space which is as mouth-wateringly atmospheric as it sounds.

The Loud Poets collective performing in Scotland

Image by Perry Jonsson

Finally, there are the Loud Poets who, as with a lot of the poetry collectives, resist any concrete
definition. They’ve been together since 2014 and perform at Fringe shows, run club nights, create art  and music and now have a hub in Annexe Arts of Edinburgh. Popular in both Glasgow and Edinburgh, the appeal is in the idea of noise, empowerment to speak out and encouraging others to do the same.

Rhiannon Williams: What’s the best part about being in a collective?
Loud Poets: The best part about being in a collective is the ability to bounce ideas off of your fellow artists and brainstorm together. In Loud Poets we have not only writers and performers but also musicians and video artists, so any time someone wants to create new work, they can draw upon a range of talented folks for ideas and advice.

RW: How did the members of the Loud Poets meet? What is your creative process; do you ever write collaboratively for example?
LP: As a collective we’ve grown and evolved over time: what began as a small group of creative folks DIYing a monthly showcase has ballooned into a larger collective containing many different artists. One of Loud Poets’ aims has always been to foster a community around spoken word in Scotland, so we’ve always encouraged folks who are passionate about the art form to get involved in the collective. It’s hard to say there’s any one creative process – it varies for the different artists and it’s always changing!

The diversity of creative practices in Loud Poets is, I think, one of the things that makes it work so well – if one person is stuck, another person can jump in with a different strategy to help. We do write collaboratively – we have several partner and group poems that we’ve performed as part of our Edinburgh Fringe shows. Those are challenging but also loads of fun to compose, since the process involves balancing different styles to create the piece that will work the best in live performance.

RW: Your work spans all kinds of medium, from physical performance to live music and visual arts. Where would you say the roots of the poetry lie for you?
LP: I think each member of LP would answer that question differently, which again I think is a good thing! We each draw upon different creative practices: for example, Kevin is a trained actor, Katie a trained dancer/choreographer, and Doug plays multiple instruments. As a collective we perceive performance poetry as a multi-medium art form to be experimented with, and we’ve had a lot of fun innovating at the edges of the genre.

RW: Which poets/artists/musicians are you excited about right now?
LP: It’s so hard to just pick a couple! One artist who LP has admired for a long time is the Leicester-based artist Jess Green, who not only writes and performs poems but also works with a live band and has recently penned a play! Jess often targets political inequalities through her sharp, beautifully realised poetry. We’ve recently fallen in love with Glasgow artist Sarah Grant, an incredibly talented film-maker who came along to LP last year and performed her first poem there to great success. Since then, she’s won two of our slams and graced our stages many times, as we can’t get enough of her often hilarious yet always powerful work.

Read next: Brisk walks and autumnal evenings at Coworth Park Hotel & Spa

RW: What do you do to prepare for the performance, just before going on stage? Any quirks or
particular thought processes to get into the zone?
LP: Again, this is different for everyone – we’ve tried doing team push-ups before shows but that
tradition didn’t last long… For some of us, it’s essential to run the poems either in our heads or out loud before performing, whereas for others they trust that the material is in there from prior
rehearsal. Some of us have physical warm-ups that we like to do so we can use our voices fully
onstage. Sometimes performing a certain poem, especially if it’s emotional and personal to the
performer, means taking an extra moment to mentally prepare before walking onstage. It really
varies!

RW: What kind of role has Scotland played in the content and inspiration of your writing?
LP: Again, this will really vary! Catherine Wilson and Katie Ailes have both written directly about Scotland, Catherine from her perspective of living here her whole life and Katie as an immigrant.
One thing that I’d say for everyone is that it’s great being in such a vibrant spoken word scene in
Scotland today. Spoken word across the UK is currently booming, so it’s a great time to engage in the art form. Scotland also has a cultural devotion to literature, especially live literary traditions, which makes it a fantastic environment for writers. We’re lucky to have resources like the Scottish Poetry Library, Scottish Storytelling Centre, Scottish Book Trust, and more organisations devoted to this art forms to support our work.

Scotland's poetry collective the Loud Poets performance night

Image by Perry Jonsson

RW: What would you say is one of the most difficult things about being a poet today?
LP: Unfortunately, I think a lot of the general public thinks poetry isn’t for them and so don’t engage with it: perhaps in school they were taught work that wasn’t relevant to them or had to analyse it past the point where that was any fun. To quote the brilliant Adrian Mitchell, ‘most people ignore most poetry because most poetry ignores most people.’ Not to knock other writers at all, but if our work looks entirely inwards or is so experimental or reference-heavy as to be inaccessible, it’s not going to engage most folks.

Our core mission has always been to make work which is accessible and interesting to everyone: poetry which is exciting, which touches on issues in contemporary life, which is performed in a way that makes you sit on the edge of your seat. Our favourite thing to hear is someone admitting that they were dragged to one of our shows, swearing poetry wasn’t their thing, only to actually really enjoy it – or, even better, to enjoy it so much that they themselves were inspired to write a poem. So we want to change the assumption that poetry is an ivory tower by making work that encourages everyone to speak out.

Rhiannon Williams: Glasgow or Edinburgh?
Loud Poets: Ah, don’t ask us that! We’ve run monthly showcases in both cities for nearly three years now, and we love them both. The spoken word cultures in each city have slightly different flavours, Glasgow’s being more influenced by the fantastic Scottish rap scene and often quicker-paced than Edinburgh’s, which tends to have lots of international students and thus a wide pool of influences. We love booking artists from one city to perform in the other, not just with Glasgow and Edinburgh but across Scotland, to try to expose each city to the great artists and styles from elsewhere in Scotland and the UK.

RW: Highland Loch or a North Sea cliff face?
LP: Well, they say poets are narcissists, so I suppose the loch so we can stare at our reflections like Narcissus until we die? How’s that for a poetic answer… On the other hand, standing on a bleak cliff face with our hair tangling in the brutal wind sounds equally poetic… Tough choice. We’re going to have to go with Greggs. Whether it’s taking place in a pub, a club, beneath a café, in the streets or on the air, some of the most exciting and diverse poetry in the world is being created in Scotland right now, so head up whenever you can, open your ears, dig in with every sense. It’s a blast!

loudpoets.com

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Reading time: 8 min
The Balmoral
Clyde Auditorium

Clyde Auditorium – Seating 3,000, it is also referred to as “The Armadillo” by Glaswegians

Edinburgh is Scotland’s capital, Glasgow is its biggest city. Ahead of this year’s vote on independence, RJ MALONE explores what each has to offer in terms of hospitality and soul

Glasgow, Scotland’s biggest city and Britain’s second city after London (at least, until the Scots decide whether or not they wish to remain part of Britain later this year), is often gifted with slightly backhanded epithets. “Gritty”, “real”, “friendly” and, worst of all, “down-to-earth”, for example, compared with Edinburgh, Scotland’s capital 40 miles down the M8 motorway, which is “beautiful”, “historic” or “traditional”.

I rather like spending time in Glasgow. It doesn’t have the visual drama of Edinburgh’s Castle as viewed from Prince’s Street, or the tourist-postcard dream come true of the Royal Mile. But it does have plenty of striking architecture around its university, West End and central areas, a fizzing cultural program, and some fantastic, and well-priced, restaurants if you like seafood, simply rendered.

To experience the city properly, you either need to stay in a place where you can escape from its very real harshness – no creative cultural program can obliterate the bands of rain sweeping on crystal clear air from the Atlantic, whatever the month – or revel in it.

The first of these is the Hotel du Vin, One Devonshire Gardens. Fans of the boutique town hotel group will be familiar with its cleverly designed, gourmand-friendly, contemporary-cosy properties around the UK; but this is another level altogether. The group’s only effectively five-star outpost (only the vagaries of staircase connections between the grand townhouses that comprise the hotel rob it of an official five-star rating), it is on the edge of the city’s restaurant-and-bar-packed West End. Step inside and you shut the wind, rain and streetscape out, both visually and physically.

Hotel Du Vin

Hotel du Vin – The iconic hotel is known for both its service and style

It’s all about a series of grand drawing rooms, created with a very contemporary blend of pared-back chic and ornate swank. My bedroom, facing an internal courtyard, was all about swoothing swathes of drape and fabric, and a bedroom that felt like you had been whisked into a 19th-century boudoir (but with no mustiness or dustiness; everything was perfectly up-to-date). The best part of the stay, though, was an evening spent in the bar: this was another ornate drawing room, with sofas and chaises longues and coffee tables, with a bar along one side. The lighting, so often the killer in bars in drawing rooms (there’s usually too much of it and you expect your maiden aunt to drop in for tea and biscuits, not very seductive), was just dark enough. The array of single-malt Scotches would have kept a whiskiphile going for weeks; the wine list was peppered with interesting red Burgundies and new-wave new-world points; I enjoyed some local Scottish craft beer, while picking at a very pleasant board of charcuterie.

Glasgow’s heyday was at the height of the industrial revolution, when it was a port, centre of commerce and ideas, and shipbuilding centre: a sort of 19th century version of contemporary Shanghai. Its more recent reinvention involves some interesting architecture also, and a way to both see and experience it is at another of my favoured hotels in the city, the Crowne Plaza Glasgow. This sits in the middle of a new cultural and conference area, a former industrial zone across the curiously quiet Clyde river (the great shipyards were further downstream, where the waterway is mightier) from the BBC’s new Scottish headquarters, and next to a mini-Sydney Opera House known as the Clyde Auditoriam, designed by awardwinning architect Sir Norman Foster. At night, the area has a kind of Twilight Zone beauty about it, and I enjoyed sitting in the silent efficiency of my corner suite, which had a double outlook, drinking a Schiehallion beer, looking out across the river and over to the outline of the Southern uplands beyond, feeling like we are on the edge of Europe. The bar, downstairs, is pretty lively too, in a very Glasgow way.

Edinburgh has a much more formal way about it, and a far more formal beauty. I prefer the cheerful gruffness of a semicomprehensible Glaswegian taxi driver to the clipped and chipped service of an Edinburgh driver, but that’s personal. And if you are going to see Edinburgh, there is one place to see it from: its grandest hotel, the Balmoral, which sits directly adjacent to Waverley Station, diagonally facing the Castle, and at one end of Prince’s Street. Prince’s Street itself is a shopping boulevard flanked by unremarkable retail in grand stone buildings on one side, but the gardens on the other side, dropping into a dip, and then rising up to the great rock hill on which the Castle is perched, give the impression of being on the edge of the sea, the Castle a fortress rising beyond.

The Balmoral

View From The Balmoral with views of the Edinburgh Castle by night

My room had a view of all this, and an enormous amount of space besides, a mark of this grand edifice of a hotel. A small measure of Highland Park 12-year-old whisky with a single cube of ice made from Highland Spring water (why put chlorinated tap water in your whisky, in the form of a melting ice cube?) enhanced the view.

The public areas of the Balmoral are a tourist attraction in themselves; the domed Palm Court a place where locals and tourists congregate for afternoon tea, Ritz-style (be sure to book in advance) and no doubt talk of places where palm trees don’t need central heating in order to grow properly. More my style was the spa, where a chatty therapist gave me a very effective scrub and massage, amid generously proportioned surroundings.

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