Nadja Swarovski is an environmental philanthropist and investor in sustainable brands

How do we protect our oceans, which generate most of the oxygen we breathe, regulate the planet’s climate, house most of its biodiversity and feed billions, while nurturing sustainable economic activity? In the first of our series, investor and philanthropist Nadja Swarovski outlines her key priorities and gives some no-nonsense advice to her peers

Nadja Swarovski has been involved with sustainability and ocean protection for decades, both as a top executive in the eponymous family company, optic instrument and crystal maker Swarovski (which posted €1.9 billion in revenue in 2024), and as a philanthropist.

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She says she sometimes despairs at the lack of progress in the fashion and garment industry, to which Swarovski provides crystals. “It’s very sad to see how unsustainable some fashion brands are, because there are solutions out there. Concern about the bottom line keeps executives from exploring them. What has gone wrong is down to short-term thinking and human greed”.

Swarovski says that large corporations, particularly consumer-facing ones, have the ability to change the narrative in the broader economy. “Implement a strategy that embraces the cause of building a sustainable future. Sign the United Nations Global Compact. Roll out those principles in your organisation and educate your employees. They’ll tell their families.” In this way, corporations with tens or hundreds of thousands of employees can move the dial in terms of establishing a democratic desire for sustainable development.

This, Swarovski says, will also raise the desire for action, as it will help the voting public in democracies to better understand how natural capital, conservancy, sustainability, economic growth and wellbeing are entwined. At the moment there is not enough awareness that viewing nature as capital should be intrinsic to our economic system.

An encounter with a whale shark, the ocean’s largest fish, Mexico, 2018

Swarovski, who was in charge of the Swarovski brand’s sustainability strategy from 2012 to 2020, believes that individual philanthropists have both an opportunity and a duty to do more. Family offices and businesses that have foundations can direct their strategies via organisations such as The Nature Conservancy, which she herself supports, including as a member of its European Council for Global Conservation.

Tracking impact is also key for Swarovski. “Many charities are not implementing the UN Sustainable Development Goals effectively, and are not reporting efficiently,” she says. “I donated to and worked with a number of organisations, and only a fraction of the funds ended up with the conservation and nature causes they were supposed to support. Often with structural inefficiencies or corruption in some parts of the world, there is a risk that the money gets stuck somewhere along the way.”

Read more: How Louis Roederer champagne leads in biodiversity

Swarovski no longer holds an executive role in the company and works as an individual philanthropist; she is a strong believer in the potential for philanthropy to create significant positive impact, but says “there is a lot to do”, as individual philanthropists, corporates, governments and NGOs need to establish structures to catalyse change.

She speaks of her participation in the 2025 United Nations Ocean Conference in Nice, France, as a trustee of the Pacific Whale Fund. The fund is committed to changing shipping routes so they reroute to avoid the migratory paths of whales. “They are migratory animals,” says Swarovski, “and what is important is to protect their migratory paths, due to the dramatic increase in shipping traffic.” She points out that this is not simply to ensure the safety of these seaborne mammals: they are a key part of an ecosystem that ensures the oceans are healthy, which in turn ensures a healthy planet, and our own future.

Nadja Swarovski is an environmental philanthropist and nature-finance advocate for oceans. An ambassador for the Circular Bioeconomy Alliance established by King Charles, Swarovski also sits on the European Council of The Nature Conservancy. She is a trustee of the Moananui Sanctuary, supporting the Pacific Whale Fund through innovative finance, and is an impact investor. She is the founder and former Chair of the Swarovski Foundation and former Head of the Swarovski Waterschool.

Photography for the UBS x LUX Blue Economy series by Cristina Mittermeier

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seaweed in the water and a building on the shore
seaweed in the water and a building on the shore

The Monterey Bay Aquarium in California, whose global seafood programme, Seafood Watch, advises the fishing industry and governments on how to operate sustainably

Julie Packard, scion of the US tech family, has changed the way we eat with her Seafood Watch initiative. She says collaboration between philanthropists, governments and corporates is the only way forward

LUX: What happens in the deep sea has a direct effect on our lives and the health of the planet. How do these links work and what has been discovered in recent years?
Julie Packard: We call our planet Earth, but 71 per cent of the surface and 99 per cent of the living space is ocean. The aquarium tells the story of ‘the other 99 per cent’. The ocean enables life to exist on this planet. Its microscopic plant life absorbs carbon and produces oxygen. Its vast waters have absorbed 90 per cent of the heat caused by rising greenhouse gasses in our atmosphere. Deep-sea currents are part of a vast unseen global conveyor belt that cycles nutrients, oxygen and heat through the ocean, supporting an abundance of marine life, which travels up and down the water column, storing carbon in deep waters, where it’s locked away.

A woman with grey hair speaking into a microphone with a purple backdrop

Julie Packard

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LUX: You are a proponent of nature-based solutions as an economically and environmentally sustainable way forward for the planet. What does that mean in reality for oceans and coastlines?
JP: Earth is an interconnected living system whose services make our lives possible. It’s time to reinvest in nature, instead of treating it as a bottomless bank account. That means restoring wetlands and other coastal ecosystems, which are nurseries for fisheries and buffer us against sea-level rise, as well as protecting us from escalating storms. Restoring healthy seagrass meadows is one example. We’re finding that our decades of work to recover California sea otters is helping to restore healthy wetland seagrass beds. These otters are more than a cute face. We call them ‘furry climate warriors’.

A starfish with sprouts coming out of it

A close up of a Basket star in the Into the Deep: Exploring Our Undiscovered Ocean exhibit

LUX: Are you in despair about what has happened to our oceans, or optimistic about the scientific advances pointing to solutions – and if the latter, which ones?
JP: Without question, we face daunting challenges. If we fail to act, the world will be a grim place for our children and grandchildren. I’m confident that solutions are within our grasp. Renewable energy development is moving faster than ever, and the cost of these technologies is falling. We can put people to work rebuilding healthy ecosystems so nature can do what it does best. We know what we need to do. What we need is the will to take action.

Blue jellyfish all entangled in eachother

A close up of a moon jelly (Aurelia labiata) in the Open Sea exhibit

LUX: You have focused on sustainable seafood: do you feel there is genuine progress being made here, not just in wealthy nations, but in countries where hundreds of millions fish for subsistence?
JP: Unsustainable fishing is a problem we know how to solve, and we’re seeing huge progress. The market-based approach, taken by the aquarium’s global seafood programme, Seafood Watch, with its sustainability rating system, is succeeding, because our goal is a future where both fisheries and the people who depend on them thrive. It creates incentives for producing nations to put their fisheries and aquaculture operations on a sustainable footing, enabling them to gain access to the global market. The key is genuine engagement with small-scale producers – we’re collaborating with operations in India, Indonesia, and Vietnam – to solve their real-world problems and deliver benefits that make a difference in their lives.

An orange and pink luminous jellyfish

A close up of a Bloody-belly comb jelly in the Into the Deep: Exploring Our Undiscovered Ocean exhibit

LUX: Who is making the biggest difference – philanthropists, corporations or governments?
JP: Everyone has a role to play. Philanthropy jump-started the global sustainable seafood movement. Today, its investments support early stage development of technologies to reduce greenhouse gasses in the shipping and energy industries, and in community-led work to strengthen the resilience of ocean ecosystems.

Read more: The Futures: A Token Of Goodwill

Corporations know their success depends on embracing an approach that values people, planet and profit. Governments set the ‘rules of the game’ that create incentives to protect the living ocean and make it expensive to damage ecosystems on which our survival depends.

a shark swimming through a forest of kelp

A leopard shark (Triakis semifasciata) swimming in the Kelp Forest exhibit

LUX: Is there more of a connection to be made between art and science, concerning ocean conservation?
JP: Having observed people in the aquarium, we’ve seen that building an emotional connection to ocean life is the starting point. When people encounter our living exhibits, they react with awe. Then we can begin to talk about the threats the ocean faces, and how they can make a difference. It’s the power of art – whether an aquarium, a film, or a piece of music – that engages people. And we’ve always found ways to make science accessible. Our new deep-sea exhibition incorporates gorgeous video imagery of deep-sea animals, ground-breaking living exhibits, and stories of the scientists studying the deep ocean. It’s a compelling combination.

Julie Packard is the executive director of the Monterey Bay Aquarium in California

This article appears in the Summer 2022 issue of LUX

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